Honoring Kate Nichols

This week in North Philly Notes, we celebrate and congratulate Kate Nichols, who has just retired from the Press.

Kate Nichols has been a freelance designer Temple University Press for more than three decades. She has been the Press’ full-time Art Manager for the past twelve years, overseeing the production and design of all books, including jackets, covers, and interiors. On the day of Kate’s retirement last week, we chatted with her about some of her favorite interior and cover designs.

In Defense of Public Lands: The Case against Privatizing and Transfer, by Steven Davis.

The author had a genuine interest in the design and structure of the book. The photograph on the cover and those in the book were his own, and very expressive of the message. Above all, the subject matter—keeping public parks open to the public—is close to my heart.

Envisioning Emancipation: Black Americans an the End of Slavery, by Deborah Willis and Barbara Krauthamer

My interior design was inspired by the jacket design done by Faceout studio which included an old daguerreotype, with a fading patterned wallpaper background. The book tells the story of Emancipation through photographs, and the combination of a delicate ornamentation juxtaposed with historic, poignant and tragic images made sense to me.

The Audacity of Hoop: Basketball and the Age of Obama, by Alexander Wolff

Faceout also did the cover for this book. I was reluctant to take on the interior at the time because of my workload, but our director pushed me to do it, and I am so glad I did. I like the design challenge, but more than that, I loved seeing all of Pete Souza’s candid photos of President Obama and his joy at playing basketball!

A Refugee’s American Dream: From the Killing Fields of Cambodia to the U.S. Secret Service, by Leth Oun with Joe Samuel Starnes

Memoirs are probably my favorite genre to design. I like focusing on typography, the experience of a person’s story, their personal photographs, and the wonder of a book. The authors provided me with a cover concept by Melanie Franz from their original proposal which I happily adapted when creating the final jacket. 

Kalfou: A Journal of Comparative and Relational Ethnic Studies

My interest in Kalfouis less about the actual design. It is a project where I have tremendous respect for its “mission.” The journal includes peer-reviewed scholarship, and non-peer reviewed material, which falls into the section “Ideas, Art, and Activism.” This section features a wide range of entries from articles to poetry, visual arts, and photography.   

Honoring Ann-Marie Anderson

This week in North Philly Notes, we pay tribute to Marketing Director Ann-Marie Anderson, who is retiring from Temple University Press at the end of the month.

Temple University Press Marketing Director Ann-Marie Anderson, is retiring January 31, after a decades-long career at the Press..

Ann-Marie has been an inspiring member of the press during her tenure. She championed many of the Press’s best-selling and beloved titles. Her efforts promoting Deborah Willis’s books—The Black Female Body (coauthored with Carla Williams), the NAACP Award-winning Envisioning Emancipation (coauthored with Barbara Krauthamer), as well as Black Venus 2010—were labors of love and among her favorite and proudest achievements. (She has long wanted The Black Female Body to come back in print and could supplement her retirement by selling her copy of the book, which fetches $450 on Amazon).

She also enthusiastically supported Tasting FreedomDaniel Biddle and Murray Dubin’s book about Octavius Catto, and attended the 2017 unveiling of the Catto statue, Philadelphia’s first statue of an African American.

Despite being from New York, Ann-Marie was particularly excited to promote Philadelphia-based books. From Larry Kane’s memoir, to three Mural Arts titles; from Forklore,the Press’s first cookbook, to  P Is for Philadelphiathe Press’s first children’s book, she appreciated the history, art, and culture of her adopted city. Ann-Marie spearheaded the development and publication of Color Me…. Cherry & White, the Press’s first coloring book, which featured images from Temple University, an institution that, despite thinking she would spend only a few years at, proved hard to leave.  

Like any committed marketing director, Ann-Marie loved books that sold in huge quantities, which meant anything written by Ray Didinger. She also once sold 10,000 copies of AFSCME’s Philadelphia Story to a local union, which may have been her single largest sale.

Ann-Marie enjoyed working with all Press authors, ranging from Molefi Kete Asante on his landmark books The Afrocentric Idea and African Intellectual Heritage (coedited with Abu S. Abarry), to Judge James P. Gray and his book Why Our Drug Laws Have Failed and What Can We Do About ItShe delayed her retirement because of the numerous interesting books she was keen to read and market, most notably the forthcoming The Collected Short Stories of Bharati Mukherjee.

Other career highlights included campaigns for Harilyn Rousso’s Don’t Call Me Inspirational, Lori Peek’s Behind the Backlash, Patricia Hill Collins’s From Black Power to Hip Hop and On Intellectual Activism, as well as the American Literatures Initiatives series, which included titles such as This Is All I Choose to Tell, by Isabelle Thuy Pelaud, and Unbought and Unbossedby Trimiko Melancon.

Ann-Marie’s passion for books and strong connections with book buyers, bookstores, and area organizations helped her effectively promote titles such as The Great Gardens of Philadelphia; two books on the Philadelphia institution that is The Mummers; two Philadelphia Orchestra titles; Monument Labon Philadelphia’s public art installation; a book on Philadelphia’s Rittenhouse Square, as well as books about the Electric FactoryPhiladelphia: Finding the Hidden City, and a book on weather, coauthored by a Franklin Institute scientist and a local TV weatherman, among many others.


Ann-Marie also met many heroes and legends during her career, from Olympic gold medalist Tommie Smith, coauthor of Silent Gesture, to Lindy hoppers Norma Miller (coauthor of Swingin’ at the Savoy) and Frankie Manning (coauthor of his eponymous memoir). A music aficionado, one of her absolute favorite projects was Jimmy Heath’s memoir, I Walked with Giants, and her experiences with Heath at signings or performances in New York and Philadelphia are among her most cherished memories.

Temple University Press staff members can say they Walked with a Giant working alongside Ann-Marie, who leaves big shoes to fill. We wish her well on her future endeavors, which include, cooking, singing (not signing, as a colleague might mistype), and amassing and reading her vast collection of African American literature.


Temple University Press’s Annual Holiday Give and Get

This week in North Philly Notes, the staff at Temple University Press close out 2022 by suggesting the Temple University Press books they would give along with some non-Temple University Press titles they hope to receive and read this holiday season. 

Mary Rose Muccie, Director

Give: For better or worse, athletes are looked up to and can serve as role models, especially for young people.  David Steele’s It Was Always a Choice: Picking Up the Baton of Athlete Activism provides examples of and inspiration for today’s athletes and those who admire them to stand up against political, social, and racial injustice and is a book I’d give to several people on my list. 

Get: Years ago, I assigned freelance indexers to and edited indexes for medical and nursing reference and textbooks. Indexing software was just taking off and it was both an exciting and challenging time to be an indexer.  Our conversations as they wrote detailed indexes gave me a window into how to analyze content and think like a reader to create a map of a book.  It’s truly a craft, one that Dennis Duncan pays homage to in Index, A History of the: A Bookish Adventure From Medieval Manuscripts to the Digital Age. I hope to get it and travel back to those days. 

Karen Baker, Associate Director, Financial Manager

Give: I would give The Mouse Who Played Football by Brian Westbrook Sr. and Lesley Van Arsdall to my grandson, because you are never too young to start reading!

Get: I would like to receive Born a Crime: Stories from a South African Childhood by Trevor Noah, because I really like his comedy and I think his back-story would be interesting.

Aaron Javsicas, Editor-in-Chief

GiveBeethoven in Beijing: Stories from the Philadelphia Orchestra’s Historic Journey to China, by Jennifer Lin. I’ve never published a book quite like this. It offers a unique blend of oral history, photography, and reportage to tell a fascinating story at the intersection of culture and international relations, a global tale yet also one of particular relevance to Philadelphians. It’s an elegant, beautifully designed, and highly giftable book. 

Get: One Day: The Extraordinary Story of an Ordinary 24 Hours in America, by Gene Weingarten. Generally I don’t go for gimmicks, and yes, this concept — ask strangers to choose a random day from a hat, and then write about it — could certainly be described as a gimmick. But it sounds like Pulitzer Prize-winning reporter Gene Weingarten really made it work. The day is Sunday, December 28, 1986. Let’s see… I was probably baking a cake in my new Easy-Bake oven. Will have to check the index to see if that event made it in. 

Shaun Vigil, Editor

Give: 
The opportunity to publish memoir is a particular joy of my list, and this year I had the pleasure of working with George Uba on his provocative, poetic, and deeply moving Water Thicker Than Blood: A Memoir of a Post-Internment Childhood. Uba’s is a rare book that simultaneously offers vital scholarship and an emotionally resonant narrative. I’ll certainly be sharing it with others this season and many others into the future. 

Get: In keeping with the memoir theme, I’m looking forward to reading through Margo Price’s Maybe We’ll Make It: A Memoir while taking some time away from my desk this holiday. Musicians’ memoirs are a particular interest of mine, and Price has been a mainstay on my turntable since I came across her first album. The fact that it is published by a fellow university press makes it all the more exciting!

Ryan Mulligan, Editor

Give: Passing for Perfect, by erin Khuê Ninh. Have you seen that book trailer

Get: Trust, by Hernan Diaz- Give me a book where the “great men” view of history is only one of several unreliable perspectives and I can bounce them off each other and I’m intrigued

Will Forrest, Rights and Contracts Coordinator/Editorial Assistant

Give: Richard III’s Bodies from Medieval England to Modernity. This is a fascinating look at Shakespeare’s classic play through the lens of disability studies and how perceptions of Richard’s disability have changed over the centuries. My favorite part of the book is the extensive research into historical productions of the play, looking at how actors over the years have interpreted the character and reimagined it for themselves.

Get: I would love to get Four of the Three Musketeers: The Marx Brothers on Stage by Robert Bader. This book looks at the history of the Marx Brothers’s time on the vaudeville circuit, before they made any of their classic movies. I love old American theatre history and I love the Marx Brothers, so this book is right up my alley!

Ann-Marie Anderson, Marketing Director

I would give a copy of The Real Philadelphia Book by Jazz Bridge to every musician friend to experience “all that jazz” from the more than 200 compositions by Philadelphia musicians.

Continuing on my theme of amassing not just cookbooks with recipes, I hope to get Ghetto Gastro Presents Black Power Kitchenwhich has been described by Publishers Weekly as one of the Top 10 Cooking & Food Books for Fall 2022.

Irene Imperio, Advertising and Promotions Manager

Give: Exploring Philly Nature, a fun book for getting outside no matter the season, love the tips to engage children onsite and references for the curious investigators. 

Get: The Murder of Mr. Wickham as I love a Jane Austen/mystery combo!

Kate Nichols, Art Manager

Give: Monument Lab: Creative Speculations for Philadelphia, edited by Paul M. Farber and Ken Lum. Published in 2019, Monument Lab is the product of a “prescient” and massive undertaking, which examines Philadelphia’s existing and future public monuments. The book includes written contributions from scholars and artists, as well as photographs, documents, and a range of proposals from the city’s citizens. Temple Univerity Press is now beginning work on a companion edition that will address sites across the United States.

Get: Drawing on the Right Side of the Brain by Betty Edwards. The book makes the case that anyone can learn basic drawing—it is not about talent. With illustrations and side quotes throughout, Drawing on the Right Side of the Brain serves as a guide to learning/practicing drawing, and advocates its importance in visual perception and experiencing the world around us.

Ashley Petrucci, Senior Production Editor

Give: My Soul’s Been Psychedelicizedby Larry Magid and Robert Huber. I’ve been a bit on a music kick lately and also have friends who’d be interested in seeing some of the stunning photographs/posters from old Electric Factory shows.

Get: I’m just collecting Free Library of Philadelphia loans on my iPad to read over break, including The Two TowersThe Return of the KingLittle WomenThe Brothers KaramazovFrankenstein, and Sapiens. I’m also finishing up The Feminine Mystique. It’s a bit of a daunting list for 10 days, but I’m ready!

Faith Ryan, Production Assistant

GiveThe Health of the Commonwealthby James Higgins, because I think it offers a very useful historical perspective on surviving epidemics in Pennsylvania. It’s a slim volume, but it covers a lot of ground and is chock-full of fascinating details (I especially liked all the information about women’s medical colleges in the 1800s).

Get: Ian Urbina’s The Outlaw Ocean: Journeys Across the Last Untamed Frontier. It’s been recommended to me by multiple family members, and despite my interest, I just haven’t gotten around to picking up a copy since it came out in 2019. But if it fell into my lap on Christmas morning, I know I’d spend all break tearing through it.

Alicia Pucci, Scholarly Communications Associate

Give: I’m giving my one friend (and fellow Tyler School of Art alum) Color Me…Cherry & White as the perfect Temple memento. 

Get: The Winterthur Garden Guideby Linda Eirhart. Plants make me happy and I’m always on the look-out for garden ideas and design inspiration. So, even though I currently live in a second-floor apartment where my only access to the outside is a small balcony, one can dream and live vicariously through the colorful pages of this book.

Gary Kramer, Publicity Manager

Give: I’m giving my spouse (the politico in the family) a copy of Reforming Philadelphia, 1682-2022because it provides a short but comprehensive history of the city we love.

GetLife As It Isby Nelson Rodrigues. I just heard about this author, who is famous in Brazil but practically unknown in the U.S. This is a collection of his stories, and I am a huge fan of short stories and Latin American literature, so all my Venn Diagrams overlap! 

Jenny Pierce, Head of Research, Education and Outreach Services at Temple University’s Health Sciences Libraries at just loves to give and give and give.

One friend who loves trivia is getting Real Philly History, Real Fast.  His partner is getting Beethoven in Beijing because he likes the orchestra and travel.

A little girl I know is getting A is for Art Museum and my nephew, who comes from an Eagles mad family, is getting The Mouse Who Played Football.

And I am giving Exploring Philly Nature to a family I know with two small kids who love the outdoors.

HAPPY HOLIDAYS AND BEST WISHES (AND BOOKS) FOR 2023!

Temple University Press’s annual Holiday Book Sale

This week in North Philly Notes, we showcase our annual Holiday Book Sale, being held through December 1 from 11:00 am – 2:00 pm at the Event Space in Charles Library, 1900 N. 13th Street in Philadelphia, PA.

Meet Ray Didinger, author of Finished Business and The Eagles Encyclopedia: Champions Edition December 1 from 11:00 am – 12:00 pm.


Gift Books and Philadelphia Interest Titles

Salut!: France Meets Philadelphia, by Lynn Miller and Therese Dolan

Salut! provides a magnifique history of Philadelphia seen through a particular cultural lens.

Monument Lab: Creative Speculations for Philadelphia, edited by Paul M. Farber and Ken Lum

Monument Lab energizes a civic dialogue about public art and history around what it means to be a Philadelphian.

Beethoven in Beijing: Stories from the Philadelphia Orchestra’s Historic Journey to China, by Jennifer Lin, with a foreword by Philadelphia Orchestra Music Director Yannick Nézet-Séguin

A fabulous photo-rich oral history of a boundary-breaking series of concerts the orchestra performed under famed conductor Eugene Ormandy in China 50 years ago.

The Italian Legacy in Philadelphia: History, Culture, People, and Ideas, edited by Andrea Canepari and Judith Goode

Celebrates the history, impact, and legacy of this vibrant community, tracing four periods of key transformation in the city’s political, economic, and social structures.

BLAM! Black Lives Always Mattered!: Hidden African American Philadelphia of the Twentieth Century, by the Charles L. Blockson Afro-American Collection, Foreword by Lonnie G. Bunch III

The inspiring stories of 14 important Black Philadelphians in graphic novel form!

Real Philly History, Real Fast: Fascinating Facts and Interesting Oddities about the City’s Heroes and Historic Sites, by Jim Murphy

Philly history in bites that are as digestible as a soft pretzel with mustard!

Exploring Philly Nature: A Guide for All Four Seasons, by Bernard S. Brown, Illustrations by Samantha Wittchen

A handy guide to experiencing the flora and fauna in Philly, this compact illustrated volume contains 52 activities for discovering, observing, and learning more about the concrete jungle that is Philadelphia all year long!

Artists of Wyeth Country: Howard Pyle, N. C. Wyeth, and Andrew Wyeth, by W. Barksdale Maynard

An unauthorized and unbiased biographical portrait of Andrew Wyeth that includes six in-depth walking and driving tours that allow readers to visit the places the Wyeths and Pyle painted in Chadds Ford, PA.

The Mouse Who Played Football, by Brian Westbrook Sr, and Lesley Van Arsdall, with illustrations by Mr. Tom.

An inspiring story, based on Westbrook’s own experiences, that encourages young readers to believe in themselves and make their unique differences their strengths.

Do Right By Me: Learning to Raise Black Children in White Spaces, by Valerie I. Harrison and Kathryn Peach D’Angelo

Through lively and intimate back-and-forth exchanges, the authors share information, research, and resources that orient parents and other community members to the ways race and racism will affect a black child’s life—and despite that, how to raise and nurture healthy and happy children. 

The Magic of Children’s Gardens: Inspiring Through Creative Design, by Lolly Tai, with a Foreword by Jane L. Taylor

Landscape architect Lolly Tai provides the primary goals, concepts, and key considerations for designing outdoor spaces that are attractive and suitable for children, especially in urban environments.

The Real Philadelphia Book, Second Edition, by Jazz Bridge

A collection of more than 200 original jazz and blues compositions, arranged alphabetically by song title, showcasing work by generations of Philadelphia musicians.

Celebrating the Italian Legacy in Philadelphia

This week in North Philly Notes, we showcase our recent program celebrating the publication of The Italian Legacy in Philadelphia, edited by Andrea Canepari and Judith Goode.

Cover for The Italian Legacy in Philadelphia

Temple University Libraries and Temple University Press recently participated in an event at Charles Library celebrating the publication of The Italian Legacy in Philadelphia: History, Culture, People, and Ideas, edited by Andrea Canepari, the former Consul General of Italy in Philadelphia, and Judith Goode, Professor Emerita of Anthropology and Urban Studies at Temple University.

Chancellor Englert introducing the panel

The program, which was simulcast with Temple Rome, opened with remarks from Temple University Chancellor Richard Englert, and a welcome from Cristiana Mele, the current Consul General of Italy in Philadelphia.

Panelists (left to right) William Valerio, Domenic Vitiello, Andrew Canepari,
Judith Goode, Chancellor Englert, Inga Saffron

The book was showcased in a panel featuring the coeditors as well as two of the book’s contributors, Philadelphia Inquirer architecture critic Inga Saffron and William Valerio, director of the Woodmere Art Museum.

Canepari spoke about the many rich contributions Italian Americans made to Philadelphia, from art and architecture to food and even Rocky. He also highlighted the “Ciao Philadelphia” celebration of Italian arts, culture, and community.

Andrea Canepari presenting

Goode described the contents of the book, focusing on the approach the contributors took when recounting the history of Italian immigrants and the development of Italian culture in the city. Saffron next presented images of the many Italian influences on Philadelphia architecture, while Valerio discussed various Italian artists whose work is housed in and around the Woodmere Art Museum.

William Valerio presenting

Wrapping up the event were remarks by University of Pennsylvania Professor of Urban Studies Domenic Vitiello, who effused about the book and how its broad treatment of history and urban studies provides something of interest for everyone.

Coeditors Judith Goode and Andrea Canepari signing and posing

Canepari and Goode as well as the other presenters then attended a reception on Charles Library’s 4th floor and terrace, where they signed copies of their book.

Andrea Canepari at the reception; Inga Saffron at the reception; William Valerio at the reception

Announcing Kalfou: A Journal of Comparative and Relational Ethnic Studies, Volume 9, Issue 1, Spring 2022

This week in North Philly Notes, we present the new issue of our journal, Kalfou.

Special Issue: “In These Uncertain Times, Pittsburgh”

Guest Editors: Leon Ford and Deanna Fracul

FEATURE ARTICLES

Introduction: In These Uncertain Times, Pittsburgh • Deanna Fracul and Leon Ford

Uncertainty, Discourse, and Democracy in John Edgar Wideman’s Writing, 1980s to Today • Leila Kamali

Call-and-Response in the City: Embodied Mercy in August Wilson’s Joe Turner’s Come and GoneKathy Glass

Resisting Arrest: Race and Pittsburghers’ Struggles against Police Power from the 1840s through the 1950s • Elaine Frantz

Tomorrow Never Came • Jamaal Scott

Working Together for Health Equity: How a Multidisciplinary, Community-Engaged Partnership Reframed Our Understandings of Pittsburgh’s Maternal-Child Health Crisis • Cathleen J. Appelt, Andrew T. Simpson, Jessica A. Devido, Sarah Greenwald, and Brittany Urban

Pittsburgh, the Realest City: Shit Talk’n’, Storytell’n’, Social Livin’ • Jacqueline Roebuck Sakho

IDEAS, ART, AND ACTIVISM

TALKATIVE ANCESTORS

Derrick Bell on Living in Relation to Others

KEYWORDS

Frankstown Was the World with a Big W: Pittsburgh and Beyond, an Interview with John Edgar Wideman • Leila Kamali

LA MESA POPULAR

Black Lives and the Tree of Life • Emmai Alaquiva and Lauren Apter Bairnsfather

ART AND SOCIAL ACTION

East Pittsburgh: White Supremacy, Radical Relationships, and Chosen Family • Norman Conti

MOBILIZED 4 MOVEMENT

Where Have All the Black Revolutionaries Gone in Steel City? An Interview with Sala Udin • Tony Gaskew

TEACHING AND TRUTH

Redreaming Boundaries and Community Engagement: John Edgar Wideman and the Homewood Reading Series • Esohe Osai and Dan Kubis

Khalifa • Richard Khalifa Diggs, with postscript by Norman Conti

IN MEMORIAM

Memorial Quilt: Patchworked Remembrances of Those Stolen from Us • Mian Laubscher, Lauren Apter Bairnsfather, and Keith David Miles

REVIEW

A City Divided: Race, Fear, and the Law in Police Confrontations, by David A. Harris • Jesse S. G. Wozniak

————————

MOBILIZED 4 MOVEMENT

Scholar Collectives Advocating for Social Justice in Education • Lois A. Yamauchi, Joni B. Acuff, Ruchi Agarwal-Rangnath, Bill Ayers, Margarita Berta-Ávila, Kari Kokka, Kevin Kumashiro, Therese Quinn, Colleen Rost-Banik, and Katherine Schultz

IN MEMORIAM

The People’s Artist: In Loving Memory of Eugene Eda Wade, 1939–2021 • Hannah Jeffery

REVIEW

Prison Theatre and the Global Crisis of Incarceration, by Ashley E. Lucas • Chinua Thelwell

Celebrating 14 notable Black Philadelphians of the Twentieth Century

This week in North Philly Notes, we showcase BLAM! Black Lives Always Mattered, a graphic novel project coordinated by the Charles L. Blockson Afro-American Collection at Temple University and distributed by Temple University Press.

BLAM! Black Lives Always Mattered! Hidden African American Philadelphians of the Twentieth Century is a graphic novel that combines vivid illustrations and compelling text to create a groundbreaking, exciting, and accessible book. BLAM! highlights the lives of fourteen prominent African Americans.  They are: Julian Abele, Dr. Ethel Allen, Marian Anderson, W.E.B. Du Bois, Crystal Bird Fauset, Ruth Wright Hayre, Alain Locke, Walter Lomax, Frederick Massiah, Cecil B. Moore, John W. Mosley, Christopher Perry, Reverend Leon Sullivan, and Father Paul Washington.

With a Foreword by Lonnie G, Bunch, III, the Secretary of the Smithsonian Institution, BLAM! contains an Introduction by the Curator of the Charles L. Blockson Afro-American Collection, Dr. Diane Turner, and the Collection’s Librarian, Aslaku Berhanu, as well as statements by the writer, Dr. Sheena C. Howard, Associate Professor of Rider University, and by Art Director, Eric Battle, a renowned artist and illustrator.  Published by the Charles L. Blockson Afro-American Collection, BLAM! was created through the efforts and input of many people. It is a striking and powerful graphic novel which has the potential to have great educational impact on students, teachers, administrators, and on all those who read it.

BLAM! can be used as an important teaching tool in and of itself, yet also can be utilized in combination with other educational methods by educators in their classrooms. At the end of the graphic novel, there are pages of Assignments and Activities for Students, as well as Ideas for Research Projects that individual students or a whole classroom of students can pursue. Moreover, many teachers will want to develop their own lesson plans and assignments around each chapter of this graphic novel. BLAM! will engage and excite students, setting them on a path to a deeper understanding of African American history. BLAM! also encourages its readers to use critical thinking and analytical skills. All levels of students, as well as the general public, can benefit from BLAM! For those students with limited reading abilities, the book will help them develop and strengthen literacy skills. All readers of BLAM! will be able to expand their ability to discover and continue to learn about African American history in terms of the lives and experiences of the individuals profiled in its pages. BLAM! also has the potential to inspire readers to learn about other individuals and ethnic groups who have been hidden from history. BLAM! will also pique the interest of readers to learn more about the Charles L. Blockson Afro-American Collection and its vast holdings on African American history and culture. They will find added value in visiting the collection and accessing the materials.

In this time of systemic racism, discord, disharmony, and racial misunderstanding, there are now efforts underway and laws enacted in some states to suppress the teaching of the difficult racial history of the United States. BLAM! is able to serve as a beacon of enlightenment, casting a light on the struggles and triumphs of the fourteen, prominent African Americans of the last century that are profiled in the book.  In its beautifully illustrated pages one learns about how these individuals contributed greatly to their communities, to their nation, and in some cases to the world. These individuals, whose legacies continue now and into the future, serve as sterling examples for all readers of BLAM! Their stories will inspire generations to come.

Temple University Press’ Fall 2022 Catalog

This week in North Philly Notes, we announce our forthcoming Fall 2022 titles.

Are All Politics Nationalized?: Evidence from the 2020 Campaigns in Pennsylvania, Edited by Stephen K. Medvic, Matthew M. Schousen, and Berwood A. Yost

Do local concerns still play a significant role in campaigns up and down the ballot?

Beauty and Brutality: Manila and Its Global Discontents, Edited by Martin F. Manalansan IV, Robert Diaz, and Roland B. Tolentino
Diverse perspectives on Manila that suggest the city’s exhilarating sights and sounds broaden how Philippine histories are defined and understood

BLAM! Black Lives Always Mattered!: Hidden African American Philadelphia of the Twentieth Century, by the Charles L. Blockson Afro-American Collection

The historic accomplishments of 14 notable Black Philadelphians from the twentieth-century—in graphic novel form

Blue-State Republican: How Larry Hogan Won Where Republicans Lose and Lessons for a Future GOP, by Mileah K. Kromer

What the story of Maryland’s two-term Republican governor can teach us about winning elections

Bringing the Civic Back In: Zane L. Miller and American Urban History, Edited by Larry Bennett, John D. Fairfield, and Patricia Mooney-Melvin

A critical appraisal of the career of Zane L. Miller, one of the founders of the new urban history

Cultures Colliding: American Missionaries, Chinese Resistance, and the Rise of Modern Institutions in China, John R. Haddad

Why American missionaries started building schools, colleges, medical schools, hospitals, and YMCA chapters in China before 1900

Divide & Conquer: Race, Gangs, Identity, and Conflict, by Robert D. Weide

Argues that contemporary identity politics divides gang members and their communities across racial lines

Engaging Place, Engaging Practices: Urban History and Campus-Community Partnerships, Edited by Robin F. Bachin and Amy L. Howard

How public history can be a catalyst for stronger relationships between universities and their communities

An Epidemic among My People: Religion, Politics, and COVID-19 in the United States, Edited by Paul A. Djupe and Amanda Friesen

Did religion make the pandemic worse or help keep it contained?

Gendered Places: The Landscape of Local Gender Norms across the United States, by William J. Scarborough

Reveals how distinct cultural environments shape the patterns of gender inequality

A Good Place to Do Business: The Politics of Downtown Renewal since 1945, by Roger Biles and Mark H. Rose

How six industrial cities in the American Rust Belt reacted to deindustrialization in the years after World War II

Justice Outsourced: The Therapeutic Jurisprudence Implications of Judicial Decision-Making by Nonjudicial Officers, Edited by Michael L. Perlin and Kelly Frailing

Examines the hidden use of nonjudicial officers in the criminal justice system

Memory Passages: Holocaust Memorials in the United States and Germany, by Natasha Goldman

Now in Paperback—Considers Holocaust memorials in the United States and Germany, postwar to the present

The Mouse Who Played Football, Written by Brian Westbrook Sr. and Lesley Van Arsdall; Illustrated by Mr. Tom

Who would ever think that a mouse could play football?

Never Ask “Why”: Football Players’ Fight for Freedom in the NFL, By Ed Garvey; Edited by Chuck Cascio

An inside look at the struggles Ed Garvey faced in bringing true professionalism to football players

The Real Philadelphia Book 2nd Edition, by Jazz Bridge

An anthology of compositions by popular Philadelphia jazz and blues artists accessible for every musician

Reforming Philadelphia, 1682⁠–⁠2022, by Richardson Dilworth

A short but comprehensive political history of the city, from its founding in 1682 to the present day

Refugee Lifeworlds: The Afterlife of the Cold War in Cambodia, by Y-Dang Troeung

Explores key works that have emerged out of the Cambodian refugee archive

A Refugee’s American Dream: From the Killing Fields of Cambodia to the U.S. Secret Service, by Leth Oun with Joe Samuel Starnes

The remarkable story of Leth Oun, from overcoming tragedy and forced labor in Cambodia to realizing dreams he never could have imagined in America

Richard III’s Bodies from Medieval England to Modernity: Shakespeare and Disability History, by Jeffrey R. Wilson

How is Richard III always both so historical and so current?

The Rise and Fall of America’s Concentration Camp Law: Civil Liberties Debates from the Internment to McCarthyism and the Radical 1960s, by Masumi Izumi

Now in Paperback—Dissecting the complex relationship among race, national security, and civil liberties in “the age of American concentration camps”

The Spires Still Point to Heaven: Cincinnati’s Religious Landscape, 1788–1873, by Matthew Smith 

How nineteenth-century Cincinnati tested the boundaries of nativism, toleration, and freedom

Teaching Fear: How We Learn to Fear Crime and Why It Matters, Nicole E. Rader

How rules about safety and the fear of crime are learned and crystalized into crime myths— especially for women

Toward a Framework for Vietnamese American Studies: History, Community, and Memory, Edited by Linda Ho Peché, Alex-Thai Dinh Vo, and Tuong Vu

A multi-disciplinary examination of Vietnamese American history and experience

Understanding Crime and Place: A Methods Handbook, Edited by Elizabeth R. Groff and Cory P. Haberman

A hands-on introduction to the fundamental techniques and methods used for understanding geography of crime

Honoring Juneteenth

This week in North Philly Notes, we honor Juneteenth with a look at Beverly Tomek’s Slavery and Abolition in Pennsylvania, and other African American titles.

Slavery and Abolition in Pennsylvania by Beverly C. Tomek, tells the complex story of the role of slavery in the founding and growth of the Commonwealth. 

Tomek corrects the long-held notion that slavery in the North was “not so bad” as, or somehow “more humane” than, in the South due to the presence of abolitionists. The book begins with the story of slavery in colonial Pennsylvania and then traces efforts to end human bondage in the state. It then explores the efforts of Pennsylvania reformers to reconstruct the state in a way that would make room for the newly freed persons. Finally, it traces Pennsylvania’s role in the national antislavery movement, debunking the myth that Pennsylvania faded into the background in the 1830s as Massachusetts abolitionists took center stage. The story Tomek offers is one of a state that was built upon enslaved labor but had a large enough reform community to challenge that system within the state’s borders by passing the nation’s first abolition law and then to try to spread antislavery throughout the country.  

Slavery and Abolition in Pennsylvania traces this movement from its beginning to the years immediately following the American Civil War. Discussions of the complexities of the state’s antislavery movement illustrate how different groups of Pennsylvanians followed different paths in an effort to achieve their goal. Tomek also examines the backlash abolitionists and Black Americans faced. In addition, she considers the civil rights movement from the period of state reconstruction through the national reconstruction that occurred after the Civil War, and she concludes by analyzing what Pennsylvania’s history of race relations means for the state today. 

While the past few decades have shed light on enslavement and slavery in the South, much of the story of northern slavery remains hidden. Slavery and Abolition in Pennsylvania tells the full and inclusive story of this history, bringing the realities of slavery, abolition, and Pennsylvania’s attempt to reconstruct its post-emancipation society. 

Envisioning Emancipation: Black Americans and the End of Slavery, by Deborah Willis and Barbara Krauthamer, illustrates what freedom looked like for black Americans in the Civil War era
Winner of the NAACP Image Award for Outstanding Literary Work—Non-Fiction, 2014
One of the Top 25 Outstanding Academic Titles, Choice, 2013

In their pioneering book, Envisioning Emancipation, renowned photographic historian Deborah Willis and historian of slavery Barbara Krauthamer have amassed 150 photographs—some never before published—from the antebellum days of the 1850s through the New Deal era of the 1930s. The authors vividly display the seismic impact of emancipation on African Americans born before and after the Proclamation, providing a perspective on freedom and slavery and a way to understand the photos as documents of engagement, action, struggle, and aspiration.

Upon the Ruins of Liberty: Slavery, the President’s House at Independence National Historical Park, and Public Memory, by Roger C. Aden, provides a behind-the-scenes look at the development of the memorial to slavery in Independence Mall.

Upon the Ruins of Liberty chronicles the politically charged efforts to create a fitting tribute to the place where George Washington (and later John Adams) shaped the presidency as he denied freedom to the nine enslaved Africans in his household. From design to execution, the plans prompted advocates to embrace stories informed by race and address such difficulties as how to handle the results of the site excavation. Consequently, this landmark project raised concerns and provided lessons about the role of public memory in shaping the nation’s identity.


Following Artists into Orphaned Space

This week in North Philly Notes, Mrill Ingram, author of Loving Orphaned Spacewrites about providing a new vision for the ignored and abused spaces around us.

Recently I had the opportunity to launch my new book, Loving Orphaned Space, the art and science of belonging to Earth, at a Madison, Wisconsin based community arts organization called Art + Literature Laboratory. I was really pleased to be able to celebrate the book at a center dedicated to expanding community participation and access to the arts. The book is rooted in research I pursued on art-science collaboration, which revealed to me a new perspective on how we sideline the arts as an optional, even leisure pursuit. I’ve learned how the arts can assist all of us in navigating the everyday and imagining and enacting a better future. It’s also provided a powerful new perspective for my writing on the environment. Because so many of us don’t experience the power art can play, we often don’t recognize what we are missing. Sharing that insight was one of the reasons I wrote my book.

Following artists around is likely to pull a person out of their comfort zone. It certainly has done so for me. For example, in my writing, I am compelled to center emotional impulses and images I might have previously sidelined. The roots of this book lie in what began as a very personal preoccupation with the scattered bits of open space so many of us are surrounded by, much of it dedicated to infrastructure and often abused. Why did I care about these spaces? Why did I want to know more about each one of them? By following artists (literally) as they venture into such spaces, occupying them in a variety of ways, my personal, individual feelings expanded into something more social, that involved feelings of belonging and connectedness, respect, and responsibility, as well as delight and surprise. Wow! All that in a street terrace!

In the book I describe the energy and the politics of keeping infrastructure spaces such as drainages, stormwater basins, abandoned gas stations, right of ways, so policed and “empty.” It is an active process, an “orphaning” that quite literally, disappears space by keeping ecological and social relationships simple. This takes physical effort – I’m talking about fencing, channelizing, lighting, herbiciding, and cementing. Brownfields are orphaned by the toxicity of pollutants they are storing. I want us to think about what this purposeful disciplining of space costs us. I’m also talking about a psychic erasure. We literally do not recognize this space as Earth. Our culture normalizes so much land as a commodity, something anonymous, bought and sold, and with infinite possible futures but no history.

Open space is an enormous amount of territory, representing some 25% to over 40% of land in many cities. This is true around the world, as cities expand, and shrink, at different rates than their populations shift. In the wake of the pandemic, this kind of territory is being increasingly seen as a “solution” to problems like polluted stormwater, flooding, urban heat islands, lack of green space in neighborhoods. But I think there’s more here. I see these as spaces of struggle. Their distribution is deeply influenced by histories of racism and discrimination. Through my work with artists, I came to understand such spaces as portals through which people like me, our privilege revealed by how easily we disappear all this space, can catch a glimpse of important history and relationships and recognize potential for action.

I share stories of artists who’ve helped me to see this disappeared space in new ways, but also present a general framework to help us appreciate the work of art in building new connections and producing new results. I argue that the arts, by engaging with science and technologies of infrastructure in new ways, can transform those processes, shifting the purpose and the outcomes of technical endeavors for new benefits and ends, including ways to address inequities. In the book, I describe discoveries in phytoremediation, a process by which plants help dismantle soil pollutants, produced by a Chicago based artist, and a new model for capturing dirty water running off roofs and parking lots. I also celebrate ways in which artists build unconventional relationships, including with nonhuman beings, that can free us up to realize new projects and to experience and feel in new ways. I write about this kind of expansive and emergent relationship building as artists’ “diplomacy,” a term inspired by Isabelle Stengers.

It took me a while to put many of these pieces together in a way that felt coherent enough to deserve a book. In some ways the process of “loving” orphaned space is just beginning for me. I see them anew every day. In preparing for the talk at the book launch, for example, I looked at an image of open space distribution in St. Paul, Minnesota. For the first time, I put together the lack of open space in what is a very open city, with the I-90 corridor, which, when built in the 1960s, obliterated parts of a thriving predominantly Black neighborhood. Many businesses were lost and 1 in every 8 Black households in Minneapolis lost a home. The neighborhood lives on, still rich, but adjacent to a thundering expressway with the health threats, disconnectedness, and loss of property values that freeways bring.

This kind of recognition is the opening of the orphaned space portal. To venture in, and to occupy, involves many skills I learned from artists. They are certainly not the only ones doing this work, nor should they be. But for me, they’ve enabled me to shift my perspective on the land around me. They’ve provided me with examples of how careful listening, telling stories, and building relationships inside and out, can connect humans to each other and to other beings in new ways that transcend notions of a functioning system and enter the realm of loving.

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