A posthumous honor for author Randy Martin

This week in North Philly Notes, we reprint Jeffrey A. Halley and Patrick Hebert’s comments honoring the late Randy Martin, recipient of the Lifetime Achievement Award from the Marxist section of the American Sociological Association.

On behalf of the Marxist section, and its Lifetime Achievement Award Committee (with Art Jipson and Rich Hogan) it is with great pleasure that we present this year’s Award to Randy Martin. Many of you knew Randy and are familiar with his work and contributions. Randy unfortunately passed away this winter, after a long battle with brain cancer. He was 57, Professor and Chair of Art, Society and Public Policy, Director, Graduate Program in Arts Politics, at the Tisch School of the Arts, New York University and in his time he accomplished many things.

I met Randy in New York when he was at CUNY Graduate Center finishing his Ph. D. thesis.  Later in the 1980s we both worked together on the journal Social Text. His B.A. was from UC –Berkeley, where he studied Michael Burawoy, who had recently joined the faculty. For his M.S. Randy then studied at Wisconsin with Eric Olin Wright, and was active in the graduate students’ strike.  A Marxist scholar and also a dancer, he came to New York to dance and to study with Mike Brown and George Fisher at CUNY.

His research can be divided a bit arbitrarily into a number of overlapping categories:

Works on Marxism include:

Books critiquing the neo-liberal university include:

Randy might be best known for his pioneering work on neo-liberalism and financialization, in Financialization of Daily Life and in An Empire of Indifference: American War and the Financial Logic of Risk Management.  And he had just completed Knowledge, LTD: Toward a Social Logic of the Derivative, published posthumously in spring 2015.

Finally, he worked at the confluence of politics and culture, more specifically, dance and culture, in his Performance as Political Act: The Embodied Self; Socialist Ensembles: Theater and State in Cuba and Nicaragua; Critical Moves: Dance Studies in Theory and Politics; and the edited Routledge Companion to Art and Politics.

Randy was also an institution builder, as editor of journals, serving on the board of directors of the New York Marxist School, as Chair and acting Dean at Pratt Institute, and finally at New York University, where he was Chair, Professor of Art, Society, and Public Policy, and Founding Director of the Graduate Program in Arts Politics, Tisch School of the Arts.

Randy combined Marxist scholarship, organizational commitment, and a magnetic presence as teacher.

We are honored to confer this award on him.  To receive it, I want to introduce his colleague Pato Hebert from New York University.

Patrick Hebert:

It’s an honor to accept this award on behalf of Randy’s brilliant wife Ginger and his wonderful children Oliver and Sophia, and to represent my colleagues and our alumni in the Art & Public Policy Department at Tisch School of the Arts, NYU. Randy ingeniously envisioned, built and chaired our department, and so it is also he whom I have the privilege and challenge of representing tonight.

Although I am honored to be here, I am also deeply saddened to be with you. I so wish it were Randy’s probing, punning, imploring, prancing presence that was before you now. Back home at the department we will soon be embarking on our first new school year without our gentle but fierce leader. This beginning anew in the space of loss will not be easy. Randy was as gifted as he was gracious, and he always made time for everyone even as he shepherded countless book projects, panels, formations and initiatives.

I miss him. He took a chance on me three years ago and made room and resources for my strange, amoebic practice, guiding, pushing and supporting me along with hundreds upon hundreds of others — colleagues, students, strangers, you, our world, the under-commons. Randy was incomparable. At his services last spring were shared many heavy hearts, but mostly endless currents of gratitude, admiration, awe and delight. People still speak continuously of Randy’s kindness, warmth, generosity, his catalytic creativity, principled yet supple politics, and his devastating intellectual acumen. I miss this marvelous mind and spirit, his energy and example. Every day.

But although I am still so full of sorrow, I am also thrilled to be here with you, his comrades, a most special crew among his many magical worlds. I am buoyed by the work that you and Randy have done, or will do, helping us to better understand how we are so interconnected with one another, the messy and sacred intricacies of the social, which here is to also say the political, and the still to be determined. Randy deserved to stand before you tonight, receiving this award and the recognition he has so rightfully earned but would no doubt so modestly deflect. He cannot be with us in the flesh now, but his spirit and wisdom are everywhere. No more committee meetings, deadlines, bureaucracies or brain cancer, just a legacy as lithe as it is large.

I, myself, am just beginning to dip more fully into the work and pathways Randy Martin has left for us. Randy’s dexterity and agility were astonishing. He was able to write incisively about academic administration, progressive dance and financial derivatives with equal grace and grit. He used to tell our students that they were working to create a GPS for a world that does not yet exist, but that they would bring into being through their work and efforts. Conjuring the pulsing plurality of our needed response, he reminded us all that we share not a practice, but a predicament. The predicament of this moment, as well as our communal possibility.

Given this special collective assembled here tonight, I thought I would close with some of Randy’s own words from his article, “Marxism after Cultural Studies,” published in 2008 as the financial crisis crested. Given the market’s bungee jumping the last few weeks, I can’t help but wonder what Randy would’ve analyzed and intuited. But here is what he wrote so presciently some seven years ago:

Financialization is more about technique than idea, more effect than intention, less a consensus than a dispersion of consequences. As such, it is less coherent than a ruling idea and pricklier than a regime whose time can pass. It does not replace these other terms for naming what we are up against, but nestles among them. It surely cannot account for all that transpires in the present, but does insist upon reconciling the vast complexity in our midst through some means of accountability.

Finance culturalizes risk by rendering it a calculable gain from an expected outcome. Risk spreads the culture of accountability and as such forms a way of knowing or epistemological conjuncture that both cuts across disciplines and renders those claims to methodological monogamy mute.

Risk suggests more than an attack on traditional partitions of specialized knowledge and expertise. It also invites another figuration of being.

By examining financial reason ‘manifest as risk management’ across an array of sites from war, to domesticity, to education, a richer trajectory for Marxism and cultural studies can itself be more readily imagined. For Marxism to now emerge as the unrepresentable within cultural studies does not demand a return to the classical formulations with their prior stabilities and separations. Rather, this Marxism makes room for the cultural as it manifests and multiplies in those spaces and affects that capital lives off of but remains indifferent to. This Marxism is also a cultural studies, but one that asks what life we lead together when all that concerns us can be placed at risk. It allows us to pose the question of value, including that of our own theoretical labors, when these would be denied both a history and a futurity. From the little difference that we make can be derived a field of studies to survive and even thrive these pre-criminal crises.

 

 

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