Celebrating Black History Month with Temple University Press titles

This week in North Philly Notes, we focus on some of our favorite African American titles to commemorate Black History Month.

The Man-Not: Race, Class, Genre, and the Dilemmas of Black Manhood, by Tommy J. Curry

2453_regTommy J. Curry’s provocative book The Man-Not is a justification for Black Male Studies. He posits that we should conceptualize the Black male as a victim, oppressed by his sex. The Man-Not, therefore, is a corrective of sorts, offering a concept of Black males that could challenge the existing accounts of Black men and boys desiring the power of white men who oppress them that has been proliferated throughout academic research across disciplines. Curry argues that Black men struggle with death and suicide, as well as abuse and rape, and their genred existence deserves study and theorization. This book offers intellectual, historical, sociological, and psychological evidence that the analysis of patriarchy offered by mainstream feminism (including Black feminism) does not yet fully understand the role that homoeroticism, sexual violence, and vulnerability play in the deaths and lives of Black males. Curry challenges how we think of and perceive the conditions that actually affect all Black males.

Mediating America: Black and Irish Press and the Struggle for Citizenship, 1870-1914,  by Brian Shott

Mediating_America_webUntil recently, print media was the dominant force in American culture. The power of the paper was especially true in minority communities. African Americans and European immigrants vigorously embraced the print newsweekly as a forum to move public opinion, cohere group identity, and establish American belonging.

Mediating America explores the life and work of T. Thomas Fortune and J. Samuel Stemons as well as Rev. Peter C. Yorke and Patrick Ford—respectively two African American and two Irish American editor/activists in the late nineteenth and early twentieth centuries. Historian Brian Shott shows how each of these “race men” (the parlance of the time) understood and advocated for his group’s interests through their newspapers. Yet the author also explains how the newspaper medium itself—through illustrations, cartoons, and photographs; advertisements and page layout; and more—could constrain editors’ efforts to guide debates over race, religion, and citizenship during a tumultuous time of social unrest and imperial expansion.

Black and Irish journalists used newspapers to recover and reinvigorate racial identities. As Shott proves, minority print culture was a powerful force in defining American nationhood.

Envisioning Emancipation: Black Americans and the End of Slaveryby Deborah Willis and Barbara Krauthamer

2253_regThe Emancipation Proclamation is one of the most important documents in American history. As we commemorate its 150th anniversary, what do we really know about those who experienced slavery?

In their pioneering book, Envisioning Emancipation, renowned photographic historian Deborah Willis and historian of slavery Barbara Krauthamer have amassed 150 photographs—some never before published—from the antebellum days of the 1850s through the New Deal era of the 1930s. The authors vividly display the seismic impact of emancipation on African Americans born before and after the Proclamation, providing a perspective on freedom and slavery and a way to understand the photos as documents of engagement, action, struggle, and aspiration.

Envisioning Emancipation illustrates what freedom looked like for black Americans in the Civil War era. From photos of the enslaved on plantations and African American soldiers and camp workers in the Union Army to Juneteenth celebrations, slave reunions, and portraits of black families and workers in the American South, the images in this book challenge perceptions of slavery. They show not only what the subjects emphasized about themselves but also the ways Americans of all colors and genders opposed slavery and marked its end.

Filled with powerful images of lives too often ignored or erased from historical records, Envisioning Emancipation provides a new perspective on American culture.

Suffering and Sunset: World War I in the Art and Life of Horace Pippin, by Celeste-Marie Bernier

2372_regFor self-made artist and World War I soldier Horace Pippin—who served in the 369th African American infantry—war provided a formative experience that defined his life and work. His transformation of combat service into canvases and autobiographies whose emotive power, psychological depth, and haunting realism showed his view of the world revealed his prowess as a painter and writer. In Suffering and Sunset, Celeste-Marie Bernier painstakingly traces Pippin’s life story of art as a life story of war.

Illustrated with more than sixty photographs, including works in various media—many in full color—this is the first intellectual history and cultural biography of Pippin. Working from newly discovered archives and unpublished materials, Bernier provides an in-depth investigation into the artist’s development of an alternative visual and textual lexicon and sheds light on his work in its aesthetic, social, historical, cultural, and political contexts.

Suffering and Sunset illustrates Pippin’s status as a groundbreaking African American painter who not only suffered from but also staged many artful resistances to racism in a white-dominated art world.

The Audacity of Hoop: Basketball and the Age of Obamaby Alexander Wolff

2384_regWhile basketball didn’t take up residence in the White House in January 2009, the game nonetheless played an outsized role in forming the man who did. In The Audacity of Hoop, celebrated sportswriter Alexander Wolff examines Barack Obama, the person and president, by the light of basketball. This game helped Obama explore his identity, keep a cool head, impress his future wife, and define himself as a candidate.

Wolff chronicles Obama’s love of the game from age 10, on the campaign trail—where it eventually took on talismanic meaning—and throughout his two terms in office. More than 125 photographs illustrate Obama dribbling, shooting free throws, playing pickup games, cooling off with George Clooney, challenging his special assistant Reggie Love for a rebound, and taking basketball to political meetings. There is also an assessment of Obama’s influence on the NBA, including a dawning political consciousness in the league’s locker rooms.

Sidebars reveal the evolution of the president’s playing style, “Baracketology”—a not-entirely-scientific art of filling out the commander in chief’s NCAA tournament bracket—and a timeline charts Obama’s personal and professional highlights.

Equal parts biographical sketch, political narrative, and cultural history, The Audacity of Hoop shows how the game became a touchstone in Obama’s exercise of the power of the presidency.

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History Lessons: Henry Sugimoto’s Art on the Japanese American Experience

This week in North Philly Notes, Edward Tang, author of From Confinement to Containment, describes the art and life of Japanese American artist Henry Sugimoto, one of the subjects featured in his new book.

In light of the current debates about immigrants, border walls, detention centers, and travel bans, I often think about the Japanese American artist Henry Sugimoto (1900-1990), one of four cultural figures I examine in From Confinement to Containment: Japanese/American Arts during the Early Cold War. Along with his family, Sugimoto was incarcerated in the camps at Jerome and Rohwer, Arkansas, during World War II, solely because of their racial and ethnic background. When the Japanese Imperial Navy attacked Pearl Harbor on December 7, 1941, many Issei (Japanese immigrants in the United States, including Sugimoto) and their American-born Nisei children were suspected of being loyal to Japan. Pressure from various political and farming interests intensified on the federal government to oust Japanese Americans from the West Coast. As a result, President Franklin D. Roosevelt issued Executive Order 9066 on February 19, 1942, which mandated the removal of over 110,000 of them to detention facilities located in the most desolate environments in the nation’s interior. That two-thirds of these civilians imprisoned without trial were U.S. citizens (the Nisei) hardly mattered to the rest of the country. Sugimoto painted many heart-rending scenes of what mothers and fathers, the elderly, single folks, and even infants experienced during their removal and confinement, as evidenced in one striking composition, Nisei Babies in Concentration Camp (circa 1943). But the artist also made sure to portray a subordinated community’s endurance, creativity, and love for one another in the midst of such trying conditions.  

fig 1_nisei babies
After the war, Sugimoto continued to paint scenes of the mass confinement and also became interested in the broader history of Japanese Americans in the United States, rendering muralist portrayals of their immigrant past. Some depicted episodes of racism and other obstacles faced, a theme initially explored in his paintings about the wartime incarceration. In an untitled piece featuring the words “STOP PICTURE BRIDE” (circa 1965), Sugimoto takes note of the immigration bans at the turn of the twentieth century. Japanese men first came to America as much-needed agricultural laborers, but white fears of a growing “yellow peril” instigated several legislative acts that restricted their further entry. These included limits on “picture brides” — Japanese women who came to marry those immigrant men and thus establish families and communities in the United States (a development to be averted, in white nativist eyes).
In the image, Sugimoto juxtaposes two symbols of America: Uncle Sam (state power) and Lady Liberty (the ideals of freedom and democracy). The artist transforms Uncle Sam’s “I Want You” finger-pointing, derived from the World War I recruiting poster calling on Americans to make the world safe for democracy, to an “I Don’t Want You” glare and gesture directed at Asian immigrants. Yet the Statue of Liberty, representing the cosmopolitan embrace of the world’s incoming peoples, stands above Uncle Sam and alongside the Japanese picture bride, which reveals how Sugimoto felt about the compatibility between the nation’s principles and the newcomers appearing at its shores.

fig 2_stop picture bride
Sugimoto himself journeyed from Japan to America in 1919. His parents were already in the United States before the 1907 Gentlemen’s Agreement that curbed Japanese entry, so he was able to join them through a chain migration process. His first love was for French Postimpressionism and other European styles of art. He gained an international reputation in the 1930s with his artistic promise and traveled widely. But the wartime imprisonment of Japanese Americans quashed his public visibility and pushed him to a muralist sensibility that conveyed subtle, and often outright, political protest. During the early Cold War era, however, Sugimoto continued to labor in obscurity. Few wanted to address the injustice of confining Japanese Americans, especially when this population was now seen as a new “model minority” to promote a benevolent, multiethnic America and when Japan became a new U.S. ally in the fight against communism and Soviet expansion. With the advent of increased Asian American activism in the late 1960s and the growing movement for reparations for the Japanese American confinement, critics and audiences began to pay more attention to Sugimoto’s efforts. In 2001, the Japanese American National Museum in Los Angeles hosted the largest retrospective of his work. What is important to remember is that between the 1940s and 1960s, before this renewed public notice emerged, Sugimoto was detailing scenes of war, racism, immigration, and incarceration as intimately entangled issues that still resonate to this day.

Temple University Press’ Spring 2019 Catalog

This week in North Philly Notes, we feature highlights from our Spring 2019 catalog.

sp19 cover As the cover of this catalog proclaims, 2019 is the Press’s 50th anniversary, and there’s much to celebrate.

We’ve published more than 1600 titles in the past five decades, starting with Marxism and Radical Religion: Essays Toward a Revolutionary Humanism, edited by John C. Raines and Thomas Dean. Since that auspicious beginning, Temple University Press has dedicated itself to publishing socially engaged scholarship. Our list is chock-full of titles related to social justice and social change. We pride ourselves on being pioneers in advancing the scholarly value and social importance of disciplines such as women’s studies, ethnic studies, and the study of race. To that end, we launched highly regarded lists in African American studies and Latin American and Latino/a studies and a field-shaping series in Asian American studies. We’ve been recognized for publishing award-winning titles in urban studies, political science, and gender and sexuality studies. And we have the premiere list of titles on Philadelphia and the region, from arts and culture to history and sports and more.

The titles in this catalog are built upon the strengths of our past. They in turn lay the groundwork for our next 50 years. If past is prologue, our future looks bright. Here’s to 50 more years!—MARY ROSE MUCCIE,  Director


Highlights from the Spring Catalog include: 
contested_image_smThomas Eakins’ 1875 painting, The Gross Clinic, the Rocky Statue, and the Barnes Foundation are all iconic in Philadelphia for different reasons. But around the year 2000, this painting, this sculpture, and this entire art collection, respectively, generated extended—and heated—controversies about the “appropriate” location for each item. Contested Image revisits the debates that surrounded these works of visual culture and how each item changed through acts of reception—through the ways that viewers looked at, talked about, and used these objects to define their city.

Laura Holzman investigates the negotiations and spirited debates that affected the city of Philadelphia’s identity and its public image. She considers how the region’s cultural resources reshaped the city’s reputation as well as delves into discussions about official efforts to boost local spirit. In tracking these “contested images,” Holzman illuminates the messy process of public envisioning of place and the ways in which public dialogue informs public meaning of both cities themselves and the objects of urban identity.


getting_away_from_it_all_smVacations are a delimited period during which social rules and responsibilities are eased, removed, or shifted, and people have increased autonomy over what they choose to do. Recent trends in the travel industry emphasize the appeal of vacations for voluntary identity changes—when bankers can become bikers for a week or when “Momcations” allow mothers to leave their families behind. But how do our vacations allow us to shape our identity?

Getting Away from It All is a study of individuality and flexibility and the intersection of self-definition and social constraint. Karen Stein interviews vacationers about their travels and down time, focusing on “identity transitions.” She shows how objects, settings, temporal environments and social interactions limit or facilitate identity shifts, and how we arrange our vacations to achieve the shifts we desire. Stein also looks at the behavior, values, attitudes, and worldview of individuals to illuminate how people engage in either identity work or identity play.

Vacations say a lot about individuals. They signal class and economic standing and reveal aspirations and goals. Getting Away from It All insists that vacations are about more than just taking time off to relax and rejuvenate—they are about having some time to work on the person one wants to be.


in_the_weeds_smMore and more states are legalizing marijuana in some form. Moreover, a majority of the U.S. population is in favor of legalizing the drug for recreational use. In the Weeds looks at how our society has become more permissive in the past 150 years—even though marijuana is still considered a Schedule I drug by the American government.

Sociologists Clayton Mosher and Scott Akins take a deep dive into marijuana policy reform, looking at the incremental developments and the historical, legal, social, and political implications of these changes. They investigate the effects, medicinal applications, and possible harms of marijuana. In the Weeds also considers arguments that youth will be heavy users of legalized cannabis, and shows how “weed” is demonized by exaggerations of the drug’s risks and claims that it lacks medicinal value. Mosher and Akins end their timely and insightful book by tracing the distinct paths to the legalization of recreational marijuana in the United States and other countries as well as discussing what the future of marijuana law holds.


the_palestinian_idea_061818_smIs there a link between the colonization of Palestinian lands and the enclosing of Palestinian minds? The Palestinian Idea argues that it is precisely through film and media that hope can occasionally emerge amidst hopelessness, emancipation amidst oppression, freedom amidst apartheid. Greg Burris employs the work of Edward W. Said, Jacques Rancière, and Cedric J. Robinson in order to locate Palestinian utopia in the heart of the Zionist present.

He analyzes the films of prominent directors Annemarie Jacir ( Salt of This Sea, When I Saw You) and Hany Abu-Assad ( Paradise Now) to investigate the emergence and formation of Palestinian identity. Looking at Mais Darwazah’s documentary My Love Awaits Me By the Sea, Burris considers the counterhistories that make up the Palestinian experience—stories and memories that have otherwise been obscured or denied. He also examines Palestinian (in)visibility in the global media landscape, and how issues of Black-Palestinian transnational solidarity are illustrated through social media, staged news spectacles, and hip hop music.

Temple University Press’s Annual Holiday Give and Get

This week in North Philly Notes, the staff at Temple University Press suggest the Temple University Press books they would give along with some non-Temple University Press titles they hope to read and receive this holiday season. 

 

Ann-Marie Anderson, Marking Director

Give: This year I’d give Nelson Diaz’s memoir Not from Here, Not from There because of its uplifting story as the first of many things—from first Latino to graduate from the Temple Law School to the first Latino judge in the state of Pennsylvania, and on and on.  This is a book for all of us who have dual status—American but also “other”—and a dare to dream of life’s many possibilities.

Get: It’s a bit late to give me a book that I’d want to read because I already have it.  Michelle Obama’s Becoming is another inspiring memoir by the former First Lady of the United States. Besides, I still haven’t gotten the book I asked Santa for last year—Soul of a Nation: Art in the Age of Black Power, a survey of African American art from 1963-83.

Karen Baker, Financial Manager

Give: The Eagles Encyclopedia Champions Edition by Ray Didinger with Robert S. Lyons, all my family—Mom, Dad, brothers, and kids who are all die-hard Philly fans.

Get: I would like to receive Dog Shaming by Pascale Lemire because it looks so funny.

Sara Cohen, Editor

Give: This year, I’ll be giving Rebecca Yamin’s Archaeology at the Site of the Museum of the American Revolution to the history buffs in my life. It tells the story of 300 years of Philadelphia history through artifacts found in privies on the site of the Museum of the American Revolution through tons of gorgeous full color images. It’s also short which makes it an easy read and an affordable gift.

Get: I’m getting ready to move, so I hope that no one give me any holiday presents this year (just more to pack). Once I get settled, I’m hoping to read Mohsin Hamid’s Exit West (I just read a great chapter on it by one of my authors) and Gina Apostol’s Insurrecto.

Irene Imperio, Advertising and Promotions Manager

Give:  Color Me… Cherry & White. What better way to unwind than with a coloring book?  A great gift for kids and kids-at-heart.

Get: Becoming by Michelle Obama, an eagerly awaited memoir of a truly inspirational woman.

Aaron Javsicas, Editor in Chief

Give: I’m so thrilled to have Steven Davis’s In Defense of Public Lands on the list. This is an academically rigorous and powerfully written book that’s not afraid to take a stand. Davis offers the privatizers’ best arguments in a fair-minded way, then systematically dismantles them. This is engaged scholarship at its best, and there’s simply nothing else like ityou won’t find a more comprehensive and keenly argued overview of this vital and terrifyingly timely debate anywhere.

Get: I hope someone gives me Kathy Cramer’s The Politics of Resentment: Rural Consciousness in Wisconsin and the Rise of Scott Walker. I believe this book is still understood to have been the most prescient work on political conditions which would eventually give us President Donald Trump. Maybe I’m not the only one still trying to figure this out?

Gary Kramer, Publicity Manager

Give:  Architectures of Revolt: The Cinematic City circa 1968edited by Mark Shiel. This book has all my Venn Diagrams overlapping—it’s about film, it’s about cities, and it’s about 1968. It’s also about protests and architecture. It’s the perfect gift for my cinephile friends, my urbanist friends, my activist friends, and anyone else who turned 50 in 1968 (or like the press will in 2019).

Get: Jonathan Coe’s Middle England. This is the third of Coe’s books about four friends that began with The Rotters’ Club and The Closed Circle. The only problem with getting this book is that it will make me want to re-read the first two!

Mary Rose Muccie, Director

Give: They say that politics makes for strange bedfellows, and to me, that was never truer than in the alliance of Evangelicals with Republican candidate and now President Donald Trump.  How people dedicated to spreading the message of Christianity could support a man who is at best morally ambiguous seems incongruous. If you, too, are perplexed, as are many of my friends and family, the contributors to Paul Djupe and Ryan Claassen’s book The Evangelical Crackup? The Future of the Evangelical-Republican Coalition explain how and why this came to pass.

Get: Technically, I already got this (as a gift to myself), but I’m looking forward to sitting down with a pot of tea and Circe, by Madeline Miller. I love Greek mythology, and books about strong, independent, intelligent woman are always on my wish list. Circe has both covered.

Ryan Mulligan, Editor

Give: Healing Our Divided Society: Investing in America 50 Years After the Kerner Report, edited by Fred Harris and Alan Curtis. This year marked the 50th anniversary of the Kerner Commission’s warning that the United States was headed toward two societies, “separate and unequal” and that “To continue our present course will involve the continuing polarization of the American community and, ultimately, the destruction of basic democratic values.” As Americans struggle more and more to find common ground, the keepers of the Kerner flame Fred Harris and Alan Curtis compile the top authorities on the most pressing urban issues and assemble a comprehensible compendium of what we know works: as reasonable a place to start as any in an unreasonable time.

Get: The Personality Brokers: The Strange History of Myers-Briggs and the Birth of Personality Testing, by Merve Emre. I’m a millennial, and if there’s one thing millennials like, it’s taking quizzes to better label, sort, and categorize ourselves, proudly declaring the insights that we’d only discovered moments ago must now be immutably true. Luckily, if there are two things millennials like, the other is reading about how all our habits and values are harmful and wrong. This book tells how the mother-daughter team of Myers and Briggs created our national obsession with slapping four letters on who we are and how we operate and asks what it is we think we’re getting out of it?

Kate Nichols, Art Manager

Give: Kalfou: A Journal of Comparative and Relational Ethnic StudiesThis isn’t a first-time choice for me. Published by Temple University Press on behalf of the UCSB Center for Black Studies Research, Kalfou addresses the many issues and critical concerns that increasingly are plaguing our communities and institutions. The journal gives me a measure of hope in this very crazy time. As per the inscriptions in the beginning: kal ´fü—a Haitian Kreyòl word meaning “crossroads”“This means that one must cultivate the art of recognizing significant communications, knowing what is truth and what is falsehood, or else the lessons of the crossroads—the point where doors open or close, where persons have to make decisions that may forever after affect their lives—will be lost.”—Robert Farris Thompson.

Get: Educated by Tara Westover. I keep hearing wonderful things about it.

Ashley Petrucci, Rights and Contracts Coordinator

Give: Who Will Speak for America? edited by Stephanie Feldman and Nathaniel Popkin. Who Will Speak for America? draws upon the current political climate to advocate for change, which makes it a very timely piece that I think is important for everyone to read.  This would definitely be a book of great interest to several of my friends, who would enjoy reading about the various perspectives and reading through the various styles of the contributors to this edited collection.

Get: The Supernatural in Society, Culture, and History edited by Dennis Waskul and Marc Eaton. I may be a bit biased, since aspects of the supernatural were key components to my senior thesis on Sir Gawain and the Green Knight, but this would be the book that I would most like to receive.  I’ve always enjoyed horror movies and studying the supernatural elements of folktales and stories (particularly from the Middle Ages), so I would love to sit down and read this book over the holidays.  A nightmare before Christmas, if you will.

Joan Vidal, Senior Production Manager

Give: Undocumented Fears: Immigration and the Politics of Divide and Conquer in Hazleton, Pennsylvania, by Jamie Longazel. To quote the Preface, “This book contributes to an understanding of U.S. immi­gration politics in this tumultuous first decade and a half of the twenty-first century.” 

Get: Dreams and Nightmares: I Fled Alone to the United States When I Was Fourteen, by Liliana Velásquez.

Dave Wilson, Senior Production Manager

Give: Policing in Natural Disasters, by Terri M. Adams and Leigh R. Anderson, is inspired by the personal accounts of triumph and tragedy shared by first responders. The short- and long-term effects of these events on first responders—the very people society relies upon in the midst of a catastrophe—are often overlooked. This book opened my mind about the strength of these responders and the challenges they face while responding during times of crisis. I find it fascinating to weigh the dilemma: How do they take care of their own families first and risk neglecting their needs when the responders are required to place the needs of the people they serve first.

 

 

 

 

Highlights from the latest–and past–issues of Kalfou, a Journal of Comparative and Relational Ethnic Studies

This week in North Philly Notes, we present the table of contents for the new issue of Temple University Press’s journal, Kalfou, edited by George Lipsitz, as well as some links to sample articles from previous editions of the journal.

Please recommend to your library! • To subscribe: click here  

VOLUME 5, ISSUE 2 • FALL 2018

Kalfou_generic-cover_102015FEATURE ARTICLES • From the symposium “Over the Line: A Conversation about Race, Place, and the Environment,” edited by Ingrid R. G. Waldron and George Lipsitz

No Ordinary Time: Indigenous Dispossession and Slavery Unwilling to Die • George Lipsitz

A Precarious Confluence: Neoliberalism, Race, and Water Insecurity • Michael Mascarenhas

Women on the Frontlines: Grassroots Movements against Environmental Violence in Indigenous and Black Communities in Canada • Ingrid R. G. Waldron

Marginalizing Poverty with Car-Dependent Design: The Story of Two Expulsions • Tristan Cleveland

Indigenous Environmental Justice, Knowledge, and Law • Deborah McGregor

Reconciliation and Environmental Racism in Mi’kma’ki • Dorene Bernard

Dismantling White Privilege: The Black Lives Matter Movement and Environmental Justice in Canada • Cheryl Teelucksingh

Community Mobilization to Address Environmental Racism: The South End Environmental Injustice Society • Louise Delisle and Ellen Sweeney

This Sacred Moment: Listening, Responsibility, and Making Room for Justice • Sadie Beaton

IDEAS, ART, AND ACTIVISM
TALKATIVE ANCESTORS Ida B. Wells on Criminal Justice

KEYWORDS Deflective Whiteness: White Rhetoric and Racial Fabrication • Hannah Noel

LA MESA POPULAR The Dependent Origination of Whiteness • John B. Freese

ART AND SOCIAL ACTION Stanton Heights: Intersections of Art and Science in an Era
of Mass Incarceration • Norman Conti

MOBILIZED 4 MOVEMENT The ENRICH Project: Blurring the Borders between  Community and the Ivory Tower • Ingrid R. G. Waldron

TEACHING AND TRUTH Rules and Consequences • Dave Cash

IN MEMORIAM When Giants Leave the Forest, the Trees Carry Their Songs: Clarence
Fountain, Edwin Hawkins, Walter Hawkins, Aretha Franklin • Johari Jabir

Sample articles from past issues

“A Relatively New Discovery in the Modern West”: #BlackLivesMatter and the Evolution of Black Humanism, Juan Floyd-Thomas, Kalfou 4-1 (2017).

A Precarious Confluence: Neoliberalism, Race, and Water Insecurity, Michael Mascarenhas, Kalfou 5-2 (2018)

No Ordinary Time: Indigenous Dispossession and Slavery Unwilling to Die, George Lipsitz, Kalfou 5-2 (2018)

Prophets and Profits of Racial Science, Ruha Benjamin, Kalfou 5-1 (2018)

 

University Press Week Blog Tour: Arts and Culture

It’s University Press Week and the Blog Tour is back! This year’s theme is #TurnItUP. Today’s theme is Arts and Culture

banner.upweek2018

MIT University Press @mitpress
Is planning a Q&A with our longtime editor Roger Conover (who is retiring next year) and one of his authors Slavoj Žižek , a philosopher and cultural critic, about his career here at the Press.

Athabasca University Press  @au_press
Discusses Frankenstein’s influence on Canadian pop culture with a focus on music. Naturally, the author had to create a mix of all the songs mentioned in the book and so we will be discussing how university presses can quite literally #TurnItUp.

Rutgers University Press @RutgersUPress
Dedicates a post to our new book Junctures in Women’s Leadership: The Arts by Judith Brodsky and Ferris Olin

Yale University Press @yaleARTBooks
Based on the book Essential Modernism, edited by Dominic Bradbury, we’ll have a post by Dominic about how immigrants enrich a country’s art and architecture (discusses a number of artists and architects who arrived in the US at midcentury).

Duke University Press @DukePress
Features some recent collaborations with museums, sharing why these collaborations work for both of us.

University of Minnesota Press @UMinnPress
Adrienne Kennedy will be inducted into the Theater Hall of Fame on Nov. 12th. We’ll run an excerpt from The Adrienne Kennedy Reader.

University of Toronto Press @utpress
Social media specialist Tanya Rohrmoser discusses how social media can be an effective vehicle for communicating research in the arts and humanities

Honoring Mexico on Cinco de Mayo

This week in North Philly Notes, we showcase books about Mexico in honor of Cinco de Mayo.

urban leviathanUrban Leviathan: Mexica City in the Twentieth Century by Diane E. Davis

Why, Diane Davis asks, has Mexico City, once known as the city of palaces, turned into a sea of people, poverty, and pollution? Through historical analysis of Mexico City, Davis identifies political actors responsible for the uncontrolled industrialization of Mexico’s economic and social center, its capital city. This narrative biography takes a perspective rarely found in studies of third-world urban development: Davis demonstrates how and why local politics can run counter to rational politics, yet become enmeshed, spawning ineffective policies that are detrimental to the city and the nation.

effects of the nationThe Effects of the Nation: Mexican Art in an Age of Globalization edited by Carl Good and John V. Waldron

What is the effect of a “nation”? In this age of globalization, is it dead, dying, only dormant? The essays in this groundbreaking volume use the arts in Mexico to move beyond the national and the global to look at the activity of a community continually re-creating itself within and beyond its own borders.

Mexico is a particularly apt focus, partly because of the vitality of its culture, partly because of its changing political identity, and partly because of the impact of borders and borderlessness on its national character. The ten essays collected here look at a wide range of aesthetic productions—especially literature and the visual arts—that give context to how art and society interact.

Ethical Borders sm compEthical Borders: NAFTA, Globalization, and Mexican Migration by Bill Ong Hing

In his topical new book, Ethical Borders, Bill Ong Hing asks, why do undocumented immigrants from Mexico continue to enter the United States and what would discourage this surreptitious traffic? An expert on immigration law and policy, Hing examines the relationship between NAFTA, globalization, and undocumented migration, and he considers the policy options for controlling immigration. He develops an ethical rationale for opening up the U.S./Mexican border, as well as improving conditions in Mexico so that its citizens would have little incentive to migrate.

Sounds Modern Nation smallSounds of the Modern Nation: Music, Culture, and Ideas in Post-Revolutionary Mexico by Alejandro L. Madrid

Sounds of the Modern Nation explores the development of modernist and avant-garde art music styles and aesthetics in Mexico in relation to the social and cultural changes that affected the country after the 1910-1920 revolution. Alejandro Madrid argues that these modernist works provide insight into the construction of individual and collective identities based on new ideas about modernity and nationality. Instead of depicting a dichotomy between modernity and nationalism, Madrid reflects on the multiple intersections between these two ideas and the dialogic ways through which these notions acquired meaning.

MinichCompFinal.inddAccessing Citizenship: Disability, Nation, and Cultural Politics of Greater Mexico  by Julie Avril Minich

Accessible Citizenships examines Chicana/o cultural representations that conceptualize political community through images of disability. Working against the assumption that disability is a metaphor for social decay or political crisis, Julie Avril Minich analyzes literature, film, and visual art post-1980 in which representations of nonnormative bodies work to expand our understanding of what it means to belong to a political community. Minich shows how queer writers like Arturo Islas and Cherríe Moraga have reconceptualized Chicano nationalism through disability images. She further addresses how the U.S.-Mexico border and disabled bodies restrict freedom and movement. Finally, she confronts the changing role of the nation-state in the face of neoliberalism as depicted in novels by Ana Castillo and Cecile Pineda.

Mexican Voices Border Region compMexican Voices of the Borders Region by Laura Velasco Ortiz and Oscar F. Contreras

Mexican Voices of the Border Region examines the flow of people, commercial traffic, and the development of relationships across this border. Through first-person narratives, Laura Velasco Ortiz and Oscar F. Contreras show that since NAFTA, Tijuana has become a dynamic and significant place for both nations in terms of jobs and residents. The authors emphasize that the border itself has different meanings whether one crosses it frequently or not at all. The interviews probe into matters of race, class, gender, ethnicity, place, violence, and political economy as well as the individual’s sense of agency.

Mexican American Women Activists: Identity and Resistance in Two Los Angeles Communities by Mary Pardo

mexican american women activistsMexican American Women Activists tells the stories of Mexican American women from two Los Angeles neighborhoods and how they transformed the everyday problems they confronted into political concerns. By placing these women’s experiences at the center of her discussion of grassroots political activism, Mary Pardo illuminates the gender, race, and class character of community networking. She shows how citizens help to shape their local environment by creating resources for churches, schools, and community services and generates new questions and answers about collective action and the transformation of social networks into political networks.

nothing nobodyNothing, Nobody: The Voices of the Mexico City Earthquake by Elena Poniatowska

September 19, 1985: A powerful earthquake hits Mexico City in the early morning hours. As the city collapses, the government fails to respond. Long a voice of social conscience, prominent Mexican journalist Elena Poniatowska chronicles the disintegration of the city’s physical and social structure, the widespread grassroots organizing against government corruption and incompetence, and the reliency of the human spirit. As a transformative moment in the life of mexican society, the earthquake is as much a component of the country’s current crisis as the 1982 debt crisis, the problematic economic of the last ten years, and the recent elections.

Musica Nortena sm compMúsica Norteña: Mexican Migrants Creating Community Between Nations by Cathy Ragland

Música norteña, a musical genre with its roots in the folk ballad traditions of northern Mexico and the Texas-Mexican border region, has become a hugely popular musical style in the U.S., particularly among Mexican immigrants. Featuring evocative songs about undocumented border-crossers, drug traffickers, and the plight of immigrant workers, música norteña has become the music of a “nation between nations.” Música Norteña is the first definitive history of this transnational music that has found enormous commercial success in norteamérica. Cathy Ragland, an ethnomusicologist and former music critic, serves up the fascinating fifty-year story of música norteña, enlivened by interviews with important musicians and her own first-hand observations of live musical performances.

New ImageSurviving Mexico’s Dirty War: A Political Prisoner’ s Memoir by Alberto Ulloa Bornemann

This is the first major, book-length memoir of a political prisoner from Mexico’s “dirty war” of the 1970s. Written with the urgency of a first-person narrative, it is a unique work, providing an inside story of guerrilla activities and a gripping tale of imprisonment and torture at the hands of the Mexican government.

Alberto Ulloa Bornemann was a young idealist when he dedicated himself to clandestine resistance and to assisting Lucio Cabañas, the guerrilla leader of the “Party of the Poor.” Here the author exposes readers to the day-to-day activities of revolutionary activists seeking to avoid discovery by government forces. After his capture, Ulloa Bornemann endured disappearance into a secret military jail and later abusive conditions in three civilian prisons.

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