Fernando Ortiz Today

This week in North Philly Notes, Robin Moore, editor of Fernando Ortiz on Music, writes about the relevance and influence of Ortiz’s writing on Cuban music, history, and culture

Who is Fernando Ortiz, why should anyone care about what he wrote, and what does he have to offer to readers today? Those are important questions, especially given that Ortiz lived and wrote many years ago; that his writings focus primarily on black music in other countries; and that—as an author trained in late nineteenth-century Europe—he inherited many biases toward Afro-descendant expression. As such, some of his observations sound dated or even racist by the standards of the present day. The relevance of his writings in 2018 may not be immediately apparent to everyone.

I first became acquainted with a few of Ortiz’s books as a graduate student at the University of Texas in the early 1990s. I planned to write a dissertation on Cuban music, and Ortiz loomed large as an individual who undertook the first detailed studies of Afro-Cuban culture in that country, based in large part on ground-breaking ethnographic excursions and interviews. His work was impressive in many respects: he published tremendous amounts of material, many thousands of pages over the course his career, and on a wide array of topics. He read widely in half a dozen languages. His knowledge of Cuban history and access to primary and secondary sources supporting such work were extraordinary. Fernando Ortiz on MusicSMIt became clear to me that countless individuals interested in black history, African-influenced languages in the new world, drumming and dance traditions, Afro-descendant religions, the Atlantic slave trade, and other topics had drawn heavily on Ortiz as they pursued academic work in the US, the Caribbean, South America, and elsewhere. Those influenced by his work in the U.S., for example, include the dancer Katherine Dunham; the anthropologist and founder of black studies in the United States, Melville Herskovits; and the art historian Robert Farris Thompson. Simply put, Ortiz was very influential; and if his work had written in English rather than Spanish, I am certain that it would have met an even more enthusiastic reception internationally.

Cuba, along with a few other Latin American/Caribbean countries, has a unique cultural profile because of the large numbers of enslaved Africans brought the island, and the fact that many of them arrived rather late (clandestinely the slave trade continued there well into the 1870s). In broad strokes, Cuba and the United States share a history of European colonization, the decimation of local indigenous populations, and the use of slave labor. Yet the fact that free and enslaved Africans and their descendants have constituted a majority of the island’s population for most of the past two centuries, and that African-derived traditions have been re-created in overt ways there, means that Cuba looks and sounds very different from the United States. I find that the study of Cuban music and history suggests interesting points of comparison for those based in the U.S. It helps us recognize similar Afrodescendant cultural influences in our own country. Cuba’s music and dance traditions that blend influences from West Africa and Europe are quite similar to our own, providing insights into processes of cultural fusion and how Afro-descendant cultures manifest themselves in repertoire such as black gospel. Reading about Cuban and Caribbean history helps us situate US history within a broader framework and makes us realizes that our “unique” cultural forms — from rap to blues to jazz — emerged out of broader processes.

Not only do I find the ethnographic data in Ortiz’s work still broadly relevant, but I consider even his ideological flaws and limitations to be instructive. The post-WWII period, which represents the apex of Ortiz’s career, was one in which leading authors throughout Europe and the Americas began to seriously question racist beliefs about non-European people for the first time. Much of this soul-searching was inspired by the Nazis and their horrendously racist views of non-Arian people, of course, as well as political challenges to colonial rule in Asia, Africa, and elsewhere. Ortiz’s struggles with entrenched Eurocentric points of view, notions of racial and cultural hierarchy, and the “proper place” of Afrodescendant culture within his country represent a corollary to similar debates taking place throughout the Western world and beyond. Including Ortiz in the study of racial debates of the era expands our understanding of such discourse beyond the spheres of U.S. and European academia. It helps “decenter” that literature by underscoring the important contributions and perspectives of those in developing countries. And it helps us better appreciate the true extent of slavery’s impact on politics, culture, and ideology throughout the Western hemisphere.


Celebrating Black History Month with our African American Literature titles

This week in North Philly Notes, we focus on our African American books about books in honor of Black History Month

From Slave Ship to Supermax: Mass Incarceration, Prisoner Abuse, and the New Neo-Slave Novel by Patrick Elliot Alexander

In his cogent and groundbreaking book, From Slave Ship to Supermax, Patrick Elliot Alexander argues that the disciplinary logic and violence of slavery haunt depictions of the contemporary U.S. prison in late twentieth-century Black fiction. Alexander links representations of 2426_reg.gifprison life in James Baldwin’s novel If Beale Street Could Talk to his engagements with imprisoned intellectuals like George Jackson, who exposed historical continuities between slavery and mass incarceration. Likewise, Alexander reveals how Toni Morrison’s Beloved was informed by Angela Y. Davis’s jail writings on slavery-reminiscent practices in contemporary women’s facilities. Alexander also examines recurring associations between slave ships and prisons in Charles Johnson’s Middle Passage, and connects slavery’s logic of racialized premature death to scenes of death row imprisonment in Ernest Gaines’ A Lesson Before Dying.

Alexander ultimately makes the case that contemporary Black novelists depict racial terror as a centuries-spanning social control practice that structured carceral life on slave ships and slave plantations-and that mass-produces prisoners and prisoner abuse in post-Civil Rights America. These authors expand free society’s view of torment confronted and combated in the prison industrial complex, where discriminatory laws and the institutionalization of secrecy have reinstated slavery’s system of dehumanization.

Black Regions of the Imagination: African American Writers between the Nation and the World, by Eve Dunbar, a title in the American Literatures Initiative

Zora Neale Hurston, Richard Wright, James Baldwin, and Chester Himes were all pressured by critics and publishers to enlighten mainstream (white) audiences about race and African American culture. Focusing on fiction and non-fiction they produced between the Harlem Renaissance and the Black Arts Movement, Eve Dunbar’s important book, Bla2239_reg.gifck Regions of the Imagination, examines how these African American writers—who lived and traveled outside the United States—both document and re-imagine their “homegrown” racial experiences within a worldly framework.

From Hurston’s participant-observational accounts and Wright’s travel writing to Baldwin’s Another Country and Himes’ detective fiction, these writers helped develop the concept of a “region” of blackness that resists boundaries of genre and geography. Each writer represents—and signifies—blackness in new ways and within the larger context of the world. As they negotiated issues of “belonging,” these writers were more critical of social segregation in America as well as increasingly resistant to their expected roles as cultural “translators.”

Pimping Fictions: African American Crime Literature and the Untold Story of Black Pulp Publishing, by Justin Gifford, a title in the American Literatures Initiative

“Lush sex and stark violence colored Black and served up raw by a great Negro writer,” promised the cover of Run Man Run, Chester Himes’ pioneering novel in the black crime fiction tradition. In Pimping Fictions, Justin Gifford provides a hard-boiled investigation of hundreds of pulpy paperbacks written by Himes, Donald Goines, and Iceberg Slim (a.k.a. Robert Beck), among many others.

Gifford draws from an im2186_reg.gifpressive array of archival materials to provide a first-of-its-kind literary and cultural history of this distinctive genre. He evaluates the artistic and symbolic representations of pimps, sex-workers, drug dealers, and political revolutionaries in African American crime literature—characters looking to escape the racial containment of prisons and the ghetto.

Gifford also explores the struggles of these black writers in the literary marketplace, from the era of white-owned publishing houses like Holloway House—that fed books and magazines like Players to eager black readers—to the contemporary crop of African American women writers reclaiming the genre as their own.

Black Theatre: Ritual Performance in the African Diaspora, edited by Paul Carter Harrison, Victor Leo Walker II, and Gus Edwards 

Generating a new understanding of the past—as well as a vision for the future—this path-breaking volume contains essays written by playwrights, scholars, and critics that analyze African Americ1429_reg.gifan theatre as it is practiced today.

Even as they acknowledge that Black experience is not monolithic, these contributors argue provocatively and persuasively for a Black consciousness that creates a culturally specific theatre. This theatre, rooted in an African mythos, offers ritual rather than realism; it transcends the specifics of social relations, reaching toward revelation. The ritual performance that is intrinsic to Black theatre renews the community; in Paul Carter Harrison’s words, it “reveals the Form of Things Unknown” in a way that “binds, cleanses, and heals.”

Savoring the Salt: The Legacy of Toni Cade Bambara, edited by Linda Janet Holmes and Cheryl A. Wall

The extraordinary spirit of Toni Cade Bambara lives on in Savoring the Salt, a vibrant and appreciati1900_reg.gifve recollection of the work and legacy of the multi-talented, African American writer, teacher, filmmaker, and activist. Among the contributors who remember Bambara, reflect on her work, and examine its meaning today are Toni Morrison, Amiri Baraka, Pearl Cleage, Ruby Dee, Beverly Guy-Sheftall, Nikki Giovanni, Avery Gordon Audre Lorde, and Sonia Sanchez.

Admiring readers have kept Bambara’s fiction in print since her first collection of stories, Gorilla, My Love, was published in 1972. She continued to write-and her audience and reputation continued to grow-until her untimely death in 1995. Savoring the Salt includes excerpts from her published and unpublished writings, along with interviews and photos of Bambara. The mix of poets and scholars, novelists and critics, political activists, and filmmakers represented here testifies to the ongoing importance and enduring appeal of her work.

Yo’ Mama! New Raps, Toasts, Dozens, Jokes and Children’s Rhymes from Urban Black America, edited by Onwuchekwa Jemie 

Collected primarily in metropolitan New York and Philadelphia during the classic era of black “street poetry” (i.e., during the late 1960s and early 1970s) these raps, signifyings, toasts, boasts, jokes and children’s rhymes will delight general readers as 1453_reg.gifwell as scholars. Ranging from the simple rhymes that accompany children’s games to verbally inventive insults and the epic exploits of traditional characters like Shine and Stagger Lee, these texts sound the deep rivers of culture, echoing two continents. Onwuchekwa Jemie’s introductory essay situates them in a globally pan-African context and relates them to more recent forms of oral culture such as rap and spoken word.

Unbought and Unbossed: Transgressive Black Women, Sexuality, and Representation, by Trimiko Melancon, a title in the American Literatures Initiative

Unbought and Unbossed examines black women’s literary and cultural production of the 1970s and early 1980s. Considering texts in the socio-cultural and historical moments of their production, Trimiko Melancon analyzes representations of black women that not


only transgress racial, gender, and sexual boundaries, but also diverge from both discourses of “whiteness” and constructions of female identity imposed by black nationalism.

Drawing from black feminist and critical race theories, discourses on gender and sexuality, and literary criticism, Melancon illuminates the complexity of black female identity, desire, and intimacy. She sheds light on a more complex black identity, one ungoverned by rigid politics over-determined by race, gender and sexuality, while also enabling us to better understand the black sexual revolution, contemporary cultural moments, and representations in the age of Michelle Obama.

Re-Viewing James Baldwin: Things Not Seen, edited by D. Quentin Miller, foreword by David Adams Leeming

This new collection of essays presents a critical reappraisal of James Baldwin’s work, looking beyond the commercial and critical success of some of Baldwin’s early writings such as Go Tell it on the 1463_reg.gifMountain and Notes of a Native Son. Focusing on Baldwin’s critically undervalued early works and the virtually neglected later ones, the contributors illuminate little-known aspects of this daring author’s work and highlight his accomplishments as an experimental writer. Attentive to his innovations in style and form, Things Not Seen reveals an author who continually challenged cultural norms and tackled matters of social justice, sexuality, and racial identity. As volume editor D. Quentin Miller notes, “What has been lost is a complete portrait of [Baldwin’s] tremendously rich intellectual journey that illustrates the direction of African-American thought and culture in the late twentieth century.”

African American Writing: A Literary Approach, by Werner Sollors

Werner Sollors’ African American Writing takes a fresh look at what used to be called “Negro literature.” The essays collected here, ranging in topic from Gustavus Vassa/Olaudah Equiano to LeRoi Jones/Amiri Baraka, and in time from the Enlightenment to the Obama presidency, take a literary approach to black writing and present writers as readers and as intellectuals who were or are open to the world.
From W.E.B. Du Bois com2396_reg.gifmenting on Richard Wagner and Elvis Presley, to Zora Neale Hurston attacking Brown v. Board of Ed. in a segregationist newspaper, to Charles Chesnutt’s effigy darkened for the black heritage postage stamp, Sollors alternates between close readings and broader cultural contextualizations to delineate the various aesthetic modes and intellectual exchanges that shaped a series of striking literary works.
Readers will make often-surprising discoveries in the authors’ writing and in their encounters and dialogues with others. The essays, accompanied by Winold Reiss’s pastels, Carl Van Vechten’s photographs, and other portraits, attempt to honor this important literature’s achievement, heterogeneity, and creativity.

Temple University Press’s 2017 Best Sellers

This week in North Philly Notes, we showcase our most popular books of the past year: The Top 10 best sellers of 2017!

  1. Philadelphia: Finding the Hidden Cityby Joseph E. B. Elliott, Nathaniel Popkin, and Peter Woodall. Revealing the physical and cultural intricacies of Philadelphia, from the intimate to the monumental.
  2. The Man-Not: Race, Class, Genre, and the Dilemmas of Black Manhoodby Tommy J. Curry. Introduces the conceptual foundations for Black Male Studies, going beyond gender theories that cast the Black Male as a pathological aspiring patriarch.
  3. The Forest and the Trees: Sociology as Life, Practice, and Promise, Third Editionby Allan G. Johnson. An updated exploration of sociology as a way of thinking.
  4.  Tasting Freedom: Octavius Catto and the Battle for Equality in Civil War America, by Daniel R. Biddle and Murray Dubin. The life and times of the extraordinary Octavius Catto, and the first civil rights movement in America.
  5. The New Eagles Encyclopedia, Ray Didinger with Robert Lyons. The best-selling book on the Philadelphia Eagles, completely updated and expanded.
  6. The Possessive Investment in Whiteness: How White People Profit from Identity Politics, Revised and Expanded Edition, by George Lipsitz. A widely influential book—revised to reveal racial privilege at work in the 21st century.
  7. Historical Thinking and Other Unnatural Acts: Charting the Future of Teaching the Past, by Sam Wineburg, How do historians know what they know?
  8. We Make the Road by Walking: Conversations on Education and Social Change, by Myles Horton and Paulo Freire, edited by Brenda Bell, John Gaventa, and John Peters. Two pioneers of education discuss their diverse experiences and ideas.
  9. Believing in Cleveland: Managing Decline in “The Best Location in the Nation,” by J. Mark Souther. Explores how civic and business leaders used image-making in an effort to reimagine and revive Cleveland in the decades after World War II.
  10. Phil Jasner “On the Case:” His Best Writing on the Sixers, the Dream Team, and Beyond, edited by Andy Jasner. Three decades of reporting by renowned Philadelphia Hall of Fame sportswriter Phil Jasner.



What Temple University Press staff wants to give and gift this holiday season

This week in North Philly Notes, the staff at Temple University Press suggest the Temple University Press books they would give along with some non-Temple University Press titles they hope to read and receive this holiday season. 

Mary Rose Muccie, Director

1761_reg.gifGive: Just in time for Christmas, we’ve reprinted P Is for Philadelphia, an alphabet book, beautifully illustrated by Philly school children, that celebrates everything that makes the city great. I’ll be giving it to my 7-year-old niece, Hailey, and can’t wait to read it with her.

Get: Earlier this year I read a review of The Bedlam Stacks, by Natasha Pulley and have had it on my list ever since. Set in mid-1800’s Peru, it’s a combination of science fiction and fantasy, mystery and adventure. If I don’t get it, I’ll be giving it to myself!

Irene Imperio, Advertising and Promotions Manager
Give: P Is for Philadelphia. Although Amazon doesn’t have copies we do!!!  And it’s fun for the whole family!

Karen Baker, Financial Manager2427_reg.gif
Give: I would give We Decide!, by Michael Menser, to my son-in-law because he is very interested in politics and democracy.

Get: I would like to receive I Can’t Make This Up: Life Lessons by Kevin Hart because I think he is hilarious.

Ryan Mulligan, Editor 

GiveThe Cost of Being a Girl I’ve discovered while publishing this book that there are people on Twitter who search for the phrase “wage gap” just to tell anyone who happens to be talking about it that the concept is a myth – that women’s wages are lower because they have less experience on average and go into lower-paying fields.

2400_reg.gifThe irony is, this book takes that contention head-on by looking at a population where all labor is equally unqualified and low-skilled: teenage workers entering the workforce for the first time in fields like retail and food service. Even here though, Besen-Cassino shows us that male workers are fast-tracked towards management, while female workers are pegged for “aesthetic labor” and “emotional work” that pays less and takes a significant toll on the worker’s well-being. These dynamics not only reveal the biases of the workplace, but set teens on unequal tracks that continue into adulthood. And the book is really compelling reading. So I’d give this book to all those Twitter trolls.

GetLocked In: The True Causes of Mass Incarceration and How to Achieve Real Reform by John Pfaff.  A lot of criminologists I talk to are really excited about this book. Mass Incarceration is one of the US’s defining issues of the day, of concern across the political spectrum thanks to its disproportionate hold relative to the rest of the world, its effect on American families, and its costs. Pfaff’s contribution, undertaking a sensical review of the dauntingly hard-to-consolidate evidence, sounds like discovering a new verse to a song you thought you knew by heart.

Ann-Marie Anderson, Marketing Director

Give:  2453_reg.gifI’d give a copy of Tommy Curry’s The Man-Not to aid in understanding the stereotypes (and oppression) of black men.

Get: I’ve already received my holiday supply of books to read, but I have just learned about Soul of a Nation: Art in the Age of Black Power, a survey of African American art from 1963-83 which was a crucial period in American art history.  The book purports to bring to light previously neglected black artists, like Sam Gilliam, Melvin Edwards, Faith Ringgold, Betye Saar, and many others.

Sara Cohen, Editor

Give: This holiday season, I’ll be getting my friends and family copies of Philadelphia: Finding the Hidden City. As the editor of this book, I learned a ton about Philadelphia’s Gilded Age history, and it’s really changed the way I think about and read 2381_reg.gifour city.  It’s a great gift for the urban historian/architecture critic/fine photography connoisseur/Philadelphian in your life.

Get: Mary Shelley’s Frankenstein. I haven’t read it since I became a mother, and because it’s partially about how weird it is to create and be responsible for another being, I’ve been meaning to reread it.  Plus, 2018 will be the 200th anniversary of the book, and rereading it seems like a great way to celebrate it’s bicentennial.

Aaron Javsicas, Editor-in-Chief

Give: Pennsylvania Stories–Well Told, by Bill Ecenbarger. Bill is a superb writer, and he showcases some 2445_reg.gifof the wonderful weirdness — but also nobility, industry, and the dark side — of our often overlooked commonwealth. From the Pennsylvania pencil and fireworks industries, to the turnpike, to the author’s ride-along with John Updike, to the unfortunately significant presence of the Klan, Ecenbarger treats his subjects with humor, insight, and honesty. I love this state and know a lot of other folks who do too, so this will be an ideal gift.

GetGood Neighbors: The Democracy of Everyday Life in America, by Nancy Rosenblum. National politics over the last eighteen months or so have been quite inspirational — by which I mean, it has inspired me to focus local politics. This book looks like a great way to get your mind around what that means, by examining our neighborly democratic interactions. Local relationships form the underlying fabric that supports our larger democracy, so what makes that fabric strong or weak?

Joan Vidal, Senior Production Editor

GivePennsylvania Stories—Well Told, by master storyteller William Ecenbarger. This compelling collection of articles originally published in the Philadelphia Inquirer Magazine, which features topics that range from Byberry to Zambelli Fireworks to deer hunting to John Updike, makes a perfect gift for anyone interested in Pennsylvania history and popular culture.

Get: the novel Lilli de Jongby Philadelphia author Janet Benton, which tells the story of a young Quaker woman who decides to keep her baby girl after giving birth in an institution for unwed mothers in 1883 Philadelphia. Through a series of journal entries that detail her struggles, she sheds light on the daily lives and social norms of the people and communities around her.

2456_reg.gifDave Wilson, Senior Production Editor

Give: Phil Jasner “On the Case”. This book is about the long-time Philadelphia Daily News sports writer and Naismith Hall of Famer who had a tireless work ethic in his quest to report Philadelphia sports. Phil’s son, Andy, also a sports writer, assembled a book showing just a sliver of his dad’s greatest moments and Phil’s passion to report accurately while exhibiting a tireless work ethic. This book is a wonderful tribute by a son to this father. The book shows the amazing relationships Phil had with great Philadelphia sports legends, and the chapter introductions from prominent Philadelphia sports figures make this an entertaining and touching read.

Nikki Miller, Rights and Permissions Manager


GiveExploiting the Wilderness by Greg L. Warchol as a holiday gift.  As an animal lover, I think this is a great book that offers a look into the wildlife crime that occurs in Africa and what can be done to stop it.

GetLilac Girls by Martha Hall Kelly.  I’ve read great reviews about this book and can’t wait to start reading it over the holidays.

Kate Nichols, Art Manager

GiveKalfou: A Journal of Comparative and Relational Ethnic Studies, published by Temple University Press on behalf of the UCSB Center for Black Studies Research. As per George Lipsitz, the Senior editor, “In addition to its featured peer-reviewed scholarly articles, Kalfou devotes parts of each issue to short features focused on the places where ideas, activism, and art intersect.” As Volume 4, Issue 2 was just published, the journal is more important and timely than ever.

Rachel Elliott, Marketing Assistant

Give: 2384_reg.gifThe Audacity of Hoop by Alexander Wolff, because it is a visually compelling book that brings the president, often an inaccessible figure, down to the real world. We get to see him as he is in real life.
GetWe Should All Be Feminists because it has been recommended to me several times already! I love learning more about women’s issues and inclusive feminism and this book explores exactly that!

1912_reg.gifGary Kramer, Publicity Manager

Give: I recently attended the 20th-anniversary party for Ellen Yin’s restaurant, Fork. While the menu has changed since she published her memoir/cookbook Forklore, the recipes and stories collected in her fabulous book are timeless, and still wonderful to read and savor.

Get: I’ve been wanting to read Sherman Alexie’s You Don’t Have to Say You Love Me since it was published. One of my favorite authors has written a memoir about his mother. But I just know this is going to break my heart, so I’ve been resisting it. But if someone gave it to me, I’d feel obligated to read it.


Is It McCarthyism Yet?

This week in North Philly Notes, Rachel Ida Buff, author of Against the Deportation Terrorwrites about immigrant rights in this xenophobic era.

Travel bans based on nations of origin; local law enforcement officials compelled to perform federal surveillance work; lists of suspected subversives; prohibition of solidarity or sanctuary work; massive deportation; and the disappearance of the names of the deported from mass media. These recent trends are part of a renewed xenophobic turn in U.S. politics. They also have historical precedent in the infamous era of McCarthyism.

Often filtered through middle school readings of The Crucible, memories of McCarthyism tend to feature an honest person confronting the inquisitorial voices of Joe McCarthy and his notorious House Committee on UnAmerican Activities (HUAC). But the McCarthyist Red Scare featured assaults against foreign-born activists as well as a massive and well-publicized roundup of Mexican Americans in the Southwest and California: Operation Wetback.

Buff approved 032017.inddWell before the heyday of HUAC, anti-communist legislators succeeded in passing laws aimed at curtailing the allegedly subversive activities of “foreign-born radicals.” The 1940 Smith, or Alien Registration, Act made advocating governmental overthrow, or belonging to any group believed to advance such an agenda, deportable offenses. Subsequent laws extended deportability to include guilt by association, as well as targeting particular areas of the globe as undesirable nations of origin for immigrants attempting to enter the United States.

These anti-subversive laws were frequently used against immigrant labor and community leaders accused of “UnAmerican activities,” like organizing for wages and rights.  These foreign-born Americans were vulnerable to McCarthyism, much as contemporary Muslim and Arab American leaders are subject to enhanced scrutiny and the possibility of detention and deportation.

Under the Smith Act and subsequent McCarthy era laws, local law enforcement agents often provided evidence in the trials of immigrants accused of subversive activities.  The push for 287(g) and “secure communities” policies today has clear antecedent in this use of municipal forces. As many police unions point out, however, this use of local policing for surveillance and repression alienates immigrants, making all communities more dangerous.

Billed as “cleaning up the border” of “illegal aliens” suspected of political subversion, Operation Wetback commenced in 1954. This Immigration and Naturalization Service campaign eventually resulted in the deportation of a quarter million Mexican Americans, some of them legal residents and American citizens. (Estimates vary; in 2015 then-candidate Donald Trump claimed that this program resulted in 1.5 million deportations.)

While unsuccessful in stopping the flow of migration across the U.S.-Mexico border, Operation Wetback institutionalized the kind of deportation sweeps of immigrant communities currently taking place. And it was during this campaign that the names of those in deportation proceedings vanished from popular media accounts, being replaced by the ominous science fiction of the “illegal alien.” How many people who do not interact regularly with immigrant communities can name just one of the over two hundred thousand deported in 2017?

Campaigns of repression, like McCarthyism or the wave of xenophobia prevalent today, portray foreign-born people as dangerous, subversive, and UnAmerican. Their power is to rob vulnerable non-citizens of their power and livelihoods. For example, the announcement of the cancellation of the Deferred Action for Childhood Arrivals (DACA) program was timed to coincide with the first day of school, forcing thousands of young DACA recipients to experience this traditional time of excitement with dread.

Brave individuals stood before HUAC and refused to name names, eventually exposing the grim machinations of repression as the real UnAmerican activities. Similarly, immigrant rights advocates labor to defend the rights of those targeted by the forces of xenophobia and hate. Their efforts are part of the struggle to defeat McCarthyism, then and now.


Temple University Press’ Annual Holiday Sale

This week in North Philly Notes, we prepare for the holidays by promoting our annual Holiday Sale December 7-8 from 11am-2pm in the Diamond Club Lobby, (lower level of Mitten Hall at Temple University)



An Open Letter of Love to Kim Jong-un

This week in North Philly Notes, we repost Look, a White! author George Yancy’s recent opinionator column from the New York Times blog, a “love” letter he penned with David Kyuman Kim to Chairman Kim Jong-un.

Dear Chairman Kim Jong-un,

We are certain that you will find this letter of love surprising.

We offer it to you in the final days of President Trump’s trip to Asia, when the rhetoric of war, hatred and mass violence has reached a fever pitch. It speaks of the urgent need for mutual love between our two countries, the United States and the Democratic People’s Republic of Korea.

We write you as two American citizens — an African-American and a Korean-American — considered “men of color” in our own country, who have suffered with our people under the history of America’s white racist violence, yet who still dare to love. Just as we have faith in our fragile and imperfect American democratic experiment, we have faith that you believe in something far more courageous than words of war.

Our aim is to meet you in the spirit of a resolute conviction that you are a human being who is worthy of being loved by us and that we are human beings worthy of being loved by you. It is quite simple, really, and yet so hard for so many to see: that we, North Koreans and Americans, are brothers and sisters. That straighforward yet existentially urgent statement is what is necessary during this time of crisis between our nations.

George Yancy: We stand with our brothers and sisters in North Korea who may feel as we do, wanting to know us, possibly to love us, but who have not been given the opportunity because of your regime. Clearly, our political leaders in the United States have failed to reach across this ever growing and dangerous divide and say, “Yes, we love the people of North Korea, and we recognize the humanity of Kim Jong-un.” And of course, you and your country’s officials have failed to do this as well.

In this letter of love, we refuse to speak of “fire and fury.” Instead, we speak of love, life and our globally shared humanity. We refuse to believe that there is “no choice”; we reject the language and morally unacceptable and inept threat to “totally destroy North Korea”; we reject the violent discourse and imagery of being “locked and loaded.” And we believe that a dialogue, especially one rooted in the language and spirit of love, is not a waste of time. Shared love is our deliverance from hatred.

We know that love is dangerous, because it requires facing one’s own brokenness and vulnerability. Yet both of our nations are morally broken, imperfect. So we speak with the impassioned words of Mahatma Gandhi: “I offer you peace. I offer you love. I offer you friendship. I see your beauty. I hear your need. I feel your feelings.”

This letter fervently asks more from you and from the United States. The writer James Baldwin, one of our most prophetic voices, wrote: “One can give nothing whatever without giving oneself — that is to say, risking oneself. If one cannot risk oneself, then one is simply incapable of giving.” Neither of our nations has much to give the other because each has failed to risk itself. And it is out of our collective and respective cowardice — our refusal to risk, to love and to combat our mutual cynicism — that this letter of love arises. It serves as an intervention as we face the potential horrors of unspeakable mass death. We stand with our brother Martin Luther King Jr., who refused “to accept the cynical notion that nation after nation must spiral down a militaristic stairway into the hell of nuclear annihilation.”

There are many here in the United States who will say that this letter is absurd, useless, even treasonous. Well, if love is treasonous, then we take joy in it. We revel in speaking out against hatred; inhumanity; divisiveness; discourse mired in immature name-calling; ugly, disparaging remarks; talk of destruction and obliteration; and the potential of miscalculation and nuclear conflagration. We prefer to stand on the “treasonous” side of Jesus, who dared to love.

We are traitors to those who reject mutual respect and who believe that there is no place for love as a binding force greater than mutual bullying and provocation. We are traitors to our country’s divisive rhetoric, filled with militarism, hatred, blood lust and warmongering, just as we stand opposed to yours, which threatens not only us, but also your neighbors — that is, your own brothers and sisters, and even your own people. As men of color, we know the semblance of that threat from within our own country.

To hate requires so little; to love requires doing what may feel impossible, because it means to lay down the sword and stretch out your hands, your arms, your hearts, to each other. Many will also criticize us, saying that love is too simplistic, that the problem between North Korea and the United States is too ideologically and geopolitically complicated. Those people fail to imagine with their hearts. Dr. King said: “We are inevitably our brother’s keeper because we are our brother’s brother. Whatever affects one directly affects all indirectly.” And Rabbi Abraham Joshua Heschel, another prophetic American voice of love, asked us, “How many disasters do we have to go through in order to realize that all of humanity has a stake in the liberty of one person; whenever one person is offended, we are all hurt.”

That kind of love refuses to hate, it refuses to believe that we are “enemies” by birth. We are brothers and sisters born of a common humanity. We believe in a love that remembers the humanity that binds us together, that opens us to hear the other’s voice, the other’s mourning. Then again, perhaps Baldwin was correct, “There are too many things we do not wish to know about ourselves.” Yet we believe that reciprocal love can take us to that place together and heal our wounds.

David Kyuman Kim: These feel like especially loveless times. We write from the conviction that the values of a love-driven politics can transform how we engage each other not only as nations but also as human beings. Which is to say, a love-driven politics insists that we seek compassion, generosity, kindness, forgiveness and mercy for each other as much as we do for ourselves.

Our president was elected to represent our people, but he has not represented the best of us. He has instead chosen to display only our basest traits. While he is not the first president to speak and act with hubris and arrogance, he has chosen belligerence over diplomacy, bullying over accord, insult over care. He represents a strand and strain of the American experiment that stubbornly holds on to the misguided notion that we are a nation of destiny and superiority, strengthened on legacies of white supremacy and rapacious capitalism. He has exacted those misguided ideals by treating you with disrespect and disregard, all the while belittling you as a leader of your own people, and you, in turn have done the same.

As a Korean-American, I have to acknowledge you both as one of my people and very much not of my people. My mother’s family is from North Korea, and so in some very real ways, you and I are of common stock. But a land does not make for family. If anything, you and your father have shown how land and nation can destroy families and traumatize them for generations. You are the leader of a nation whose people have suffered at the service of a political vision. At what cost has your loyalty to power come to your people, let alone to your humanity?

My mother’s family fled North Korea because of the forces of war that are all too similar to the enmities that are threatening us today. And it was the consequences of the Korean War and the havoc it wreaked on my people in South Korea that eventually drove my family to the United States. And through this migration and growing up in white-supremacist America, I was transformed from our common stock to a Korean-American dedicated to the ways of love.

Indeed, as a Korean brother I have been forged by my inheritance from Christianity and Confucianism. This means that my witness to you is born of traditions of love and ethical responsibility. Among the very real and central challenges of radical love is to adhere to the moral mandate to love our neighbors and enemies as we would love ourselves. This is especially challenging at a moment in which love has been hard to find and discern. For those of us who lament the ascendancy of our current president, we have had to learn how to love ourselves once again.

We write you today not only because of what you are hearing from us — the United States — but, more important, because of all the crucial things you are not hearing. As defenders of civil rights against racism, we come from a tradition not well represented or well understood, yet one that has transformed the course of our nation’s history and the lives and legacies of peoples across the globe.

This is the tradition of radical love most powerfully and persuasively articulated and represented by Martin Luther King Jr. This is a tradition that insists that love has the power to bind us together in a common purpose, that love gives us the confidence and courage to stand up to injustice and suffering. It is a tradition that holds us accountable not simply to ourselves but to a vision of human existence that insists that we can be with one another, hold one another up, and fortify one another’s humanity in what Dr. King called “the beloved community.”

We reach out to you from this tradition that holds the value of speaking truth to power with love. This is a calling. It is our vocation. We have no choice but to strive to live up to the examples of Dr. King and Rabbi Abraham Joshua Heschel, of activists like Fannie Lou Hamer and Grace Lee Boggs. These heroic figures have been exceptions to the insidious rule of an American legacy of white supremacy and imperialism that has left the least among us in utter despair. This tradition of radical love is an American tradition, even though it has drawn deeply and powerfully from people like Gandhi and Thich Nhat Hanh.

We come to you as citizens of an America not yet fully realized, one that insists that the ways of love can be the ways of democracy, that the challenge of loving one’s neighbors and enemies is fundamentally a call for freedom and justice and hope. We write to you with love and an appeal for forgiveness and mercy because history and our lot demand this of us. And our hope is that it will demand the same of our fellow citizens.

Wishing you peace and love,

David Kyuman Kim and George Yancy

%d bloggers like this: