Temple University Press’s annual Holiday Book Sale

This week in North Philly Notes, we showcase our annual Holiday Book Sale, being held through December 1 from 11:00 am – 2:00 pm at the Event Space in Charles Library, 1900 N. 13th Street in Philadelphia, PA.

Meet Ray Didinger, author of Finished Business and The Eagles Encyclopedia: Champions Edition December 1 from 11:00 am – 12:00 pm.


Gift Books and Philadelphia Interest Titles

Salut!: France Meets Philadelphia, by Lynn Miller and Therese Dolan

Salut! provides a magnifique history of Philadelphia seen through a particular cultural lens.

Monument Lab: Creative Speculations for Philadelphia, edited by Paul M. Farber and Ken Lum

Monument Lab energizes a civic dialogue about public art and history around what it means to be a Philadelphian.

Beethoven in Beijing: Stories from the Philadelphia Orchestra’s Historic Journey to China, by Jennifer Lin, with a foreword by Philadelphia Orchestra Music Director Yannick Nézet-Séguin

A fabulous photo-rich oral history of a boundary-breaking series of concerts the orchestra performed under famed conductor Eugene Ormandy in China 50 years ago.

The Italian Legacy in Philadelphia: History, Culture, People, and Ideas, edited by Andrea Canepari and Judith Goode

Celebrates the history, impact, and legacy of this vibrant community, tracing four periods of key transformation in the city’s political, economic, and social structures.

BLAM! Black Lives Always Mattered!: Hidden African American Philadelphia of the Twentieth Century, by the Charles L. Blockson Afro-American Collection, Foreword by Lonnie G. Bunch III

The inspiring stories of 14 important Black Philadelphians in graphic novel form!

Real Philly History, Real Fast: Fascinating Facts and Interesting Oddities about the City’s Heroes and Historic Sites, by Jim Murphy

Philly history in bites that are as digestible as a soft pretzel with mustard!

Exploring Philly Nature: A Guide for All Four Seasons, by Bernard S. Brown, Illustrations by Samantha Wittchen

A handy guide to experiencing the flora and fauna in Philly, this compact illustrated volume contains 52 activities for discovering, observing, and learning more about the concrete jungle that is Philadelphia all year long!

Artists of Wyeth Country: Howard Pyle, N. C. Wyeth, and Andrew Wyeth, by W. Barksdale Maynard

An unauthorized and unbiased biographical portrait of Andrew Wyeth that includes six in-depth walking and driving tours that allow readers to visit the places the Wyeths and Pyle painted in Chadds Ford, PA.

The Mouse Who Played Football, by Brian Westbrook Sr, and Lesley Van Arsdall, with illustrations by Mr. Tom.

An inspiring story, based on Westbrook’s own experiences, that encourages young readers to believe in themselves and make their unique differences their strengths.

Do Right By Me: Learning to Raise Black Children in White Spaces, by Valerie I. Harrison and Kathryn Peach D’Angelo

Through lively and intimate back-and-forth exchanges, the authors share information, research, and resources that orient parents and other community members to the ways race and racism will affect a black child’s life—and despite that, how to raise and nurture healthy and happy children. 

The Magic of Children’s Gardens: Inspiring Through Creative Design, by Lolly Tai, with a Foreword by Jane L. Taylor

Landscape architect Lolly Tai provides the primary goals, concepts, and key considerations for designing outdoor spaces that are attractive and suitable for children, especially in urban environments.

The Real Philadelphia Book, Second Edition, by Jazz Bridge

A collection of more than 200 original jazz and blues compositions, arranged alphabetically by song title, showcasing work by generations of Philadelphia musicians.

Celebrating the Italian Legacy in Philadelphia

This week in North Philly Notes, we showcase our recent program celebrating the publication of The Italian Legacy in Philadelphia, edited by Andrea Canepari and Judith Goode.

Cover for The Italian Legacy in Philadelphia

Temple University Libraries and Temple University Press recently participated in an event at Charles Library celebrating the publication of The Italian Legacy in Philadelphia: History, Culture, People, and Ideas, edited by Andrea Canepari, the former Consul General of Italy in Philadelphia, and Judith Goode, Professor Emerita of Anthropology and Urban Studies at Temple University.

Chancellor Englert introducing the panel

The program, which was simulcast with Temple Rome, opened with remarks from Temple University Chancellor Richard Englert, and a welcome from Cristiana Mele, the current Consul General of Italy in Philadelphia.

Panelists (left to right) William Valerio, Domenic Vitiello, Andrew Canepari,
Judith Goode, Chancellor Englert, Inga Saffron

The book was showcased in a panel featuring the coeditors as well as two of the book’s contributors, Philadelphia Inquirer architecture critic Inga Saffron and William Valerio, director of the Woodmere Art Museum.

Canepari spoke about the many rich contributions Italian Americans made to Philadelphia, from art and architecture to food and even Rocky. He also highlighted the “Ciao Philadelphia” celebration of Italian arts, culture, and community.

Andrea Canepari presenting

Goode described the contents of the book, focusing on the approach the contributors took when recounting the history of Italian immigrants and the development of Italian culture in the city. Saffron next presented images of the many Italian influences on Philadelphia architecture, while Valerio discussed various Italian artists whose work is housed in and around the Woodmere Art Museum.

William Valerio presenting

Wrapping up the event were remarks by University of Pennsylvania Professor of Urban Studies Domenic Vitiello, who effused about the book and how its broad treatment of history and urban studies provides something of interest for everyone.

Coeditors Judith Goode and Andrea Canepari signing and posing

Canepari and Goode as well as the other presenters then attended a reception on Charles Library’s 4th floor and terrace, where they signed copies of their book.

Andrea Canepari at the reception; Inga Saffron at the reception; William Valerio at the reception

Announcing Kalfou: A Journal of Comparative and Relational Ethnic Studies, Volume 9, Issue 1, Spring 2022

This week in North Philly Notes, we present the new issue of our journal, Kalfou.

Special Issue: “In These Uncertain Times, Pittsburgh”

Guest Editors: Leon Ford and Deanna Fracul

FEATURE ARTICLES

Introduction: In These Uncertain Times, Pittsburgh • Deanna Fracul and Leon Ford

Uncertainty, Discourse, and Democracy in John Edgar Wideman’s Writing, 1980s to Today • Leila Kamali

Call-and-Response in the City: Embodied Mercy in August Wilson’s Joe Turner’s Come and GoneKathy Glass

Resisting Arrest: Race and Pittsburghers’ Struggles against Police Power from the 1840s through the 1950s • Elaine Frantz

Tomorrow Never Came • Jamaal Scott

Working Together for Health Equity: How a Multidisciplinary, Community-Engaged Partnership Reframed Our Understandings of Pittsburgh’s Maternal-Child Health Crisis • Cathleen J. Appelt, Andrew T. Simpson, Jessica A. Devido, Sarah Greenwald, and Brittany Urban

Pittsburgh, the Realest City: Shit Talk’n’, Storytell’n’, Social Livin’ • Jacqueline Roebuck Sakho

IDEAS, ART, AND ACTIVISM

TALKATIVE ANCESTORS

Derrick Bell on Living in Relation to Others

KEYWORDS

Frankstown Was the World with a Big W: Pittsburgh and Beyond, an Interview with John Edgar Wideman • Leila Kamali

LA MESA POPULAR

Black Lives and the Tree of Life • Emmai Alaquiva and Lauren Apter Bairnsfather

ART AND SOCIAL ACTION

East Pittsburgh: White Supremacy, Radical Relationships, and Chosen Family • Norman Conti

MOBILIZED 4 MOVEMENT

Where Have All the Black Revolutionaries Gone in Steel City? An Interview with Sala Udin • Tony Gaskew

TEACHING AND TRUTH

Redreaming Boundaries and Community Engagement: John Edgar Wideman and the Homewood Reading Series • Esohe Osai and Dan Kubis

Khalifa • Richard Khalifa Diggs, with postscript by Norman Conti

IN MEMORIAM

Memorial Quilt: Patchworked Remembrances of Those Stolen from Us • Mian Laubscher, Lauren Apter Bairnsfather, and Keith David Miles

REVIEW

A City Divided: Race, Fear, and the Law in Police Confrontations, by David A. Harris • Jesse S. G. Wozniak

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MOBILIZED 4 MOVEMENT

Scholar Collectives Advocating for Social Justice in Education • Lois A. Yamauchi, Joni B. Acuff, Ruchi Agarwal-Rangnath, Bill Ayers, Margarita Berta-Ávila, Kari Kokka, Kevin Kumashiro, Therese Quinn, Colleen Rost-Banik, and Katherine Schultz

IN MEMORIAM

The People’s Artist: In Loving Memory of Eugene Eda Wade, 1939–2021 • Hannah Jeffery

REVIEW

Prison Theatre and the Global Crisis of Incarceration, by Ashley E. Lucas • Chinua Thelwell

Celebrating 14 notable Black Philadelphians of the Twentieth Century

This week in North Philly Notes, we showcase BLAM! Black Lives Always Mattered, a graphic novel project coordinated by the Charles L. Blockson Afro-American Collection at Temple University and distributed by Temple University Press.

BLAM! Black Lives Always Mattered! Hidden African American Philadelphians of the Twentieth Century is a graphic novel that combines vivid illustrations and compelling text to create a groundbreaking, exciting, and accessible book. BLAM! highlights the lives of fourteen prominent African Americans.  They are: Julian Abele, Dr. Ethel Allen, Marian Anderson, W.E.B. Du Bois, Crystal Bird Fauset, Ruth Wright Hayre, Alain Locke, Walter Lomax, Frederick Massiah, Cecil B. Moore, John W. Mosley, Christopher Perry, Reverend Leon Sullivan, and Father Paul Washington.

With a Foreword by Lonnie G, Bunch, III, the Secretary of the Smithsonian Institution, BLAM! contains an Introduction by the Curator of the Charles L. Blockson Afro-American Collection, Dr. Diane Turner, and the Collection’s Librarian, Aslaku Berhanu, as well as statements by the writer, Dr. Sheena C. Howard, Associate Professor of Rider University, and by Art Director, Eric Battle, a renowned artist and illustrator.  Published by the Charles L. Blockson Afro-American Collection, BLAM! was created through the efforts and input of many people. It is a striking and powerful graphic novel which has the potential to have great educational impact on students, teachers, administrators, and on all those who read it.

BLAM! can be used as an important teaching tool in and of itself, yet also can be utilized in combination with other educational methods by educators in their classrooms. At the end of the graphic novel, there are pages of Assignments and Activities for Students, as well as Ideas for Research Projects that individual students or a whole classroom of students can pursue. Moreover, many teachers will want to develop their own lesson plans and assignments around each chapter of this graphic novel. BLAM! will engage and excite students, setting them on a path to a deeper understanding of African American history. BLAM! also encourages its readers to use critical thinking and analytical skills. All levels of students, as well as the general public, can benefit from BLAM! For those students with limited reading abilities, the book will help them develop and strengthen literacy skills. All readers of BLAM! will be able to expand their ability to discover and continue to learn about African American history in terms of the lives and experiences of the individuals profiled in its pages. BLAM! also has the potential to inspire readers to learn about other individuals and ethnic groups who have been hidden from history. BLAM! will also pique the interest of readers to learn more about the Charles L. Blockson Afro-American Collection and its vast holdings on African American history and culture. They will find added value in visiting the collection and accessing the materials.

In this time of systemic racism, discord, disharmony, and racial misunderstanding, there are now efforts underway and laws enacted in some states to suppress the teaching of the difficult racial history of the United States. BLAM! is able to serve as a beacon of enlightenment, casting a light on the struggles and triumphs of the fourteen, prominent African Americans of the last century that are profiled in the book.  In its beautifully illustrated pages one learns about how these individuals contributed greatly to their communities, to their nation, and in some cases to the world. These individuals, whose legacies continue now and into the future, serve as sterling examples for all readers of BLAM! Their stories will inspire generations to come.

Temple University Press’ Fall 2022 Catalog

This week in North Philly Notes, we announce our forthcoming Fall 2022 titles.

Are All Politics Nationalized?: Evidence from the 2020 Campaigns in Pennsylvania, Edited by Stephen K. Medvic, Matthew M. Schousen, and Berwood A. Yost

Do local concerns still play a significant role in campaigns up and down the ballot?

Beauty and Brutality: Manila and Its Global Discontents, Edited by Martin F. Manalansan IV, Robert Diaz, and Roland B. Tolentino
Diverse perspectives on Manila that suggest the city’s exhilarating sights and sounds broaden how Philippine histories are defined and understood

BLAM! Black Lives Always Mattered!: Hidden African American Philadelphia of the Twentieth Century, by the Charles L. Blockson Afro-American Collection

The historic accomplishments of 14 notable Black Philadelphians from the twentieth-century—in graphic novel form

Blue-State Republican: How Larry Hogan Won Where Republicans Lose and Lessons for a Future GOP, by Mileah K. Kromer

What the story of Maryland’s two-term Republican governor can teach us about winning elections

Bringing the Civic Back In: Zane L. Miller and American Urban History, Edited by Larry Bennett, John D. Fairfield, and Patricia Mooney-Melvin

A critical appraisal of the career of Zane L. Miller, one of the founders of the new urban history

Cultures Colliding: American Missionaries, Chinese Resistance, and the Rise of Modern Institutions in China, John R. Haddad

Why American missionaries started building schools, colleges, medical schools, hospitals, and YMCA chapters in China before 1900

Divide & Conquer: Race, Gangs, Identity, and Conflict, by Robert D. Weide

Argues that contemporary identity politics divides gang members and their communities across racial lines

Engaging Place, Engaging Practices: Urban History and Campus-Community Partnerships, Edited by Robin F. Bachin and Amy L. Howard

How public history can be a catalyst for stronger relationships between universities and their communities

An Epidemic among My People: Religion, Politics, and COVID-19 in the United States, Edited by Paul A. Djupe and Amanda Friesen

Did religion make the pandemic worse or help keep it contained?

Gendered Places: The Landscape of Local Gender Norms across the United States, by William J. Scarborough

Reveals how distinct cultural environments shape the patterns of gender inequality

A Good Place to Do Business: The Politics of Downtown Renewal since 1945, by Roger Biles and Mark H. Rose

How six industrial cities in the American Rust Belt reacted to deindustrialization in the years after World War II

Justice Outsourced: The Therapeutic Jurisprudence Implications of Judicial Decision-Making by Nonjudicial Officers, Edited by Michael L. Perlin and Kelly Frailing

Examines the hidden use of nonjudicial officers in the criminal justice system

Memory Passages: Holocaust Memorials in the United States and Germany, by Natasha Goldman

Now in Paperback—Considers Holocaust memorials in the United States and Germany, postwar to the present

The Mouse Who Played Football, Written by Brian Westbrook Sr. and Lesley Van Arsdall; Illustrated by Mr. Tom

Who would ever think that a mouse could play football?

Never Ask “Why”: Football Players’ Fight for Freedom in the NFL, By Ed Garvey; Edited by Chuck Cascio

An inside look at the struggles Ed Garvey faced in bringing true professionalism to football players

The Real Philadelphia Book 2nd Edition, by Jazz Bridge

An anthology of compositions by popular Philadelphia jazz and blues artists accessible for every musician

Reforming Philadelphia, 1682⁠–⁠2022, by Richardson Dilworth

A short but comprehensive political history of the city, from its founding in 1682 to the present day

Refugee Lifeworlds: The Afterlife of the Cold War in Cambodia, by Y-Dang Troeung

Explores key works that have emerged out of the Cambodian refugee archive

A Refugee’s American Dream: From the Killing Fields of Cambodia to the U.S. Secret Service, by Leth Oun with Joe Samuel Starnes

The remarkable story of Leth Oun, from overcoming tragedy and forced labor in Cambodia to realizing dreams he never could have imagined in America

Richard III’s Bodies from Medieval England to Modernity: Shakespeare and Disability History, by Jeffrey R. Wilson

How is Richard III always both so historical and so current?

The Rise and Fall of America’s Concentration Camp Law: Civil Liberties Debates from the Internment to McCarthyism and the Radical 1960s, by Masumi Izumi

Now in Paperback—Dissecting the complex relationship among race, national security, and civil liberties in “the age of American concentration camps”

The Spires Still Point to Heaven: Cincinnati’s Religious Landscape, 1788–1873, by Matthew Smith 

How nineteenth-century Cincinnati tested the boundaries of nativism, toleration, and freedom

Teaching Fear: How We Learn to Fear Crime and Why It Matters, Nicole E. Rader

How rules about safety and the fear of crime are learned and crystalized into crime myths— especially for women

Toward a Framework for Vietnamese American Studies: History, Community, and Memory, Edited by Linda Ho Peché, Alex-Thai Dinh Vo, and Tuong Vu

A multi-disciplinary examination of Vietnamese American history and experience

Understanding Crime and Place: A Methods Handbook, Edited by Elizabeth R. Groff and Cory P. Haberman

A hands-on introduction to the fundamental techniques and methods used for understanding geography of crime

Honoring Juneteenth

This week in North Philly Notes, we honor Juneteenth with a look at Beverly Tomek’s Slavery and Abolition in Pennsylvania, and other African American titles.

Slavery and Abolition in Pennsylvania by Beverly C. Tomek, tells the complex story of the role of slavery in the founding and growth of the Commonwealth. 

Tomek corrects the long-held notion that slavery in the North was “not so bad” as, or somehow “more humane” than, in the South due to the presence of abolitionists. The book begins with the story of slavery in colonial Pennsylvania and then traces efforts to end human bondage in the state. It then explores the efforts of Pennsylvania reformers to reconstruct the state in a way that would make room for the newly freed persons. Finally, it traces Pennsylvania’s role in the national antislavery movement, debunking the myth that Pennsylvania faded into the background in the 1830s as Massachusetts abolitionists took center stage. The story Tomek offers is one of a state that was built upon enslaved labor but had a large enough reform community to challenge that system within the state’s borders by passing the nation’s first abolition law and then to try to spread antislavery throughout the country.  

Slavery and Abolition in Pennsylvania traces this movement from its beginning to the years immediately following the American Civil War. Discussions of the complexities of the state’s antislavery movement illustrate how different groups of Pennsylvanians followed different paths in an effort to achieve their goal. Tomek also examines the backlash abolitionists and Black Americans faced. In addition, she considers the civil rights movement from the period of state reconstruction through the national reconstruction that occurred after the Civil War, and she concludes by analyzing what Pennsylvania’s history of race relations means for the state today. 

While the past few decades have shed light on enslavement and slavery in the South, much of the story of northern slavery remains hidden. Slavery and Abolition in Pennsylvania tells the full and inclusive story of this history, bringing the realities of slavery, abolition, and Pennsylvania’s attempt to reconstruct its post-emancipation society. 

Envisioning Emancipation: Black Americans and the End of Slavery, by Deborah Willis and Barbara Krauthamer, illustrates what freedom looked like for black Americans in the Civil War era
Winner of the NAACP Image Award for Outstanding Literary Work—Non-Fiction, 2014
One of the Top 25 Outstanding Academic Titles, Choice, 2013

In their pioneering book, Envisioning Emancipation, renowned photographic historian Deborah Willis and historian of slavery Barbara Krauthamer have amassed 150 photographs—some never before published—from the antebellum days of the 1850s through the New Deal era of the 1930s. The authors vividly display the seismic impact of emancipation on African Americans born before and after the Proclamation, providing a perspective on freedom and slavery and a way to understand the photos as documents of engagement, action, struggle, and aspiration.

Upon the Ruins of Liberty: Slavery, the President’s House at Independence National Historical Park, and Public Memory, by Roger C. Aden, provides a behind-the-scenes look at the development of the memorial to slavery in Independence Mall.

Upon the Ruins of Liberty chronicles the politically charged efforts to create a fitting tribute to the place where George Washington (and later John Adams) shaped the presidency as he denied freedom to the nine enslaved Africans in his household. From design to execution, the plans prompted advocates to embrace stories informed by race and address such difficulties as how to handle the results of the site excavation. Consequently, this landmark project raised concerns and provided lessons about the role of public memory in shaping the nation’s identity.


Following Artists into Orphaned Space

This week in North Philly Notes, Mrill Ingram, author of Loving Orphaned Spacewrites about providing a new vision for the ignored and abused spaces around us.

Recently I had the opportunity to launch my new book, Loving Orphaned Space, the art and science of belonging to Earth, at a Madison, Wisconsin based community arts organization called Art + Literature Laboratory. I was really pleased to be able to celebrate the book at a center dedicated to expanding community participation and access to the arts. The book is rooted in research I pursued on art-science collaboration, which revealed to me a new perspective on how we sideline the arts as an optional, even leisure pursuit. I’ve learned how the arts can assist all of us in navigating the everyday and imagining and enacting a better future. It’s also provided a powerful new perspective for my writing on the environment. Because so many of us don’t experience the power art can play, we often don’t recognize what we are missing. Sharing that insight was one of the reasons I wrote my book.

Following artists around is likely to pull a person out of their comfort zone. It certainly has done so for me. For example, in my writing, I am compelled to center emotional impulses and images I might have previously sidelined. The roots of this book lie in what began as a very personal preoccupation with the scattered bits of open space so many of us are surrounded by, much of it dedicated to infrastructure and often abused. Why did I care about these spaces? Why did I want to know more about each one of them? By following artists (literally) as they venture into such spaces, occupying them in a variety of ways, my personal, individual feelings expanded into something more social, that involved feelings of belonging and connectedness, respect, and responsibility, as well as delight and surprise. Wow! All that in a street terrace!

In the book I describe the energy and the politics of keeping infrastructure spaces such as drainages, stormwater basins, abandoned gas stations, right of ways, so policed and “empty.” It is an active process, an “orphaning” that quite literally, disappears space by keeping ecological and social relationships simple. This takes physical effort – I’m talking about fencing, channelizing, lighting, herbiciding, and cementing. Brownfields are orphaned by the toxicity of pollutants they are storing. I want us to think about what this purposeful disciplining of space costs us. I’m also talking about a psychic erasure. We literally do not recognize this space as Earth. Our culture normalizes so much land as a commodity, something anonymous, bought and sold, and with infinite possible futures but no history.

Open space is an enormous amount of territory, representing some 25% to over 40% of land in many cities. This is true around the world, as cities expand, and shrink, at different rates than their populations shift. In the wake of the pandemic, this kind of territory is being increasingly seen as a “solution” to problems like polluted stormwater, flooding, urban heat islands, lack of green space in neighborhoods. But I think there’s more here. I see these as spaces of struggle. Their distribution is deeply influenced by histories of racism and discrimination. Through my work with artists, I came to understand such spaces as portals through which people like me, our privilege revealed by how easily we disappear all this space, can catch a glimpse of important history and relationships and recognize potential for action.

I share stories of artists who’ve helped me to see this disappeared space in new ways, but also present a general framework to help us appreciate the work of art in building new connections and producing new results. I argue that the arts, by engaging with science and technologies of infrastructure in new ways, can transform those processes, shifting the purpose and the outcomes of technical endeavors for new benefits and ends, including ways to address inequities. In the book, I describe discoveries in phytoremediation, a process by which plants help dismantle soil pollutants, produced by a Chicago based artist, and a new model for capturing dirty water running off roofs and parking lots. I also celebrate ways in which artists build unconventional relationships, including with nonhuman beings, that can free us up to realize new projects and to experience and feel in new ways. I write about this kind of expansive and emergent relationship building as artists’ “diplomacy,” a term inspired by Isabelle Stengers.

It took me a while to put many of these pieces together in a way that felt coherent enough to deserve a book. In some ways the process of “loving” orphaned space is just beginning for me. I see them anew every day. In preparing for the talk at the book launch, for example, I looked at an image of open space distribution in St. Paul, Minnesota. For the first time, I put together the lack of open space in what is a very open city, with the I-90 corridor, which, when built in the 1960s, obliterated parts of a thriving predominantly Black neighborhood. Many businesses were lost and 1 in every 8 Black households in Minneapolis lost a home. The neighborhood lives on, still rich, but adjacent to a thundering expressway with the health threats, disconnectedness, and loss of property values that freeways bring.

This kind of recognition is the opening of the orphaned space portal. To venture in, and to occupy, involves many skills I learned from artists. They are certainly not the only ones doing this work, nor should they be. But for me, they’ve enabled me to shift my perspective on the land around me. They’ve provided me with examples of how careful listening, telling stories, and building relationships inside and out, can connect humans to each other and to other beings in new ways that transcend notions of a functioning system and enter the realm of loving.

Reviewing women-centric cinema in Bangladesh

This week in North Philly Notes, Elora Halim Chowdhury, author of Ethical Encounters: Transnational Feminism, Human Rights, and War Cinema in Bangladesh, writes about female representation in Muktijuddho films.

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A modern remake of Ajoy Kar’s 1961 film Saptapadi, Shameen Akhtar’s film Rina Brown (2017) unfolds intimate geographies of love and loss among individuals from India, and West and East Pakistan. One of few independent women filmmakers in Bangladesh, Akhtar offers a tale about unfulfilled dreams of love and freedom, set in contemporary Bangladesh (or, Dhaka City), that traces the return of Rina, an Anglo-Christian, to the now-independent nation that she left during the Bangladesh Liberation War (or, Muktijuddho). Forty years after the war’s end, Rina comes back to participate in a seminar about women in conflict. She seeks out her adolescent love, Darashiko, a Bengali Muslim freedom-fighter-turned-business-executive. Over the course of a long afternoon, the two reminisce about the fading aspirations of the nationalist struggle and its unreconciled trauma.

Though Rina’s past is indelibly linked to the history of Bangladesh, she is now a stranger whose suffering is incomprehensible to the post-war generation. As the couple look out on the sweeping urban landscape of Dhaka City, and think about what could have been, a vacant footbridge bereft of pedestrians serves as a metaphor to all that the war has torn asunder and imaginary borders, intractably entrenched. War changed everything, yet as Darashiko expresses forlornly, “We could not change the country.”

The poster for Rina Brown

I begin with this vignette from Akhtar’s film—a woman-centered Muktijuddho film—because it highlights what the essays in Ethical Encounters strive to do: reimagine a Muktijuddho gender ideology that through visual culture engages with, disrupts, and incites a new imaginary for gender justice. The collection defies conventional readings of the aesthetics and politics of Muktijuddho narratives. They tell stories of the birth of a nation from its margins, constructing a ‘Bangladeshi’ identity that embraces Bengali Muslims, as well as non-Muslims and non-Bengalis, coalescing into a national cinema that crystallizes an emergent Bangladeshi modernity. Yet at the same time, this modernity also relies on a middle-class and masculinist reading of the nation and its history. Ethical Encounters, inspired by women-centric cinema in Bangladesh, illuminates a feminine aesthetic as well as the politics of disruption and agency, healing, and reconciliation.

The poster for Meherjaan

The attempt to memorialize the varied experiences of women in the Liberation War is a way to advocate for and ingrain their complex, agential roles into the national history. Notably, instead of primarily focusing on state-level negotiations or masculine combat, films in this genre highlight the intimate, domestic, or “feminine” sphere as the site of struggle and meaning. By a “feminine” sphere, I mean those spaces that are usually considered feminized—and thus subordinated—within dominant patriarchal ideology. However, reframed, they can also be read as portrayals of nonconformity, mutuality, and solidarity. By allowing the viewer to remember, imagine, and work through traumatic events such as war and conflict through a feminine aesthetic, cinema can encourages appreciatiation of the moral choices and interpretive acts of women, previously consigned to only the “feminine” sphere, cast as passive victims or witnesses. Women in these films instead make unexpected, sometimes jarring, choices: nursing a wounded enemy soldier; seeking the assistance of a sympathetic Pakistani soldier after having been raped by others like him; and embracing a child of rape even when the nation rejects them. Recognizing these moral choices is a legacy of the war that viewers learn to appreciate through the cinematic medium, and these films are an evolving archive where diverse women’s stories are memorialized, as significant and precious as the memorials and museums the state erects to commemorate martyrs.

These films redefine what humanity, loss, and justice mean for victims, and reconfigure relationships between viewer, witness, and ally. They point to the open wound that 1971 still is, especially for women. This foundational trauma remains constitutive of the nation, and Muktijuddho cinema plays a pivotal role in constructing—and disrupting—the gendered subjectivities beget by the war’s legacy. Women’s cinema, and human rights cinema, capture more broad, transnational visions of feminist filmmaking. They recast the relationships of women to war—as plunder of the nation, as dislodged women from that nation—and question the terms of what constitutes the human in these fraught circumstances.

Ultimately, women-centric Muktijuddho films emplot global human rights narratives and aesthetics that defy reductive and monolithic renditions of social reality. They offer complexity and nuance beyond just a tussle between victims and aggressors, loss and triumph, and colonization and liberation. Simultaneously, they strive for more ethical recognitions, drawing on a multiplicity of histories, struggles, and experiences. Woman-centered films provide an alternative reading toward decolonizing notions of agency, freedom, and justice; they imagine a new kind of feminist knowledge-making.

Women’s History Month: Anna May Wong

This week in North Philly Notes, in honor of Women’s History Month, we repost Shirley Jennifer Lim’s article about Anna May Wong that appeared in The Conversation on March 7.

The U.S. Mint will, over the next four years, issue quarters featuring the likenesses of American women who contributed to “the development and history of our country.”

The first batch of the American Women Quarters Program, announced in January 2022, includes astronaut Sally Ride and poet Maya Angelou.

One name on the list might be less familiar to some Americans: Chinese American actress Anna May Wong.

Back of quarter featuring engraving of woman.
Anna May Wong will appear on the back of a quarter as part of the U.S. Mint’s American Women Quarters Program. U.S. Mint via Getty Images

As someone who has written a biography on Wong, I was delighted to provide the U.S. Mint with Wong’s backstory.

The subject of renewed attention in recent years, Wong is often referred to as a Hollywood star – in fact, the U.S. Treasury describes her as “the first Chinese American film star in Hollywood.” And she certainly did dazzle in her roles.

But to me, this characterization diminishes her chief accomplishment: her capacity for reinvention. Hollywood continually stymied her ambitions. And yet out of the ashes of rejection, she persevered, becoming an Australian vaudeville chanteuse, a British theatrical luminary, a B-film pulp diva and an American television celebrity.

A star is born

Born just outside of Los Angeles’ Chinatown in 1905, Wong grew up witnessing movies being made all around her. She dreamed of one day becoming a leading lady.

Cutting classes in order to beg directors for roles, Wong began her career as an extra in Alla Nazimova’s 1919 classic film about China’s Boxer Rebellion, “The Red Lantern.” In 1922, at the age of 17, Wong landed her first starring role in “The Toll of the Sea,” playing a character based on Madame Butterfly. Her performance was well received, and she went on to be cast as the Mongol slave in the 1924 hit film “The Thief of Bagdad.”

However, she quickly hit a wall in an era when it was common to cast white actors in yellowface – having them tape their eyes, wear makeup and assume exaggerated accents and gestures – to play Asian characters. (This practice would continue for decades: In 1961, director Blake Edwards egregiously cast Mickey Rooney as Mr. Yunioshi in “Breakfast at Tiffany’s,” and as recently as 2015, Emma Stone was controversially cast as a part-Chinese, part-Hawaiian character in “Aloha.”) Wong would go on to land roles playing unnamed minor characters in the 1927 film “Old San Francisco” and “Across to Singapore,” which premiered a year later. But anything outside of typecast roles seemed out of reach.

Woman and man hold hands.
In ‘Daughter of the Dragon,’ Anna May Wong starred alongside Warner Oland, a Swedish-American actor who often appeared in yellowface. LMPC/Getty Images

In some ways, her career mirrored that of the great Japanese actor Sessue Hayakawa, who had forged a path for people of Asian Pacific descent in Hollywood. Hayakawa became a star through his headlining role in the 1915 Lasky-Famous Players film, “The Cheat.” However, as anti-Japanese sentiment increased in the U.S., his roles dried up. By 1922, he had left Hollywood.

European fame

Some actresses would have accepted their lot, grateful for the chance to simply appear in films.

Not Wong.

In 1928, fed up with a lack of opportunities in Hollywood, she packed her bags and sailed to Europe, where she became a global star.

Woman holding purse on sidewalk.
Wong poses in front of the Hôtel de Crillon in Paris in 1935. Bettmann/Getty Images

From 1928 to 1934 she made a series of movies for Germany’s Universum-Film Aktiengeselleschaft, and found work with other leading studios such as France’s Gaumont and Associated Talking Pictures in the U.K. She impressed in her roles, attracting the attention of luminaries such as the German intellectual Walter Benjamin, British actor Laurence Olivier, German actress Marlene Dietrich and African American actor Paul Robeson. In Europe, Wong joined the ranks of African American artists such as Robeson, Josephine Baker and Langston Hughes, who, frustrated by segregation in the U.S., had left the country and found adulation in Europe.

When film work wasn’t forthcoming, Wong turned to vaudeville. In 1934, she embarked on a European tour, where she sang, danced and acted before enthralled audiences in cities large and small, from Madrid to Göteborg, Sweden.

Wong’s revue showcased her chameleonlike powers to transform herself. In Göteborg, for example, she performed eight numbers that included the Chinese folk song “Jasmine Flower” and the contemporary French hit “Parlez-moi d’Amour.” Inhabiting a variety of roles and races, she seamlessly shifted from speaking Chinese to French, from portraying a folk singer to appearing as a tuxedo-clad nightclub siren.

Wong decides to do it on her own

What I love about Wong is that even as Hollywood thwarted her time and again, she continued creating her own opportunities.

Though she spent years in Europe, Wong continued to audition for American roles.

In 1937, she tried out for the leading role in Metro-Goldwyn-Mayer’s “The Good Earth.” After she was rejected, she decided that if she couldn’t star in a movie, she would simply make one of her own.

She took her one and only trip to China, documenting the experience. Her charming short film showed numerous activities, including female impersonators teaching Wong how to enact Chinese female roles, a trip to the Western Hills, and a visit to the family’s ancestral village. At a time when the number of prominent female directors in Hollywood could be counted on one hand, it was a remarkable feat.

Two decades later, the film would air on ABC. By that time, Wong had established herself as a TV star by playing a gallery owner-cum-detective who traveled the globe solving crimes in “The Gallery of Madame Liu-Tsong.” It was the first television series to feature an Asian Pacific American lead.

By the time Wong died on February 3, 1961, she had left a legacy of more than 50 films, numerous Broadway and vaudeville shows, and a television series. Equally important is how she became a global celebrity despite being shut out from Hollywood’s A-list leading roles.

It’s a story of tenacity and determination that can inspire all who want to see images of people of color reflected back to them on screen.

Celebrating Women’s History Month

This week in North Philly Notes, we celebrate Women’s History Month. Use promo code TWHM22 for 30% off all our Women’s Studies titles. Sale ends March 31, 2022.

New Titles

Elaine Black Yoneda: Jewish Immigration, Labor Activism, and Japanese American Exclusion and Incarceration, by Rachel Schreiber, recounts the remarkable story of a Jewish activist who joined her incarcerated Japanese American husband and son in an American concentration camp.

Are You Two Sisters: The Journey of a Lesbian Couple, by Susan Krieger, authored by one of the most respected figures in the field of personal ethnographic narrative, this book serves as both a memoir and a sociological study, telling the story of one lesbian couple’s lifelong journey together.

From our Backlist:

Anna May Wong: Performing the Modern, by Shirley Jennifer Lim, shows how Anna May Wong’s work shaped racial modernity and made her one of the most significant actresses of the twentieth century.

The Cost of Being a Girl: Working Teens and the Origins of the Gender Wage Gap, by Yasemin Besen-Cassino, traces the origins of the gender wage gap to part-time teenage work, which sets up a dynamic that persists into adulthood.

Feminist Post-Liberalism, by Judith Baer, reconciles liberalism and feminist theory.

Feminist Reflections on Childhood: A History and Call to Action, by Penny A. Weiss, recovers a history of feminist thought and activism that demands greater voice and respect for young people.

Good Reasons to Run: Women and Political Candidacy, edited by Shauna L. Shames, Rachel I. Bernhard, Mirya R. Holman, and Dawn Langan Teele, how and why women run for office.

Gross Misbehavior and Wickedness: A Notorious Divorce in Early Twentieth-Century America, by Jean Elson, a fascinating story of the troubled marriage and acrimonious divorce of Nina and James Walker elucidates early twentieth-century gender and family mores.

Motherlands: How States Push Mothers Out of Employment, by Leah Ruppanner challenges preconceived notions of the states that support working mothers.

Savoring the Salt: The Legacy of Toni Cade Bambara, edited by Linda Janet Holmes and Cheryl A. Wall, an anthology that celebrates the life and work of a major African American writer.

Their Day in the Sun: Women in the Manhattan Project, by Ruth H. Howes and Caroline C. Herzenberg, tells the hidden story of the contribution of women in the effort to develop the atomic bomb.

Undermining Intersectionality: The Perils of Powerblind Feminism, by Barbara Tomlinson, a sustained critique of the ways in which scholars have engaged with and deployed intersectionality.

Women Take Their Place in State Legislature: The Creation of Women’s Caucuses, by Anna Mitchell Mahoney, investigates the opportunities, resources, and frames that women utilize to create legislative caucuses.

Women’s Empowerment and Disempowerment in Brazil: The Rise and Fall of President Dilma Rousseff, by Pedro A.G. dos Santos and Farida Jalalzai, explains what the rise and fall of Brazil’s first and only female president can teach us about women’s empowerment.

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