Appreciating Philadelphia’s Mural Arts @ 30

In this blog entry, David Updike, co-editor of Philadelphia’s Mural Arts @ 30, offers his thoughts on the book and what he learned about Mural Arts along the way.

I think it’s safe to say that over the last thirty years, Philadelphia has become a city of murals. As you crisscross the city, you find them in just about every neighborhood, often where you’d least expect them. They’ve become a part of our landscape, and something that people here and elsewhere associate with Philadelphia. A lot of the credit for that goes to Jane Golden, because it wouldn’t have happened without her energy and her vision, but it also wouldn’t have been possible if the city itself hadn’t embraced the idea that public art matters. And it matters, not just because it improves our aesthetic environment, but more importantly, because it has a lasting impact on the people who participate in the process.

The Mural Arts offices are a buzzing hive of activity. In the hallways you pass a steady stream of people coming and going, to and from mural sites, or classes, or canvassing neighborhoods. And these are people who, to borrow an old phrase from Bill Clinton, look like Philadelphia. They’re young and old, they’re black, white, Asian, Hispanic. And they all carry themselves with a sense of purpose. In the gallery downstairs you’ll see exhibitions of art—some of it quite remarkable—made by everyone from elementary school students to inmates serving life sentences at Graterford. And then there’s the room upstairs with the very skylight under which Thomas Eakins painted The Gross Clinic. And I suspect that our city’s greatest painter, were he alive today, would approve of this populist endeavor, which seeks to embrace the city he loved in all of its aspects.

I’m very fortunate to work at the Philadelphia Museum of Art, one of our city’s other great cultural institutions. And it occurred to me as I started working on this book that, in a way, the Art Museum and the Mural Arts Program have opposite but entirely complementary missions. At the Museum we work very hard to get people to come to us and experience great art. But Mural Arts brings art to the people in the places where they live and work. And what Mural Arts brings to these communities is not a particular product or aesthetic. Rather, it’s a process of engagement and dialogue and co-creation that takes place over months and years, and whose effects remain long after the paint on the walls has dried.

Phila Mural Arts 30_smThis book seeks, above all else, to document what takes place off the walls. And really, this gets to the heart and soul of what Mural Arts does. Yes, it’s about transforming places, but mostly it’s about transforming people. We wanted to look at that process and its effects through many lenses, so we brought together a diverse group of authors from different disciplines—social sciences, public health, art education, restorative justice—to paint as broad a picture as possible of what a socially engaged art practice looks like, and what it can do, especially when it works in tandem with other organizations to address big issues like homelessness, youth violence, or urban blight.

In the book, Jeremy Nowack aptly refers to what happens in the course of creating a mural as a kind of “social contract” that arises between all of the stakeholders involved in a project—neighbors, business owners, community leaders, schools, artists. And the key word here is “stakeholders.” People feel a sense of investment and ownership in the murals. They take pride in them. They show them off to visitors. New stories and rituals grow up around them. People now ride the Market-Frankford El in West Philly just to see Steve Powers’ 50 Love Letters unfold. Inspired by the murals, couples have gotten engaged and even married on that 20-block stretch along Market Street.

Other stories around the murals are more painful, more challenging, but also rewarding in ways that aren’t necessarily visible to someone looking only at the end result. A particularly poignant example is James Burns’s Finding the Light Within, which took on the issue of youth suicide, not just with a very powerful and personal mural, but also with community meetings, writing workshops, collage workshops, and a participatory blog, all of which provided safe, supportive spaces in which survivors could share their stories. More than 800 people participated in those activities, and hopefully found some measure of healing in the process.

Elizabeth Thomas begins her essay with a provocative question: “Who makes culture?” In other words, Who decides what messages we see and read and hear? Whose stories count? Every day we’re bombarded by images and messages that tell us what we should wear, eat, drink, watch, listen to. But how often do we see our own struggles and achievements reflected in our environment, or our own stories projected into the public discourse? Socially engaged art practice has begun to address this problem of who gets represented—and who does the representing—in public culture. It’s happening in different ways in different cities around the country, but in Philadelphia its most visible proponent is the Mural Arts Program.

Much of the work that Mural Arts has done in recent years has sought to expand the definition of what a mural is and what it can do. For the mural project called Peace Is a Haiku Song, the poet Sonia Sanchez initiated what became, in essence, a citywide collaborative poem cycle. She began with a mental image of haiku by children hanging like cherry blossoms from the trees in Philadelphia. This evolved into an invitation to people of all ages to contribute poems in a series of community workshops and through a dedicated website. The poems didn’t end up hanging from the trees, but many of them ended up on posters around the city that were created by youth working with graphic designer Tony Smyrski.

The experience of seeing your own words and your own images projected into the world is an empowering one, especially for young people. As Cynthia Weiss points out, kids participating in mural projects often gain practical, real-world skills, like photography and graphic design. But they also gain a sense of agency that may be hard to come by elsewhere in their lives. And that type of experience can have a lasting impact on a person’s life in ways that we’re really only beginning to understand.

This is the essence of what Mural Arts does. It’s about creating situations in which people are drawn out of their everyday selves and both challenged and empowered to reach for something more. So while this book marks a milestone in the history of the Mural Arts Program, our hope is that it also points the way forward for others who want to use the power of art to change things for the better.

To listen to a podcast of David Updike and Jane Golden’s presentation at the Free Library of Philadelphia from March 26, click here: http://libwww.freelibrary.org/authorevents/podcast.cfm?podcastID=1216

What the “Writers Matter” Approach is all About

In this blog entry, Deborah Yost, Robert Vogel, and Kimberly Lewinski, co-authors of Empowering Young Writers discuss their successful program that helps improve students’ skills in the context of personal growth.

Why do many students lack motivation to write or perfect their writing in school? Could it be that school-based writing tasks are boring, unrelated to young adolescents’ personal experiences, and focused on the five-paragraph structure learned over and over in school from elementary to high school? We know that kids write all of the time through blogs, twitter, and texts. How can we captivate their motivation to learn how to write and write well in school?

MAP_WM_AT_KINGThe Writers Matter approach provides a unique and innovative opportunity for elementary, middle, and lower high school students to learn critical writing skills using journal writing as a vehicle for self-expression. Through writing about their lives, the students find an effective emotional outlet at a time in their lives when personal expression and having their voices heard is so important. Writers Matter is a motivational strategy that encourages students to share personal stories with each other, listen to other voices, and develop effective personal relationships with peers to provide more tolerance and appreciation of diversity. The approach, integrated into existing content areas of the curriculum, helps teachers meet the Common Core Standards for literacy.

Empowering Young Writers_smThe Empowering Young Writers book recently published by Temple University Press provides the reader with practical ways to implement Writers Matter beginning with major themes such as “I am From…” “Teen Challenges…”“Family Matters…” connect to an adolescent desire to express who they are, as they search for identity. As students begin to learn about themselves and others we further explore other themes such as “Living Life…” and “Dreams, Aspirations, and the Future….” to help the students move into a more global perspective of who they are in this world and what they can do to change it.  We have found that using intriguing, adolescent-based themes leads to a strong interest in writing as students typically want to voice their opinions and explore their and others’ identities.

Our research has shown that when students become authors and share their work with peers, a more trusting classroom climate emerges, which enhances peer-peer and teacher-student relationships. When relationships among teachers and students in a classroom setting increase, positive classroom management and greater achievement among students occurs. Integrating writing into content areas based on themes, helps students to see how their lives connect to the curriculum as they engage in multiple perspective taking that breaks down cultural barriers and “cliques” that are part of the adolescent experience. Research focused on writing skill development using the PA System of School Assessment Writing Rubric has also demonstrated writing achievement gains over time. This is likely due to increased motivation to write focused on personal experiences, and focus on process writing techniques.

A major focus of this approach is the use of “Writers Workshops” to improve writing skills through multiple drafts, conferences, and mini-lessons designed to individualize instruction to meet the needs of students based on individual progress. Students are empowered to improve writing since the focus is on becoming authentic writers based on personal topics connected to their daily lives. As authors, students write for a purpose in much the same way as authors typically by sharing their work in a public forum or writing for a school or class publication.

Monthly teacher interactive professional development sessions are held at La Salle University throughout the school year to support teachers’ use of this approach and to allow opportunities for sharing.

Publications – Empowering Young Writers recently published by Temple University Press  and Voices of Teens: Writers Matter (2008), with Michael Galbraith that was published by the National Middle School Association.  Since 2005, over 7000 students have participated from over 20 schools in the Philadelphia region. This year (2013-2014) over 1100 students, 16 teachers, and 9 schools are involved.  Additionally, we are piloting an after-school Writers Matter Program at Wagner Middle School utilizing university mentors to provide additional writing support.

Website – www.lasalle.edu/writersmatter 

We would like to hear your views on motivating students to write and improve their writing skills.

Don’t Just Read Our Authors, Watch Them!

This week, we showcase a quartet of videos featuring Temple University Press authors talking about their books. Natalie Byfield revists the case of the Central Park Five, in her new book, Savage Portrayals; Tom Foster discusses Sex and the Founding Fathers; Karla Erickson talks about How We Die Now, and Dean Bartoli Smith answers Cullen Little’s questions about the Baltimore Ravens, the topic of his book,  Never Easy, Never Pretty.

Natalie Byfield, Savage Portrayals

From her perspective as a black, female reporter for the New York Daily News during the Central Park Five trial, Natalie Byfield shows how the media’s racialized coverage of the Central Park Jogger case influenced the conviction of five young minority men accused of “wilding” and affected the American juvenile justice system.  She recalls her experiences here:

Thomas Foster, Sex and the Founding Fathers

In this video, Foster explains why we are so interested in the private lives of public historical figures, and how the desire to know the “real” Founders has influenced the stories we tell and remember.  

Karla Erickson, How We Die Now

Here, Karla Erickson explains what prompted her to write about death and dying and the myths she debunks about “the longevity revolution.”  

Dean Bartoli Smith, Never Easy, Never Pretty

The author sits down with sports writer Cullen Little to discuss the Ravens and more.   

Going “Beyond the Paint” to celebrate Mural Arts in Philadelphia

This week in North Philly Notes, we highlight events associated with the Pennsylvania Academy of Fine Arts exhibition Beyond the Paint: Philadelphia’s Mural Arts and Temple University Press’ new book, Philadelphia Mural Arts @ 30, edited by Jane Golden and David Updike.

Art in Action: National Leaders in Art as Social Practice

February 8th, 2014 3 to 6 pm
$20/General Admission; $10/Members
Seating is limited.

Four nationally-renowned innovators in art as a social practice come together in Philadelphia to present their work for one night only. In a series of TED-style presentations, they’ll inspire you to reimagine what art can look like when whole communities get involved. Presentations by nationally-renowned presenters include:

Mark Allen, Founder of the Machine Project (Los Angeles, CA)
Jane Golden, Executive Director of the Mural Arts Program (Philadelphia, PA)
Rick Lowe, Founder of Project Row Houses (Houston, TX)
Nato Thompson, Curator at Creative Time (New York, NY)

muraLAB at PAFA

Free with a registration.

muraLab is the Mural Arts Program’s experimental creativity hub for investigating muralism in the twenty-first century. During Beyond the Paint: Philadelphia’s Mural Arts, two muraLab programs will take place inside the exhibition to explore art as a social practice.

February 5th, 2014 6pm: Jon Rubin on Contextual Practice
Artist Jon Rubin – best known for his project Conflict Kitchen – is the director of the Contextual Practice program at Carnegie Mellon University’s School of Art. He recently collaborated with art consultant Barbara Goldstein on ARTPGH, a master plan for public art in Pittsburgh.

Book Preview and Signing

Phila Mural Arts 30_sm

March 12th, 2014 6:30 to 8:30 pm
5:30 Special Ticket: $40/General Admission; $30/Members
6:30 Free with a registration

Celebrate the release of Philadelphia Mural Arts @ 30!

The book features six essays and visual documentation to illustrate the growth of Mural
Arts in scale, practice, and engagement for over thirty years. Cynthia Weiss, a renowned
art educator, and contributor to Philadelphia Mural Arts @ 30, will give a keynote address.
A light reception and book signing with Jane Golden will follow.

April 2nd, 2014 6pm: Temporary Services

Temporary Services (Brett Bloom, Salem Collo-Julin, and Marc Fischer) produce exhibitions, publications, public interventions, events, and other projects in a socially engaged practice that purposely blurs the lines between artist, activist, and enthusiast. Currently, their Self-Reliance Library is installed in PAFA’s galleries as part of the Beyond the Paint exhibition.

Community Art Days

All community art-making programs take place inside the exhibition from 12 – 3 on Sunday afternoons.

February 9 Meet artist Ernel Martinez and participate in a group art-making project.

March 9 Meet artist Eric Okdeh and participate in a group art-making project.

March 16 Join artist Josh MacPhee and community members to screen print 3 x 4 foot broadsides by hand inside the galleries.

Talks and Workshops

All talks and workshops begin at 2 pm and take place in the Hamilton Building.

February 16 Restored Spaces Mural Arts’ Restored Spaces program presents current and past projects that help to cultivate a more sustainable ethos and strengthen community. Hear from Restored Spaces founder Shari Hersh and artists who work at the intersection of art and design and the environment, including Stacy Levy and Kaitlin Kylie Pomerantz.

March 30 Mural Preservation and Restoration The process of keeping murals looking their best is not an easy one. Meet the artists who undertake this task for a presentation of the before and after effects of restoring our city’s artistic treasures and a demonstration of their materials.

Celebrating the life and legacy of Octavius Catto

Last week, the Philadelphia Freedom Festival, had a press conference announcing their seven-month project celebrating the life and legacy of 19th-century African-American civil rights pioneer, Octavius V. Catto, the subject of Daniel Biddle and Murray Dubin’s Tasting Freedom.

Of particular note is the April 30th event, Let Freedom Ring, will showcase Tasting Freedom authors Daniel Biddle and Murray Dubin.

Tasting Freedom_AD(12-16-09) finalLet Freedom Ring Scholarly Panel Discussion

April 30, 2014 | 4:00PM–6:00PM

Temple University, Mitten Hall

Live broadcast by 900AM-WURD, this engaging discussion joins a diverse set of voices from Philadelphia’s academic and activist communities to reflect on the life and impact of Octavius V. Catto. Performance by Cheyney University Concert Choir to follow.

This event is in partnership with the Charles L. Blockson Afro-American Collection and 900AM-WURD.

Other events listed below in chronological order

Let Freedom Ring Scholarly Panel Discussion

April 30, 2014 | 4:00PM–6:00PM

Temple University, Mitten Hall

Live broadcast by 900AM-WURD, this engaging discussion joins a diverse set of voices from Philadelphia’s academic and activist communities to reflect on the life and impact of Octavius V. Catto. Performance by Cheyney University Concert Choir to follow.

This event is in partnership with the Charles L. Blockson Afro-American Collection and 900AM-WURD.

Catto PressConf 

PHOTO: Authors Murray Dubin and Daniel Biddle (far left) at the Press conference

Other events are posted below in chronological order

Octavius Catto Story: A Philadelphia Freedom Fighter
Connecting Arts-N-Schools

February–April 2014

These workshop/performances will be presented in four participating Philadelphia schools and integrate with the history, literature, and arts curriculum.

Workshops open to participating schools only.

Let Freedom Sing
Community Jubilee

February 22, 2014 | 2:00PM–4:00PM

Mother Bethel A.M.E. Church

Invited ministers and their choirs will participate in a church meeting revival offering a praise and worship opportunity for the entire community.

The program will consist of Negro Spirituals, sacred music born out of the African Diaspora experience, praise dancers, and special words from several special guest ministers.

Refreshments will be served after the event during a Meet & Greet with the ministers. Tours of the Richard Allen Museum will also be available.

Taste of Freedom
Catto Awards Luncheon

March 28, 2014 | 11:30AM–2:00PM

Union League of Philadelphia, Lincoln Hall

The Mann is honored to pay tribute, during Women’s History Month, to African American women who have made distinguished contributions to their professions and communities.

Freedom of Composition
Master Class

April 18, 2014 | 2:00PM–4:00PM

Curtis Institute of Music, Lenfest Hall

Music students from Philadelphia universities will be invited participants in this Master Class/Meet the Artist session facilitated by Uri Caine, the commissioned composer of the finale main stage performance.

Master Class open to participating schools only. This event is in partnership with the Curtis Institute of Music.

Let Freedom Speak — Voices of Our Children
Catto Youth Freedom Project

May 16, 2014 | 10:00AM–12:00PM

Church of the Advocate

400 Philadelphia students are invited to attend an engaging, celebratory program featuring local young spoken word artists and city-wide choirs.

This event is in partnership with Art Sanctuary’s Celebration of Black Writing and is open to participating schools only.

Freedom Rap Session
Youth Freedom Panel Discussion

June 7, 2014 | 10:00AM – 12:00PM

Crescendo Restaurant & Lounge at the Mann

Invited local hip-hop artists and scholars who have experienced & studied racism in Philadelphia will discuss how the power of music is reflected in their words. Also featuring performances by emerging young spoken word artists.

This event is in partnership with Art Sanctuary.

Sing Freedom Sing!!!
Festival Finale Concert

July 19, 2014 | 8:00PM

The Mann’s Main Stage

Premiere performance of a commissioned work by composer Uri Caine featuring The Philadelphia Orchestra, a 300-voice choir, headline soloists, and praise dancers.

Special Guest Artist Dr. Marvin Sapp

A pre-concert event on PECO Plaza will feature the “Trailblazers to Freedom Digital Interactive Media Traveling Trunk.”

Pre-concert event presented in partnership with the African American Museum in Philadelphia.

Freedom Youth Jamboree
Young People’s Concert Series

July 28, 2014 | 11:00AM

The Mann’s Main Stage

A free children’s concert featuring “Catto at the Bat,” an original “baseball en pointe” piece by The Rock School for Dance Education, and Negro Spirituals performed by the Philadelphia Boys Choir.

Four Greenfield Performance Treasures Workshops to follow featuring the Philadelphia Boys Choir.

YPCS is free and open to the public.

Temple University Press staff selects the Books of the Year to give, get, and read

As we wish everyone Happy Holidays and happy reading, the staff at Temple University Press selects the memorable titles of 2013.

Micah Kleit, Executive Editor

The Press published a bounty of riches this year, from Deborah Willis and Barbara Krauthamer’s Envisioning Emancipation to Dean Bartoli Smith’s Never Easy, Never Pretty, an exciting account of the Baltimore Ravens’ Super Bowl win. But the book I’d most like to give as a gift is Philipp H. Lepenies’ Art, Politics, and Development: How Linear Perspective Shaped Policies in the Western World. It’s the kind of work that represents, to me at least, the best of what university presses do in advancing scholarship.Art, Politics, and Development_sm

I’d love it if someone bought me a copy of Boris Kachka’s Hothouse: The Art of Survival and the Survival of Art at America’s Most Celebrated Publishing House, Farrar, Straus, and Giroux.  It’s just the kind of inside-publishing book that reminds me of why I love what I do!

The book I’m planning to read over the holiday — in preparation for the “sequel” that’s due early this Spring –  is Robert Coover’s The Origin of the Brunists.  It’s one of his earliest novels, and I’m excited that he’s returning to this story and continuing it, since it speaks (like so much of his work) powerfully to the ideas of what makes up the American character.

2013 was a great year for big novels from emerging and established writers, and the very best I read this year had to be Rachel Kushner’s The Flamethrowers, a book that was at once really economical in style but epic in scope: about 70s radicals, motorcycles, Italy and America.  I don’t think I’m the only one who thought of Don DeLillo when reading Kushner’s wonderful novel.

Sara Cohen, Rights and Contracts Manager

G-000865-20111017.jpgThe best TUP book to give?   My loved one are going to have to wait until Presidents’ Day to receive their Christmas gifts so that I can give them Thomas Foster’s Sex and the Founding Fathers.

The book I most want to receive for the holidays? The first book of Karl Ove Knausgaard’s My Struggle. A friend sent me Zadie Smith’s New York Review of Books piece “Man vs. Corpse,” which cites My Struggle, and I’ve been looking forward to reading it ever since.  I also hope to receive a vegan cookbook (maybe Veganomicon)  so that I can start the new year off with good dietary intentions.

The book I plan to read over the break?  I’m supposed to be reading A People’s History of the United States by Howard Zinn with my husband and one of our friends.  I’m going to spend the break trying to catch up to the two of them.

Aaron Javsicas, Senior Editor

MoreMuralsEarlier this year I read and very much enjoyed Red Plenty, by Francis Spufford. It’s engrossing historical fiction about what it might have been like to live in the Khrushchev-era Soviet Union, and to feel real optimism about the country’s future even while beginning to see cracks that would spread and destroy it.
I look forward to reading and giving Temple University Press’s Philadelphia murals books Philadelphia Murals and the Stories they Tell, and  More Philadelphia Murals the the Stories They Tell, as a new volume, Philadelphia Mural Arts @ 30,  is forthcoming in 2014. I’m from Philadelphia but only recently moved back, after thirteen years in New York, to come on board at the Press. The terrific Mural Arts Program expanded a great deal while I was gone, and I’m excited to catch up with it through these beautiful books.

Charles Ault, Production Director

This year I read A Tale for the Time Being, by Ruth Ozeki, which is now on my all-time favorites list. Ruth Ozeki is a 40-ish Buddhist priest who lives with her husband on an island near Vancouver, Canada. Her book features a writer named Ruth who lives with her husband on an island near Vancouver. She discovers the diary of a 16-year-old Japanese girl in a waterproofed bundle that washes up on the shore. The girl is contemplating suicide and has decided to write down the story of her grandmother, a Buddhist nun, as her last act. We (the reader) read pieces of the diary as Ruth does and then we read Ruth’s reaction to the same thing we just read (and reacted to). But I haven’t mentioned the Zen philosophy and ritual that pervades the story. Or the discussion of quantum mechanics. Or contemporary Japanese pornography….

Joan Vidal, Production Manager

Justifiable Conduct_smThe best TUP book to give: If you have a group of friends who like to read and discuss books, I recommend Erich Goode’s Justifiable Conduct . Filled with examples from the memoirs of public figures who seek absolution for their transgressions, this book is sure to spark conversation.

The book I most want to receive for the holidays: I would like to have The Secret Art of Dr. Seuss, by Theodor Geisel.

The book I plan to read over the break: Next on my list is Waiting for Snow in Havana, by Carlos Eire.

Ann-Marie Anderson, Marketing Director

Don't Call Me_smThe best book I read this year?  The Good Lord Bird by James McBride. This year’s National Book Award fiction winner is the wild story about John Brown and his raid, narrated by a freed slave boy masquerading as a girl.  It’s hilarious.

The best TUP book to give? Don’t Call Me Inspirational, Harilyn Rousso’s compelling memoir.  You’ll laugh, you’ll cry.

The book I plan to read over the break: I will finish Edwidge Dandicat’s
Claire of the Sea Light and begin Chimamanda Ngozi Adichie’s The Thing Around Your Neck.

Brian Murray, Marketing Assistant

How We DIe Now_smThe best TUP book to give this season is Never Easy, Never Pretty by Dean Bartoli Smith. My father has been a Ravens fan his whole life and reminisces about going to games with his father when he was growing up. This book is perfect for him and perfect for any other Ravens’ fan or football fan in general.
The book I plan to read over break is Karla Erickson’s  How We Die Now. What better way to celebrate the holidays with my immediate family and older relatives than to evaluate my own mortality and the cost of living longer? Also a perfect gift for my great Aunt Lenora who will be celebrating her 82nd birthday this January.

Gary Kramer, Publicity Manager

WHAT I WILL GIVE: Music, Style, and Aging by Andy Bennett. Because holidays should be filled with sex, drugs, rock and roll and reading, right? Music Style Aging_sm

WHAT I WILL READ: Ink, by Sabrina Vourvoulias (one of the co-authors of 200 Years of Latino History in Philadelphia by the staff of Al Día). Ink looks at immigration issues through multiple lenses and I really admire Vourvoulias’ work.

THE BEST BOOK I READ IN 2013: Night Film, by Marisha Pessl, is not so much a book you read as a story you investigate. It involves a disgraced journalist and a cult filmmaker, whose daughter has died—or possibly been murdered. What’s intriguing is not just the mystery, but the format of the book: an impressive collection of photographs, website downloads, dossiers, missing persons reports, institution assessments, and created articles. It’s a fascinating interactive experience.

WHAT I WANT TO READ: I’m almost ashamed to admit that I really want to read James Franco’s Actors Anonymous.  I’m an unabashed  Francofile and a completist. I’ll also likely see his film adaptation of As I Lay Dying over the break as well.

Celebrating Mural Arts Month

October is Mural Arts Month! And Temple University Press, publisher of Philadelphia Murals and the Stories They Tell, and its sequel More Philadelphia Murals and the Stories They Tellas well as the forthcoming Philadelphia Mural Arts @ 30, join the City of Philadelphia in celebration of Mural Arts Month. 

Phila Murals comp Throughout the month, the Mural Arts Program will explore the stories and art that transform communities and individual lives with free tours, exhibitions, dedications, receptions, an open house, and more. For a complete list of events, visit muralarts.org.

SUPPORT PUBLIC ART, YOUTH EMPOWERMENT & COMMUNITY

Mural Arts depends on the support of friends like you! Click here to help us make a positive impact on the city and its citizens.

HIGHLIGHTED EVENTS FOR SOCIAL MEDIA

Web: muralarts.org

Twitter: @MuralArts

Facebook: facebook.com/MuralArtsPhiladelphia

Exhibition Reception: stikman: “…in the house…”
Friday, October 18, 2013

6 – 8 p.m.

Lincoln Financial Mural Arts Center at the Thomas Eakins House, 1727-29 Mt. Vernon Street

For 20 years, guerilla street artist stikman has been best known for his ‘stickmen’ figures, which he crafts from various source materials and embeds in streets and affixes to walls and other locations across the country. Curated by Vandalog’s RJ Rushmore.

Funded by City of Philadelphia Mural Arts Program

Mural Dedication: Aqui Se Respira Lucha
Friday, October 18, 2013
12:30 – 2 p.m.
APM for Everyone
Front & Westmoreland Streets
Celebrate the stunning artwork created by muralist Betsy Casañas and behavioral health provider agencies, participants, and community members.
Funded by: City of Philadelphia Department of Behavioral Health & Intellectual disAbility Services, The Robert Wood Johnson Foundation, The Thomas Scattergood Behavioral Health Foundation, William Penn Foundation, Independence Foundation, The Philadelphia Foundation, The Patricia Kind Family Foundation

Mural Dedication: Autumn Revisited

Saturday, October 19, 2013
1 – 2:30 p.m.

Fleisher Art Memorial

719 Catharine Street

At this family-friendly event, we dedicate David Guinn’s Autumn Revisited mural, which graces the western façade of Fleisher Art Memorial, next to beloved Palumbo Park.

Funded by: City of Philadelphia, Pennsylvania Department of Community and Economic Development, Fleisher Art Memorial, Pennsylvania Horticultural Society

MoreMuralsMural Dedication: The North Philadelphia Beacon Project

Friday, October 25, 2013

12:30 – 2 p.m.

S.T.O.P., Inc.

Broad & Huntingdon Streets

Celebrate the stunning artwork by muralist James Burns and behavioral health provider agencies, participants, and community members.

Funded by: City of Philadelphia Department of Behavioral Health & Intellectual disAbility Services, The Robert Wood Johnson Foundation, The Thomas Scattergood Behavioral Health Foundation, William Penn Foundation, Independence Foundation, The Philadelphia Foundation, The Patricia Kind Family Foundation

Murals & Meals Tour with Pizza Brain
Saturday, October 26, 2013

10 a.m. – 1 p.m.

2313 Frankford Avenue

Leaving from and returning to Pizza Brain

Tickets: $35/person

Pizza, ice cream, and public art combine to create a delicious experience. Hosted by special guest Joey Sweeney of Philebrity, this tour begins and ends at Pizza Brain – the world’s first pizza museum – and includes a slice of artisan pizza, a fountain drink, and the first taste of our signature 30th Anniversary ice cream flavor, developed by adjoining Little Baby’s Ice Cream. This tour is a feast for the senses. For more information: 215-925-3633 ext 13 or tours@muralarts.org.

Honoring Mexico books in honor of Mexican Independence Day

This week in North Philly Notes, we celebrate ten Temple University Press’ titles about Mexico to commemorate Mexican Independence Day.

urban leviathanUrban Leviathan: Mexica City in the Twentieth Century by Diane E. Davis

Why, Diane Davis asks, has Mexico City, once known as the city of palaces, turned into a sea of people, poverty, and pollution? Through historical analysis of Mexico City, Davis identifies political actors responsible for the uncontrolled industrialization of Mexico’s economic and social center, its capital city. This narrative biography takes a perspective rarely found in studies of third-world urban development: Davis demonstrates how and why local politics can run counter to rational politics, yet become enmeshed, spawning ineffective policies that are detrimental to the city and the nation.

effects of the nationThe Effects of the Nation: Mexican Art in an Age of Globalization edited by Carl Good and John V. Waldron

What is the effect of a “nation”? In this age of globalization, is it dead, dying, only dormant? The essays in this groundbreaking volume use the arts in Mexico to move beyond the national and the global to look at the activity of a community continually re-creating itself within and beyond its own borders.

Mexico is a particularly apt focus, partly because of the vitality of its culture, partly because of its changing political identity, and partly because of the impact of borders and borderlessness on its national character. The ten essays collected here look at a wide range of aesthetic productions—especially literature and the visual arts—that give context to how art and society interact.

Ethical Borders sm compEthical Borders: NAFTA, Globalization, and Mexican Migration by Bill Ong Hing

In his topical new book, Ethical Borders, Bill Ong Hing asks, why do undocumented immigrants from Mexico continue to enter the United States and what would discourage this surreptitious traffic? An expert on immigration law and policy, Hing examines the relationship between NAFTA, globalization, and undocumented migration, and he considers the policy options for controlling immigration. He develops an ethical rationale for opening up the U.S./Mexican border, as well as improving conditions in Mexico so that its citizens would have little incentive to migrate.

Sounds Modern Nation smallSounds of the Modern Nation: Music, Culture, and Ideas in Post-Revolutionary Mexico by Alejandro L. Madrid

Sounds of the Modern Nation explores the development of modernist and avant-garde art music styles and aesthetics in Mexico in relation to the social and cultural changes that affected the country after the 1910-1920 revolution. Alejandro Madrid argues that these modernist works provide insight into the construction of individual and collective identities based on new ideas about modernity and nationality. Instead of depicting a dichotomy between modernity and nationalism, Madrid reflects on the multiple intersections between these two ideas and the dialogic ways through which these notions acquired meaning.

MinichCompFinal.inddAccessing Citizenship: Disability, Nation, and Cultural Politics of Greater Mexico  by Julie Avril Minich

Accessible Citizenships examines Chicana/o cultural representations that conceptualize political community through images of disability. Working against the assumption that disability is a metaphor for social decay or political crisis, Julie Avril Minich analyzes literature, film, and visual art post-1980 in which representations of nonnormative bodies work to expand our understanding of what it means to belong to a political community. Minich shows how queer writers like Arturo Islas and Cherríe Moraga have reconceptualized Chicano nationalism through disability images. She further addresses how the U.S.-Mexico border and disabled bodies restrict freedom and movement. Finally, she confronts the changing role of the nation-state in the face of neoliberalism as depicted in novels by Ana Castillo and Cecile Pineda.

Mexican Voices Border Region compMexican Voices of the Borders Region by Laura Velasco Ortiz and Oscar F. Contreras

Mexican Voices of the Border Region examines the flow of people, commercial traffic, and the development of relationships across this border. Through first-person narratives, Laura Velasco Ortiz and Oscar F. Contreras show that since NAFTA, Tijuana has become a dynamic and significant place for both nations in terms of jobs and residents. The authors emphasize that the border itself has different meanings whether one crosses it frequently or not at all. The interviews probe into matters of race, class, gender, ethnicity, place, violence, and political economy as well as the individual’s sense of agency.

Mexican American Women Activists: Identity and Resistance in Two Los Angeles Communities by Mary Pardo

mexican american women activistsMexican American Women Activists tells the stories of Mexican American women from two Los Angeles neighborhoods and how they transformed the everyday problems they confronted into political concerns. By placing these women’s experiences at the center of her discussion of grassroots political activism, Mary Pardo illuminates the gender, race, and class character of community networking. She shows how citizens help to shape their local environment by creating resources for churches, schools, and community services and generates new questions and answers about collective action and the transformation of social networks into political networks.

nothing nobodyNothing, Nobody: The Voices of the Mexico City Earthquake by Elena Poniatowska

September 19, 1985: A powerful earthquake hits Mexico City in the early morning hours. As the city collapses, the government fails to respond. Long a voice of social conscience, prominent Mexican journalist Elena Poniatowska chronicles the disintegration of the city’s physical and social structure, the widespread grassroots organizing against government corruption and incompetence, and the reliency of the human spirit. As a transformative moment in the life of mexican society, the earthquake is as much a component of the country’s current crisis as the 1982 debt crisis, the problematic economic of the last ten years, and the recent elections.

Musica Nortena sm compMúsica Norteña: Mexican Migrants Creating Community Between Nations by Cathy Ragland

Música norteña, a musical genre with its roots in the folk ballad traditions of northern Mexico and the Texas-Mexican border region, has become a hugely popular musical style in the U.S., particularly among Mexican immigrants. Featuring evocative songs about undocumented border-crossers, drug traffickers, and the plight of immigrant workers, música norteña has become the music of a “nation between nations.” Música Norteña is the first definitive history of this transnational music that has found enormous commercial success in norteamérica. Cathy Ragland, an ethnomusicologist and former music critic, serves up the fascinating fifty-year story of música norteña, enlivened by interviews with important musicians and her own first-hand observations of live musical performances.

New ImageSurviving Mexico’s Dirty War: A Political Prisoner’ s Memoir by Alberto Ulloa Bornemann

This is the first major, book-length memoir of a political prisoner from Mexico’s “dirty war” of the 1970s. Written with the urgency of a first-person narrative, it is a unique work, providing an inside story of guerrilla activities and a gripping tale of imprisonment and torture at the hands of the Mexican government.

Alberto Ulloa Bornemann was a young idealist when he dedicated himself to clandestine resistance and to assisting Lucio Cabañas, the guerrilla leader of the “Party of the Poor.” Here the author exposes readers to the day-to-day activities of revolutionary activists seeking to avoid discovery by government forces. After his capture, Ulloa Bornemann endured disappearance into a secret military jail and later abusive conditions in three civilian prisons.

How planning in NYC has fared under Bloomberg

In this blog entry, Scott Larson, author of “Building Like Moses with Jacobs in Mind,” reflects on the state of Michael Bloomberg’s New York this Mayoral election year.

In November residents of New York City will go to the polls to elect a mayor not named Michael Bloomberg for the first time in 12 years.

Already some New Yorkers are taking the opportunity to reflect on what they see as the successful aspects of the Mayor’s three terms in office. They point to a drop in crime, the expansion of the city’s network of parks and public spaces, as well as initiatives aimed at expanding public transportation and bike use, greening city streets and encouraging healthier lifestyles. Others tout the transformation of wholesale city neighborhoods, focusing on the redevelopment of the city’s waterfront and old industrial neighborhoods and the revitalization of its real estate market. Like the Mayor, they celebrate what they see as New York City’s ascension to the forefront of an elite network of global cities.

But in doing so they are overlooking a number of disturbing trends. According to the administration’s own analysis, between 2009 and 2011 the number of residents with incomes less than 150 percent of the official poverty threshold grew 2 percent, to 46 percent of all city inhabitants. That means that in 2011, a family of four could earn as much as $46,416 and still struggle to make ends meet.  In addition the number of New Yorkers actually living in poverty increased almost 4 percent– from 19.8 percent in 2007 to 23.6 percent in 2011. Especially hard hit were Hispanics, Asian working families and recent immigrants. That these increases occurred at a time when unemployment rates were at five-year lows only underscores the troubling dynamics at work: a slow and incomplete recovery from the financial crisis/recession of 2008 and a dearth of jobs offering a living wage even as federal benefits programs designed to keep many Americans from slipping into the ranks of the poor face determined political fire from the conservative right.

All of which begs an obvious question: can a city in which almost one half of all residents live at or near poverty level really be considered successful?

By virtually any measure whoever succeeds Bloomberg as mayor will inherit a city of increasingly divergent realities. On one side are the wealthy, largely white and well connected. On the other side stand the growing ranks of the un- and underemployed, often people of color, left to make do at the ever-shrinking margins.

Building Like Moses_110512_smAs I argue in “Building Like Moses with Jacobs in Mind,” this fragmentation should come as no surprise. For more than a decade the Mayor and his administration have pursued planning and land-use strategies designed to remake the city along class, and by extension racial, lines. From Brooklyn’s Atlantic Yards to the East River waterfront in Queens and Manhattan’s Manhattanville, corporate subsidies, tax breaks, threats of eminent domain and zoning changes have been used to displace poorer residents and clear working class neighborhoods in favor of private redevelopment schemes and city-shaping, capital-attracting design projects. Developers and designers might relish this return of the master plan, especially since under the Bloomberg administration they’ve been given the reigns for reimagining the city in the 21st century. But the result so far is a city increasingly hostile to anyone who doesn’t work in the “creative” economy and who can’t afford a luxury condo.

Whether any of the 11 mayoral candidates – seven Democrats, three Republicans and one Independent – recognizes the relationship between the planning policies that mark the Bloomberg era and the city’s growing class divide is unclear. So far remarkably little attention has been paid to their views on land use and urban planning. And that’s unfortunate because after 12 years of little more than lip service in regards to public participation, all New Yorkers deserve a serious conversation about their role in the process of shaping the city’s future.

The secrets behind Dr. Radway’s Sarsaparilla Resolvent by Beth Kephart

This week in North Philly Notes, Beth Kephart, provides a self-imposed interview, and tells the story behind the story of her new book, Dr. Radway’s Sarsaparilla Resolvent

drradwaybigWhat is the working title of your book?
 
The title of this book, for real and for good, is Dr. Radway’s Sarsaparilla Resolvent.  See the cover above?  We’re not changing it. 

Where did the idea come from for the book?

William, my hero, is obsessed with the medicines of the time, for he is searching for a cure for his heartbroken mother.  Dr. Radway lived in Manayunk and his Sarsaparilla Resolvent was world-renowned for curing everything, perhaps even sleep insufficiency, in which case I am ordering me up a bottle.  Today we know this medicinal magic as root beer.  Does anybody have a glass of ice handy? 

What genre does your book fall under?

This lady, who is not a fan of labeling fiction, would, if forced to do it, describe Dr. Radway as historical fiction for middle grade/young adult/adult readers with two teen male protagonists at its heart.  Simply and non-boastfully put, Dr. Radway is a good book for everyone.  I am so good at non-boastful. 

Which actors would you choose to play your characters in a movie rendition?

There’s a young prostitute, named Pearl, who is integral to this story.  She’s tough, she’s big-hearted, and she saves the day.  Jennifer Lawrence is my Pearl.  William has a grieving, beautiful mother—Marisa Tomei or Amy Adams.  As for William and his best friend, Career, Alex Shaffer (Win Win) and Josh Hutcherson (Hunger Games)  Josh looks exactly like my Career (so long as you give him a pipe to suck on).  Alex was brilliant in Win Win, which is, by the way, one of my favorite indies and the brain child of my friend Mary Jane Skalski.  But I digress.  There are others in the story—the ghost of an older brother (not yet cast), a father in prison (Sean Penn, but younger), and a little sprite of a girl who lives next door.  Let’s give that role to Mackenzie, the youngest dancer in that whacky reality TV show, Dance Moms.  She’s so cute I have to stop myself from reaching through the TV and pinching her cheeks.  But why am I watching that show anyway?  And, since we are on the topic, Are mothers really like that?  Have you ever met anyone like any of those moms?  Okay, back to the topic.

How long did it take you to write the first draft of your manuscript?

Since this book is a prequel to Dangerous Neighbors, my 1876 Philadelphia Centennial novel, I have been working with my lead character, William, for more than seven years.  A requited love affair, fictionally speaking.

What other books would you compare this story to within your genre?
 


I try not to compare.

Who or What inspired you to write this book?

My love for Philadelphia history.  My absolute love for William.  I could not let him go.

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