Harvey Milk’s lasting influence in the labor history of queer America

In this blog entry, Miriam Frank, author of Out in the Union, explores Harvey Milk’s political vision of union involvement and LGBT progress.

article-stamp-0404Two months ago the United States Postal Service issued a new “Forever” postage stamp to honor Harvey Milk. I remember when Harvey Milk won his seat on San Francisco’s Board of Supervisors in 1977. He was California’s first openly gay elected official.

A year later Milk was still campaigning, but not for himself. A new amendment to California’s state constitution was on the ballot for the November election. If Proposition 6 passed, it would require local boards of education to fire school employees for public or private declarations of their queer identities, as well as any school worker, straight or gay, who affirmed or advocated gay existence.

In June 1978, Milk spoke out against the menace of Proposition 6 to hundreds of thousands of gay people at San Francisco’s Gay Freedom Day rally. He challenged supporters to defy the threat by making their gayness more open than ever. “Come out to your friends, if they indeed are your friends,” he said. “Come out to your neighbors, to your fellow workers, to the people who work where you eat and shop.”

Milk organized hard against the amendment. Throughout the summer, he was on TV for interviews, or for debates with state Senator John Briggs, Proposition 6’s author. Milk’s prominence and charisma kept the battle in the news, but central to the fight were California’s lesbian, gay, bisexual and transgender citizens: city dwellers, suburbanites, rural folks. Many so feared how the amendment would affect their lives that they did come out. Sons, daughters, friends and co-workers told the people in their lives the truth about what the amendment would mean for their futures. One by one they asked their families and neighbors to vote “no on 6.” And one by one, they broke through the secrecy and fear that had held them back from living open, authentic lives as equals in civil society.

The decision to come out had to be an individual one, but LGBT people who were fighting Proposition 6 were not alone. Harvey Milk was not only dedicated to the gay community of the Castro but had also supported the municipal workers’ unions and a successful Teamster-led boycott of Coors beer in the neighborhood’s gay bars. Unionists were familiar with Senator Briggs’ record of hostility to labor’s issues and opposed the amendment because it would undermine collective bargaining and legalize workplace discrimination. Three days after the Gay Freedom Day rally, the San Francisco’s Labor Council announced its unanimous opposition to Proposition 6.

Out in the Union_smUnion endorsements and donations enabled wide canvassing and publicity. By mid-summer, liberal religious groups and civil liberties organizations were also involved in the expanding grassroots campaign. Squads of queer activists knocked on doors in city and suburban neighborhoods and visited community meetings at union halls and country churches. In September, an endorsement of “No on 6” by former Governor Ronald Reagan, a right-wing rival of Senator Briggs, swung many more voters. Unions released the power of their political machine in late October with phone banks, a front- page editorial in the AFL-CIO newsletter and 2.3 million palm cards at the polls. On election day, Proposition 6 was rejected by 58 percent of California voters.

California’s successful defeat of Proposition 6 in 1978 was the first major political coalition to connect the fresh and angry power of gay liberation with labor’s long-haul commitment to fairness and equality. Many other great LGBT labor collaborations have flowed forth since then.

In my book, Out in the Union, I interviewed people who participated in those coalitions. My research began in 1995 and my search for stories continued for another several years. To explore the lives and achievements of primary activists, I conducted interviews in New York City, Boston, Detroit, Washington DC, Portland, Oregon, San Francisco, Seattle, Tacoma, Los Angeles, Salt Lake City and many places in between.

The lesbian, gay, bisexual and transgender union members who have told me their stories have been newspaper workers, nurses and health technicians, bus drivers, telephone installers, construction tradespeople, store clerks, hotel and restaurant employees, factory workers, social service workers and employees of AIDS clinics. Their queer lives have taken them through extraordinary adventures and long phases of everyday routine; and their everyday jobs are as various and their unions as diverse as the labor movement itself. Some have founded new union locals; others have negotiated innovative contracts; and still others have fought to save jobs when their plants were being closed. They are the people of Out in the Union.

Harvey Milk did not live to see the great changes that his activism started.  But  I like to think that he would have been proud of all that the labor and LGBT movements have accomplished.

 

Adia Harvey Wingfield, acknowledges receiving another award for No More Invisible Man

This week in North Philly Notes, Adia Harvey Wingfield, author of No More Invisible Man, offers her thoughts on winning the Distinguished Contribution to Scholarship Book Award from the American Sociological Association’s (ASA) section on Race, Gender and Class, 2014.

WingfieldFinal.inddI am so happy and proud to receive the Distinguished Contribution to Scholarship Book Award from the American Sociological Association’s (ASA) Race, Gender, and Class Section. This section of the ASA has long been at the forefront of focusing scholarly attention on how these fundamental issues of race, gender, and class are overlapping categories that mutually influence each other in different ways. It is a section that is replete with brilliant scholars doing cutting edge work, so it really means a lot to me to be honored in this way.

I particularly appreciate the recognition that black professional men’s work lives are significantly shaped by these issues of race, gender, and class in ways that render their experiences unique. As the title of this book indicates, for far too long these men have been ignored and overlooked by scholars and media alike. I am happy to be part of the effort to highlight how black professional men, too, live lives that are formed not just by race but also by their gender and class position, and am so pleased that the Race, Gender, and Class section saw fit to recognize these men as well.

Announcing the publication of Kalfou: A Journal of Comparative and Relational Ethnic Studies

Temple University Press is pleased to announce the publication of
Kalfou: A Journal of Comparative and Relational Ethnic Studies

Kalfou

Kalfou is the Haitian Kreyòl word for “crossroads.” It is a scholarly journal focused on social movements, social institutions, and social relations. Editor George Lipsitz explained, “The publication of Kalfou ushers in a new era in engaged scholarship. This first issue blends contributions from the leading scholars in ethnic studies with compelling writings from artists and activists. This journal constitutes a new public square for addressing the most important issues of our time.”

The journal seeks to promote the development of community-based scholarship in ethnic studies among humanists and social scientists and to connect the specialized knowledge produced in academe to the situated knowledge generated in aggrieved communities.

Kalfou is published by Temple University Press on behalf of the Center for Black Studies Research at the University of California, Santa Barbara.

TABLE OF CONTENTS Spring 2014, Volume 1, Issue 1

Introduction: A New Beginning • George Lipsitz

Feature Articles
Martin Luther King Encounters Post-racialism • Kimberlé Crenshaw
Hansberry’s A Raisin in the Sun and the “Illegible” Politics of (Inter)personal Justice • Tricia Rose
The Ideological Alchemy of Contemporary Nativism: Revisiting the Origins of California’s Proposition 187 • Daniel Martinez HoSang
Beyond Conflict and Competition: How Color-Blind Ideology Affects African Americans’ and Latinos’ Understanding of Their Relationships • Chrisshonna Grant Nieva and Laura Pulido, with Nathan J. Sessoms
From College Readiness to Ready for Revolution! Third World Student Activism at a Northern California Community College, 1965–1969 • Jason Ferreira

Talkative Ancestors
Chris Iijima on Asian American Identity

Keywords
Critical Ethnic Studies • Chandan Reddy

La Mesa Popular
The Alchemy of Race and Affect: “White Innocence” and Public Secrets in the Post–Civil Rights Era • Paula Ioanide

Art and Social Action
Music and Mobilization: Kombit Pou Haiti 2010 • Chuck D and Gaye Theresa Johnson

Mobilized 4 Movement
Race, Municipal Underbounding, and Coalitional Politics in Modesto, California, and Moore County, North Carolina • Emily Tumpson Molina

Teaching and Truth
The Bigger Scandal • Pauline Lipman

In Memoriam
Afro-Asian People’s Warrior: Richard Aoki, 1938–2009 • Diane C. Fujino

Book Reviews
The Woman in the Zoot Suit: Gender, Nationalism, and the Cultural Politics of Memory, by Catherine S. Ramírez • Reviewed by María Angela Díaz
From Toussaint to Tupac: The Black International since the Age of Revolution, edited by Michael O. West, William G. Martin, and Fanon Che Wilkins • Reviewed by Michael E. Brandon

 

KALFOU EDITORIAL BOARD

Senior Editor: George Lipsitz, University of California, Santa Barbara

Associate Editors:
Enrique Bonus, University of Washington, Seattle
Maria Herrera-Sobek, University of California, Santa Barbara
Roberta Hill, University of Wisconsin, Madison
Tricia Rose, Brown University

Book Review Editor:
Paul Ortiz, University of Florida, Gainesville

Founding Editors:
Claudine Michel, University of California, Santa Barbara
Melvin Oliver, University of California, Santa Barbara

Managing Editor:
Rose Elfman, University of California, Santa Barbara

 

Two Temple University Press authors acknowledge their recent awards

Adia Harvey Wingfield, author of No More Invisible Man, received the Richard A. Lester Award for the Outstanding Book in Labor Economics and Industrial Relations at Princeton University. The award is presented to the book making the most original and important contribution toward understanding the problems of industrial relations, labor market policies, and the evolution of labor markets.

WingfieldFinal.inddI am very happy to receive the Richard A. Lester Award for the Outstanding Book in Labor Economics and Industrial Relations published in 2013. Given by the Industrial Relations Section at Princeton University, this important award “is presented to the book making the most original and important contribution toward understanding the problems of industrial relations and the evolution of labor markets.” As such, it is my pleasure and my honor to be a recipient.

While I am thrilled to receive this award, more credit and attention should go to the men who were the focus of this project. Part of what inspired me to conduct this study and ultimately write this book was the realization that black middle class professional men are largely absent from the literatures on race, gender, and work. Their unique experiences and the ways they are constructed by intersections of gender, race, and class often go unnoticed, particularly as academics and media instead choose to spotlight economically disadvantaged black men who all too frequently are underserved by existing social institutions. Black professional men’s work lives are frequently lumped into general studies of the black middle class or obscured by the focus on their more visible female counterparts. I thank the men of my study for sharing their lives with me and refusing to be the invisible men of years past.

Bindi Shah’s book Laotian Daughters received the Association for Asian American Studies’ Outstanding Book Award in the category Social Science.

Laotian Daughters sm FINALI am absolutely delighted to accept this book award from the Association for Asian American Studies. The award is not only recognition of my scholarship in the book, but also of the shift in the discursive representations of young Laotian women from the children of Southeast Asian refugees to active citizens and a positive voice for change.

This book would not have been possible without the Asian Pacific Environmental Network’s early vision in building an Asian American face to the environmental justice movement, and without the participation of young Laotian women in APEN’s Asian Youth Advocates program. The teenagers’ spirit, perseverance and commitment to social justice in the face of adversity provided the inspiration to write a book that challenges dominant narratives of assimilation and incorporation.

I also want to thank two people associated with Temple University Press: Linda Võ, who as one of the series editors of Temple University Press’ Asian American History and Culture Series, believed in the book from the beginning, and Janet Francendese, who supported the project through all its stages.

 

Questioning French Republican Politics

In this blog entry, Jennifer Fredette, author of Constructing Muslims in France, writes about Marine Le Pen’s reaction to Muslim soldiers who gave their lives for France during WWII.

French president François Hollande recently paid his respects at a memorial in Paris dedicated to the 100,000 Muslim soldiers who gave their lives for France during the First World War. Marine Le Pen, leader of the far-right National Front party, responded by saying, “It makes me vomit.”

Strong words, to be sure.

What was it that made Le Pen vomit? In her words, it was the very idea of “dividing the French” along the lines of religion: these soldiers should be celebrated as soldiers, and as French; their religion should be immaterial.

On its surface, Le Pen’s statement reflects the French way of doing politics, the “republican tradition.” Americans are accustomed to hearing political leaders speak openly about race, gender, and religion. In fact, our political leaders even appeal to such group identities for the purpose of elections (consider “Women for Hillary” or the “Moral Majority”). French republicanism, however, abhors the recognition of difference. French republicanism is a political philosophy that demands that people engage in politics purely as a citizen, leaving their other identities and affiliations (such as race, gender, religion) at home. Why the distaste for identity politics? The short answer French republicanism offers is that identity politics rip a nation apart. They make it impossible for citizens to appreciate one another as equals, sharing a nation and its future together.

Constructing Muslims_sm We really need to examine Le Pen’s comment a bit deeper, however. After all, Le Pen is no difference-blind republican. She is the head of a xenophobic, anti-immigration political party whose manifesto boldly announces that France’s national culture is profoundly influenced by Christianity. In 2010, Le Pen equated Muslims praying in the street (a result of insufficient prayer space, not religious fanaticism) with living in Nazi-occupied France. True, French republicanism would criticize those who pray in the streets for bringing religion into the public sphere in a highly visible way; but equating them with Nazis was a rhetorical flourish all Le Pen’s own, suggesting that Muslims are dangerous outsiders seeking to invade and even oppress France.

Beneath the surface, Le Pen’s comments about the memorial communicate something else: the power of political omission. Le Pen says these soldiers should be celebrated as French, not Muslims. But many of these soldiers fought for France as French colonial subjects. To celebrate them simply as “French” is to conveniently forget France’s participation in the systematic domination and oppression of parts of the Muslim world. Furthermore, media coverage and political discussion of French Muslims today often portrays them in a negative light, questioning their Frenchness and depth of “integration.”

A 2012 French Institute of Public Opinion poll indicates that nearly half of the French would describe Muslims in France as a threat to national identity, and the National Consulting Committee for Human Rights recently warned that Muslims are increasingly subject to violence at the hands of their fellow citizens. In light of this highly charged and certainly not difference-blind climate, it seems a problematic oversight to celebrate these soldiers without recognizing that they happened to be Muslim, and that Muslims have indeed contributed to the betterment of the nation.

Let’s Talk about Sex and the Founding Fathers

In this Q&A, Sex and the Founding Fathers author Thomas A. Foster discusses our fascination with the intimate lives of historical figures.

Q: What do you think accounts for our interest in the private lives of public and/or historical figures?
TF: I think people are drawn to personal lives of famous people as a way of connecting to them. I have long been interested in the Founding Fathers as cultural icons. As I started reading biographies and doing research, I discovered that Americans have always been writing about the private lives of historical figures—sometimes with more imagination than evidence. It fascinated me to see how the stories change over time—often to suit the norms of the day. Apparently, people have been looking at the real men beneath the polished marble exterior for ages.

Q: Why is sex so critical for understanding the Founding Fathers today?
TF: The history of sexuality can tell us a lot about our culture and society. Sexuality is connected in vitally important ways to family, economy, politics, gender, race, class—you name it. Unless we know the history of sexuality, we will be missing the full picture of who we are and how we developed over time as a society. Studying how sex figures in our nation’s understanding of its Founders, shows that sexuality is part of that broader political and cultural identity that is being worked and reworked by every generation.

Author Thomas A. Foster

Author Thomas A. Foster

Q: So how does the desire to know the “real” Founders influence the stories we tell and remember?
TF: The whole idea of debunking myths of the Founders is an old one—and one that gets recycled over and over again. Americans are perennially hoping to reach the “truth” about the Founders—and sex is one way that they think they can get there. But for the most part it’s just a mirage. We have hardly any documentation for so much of what is spoken of as fact. One of the things that surprised me while writing Sex and the Founding Fathers is the way the stories change. Sexual standards shift over time and those broad changes become quite evident when we look at how the intimate lives of the Founders have been imagined by different generations.

Q: Historical rumors circulate that Washington was impotent, or that Alexander Hamilton was gay. How much faith can we put in these suggestions, innuendos, and accusations?
TF: That the stories about their sex lives change so much over time—and rest on very little actual documentation—is a sign that something else is going on than simply getting at the “true” man behind the public façade. As an historian of sexuality, I would argue that it’s extremely important that we recognize the ways that sex is taken up in discussion of national identity—with the Founding Fathers being one core element of that historical and cultural identity. How we go from Adams as a prickly prude to an amorous puritan, for example. Or how Americans feel compelled to speak about these political greats with the same superlatives—as being the most romantic, or the greatest love stories, etc.

Q: Right, reputations shift over time—for example, Thomas Jefferson has been variously idealized as a chaste widower, condemned as a child molester, and recently celebrated as a multicultural hero. How can we move from commemoration to accusation to celebration?
TF: There are multiple ways to read the Founders’ life stories. That these stories change over time shows that they’re crafted to serve cultural purposes—positioning Jefferson as a chaste widower was important in its day for many nineteenth-century audiences. Today that depiction doesn’t speak to us for a wide variety of reasons.

G-000865-20111017.jpgQ: Do you think Jefferson really “loved” Sally Hemings? How large is the gulf between what we know, what we can prove, and what we want to believe?
TF: The gulf is enormous, and we have so little to go on. The academic scholarship on sexual intimacy between masters and slaves tells us that the relationships were exploitive and abusive. But in popular depictions of Hemings and Jefferson, we often see them as in love and ahead of their time. We have no documentation to help us understand their relationship but we’re invested in imagining it as historically true. We certainly have no evidence that it was an abusive relationship, and we know that the Hemings family was positioned well on the plantation. We also know that Sally received some fine clothing while in Paris. And there is scholarly consensus that Jefferson fathered all of Hemings’s children. But as I point out in Sex and the Founding Fathers, establishing likely paternity is entirely different from trying to understand the interpersonal dynamic of a decades-long relationship. The relationship has been envisioned fairly unhesitatingly—in some popular venues as a romance.

Q: You address scandals in Eighteenth-century society, which contemporary politicians use to justify their own bad behavior. How have things changed—or stayed the same between Washington’s era and today’s digital age?
TF: Almost every scandal in Sex and the Founding Fathers was openly published. Jefferson, Washington, Hamilton, and Franklin all saw scandalous talk about their sex lives in print. However, typically, Americans remember their Founders favorably not negatively. Dirt on Adams? He certainly liked to think of himself as the most virtuous of the Founders. Americans have generally adopted a similar view. I think contemporary politicians find it helps them if they can point to Founders and say that they are similarly flawed (with the implication being that maybe they are similarly great in other areas).

Q: Gouverneur Morris is perhaps the least known Founding Father, and yet his extensive and explicit diaries reveal a treasure trove of unconventional sexuality, as well as details about his intimate life. What can you say about his attitudes toward sexuality that generates attention for him?
TF:
Gouverneur Morris left us the most material from which to understand his sexual identity and experiences. His diaries were quite explicit and he lived as a sexually active bachelor until he married at the age of 57. It’s not what he says as much as the fact that he said it that distinguished Morris. His writings capture late eighteenth-century ideas about sex out of wedlock—combining the rhetoric of love and companionship with a free expression and excitement about love and sexual pleasure.

Don’t Just Read Our Authors, Watch Them!

This week, we showcase a quartet of videos featuring Temple University Press authors talking about their books. Natalie Byfield revists the case of the Central Park Five, in her new book, Savage Portrayals; Tom Foster discusses Sex and the Founding Fathers; Karla Erickson talks about How We Die Now, and Dean Bartoli Smith answers Cullen Little’s questions about the Baltimore Ravens, the topic of his book,  Never Easy, Never Pretty.

Natalie Byfield, Savage Portrayals

From her perspective as a black, female reporter for the New York Daily News during the Central Park Five trial, Natalie Byfield shows how the media’s racialized coverage of the Central Park Jogger case influenced the conviction of five young minority men accused of “wilding” and affected the American juvenile justice system.  She recalls her experiences here:

Thomas Foster, Sex and the Founding Fathers

In this video, Foster explains why we are so interested in the private lives of public historical figures, and how the desire to know the “real” Founders has influenced the stories we tell and remember.  

Karla Erickson, How We Die Now

Here, Karla Erickson explains what prompted her to write about death and dying and the myths she debunks about “the longevity revolution.”  

Dean Bartoli Smith, Never Easy, Never Pretty

The author sits down with sports writer Cullen Little to discuss the Ravens and more.   

Celebrating the life and legacy of Octavius Catto

Last week, the Philadelphia Freedom Festival, had a press conference announcing their seven-month project celebrating the life and legacy of 19th-century African-American civil rights pioneer, Octavius V. Catto, the subject of Daniel Biddle and Murray Dubin’s Tasting Freedom.

Of particular note is the April 30th event, Let Freedom Ring, will showcase Tasting Freedom authors Daniel Biddle and Murray Dubin.

Tasting Freedom_AD(12-16-09) finalLet Freedom Ring Scholarly Panel Discussion

April 30, 2014 | 4:00PM–6:00PM

Temple University, Mitten Hall

Live broadcast by 900AM-WURD, this engaging discussion joins a diverse set of voices from Philadelphia’s academic and activist communities to reflect on the life and impact of Octavius V. Catto. Performance by Cheyney University Concert Choir to follow.

This event is in partnership with the Charles L. Blockson Afro-American Collection and 900AM-WURD.

Other events listed below in chronological order

Let Freedom Ring Scholarly Panel Discussion

April 30, 2014 | 4:00PM–6:00PM

Temple University, Mitten Hall

Live broadcast by 900AM-WURD, this engaging discussion joins a diverse set of voices from Philadelphia’s academic and activist communities to reflect on the life and impact of Octavius V. Catto. Performance by Cheyney University Concert Choir to follow.

This event is in partnership with the Charles L. Blockson Afro-American Collection and 900AM-WURD.

Catto PressConf 

PHOTO: Authors Murray Dubin and Daniel Biddle (far left) at the Press conference

Other events are posted below in chronological order

Octavius Catto Story: A Philadelphia Freedom Fighter
Connecting Arts-N-Schools

February–April 2014

These workshop/performances will be presented in four participating Philadelphia schools and integrate with the history, literature, and arts curriculum.

Workshops open to participating schools only.

Let Freedom Sing
Community Jubilee

February 22, 2014 | 2:00PM–4:00PM

Mother Bethel A.M.E. Church

Invited ministers and their choirs will participate in a church meeting revival offering a praise and worship opportunity for the entire community.

The program will consist of Negro Spirituals, sacred music born out of the African Diaspora experience, praise dancers, and special words from several special guest ministers.

Refreshments will be served after the event during a Meet & Greet with the ministers. Tours of the Richard Allen Museum will also be available.

Taste of Freedom
Catto Awards Luncheon

March 28, 2014 | 11:30AM–2:00PM

Union League of Philadelphia, Lincoln Hall

The Mann is honored to pay tribute, during Women’s History Month, to African American women who have made distinguished contributions to their professions and communities.

Freedom of Composition
Master Class

April 18, 2014 | 2:00PM–4:00PM

Curtis Institute of Music, Lenfest Hall

Music students from Philadelphia universities will be invited participants in this Master Class/Meet the Artist session facilitated by Uri Caine, the commissioned composer of the finale main stage performance.

Master Class open to participating schools only. This event is in partnership with the Curtis Institute of Music.

Let Freedom Speak — Voices of Our Children
Catto Youth Freedom Project

May 16, 2014 | 10:00AM–12:00PM

Church of the Advocate

400 Philadelphia students are invited to attend an engaging, celebratory program featuring local young spoken word artists and city-wide choirs.

This event is in partnership with Art Sanctuary’s Celebration of Black Writing and is open to participating schools only.

Freedom Rap Session
Youth Freedom Panel Discussion

June 7, 2014 | 10:00AM – 12:00PM

Crescendo Restaurant & Lounge at the Mann

Invited local hip-hop artists and scholars who have experienced & studied racism in Philadelphia will discuss how the power of music is reflected in their words. Also featuring performances by emerging young spoken word artists.

This event is in partnership with Art Sanctuary.

Sing Freedom Sing!!!
Festival Finale Concert

July 19, 2014 | 8:00PM

The Mann’s Main Stage

Premiere performance of a commissioned work by composer Uri Caine featuring The Philadelphia Orchestra, a 300-voice choir, headline soloists, and praise dancers.

Special Guest Artist Dr. Marvin Sapp

A pre-concert event on PECO Plaza will feature the “Trailblazers to Freedom Digital Interactive Media Traveling Trunk.”

Pre-concert event presented in partnership with the African American Museum in Philadelphia.

Freedom Youth Jamboree
Young People’s Concert Series

July 28, 2014 | 11:00AM

The Mann’s Main Stage

A free children’s concert featuring “Catto at the Bat,” an original “baseball en pointe” piece by The Rock School for Dance Education, and Negro Spirituals performed by the Philadelphia Boys Choir.

Four Greenfield Performance Treasures Workshops to follow featuring the Philadelphia Boys Choir.

YPCS is free and open to the public.

Temple University Press staff selects the Books of the Year to give, get, and read

As we wish everyone Happy Holidays and happy reading, the staff at Temple University Press selects the memorable titles of 2013.

Micah Kleit, Executive Editor

The Press published a bounty of riches this year, from Deborah Willis and Barbara Krauthamer’s Envisioning Emancipation to Dean Bartoli Smith’s Never Easy, Never Pretty, an exciting account of the Baltimore Ravens’ Super Bowl win. But the book I’d most like to give as a gift is Philipp H. Lepenies’ Art, Politics, and Development: How Linear Perspective Shaped Policies in the Western World. It’s the kind of work that represents, to me at least, the best of what university presses do in advancing scholarship.Art, Politics, and Development_sm

I’d love it if someone bought me a copy of Boris Kachka’s Hothouse: The Art of Survival and the Survival of Art at America’s Most Celebrated Publishing House, Farrar, Straus, and Giroux.  It’s just the kind of inside-publishing book that reminds me of why I love what I do!

The book I’m planning to read over the holiday — in preparation for the “sequel” that’s due early this Spring —  is Robert Coover’s The Origin of the Brunists.  It’s one of his earliest novels, and I’m excited that he’s returning to this story and continuing it, since it speaks (like so much of his work) powerfully to the ideas of what makes up the American character.

2013 was a great year for big novels from emerging and established writers, and the very best I read this year had to be Rachel Kushner’s The Flamethrowers, a book that was at once really economical in style but epic in scope: about 70s radicals, motorcycles, Italy and America.  I don’t think I’m the only one who thought of Don DeLillo when reading Kushner’s wonderful novel.

Sara Cohen, Rights and Contracts Manager

G-000865-20111017.jpgThe best TUP book to give?   My loved one are going to have to wait until Presidents’ Day to receive their Christmas gifts so that I can give them Thomas Foster’s Sex and the Founding Fathers.

The book I most want to receive for the holidays? The first book of Karl Ove Knausgaard’s My Struggle. A friend sent me Zadie Smith’s New York Review of Books piece “Man vs. Corpse,” which cites My Struggle, and I’ve been looking forward to reading it ever since.  I also hope to receive a vegan cookbook (maybe Veganomicon)  so that I can start the new year off with good dietary intentions.

The book I plan to read over the break?  I’m supposed to be reading A People’s History of the United States by Howard Zinn with my husband and one of our friends.  I’m going to spend the break trying to catch up to the two of them.

Aaron Javsicas, Senior Editor

MoreMuralsEarlier this year I read and very much enjoyed Red Plenty, by Francis Spufford. It’s engrossing historical fiction about what it might have been like to live in the Khrushchev-era Soviet Union, and to feel real optimism about the country’s future even while beginning to see cracks that would spread and destroy it.
I look forward to reading and giving Temple University Press’s Philadelphia murals books Philadelphia Murals and the Stories they Tell, and  More Philadelphia Murals the the Stories They Tell, as a new volume, Philadelphia Mural Arts @ 30,  is forthcoming in 2014. I’m from Philadelphia but only recently moved back, after thirteen years in New York, to come on board at the Press. The terrific Mural Arts Program expanded a great deal while I was gone, and I’m excited to catch up with it through these beautiful books.

Charles Ault, Production Director

This year I read A Tale for the Time Being, by Ruth Ozeki, which is now on my all-time favorites list. Ruth Ozeki is a 40-ish Buddhist priest who lives with her husband on an island near Vancouver, Canada. Her book features a writer named Ruth who lives with her husband on an island near Vancouver. She discovers the diary of a 16-year-old Japanese girl in a waterproofed bundle that washes up on the shore. The girl is contemplating suicide and has decided to write down the story of her grandmother, a Buddhist nun, as her last act. We (the reader) read pieces of the diary as Ruth does and then we read Ruth’s reaction to the same thing we just read (and reacted to). But I haven’t mentioned the Zen philosophy and ritual that pervades the story. Or the discussion of quantum mechanics. Or contemporary Japanese pornography….

Joan Vidal, Production Manager

Justifiable Conduct_smThe best TUP book to give: If you have a group of friends who like to read and discuss books, I recommend Erich Goode’s Justifiable Conduct . Filled with examples from the memoirs of public figures who seek absolution for their transgressions, this book is sure to spark conversation.

The book I most want to receive for the holidays: I would like to have The Secret Art of Dr. Seuss, by Theodor Geisel.

The book I plan to read over the break: Next on my list is Waiting for Snow in Havana, by Carlos Eire.

Ann-Marie Anderson, Marketing Director

Don't Call Me_smThe best book I read this year?  The Good Lord Bird by James McBride. This year’s National Book Award fiction winner is the wild story about John Brown and his raid, narrated by a freed slave boy masquerading as a girl.  It’s hilarious.

The best TUP book to give? Don’t Call Me Inspirational, Harilyn Rousso’s compelling memoir.  You’ll laugh, you’ll cry.

The book I plan to read over the break: I will finish Edwidge Dandicat’s
Claire of the Sea Light and begin Chimamanda Ngozi Adichie’s The Thing Around Your Neck.

Brian Murray, Marketing Assistant

How We DIe Now_smThe best TUP book to give this season is Never Easy, Never Pretty by Dean Bartoli Smith. My father has been a Ravens fan his whole life and reminisces about going to games with his father when he was growing up. This book is perfect for him and perfect for any other Ravens’ fan or football fan in general.
The book I plan to read over break is Karla Erickson’s  How We Die Now. What better way to celebrate the holidays with my immediate family and older relatives than to evaluate my own mortality and the cost of living longer? Also a perfect gift for my great Aunt Lenora who will be celebrating her 82nd birthday this January.

Gary Kramer, Publicity Manager

WHAT I WILL GIVE: Music, Style, and Aging by Andy Bennett. Because holidays should be filled with sex, drugs, rock and roll and reading, right? Music Style Aging_sm

WHAT I WILL READ: Ink, by Sabrina Vourvoulias (one of the co-authors of 200 Years of Latino History in Philadelphia by the staff of Al Día). Ink looks at immigration issues through multiple lenses and I really admire Vourvoulias’ work.

THE BEST BOOK I READ IN 2013: Night Film, by Marisha Pessl, is not so much a book you read as a story you investigate. It involves a disgraced journalist and a cult filmmaker, whose daughter has died—or possibly been murdered. What’s intriguing is not just the mystery, but the format of the book: an impressive collection of photographs, website downloads, dossiers, missing persons reports, institution assessments, and created articles. It’s a fascinating interactive experience.

WHAT I WANT TO READ: I’m almost ashamed to admit that I really want to read James Franco’s Actors Anonymous.  I’m an unabashed  Francofile and a completist. I’ll also likely see his film adaptation of As I Lay Dying over the break as well.

A Strange Commemoration of the 50th Anniversary of the JFK Assassination

In this blog entry, Art Simon, author of Dangerous Knowledge: The JFK Assassination in Art and Film, ponders provocative commemorations and the meanings of the JFK assassination.

With the 50th anniversary of the JFK assassination coming up this Friday, the air and cable waves have been jammed with recollections, profiles and anecdotes about the slain president and his administration. PBS devoted four hours to JFK on the American Experience, NOVA took another look at the logistics of the killing, The New York Times reported on the meaning and on-going sequester of Jackie’s blood stained pink dress. Even the AARP Newsletter ran a piece by Bob Schieffer about his experience of being in Texas on that fateful day. The list goes on and on

But one of the stranger commemorative events is taking place at the Amon Carter Museum of American Art in Fort Worth in an exhibition featuring the art that was collected and displayed in Suite 850 of the Texas Hotel where the Kennedys spent their last night together. The curators, while not wanting to re-create the room exactly, have brought together works by Picasso, Van Gogh, Monet, and Kline that were no doubt put on display to let the well bred first couple know Texans were not totally ignorant about high culture.

Dangerous Knowledge 2e_smThis strikes me as among the strangest forms of reenactment yet for an event that has been subjected to all kinds of re-creation, from The Warren Commission, to Hollywood versions in JFK and In the Line of Fire to an episode of Seinfeld (or was that a reenactment of a reenactment?) to a 2004 video game called JFK: Reloaded that places the player in Oswald’s alleged sixth floor window with the rather perverse object being to re-create the shooting just as The Warren Commission described it.

Somewhere Sigmund Freud has a knowing smile as the nation cannot break free of its own repetition compulsion and the killing of JFK. But with the art exhibit in Fort Worth we have moved away from reimagining the public space of Dealey Plaza and into conjuring the private aesthetic experience of the first couple. Why? Having heard from virtually everyone involved in the assassination, from Secret Service agents to Governor and Mrs. Connolly to witness-bystanders, and having participated in the question posed by virtually everyone alive at the time—do you remember where you were when you heard the news?—the only experience not yet tapped is that of the Kennedys. And since we can not get to the heart of their experience, we might substitute for it their experience of the hotel that morning, their waking up to a wall of 20th Century masterpieces.

As I have written about the culture of the Kennedy assassination over the years, I have always been reluctant to speculate about mass psychology, resisting the impulse to diagnose the various national obsessions around JFK and his killing. But with another nod in Freud’s direction, it does seem as though the art exhibit in Fort Worth is one more example of our 50 year old fetish, a need to find substitutes for what we don’t know but wish we did—about the Kennedys, about Oswald’s motives or those of his accomplices (depending on your opinion), about exit and entrance wounds and about what the Sixties might have been had the assassination not happened. We respond to the absence of knowing with a glut of images, recycled footage of Camelot, yet another examination of the Zapruder film, another memoir by someone who claims to have known the private side of the President.

And yet turning our attention to art on this 50th anniversary is not a bad idea. I would suggest however that we look not to what hung in the Texas Hotel but to what got produced within weeks and then within a couple years of the assassination, namely the silkscreen portraits created by Andy Warhol and the underground film masterpiece Report made by Bruce Conner. Indeed, pop artists at the time offered a fascinating reply to the assassination and its afterlife in the pages of Life magazine, the Warren Report and American culture generally. It’s a shame that in the media blitz now attending to JFK’s death, these works are being overlooked. Nearly 50 years after their making, they still present a compelling and visually provocative commentary on the meaning of the JFK assassination, both in its time and ours: Who gets to write the history of an event like this? Who profits from its telling and re-telling? How should we understand the moving image as evidence and window onto the past?

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