Philadelphia Writers Resist

This week in North Philly Notes, we highlight the contributions Temple University Press authors made to the recent Writers Resist event held in Philadelphia.

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Photo by Lena Popkin

Nathaniel Popkin, co-organizer of the program, and forthcoming Temple University Press author, said this about the event:

We had dual goals for Philadelphia Writers Resist—the first is the need to stand up to protect First Amendment rights. Writers in every society have particular responsibility, and historically are the observers, documenters, dreamers…But there is a second reason for writers to stand up today: we are being directly threatened by the President-elect. (You can read some of these ideas in the op-ed we wrote for the Inquirer). The second reason for doing the event was to unite the various cells of the Philly literary community with a common purpose. My sense of Philly is that we have an incredibly rich literary community but it doesn’t really cohere. With this event, I felt that we joined voices around texts—we inhabited words together.

The event exactly hit my expectations: tone, tenor, energy, goodwill, and the words and voices that brought them to life seemed to carry extra poignance, extra meaning, when arranged next to each other. My sense in reading comments on Facebook and from what people told me after: people were struck by the humility and humanity of writers reading other people’s work. They were both inspired and frustrated that we’ve fighting these fights as long as we have, and they were reminded, with the extraordinary beauty and grace of the texts, that writers matter, that writing matters, that it gives shape to our greatest hopes as human beings.


One of the poems read at the event was “Learning to love America” by Shirley Geok-lim Lin, co-editor of Reading the Literatures of Asian America and Transnational Asian American Literature


Beth Kephart, author of Flowand Loveread the lyrics from Bruce Springsteen’s song, “Further On (Up the Road),” from his album, The Rising. She said she chose this song because, “it was a simple text, an invitation, a sliver of hope, a reminder, a refrain that we are not stuck in present time, not contained by present conditions, not condemned to paralysis. We are on a journey, and at this moment it is dark and miles are marked in blood and gold, but: there is a further on up the road, there is a path, a brighter path, to be forged.”


Daniel Biddle, co-author of Tasting Freedomread the Address of the Colored State Convention to the People of Pennsylvania, 10 February 1865. Octavius V. Catto et al.

biddlepodiumThey were barbers, teachers, carpenters, soldiers. Octavius Catto and 80 other Pennsylvanians of color braved a blizzard to get to Harrisburg in February 1865.  There they met for three days and nights in a church, and emerged with a message to the white world.

Black soldiers’ service and sacrifice were helping the Union win the war, Catto and his allies wrote. Let there be no further debate or delay in granting “our political enfranchisement, now and forever.”

The petition was a good fit for Writers Resist. Its authors, like their heirs in the modern Civil Rights Movement, challenged the racist order with a mix of courage and calculation; and they wrote well. Their final sentence made the same argument sculptor Branly Cadet has depicted in his statue of Catto, soon to be erected by City Hall: that the people’s power, wielded at the ballot box, can make injustice “disappear as the dews of morning melt before the morning sun.”

Tasting Freedom comp

“….We have never yet been secure in our persons, houses, papers and possessions, from unreasonable searches and seizures, as warranted to all persons under the State Constitution. When tried by accusation before our State Courts, it has been almost impossible to secure an impartial jury…and in no case can it be claimed that we are tried, and judgment rendered by our peers. All these disadvantages have contributed to rivet the shackles of prejudice and political slavery upon us, and throw us upon the mercy of those who know no mercy even up to this very hour of national calamity and moral revolution…

Slavery is now dead…  dead throughout the land — black men declared to be citizens of the United States, and marching by tens of thousands on field and flood against this monstrous rebellion… fighting, bleeding, dying in defense of our Constitution and the maintenance of our law.

Can it be possible that Pennsylvania will still suffer herself to be dishonored by refusing to acknowledge or to guarantee citizenship to those who have suffered so much, and still been foremost among her own sons in defending their country… against treason and rebellion?

Is it not our duty to ask
In the name of justice,
In the name of humanity,  

In the name of those whose bones whiten the battlefields of the South, that every bar to our political enfranchisement be now and forever removed?

Do this, and all other evils and outrages will disappear as the dews of morning melt before the morning sun.

Temple University Press’ Spring 2017 Catalog

This week in North Philly Notes we showcase our Spring 2017 catalog of books and journals!

 

What Temple University Press staff wants to give and read this holiday season

This week in North Philly Notes, the staff at Temple University Press suggest the Temple University Press books they would give along with some non-Temple University Press titles they hope to read this holiday season. 

Mary Rose Muccie, Director

audacity-of-hoop_smGive: As a recent Press tweet suggested, I’d give Alexander Wolff’s The Audacity of Hoop to those on my list who’ve been in a funk since November 8.

Read:  A review of Maria Semple’s new book, Today Will Be Different, pointed me to an earlier book, Where’d You Go, Bernadette, and I’ve had it on my list ever since. I love smart, witty, satirical contemporary novels and this looks to be just that.


Karen Baker, Financial Manager
building-drexel_032816_smGive:
 Boathouse Row  by Dotty Brown and Building Drexel, edited by Richardson Dilworth and Scott Gabriel Knowles, as both of these books are beautiful. Since all of my family are born and raised in Philadelphia, they will make great gifts for them.

Read: A Dog’s Purpose: A Novel for Humans. This book was just brought to my attention because it is about to be made into a movie, and it looks like a fun read.

 

 

Aaron Javsicas, Editor-in-Chief

boathouse-row_smGive: Boathouse Row, by Dottie Brown. We at Temple University Press have done our part to make holiday gift giving a little easier on Philadelphians this year. Dottie is a terrific writer who is passionate about rowing, the book is gorgeous, and it’s the first full exploration of this fascinating and unique Philadelphia institution. Giving Boathouse Row is practically a required act of Philadelphia civic pride.

Read: American Amnesia, by Jacob Hacker and Paul Pierson. These authors argue we have apparently forgotten how a “mixed economy” — with a substantial role for public intervention as well as for free markets — was crucial to achieving American prosperity in the twentieth century. It’s hard to know where we’re headed these days, but with seemingly everything up for grabs this looks like the sort of fundamental civics lesson we could all use.

Sara Cohen, Editor

Ghostly Encounters_smGive: I’ll be giving folks copies of Dennis and Michele Waskul’s Ghostly Encounters.  It’s fascinating, readable, and (at least as far as I’m concerned) nothing says “holiday season” like ghosts.

Read:  I’ll be reading Larissa Lai’s Salt Fish Girl and Tom McCarthy’s Remainderthe latter of which I received as an early holiday gift from a good friend.

 

 

 

Ryan Mulligan, Editor

will-big-league-baseball-survive_smGive: Will Big League Baseball Survive? The World Series this year brought in so many viewers and gave them such a sublime show at just the moment that football looks like it might be losing a shade of its luster. Will baseball fandom remain arcane to casual audiences? Is a breakthrough imminent, possible, or even necessary? Lincoln Mitchell sees the path forward. His book is perfect for the baseball evangelists I know.

Read: Colson Whitehead’s NBA-winning (no – we’re not talking about sports anymore) Underground Railroad and Zadie Smith’s new Swing Time (read her speech on hope and history ) in fiction and I’m curious about Michael Lewis’s take on Kahneman and Tversky in The Undoing Project.


Nikki Miller, Rights and Contracts Manager

Give: Dotty Brown’s Boathouse Row, which takes you through the history of rowing with beautiful pictures along the Schuylkill.  It offers a relaxing balance of history and storytelling which makes it a perfect read for the holiday season.
Read: The holidays give me an excuse to lay by the fire and reread my favorite book: The Nightingale by Kristin Hannah.


Joan Vidal, Senior Production Editor

suicide-squeeze_smGive: Suicide Squeeze: Taylor Hooton, Rob Garibaldi, and the Fight against Teenage Steroid Abuse, by William C. Kashatus. This important story of the tragic steroids-related suicides of two up-and-coming student-athletes is an essential addition to the continuing education on the widespread problem of steroid abuse among young people.

Read: I hope to receive The Boys from Eighth and Carpenter, by Tom Mendicino, a novel about two brothers who grow up in 1960s South Philadelphia and then go their separate ways: one staying and taking over their father’s barbershop and the other moving away and becoming a high-society lawyer. When life goes awry, they reveal the strength of the bond between them.


Kate Nichols,  Art Manager
Give: I would give George Lipstiz’s How Racism Takes Place.
 
Read: I have already given myself Born to Run by Bruce Springsteen (through a donation to WXPN).

Dave Wilson, Senior Production Editor

City in a Park_smGive: I thoroughly enjoyed working on and reading City in a Park: A History of Philadelphia’s Fairmount Park System by Lynn Miller and Jim McClelland. The authors recount a fascinating story of the birth of the park system, and I found myself wanting to visit the many places and houses so vividly depicted by the authors. The accompanying talks the authors gave made me more aware of one of the world’s greatest park systems, one that I didn’t fully appreciate until I had read this book.

 

 

Ann-Marie Anderson, Marketing Director

possessive_investment_rev_ed_smGive: I’d like to give a few of my friends copies of The Possessive Investment of Whiteness, by George Lipsitz, a book that illustrates the injustices suffered by and the advantages of white supremacy.

Read: I’m trying to catch up on my reading, so from the 2015 New York Times Book Review 100 Notable Books list, I just bought Loving Day by Mat Johnson to read over the holiday break.  Peace and love to all this holiday season!

 

 

 

Emma Pilker, Editorial Assistant

framing-the-audience_smGive: Framing the Audience by Isadora Anderson Helfgott, to my art history colleagues. Anyone interested in the social history of art will appreciate Helfgott’s analysis of pivotal 20th century movements that shaped today’s art world.

Read: I have been putting off reading Fox Girl by Nora Okja Keller because of the heavy themes, but the end of the year is the perfect time to commit to some historical reflection and cultural

 


Gary Kramer, Publicity Manager

consuming-catastrophe_smGive: Considering how 2016 was, Timothy Recuber’s Consuming Catastrophe: Mass Culture in America’s Decade of Disaster an appropriate gift. Recuber looks at how the media covered four crises–the 9/11 attacks, Hurricane Katrina, the Virginia Tech shootings and the 2008 financial crisis–and how our concern for the suffering of others help soothe our own emotional turmoil.

south-philadelphia

Read: I just started read Michael Chabon’s Moonglow, which actually acknowledges a Temple University Press book–Murray Dubin’s South Philadelphiaas source material for the depiction of South Philadelphia in the book. This video of Chabon, made during his Free Library of Philadelphia appearance on December 8 opens with him talking about how Dubin’s South Philadelphia influenced his “autobiographical novel.”

Temple University Press Annual Holiday Sale!

Celebrate the holidays with Temple University Press at our annual holiday sale
November 30 through December 2 from 11:00 am to 2:00 pm (daily)
in the Diamond Club Lobby, lower level of Mitten Hall at Temple University

All books will be discounted

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Temple University Press is having a Back-to-School SALE!

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SaleBOTTOM

Ready or Not: Rio on the Eve of the Olympics

On the ground in Rio, Philip Evanson, co-author of Living in the Crossfire, reflects on what life is like as the games begin.

For the months leading up to the 2016 summer Olympics games, media reporting has been largely critical of Rio de Janeiro’s, and by extension Brazil’s ability to complete preparations for the mega sports event. This critical viewpoint was shared even by the Brazilian patrician press with perhaps A Folha de São Paulo taking the lead. A stream of reports from inside and outside Brazil focused on delays and mishaps. As late as July 1st,  The New York Times published an article Brazilian journalist Vanessa Barbara about “Brazil’s Olympic Catastrophe.” The article took us into a world of chaos and uncertainties that seemed an inherent part of preparations for the Rio Olympics. Thomas Bach, the German president of the International Olympic Committee (IOC) said that Brazil was an example of a country that liked to wait until the final hour to complete a big task such as preparations for the Olympics. However, he remained optimistic and sure that the Brazilian hosts would get the job done in time for the opening ceremony August 5.

This was his view just the day after delegations of athletes from several countries, including Brazil itself, refused to occupy their assigned residences saying they were unfit for habitation. They entered apartments where pipes leaked, toilets might not flush, and electric wires were exposed. In fact, only 15 of 31 new high rise apartment buildings in the Olympic Village were ready to receive delegations as of Sunday, July 24 when they opened for occupancy. 630 workers were quickly hired to work around the clock to complete the work by Thursday. This was one more public relations disaster and not to be overcome so quickly. Ministry of Labor inspectors made an unexpected visit. They found that Brazilian labor law was being flouted. Workers had not been hired according to rules of formal sector employment. They were working longer hours than permitted, in one case 23 hours straight, and not enough time was allowed for meals. The Ministry fined the Rio Olympic committee nearly $100,000. Still the work was completed and delegation complaints then turned to praise.

Now in the early 21st century, the port area in downtown Rio is once again a main target of urban renewal. Demolition of an old, dirty elevated freeway, remodeling older buildings and putting up new ones has dramatically changed the area, making it an inviting zone of high interest. For the residents of Rio and visitors, the important lures will be new museums and cultural centers. The Museum of Tomorrow is architecturally the most striking and important structure. Hailed by The Guardian on its inauguration in 2015 as one of the world’s most extraordinary contemporary buildings, it is dedicated to the idea of human and planetary sustainability.

My wife Regina and I decided to see changes in the port area and downtown Rio. We took a ride on the new light rail tramline that circulates between the bus station and the domestic Santos Dumont airport. We could see how in much of the area traversed, the planned renewal has largely been completed and ready to receive tens of thousands tourists who will come to the Olympics. There are Olympics connected projects in the area that are not strictly about sporting events. We got off at the stop on the newly christened Olympic Boulevard where Brazilian graffiti artist Eduardo Kobra is finishing an enormous multicolored mural “We are all one.” The mural celebrates the unity of the human race in five continents, and the search for peace. We wanted to see it, and to see him at work partly because we live in Philadelphia which is a leader in the outdoor mural movement and have become interested in this form of public art. Kobra’s mural is spread over a block long cinderblock wall and occupies about twice as many square feet as the world’s next largest mural. We watched him spray paint areas while standing on a hydraulic lift platform, but there were strong gusts of wind that must have made the work more difficult than usual. He was working from what seemed a color chart. We plan to return to watch again this remarkable work in progress. Kobra is hurrying to complete it by the official opening day of August 5.

We are now in the countdown phase to the opening ceremony—counted in days (now only 3 as this is being written), hours, minutes and seconds. An Olympic media slogan aims for social inclusion “Somos Todos Olímpicos,” or “We are all Olympians,” but a poll published on July 19 showed that 50% of the population was against the 2016 Rio Olympics, 40% in favor, and 10% did not know where they stood. 63% think Brazil will be worse for the Olympics. A certain lack of enthusiasm, even opposition to the games was obviously taken to heart by Rio de Janeiro Mayor Eduardo Paes whose emotional fever chart is always on display. In an interview on August 1st with A Folha de São Paulo. the mayor lamented the fact that Brazilians were in a bad mood due to the hard times (three years of recession),  also the political crisis of impeaching a president, and the endless Operation Carwash investigations of corrupt practices in the highest places of politics and corporate business. He said to the contrary that Brazilians should feel good about the Olympics. Largely by themselves, Brazilians had been able to overcome all the problems and emergencies associated with the games and that similar problems occurred in other summer Olympic games. The IOC was grateful for the way we responded to contingencies, and surprised that Brazilians had such a low opinion of themselves. Paes called it “our complex of being a mongrel people.”As for critical local press reporting, including in A Folha de São Paulo, it had contaminated public opinion when times were so difficult, in effect, turned people against the Olympics. However, looking at Rio de Janeiro’s ongoing urban transformation as spurred by the Olympics, the mayor brightened. He was sure it would be “more profound” than what even had occurred in the famous Barcelona Olympics of 1992 when Barcelona consolidated its reputation as a great cosmopolitan city.

 

Benny Golson returns to Philadelphia

This week in North Philly Notes, we celebrate Benny Golson in images and interviews. Golson visited his hometown of Philadelphia last week to promote his autobiography, Whisper Notco-authored with Jim Merod.

Benny Golson started his day at 91-FM, WHYY’s Radio Times, where he chatted with host Marty Moss-Coane.
There’s no stoppinGolson RTg BENNY GOLSON. The internationally famous jazz composer, arranger, and saxophonist has recorded over 30 albums, and has composed and arranged music for John Coltrane, Miles Davies, Ella Fitzgerald, Quincy Jones and many others. This year, at the age of 87, he released a new album called “Horizon Ahead.” Golson was born in Philadelphia in 1929 and has played in the bands of Benny Goodman, Dizzy Gillespie and Art Blakey. He has composed not only jazz standards, including “Killer Joe” and “Along Came Betty,” but his songs have also appeared in tv shows and films including M*A*S*H and Mission Impossible. Marty talks with Golson about his life, his new autobiography Whisper Not, and what it’s like to be considered an “elder statesman of jazz.”

Benny was also interviewed with Brian Lockman, host of Pennsylvania Cable Network’s PA Books program. The show will air at a future date and be available as a free podcast on iTunes. Benny PCN

During a stop at Temple University’s radio station, WRTI, Benny paused to pose with Art Kane’s 1958 photo, “A Great Day in Harlem.” Golson is one of the last two surviving members of the famous photograph.

Golson Great Day

Golson capped off the day with an appearance at the Free Library of Philadelphia, where he was interviewed by WRTI‘s Jeff Duperon. This video records their conversation.

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Saxophonist and composer Benny Golson learned his instrument and the vocabulary of jazz while still in high school in Philadelphia. Over the course of an illustrious 60-year career, he has recorded more than 30 albums, written well over 300 compositions, and given hundreds of performances around the globe alongside dozens of jazz greats, including Benny Goodman, Dizzy Gillespie, Lionel Hampton, Earl Bostic, and Art Blakey. “A composer with an unusually brilliant melodic sense” (New York Times), his major contributions to the world of jazz include the standards Killer Joe, Along Came Betty, Whisper Not, and Five Spot After Dark. His new book, Whisper Not, is a collection of anecdotes and photographs that recount the high and low notes of a life dedicated to jazz.

As the night ended, Golson posed with and signed books and records(!) for his adoring fans. 

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