Art in the Age of Magnetic Reproduction

This week in North Philly Notes, Laura Holzman, author of Contested Image, appreciates a magnet of Thomas Eakins’s painting The Gross Clinic, one of the artworks featured in her new book.

GrossClinic1-575x715I have a Gross Clinic magnet on my refrigerator. That’s right—a reproduction of Thomas Eakins’s celebrated 1875 painting helps keep coupons, family photos, and wedding invitations in their place. When I reach for the yogurt I see Dr. Samuel Gross leading a surgical procedure to remove infected bone from his patient’s thigh. If I glance up while chopping carrots, I see a body on an operating table. How did an image that was once deemed too gory for display in an art gallery come to be a regular view during meal prep?

My dad gave me the magnet a few years ago. He knew that I had been studying the painting, so when he saw the magnet in the gift shop at the Philadelphia Museum of Art, he couldn’t resist. He’d picked out other magnets for me in the past—usually from national parks where he’d gone hiking. But this one surprised me. I did an amused double-take when he put it in my hand. It wasn’t that a famous artwork had been reproduced on an everyday object—anyone who’s been to a museum gift shop has seen the likenesses of notable works of art printed on mugs, t-shirts, umbrellas, and more. I was struck instead by this particular image. In The Gross Clinic, doctors perform an innovative operation while an audience observes from their seats in the surgical theater. Visually, the striking contrast between deep shadows and bright highlights directs a viewer’s attention to the lead surgeon and the patient. A team of doctors hold the patient still, keep him sedated, and probe the incision in his leg. There is blood on Dr. Gross’s hands. A cringing woman averts her eyes. The medical team focuses on their work. This is undeniably an intense scene. It’s apparently also one that makes a good souvenir from a visit to the museum.

The Gross Clinic has taken on different meanings since Eakins completed it. It has been rejected from and embraced in fine-art settings. It has been used to tell stories about the artist, the period when he lived and worked, the history of art, and Philadelphia. Eakins conceived of the painting as a submission to the Centennial Exhibition, the 1876 world’s fair held in Philadelphia. The organizers of the festival, concerned about the raw imagery, decided that it was more appropriate for display in a medical exhibit than in an art gallery. By the time Eakins died in 1916, the painting had been included in prominent art exhibitions, and essays memorializing the artist gave the painting high praise. For more than 120 years the painting was part of the collection of Jefferson University, the medical school where Dr. Gross had been a beloved faculty member. In 2006, when Jefferson University announced plans to sell The Gross Clinic—potentially to an out-of-state collector—the painting acquired yet another layer of meaning. Local audiences who helped the Philadelphia Museum of Art and the Pennsylvania Academy of the Fine Arts jointly purchase the painting embraced it as a city icon that belonged in Philadelphia and nowhere else.

Contested Image_smThe fundraising and public relations campaign to keep The Gross Clinic in Philadelphia is one of the key episodes I examine in Contested Image: Defining Philadelphia for the Twenty-First Century. The book demonstrates how passionate, wide-reaching public conversations about where art belongs in the city were tied to Philadelphia’s changing reputation around the year 2000. By examining the public discourse surrounding The Gross Clinic sale and by looking closely at the painting itself, I show how the identity of the painting and the identity of the city became intertwined.

This important part of the painting’s recent history affects how viewers today encounter The Gross Clinic. In the museum, visitors are invited to connect the story of the sale with their understanding of the artwork because the credit line on the object label acknowledges the thousands of people who contributed to the fundraising campaign. At home, there’s no credit line to provide that context, but the magnet itself reframes the nineteenth-century artwork depicted on its surface. The diminutive scale—just 9 by 6.5 centimeters—and the flatness of the print discourage close looking. When I see the magnet, I recognize the image as The Gross Clinic, but I don’t look carefully the way I would look at the actual painting. Downplaying the artwork as object shifts the emphasis to what it represents: Eakins’s artistry, medical excellence, a trip to the museum, the city of Philadelphia. When I look at the magnet, I don’t see the bloody wound. I see a reminder of a place (Philadelphia) and an activity (visiting the museum, raising money to keep the painting local). In that way it’s not so different from the Grand Canyon and Yellowstone magnets that hang on the door nearby.

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Exploring Public Art Worlds

This week in North Philly Notes, Caitlin Frances Bruce, author of Painting Publics, writes about the transnational graffiti art scenes she discovered. 

Those of us who live in the United States are experiencing the daily effects of a media and political sphere that is deeply polarized due to ideological but also algorithmic frameworks that make transformative dialogue difficult, if not impossible. As we are bombarded with images of white supremacist violence, environmental catastrophe, and warnings about social alienation, it is not surprising that many are drawn to histories of political intervention that are spectacular and dramatic. We need such interventions. But, I would argue, and many other public theory scholars have, such a focus on the drama of revolutionary praxis elides the ordinary labor and infrastructure maintenance that often goes on behind the scenes.

Painting Publics_SMWhile Painting Publics is focused on graffiti, a rich and engaging scene for scholarly study and creative practice, its insights go beyond legal graffiti worlds. It emerged out of homesickness. When I moved to Evanston, Illinois for undergraduate studies I was in a new suburban environment and acutely missed the density, heterogeneity, and intensity of New York City. When I went into Chicago it was a surprise to be met by gargantuan blocks and, in the downtown Loop, a distinct lack of the kind of dwelling and use of parks that was common in my native Inwood, Manhattan. I was lucky to take a course on Urban History from Gergeley Baics and Contemporary Art from Hannah Feldman where I learned about different philosophies of urban planning and development that helped to explain how and why cities like New York and Chicago evolved differently, producing different possibilities and models of encounters, and why different frameworks for artmaking and relationships to site and publics shifts the meaning of the work in public space. With some funding from Northwestern I conducted a survey of murals in Puerto Rican, Mexican, and other Latin American neighborhoods in Chicago: Humboldt Park, Logan Square, and Pilsen. This was in 2006 when intense debates about Tax Increment Funding and gentrification were going strong. It was after the displacements caused by UIC’s expansion, but before the creation of the 606 walking trail that seems to have cemented a new kind of dispossession in South and West Chicago. Though graffiti came up in my interview with Jon Pounds of the Chicago Public Art Group who framed it as a kind of evolution of muralism, I was unsure of how to meet or understand an art form that primarily seemed to be based on anonymity and illegality.

In 2009 a colleague in Art History, Angelina Lucento, invited me along for a mural tour led by Kymberly Pinder. On the tour, which largely focused on iconic murals from the Chicago Mural Movement and the Black Arts Movement Pinder mentioned a legal graffiti festival: the Meeting of Styles. I went to the Chicago iteration of the festival in September, 2010, and my whole definition of graffiti, of public art, and of site specificity changed. At the festival, I was met with boisterous publicity, racial heterogeneity, and a kind of deep connection to site by artists who practiced a form of public communication (graffiti writing) that was often condemned as thoughtless vandalism, empty words, visual pollution. After attending my first Meeting of Styles in Chicago, between 2010 to 2017 I attended different iterations of this festival in Mexico City/Ciudad Neza, Mexico, Chicago, Illinois, Perpignan, France, and Wiesbaden, Germany where I met and interviewed about 100 artists.

Through exploring public art worlds in Chicago, and then in Mexico, France, and Germany, I learned about global frameworks for mentorship, friendship, solidarity, and worldmaking. Following scholars like Lauren Berlant, Bonnie Honig, Jessica Greenberg, Éduoard Glissant, Chantal Mouffe, Jacques Rancière and Robert Hariman, this project seeks to explore how public intimacy, public objects, social practice and public visual cultures oriented towards abundance create more mid-level but important scenes of creativity and solidarity. Such spaces are crucial in creating a renewed sense of possibility in the wake of structural violence and the long shadow of the given.

The festival, part of a transnational network, reveals scenes of “spaces for encounter”: “spaces for encounters across difference” that might be “contact, convergence or conflict…routine, repeated, or rare. It is infused with contingency…a physical or virtual locale that is framed in such a way as to encourage transformative engagements, even when its initial purpose may have been very different.” Painting Publics, which explores scenes of publicity and public making through visual culture seeks to expand conversations in visual communication beyond a focus on official/vernacular, resistance/cooption, text/image, and icon/ordinary binaries to attend to the “grey areas” and social processes that are also part of the rhetorical warp and weave of public life. Encounters are crucial if we are to “meaningfully address social and political inequalities and forms of violence, micro and macro, because spaces for encounter function to reactivate the sense of the contingent in social and political space.”

 

 

Addressing marijuana legalization and policy reform

This week in North Philly Notes, Clayton Mosher and Scott Akins, provide talking points about the legalization of marijuana, the subject of their new book, In the Weeds

In the Weeds is a historically grounded examination of marijuana policy reform and ultimately the move toward legalization over a period extending back more than 100 years, that also deconstructs the arguments of marijuana prohibitionists/demonizers. Examined under a larger historical lens, and given use of the substance for both medicinal and recreational purposes for thousands of years, we emphasize that prohibition of marijuana constitutes a historical anomaly.  We review the findings of several government commissions on marijuana from a variety of countries from the 1890s to 1970s, almost all of which concluded that marijuana was not a dangerous drug, was not physiologically addicting, and was not a “gateway” to the use of harder drugs. Marijuana prohibitionists (conveniently or deliberately) ignore this history.

Beginning with the passage of the Marijuana Tax Act  in 1937, the U.S. federal government has taken a negative, science-optional, and essentially evidence-free approach to marijuana, most notably reflected in its refusal to remove marijuana from Schedule I status (i.e., no medical applications and high addictive liability/potential for abuse) under the Controlled Substances Act.  This refusal has several negative implications, including depriving scientists from accessing quality marijuana for the research needed to demonstrate its medicinal applications, as well as its possible negative effects; it affects the ability of marijuana-related businesses to secure financial services from banks; prevents the Environmental Protection Agency from regulating pesticides and other chemicals used on cannabis crops, and, allows companies to fire, or refuse to hire, people who test positive for marijuana. The placement of marijuana in Schedule I also ultimately gives the federal government the ability to overturn both medical and recreational legalization of marijuana in states.

In the WeedsIn the Weeds also assesses the outcomes of current marijuana legalization “experiments,” with a focus on Colorado and Washington State (the first states to legalize recreational marijuana, in 2012, with sales commencing in 2014). Marijuana prohibitionists predicted that legalization would lead to skyrocketing youth use of the substance, and that our highways would be full of carnage due to “stoned drivers.” Neither of these outcomes have manifested. Youth use of marijuana in both Colorado and Washington State has stabilized and even declined. And while there have been modest increases in drivers involved in collisions (fatal and otherwise) testing positive for marijuana, and somewhat greater increases in the prevalence of drivers testing positive for marijuana in combination with other psychoactive substances,  we do not have sufficient data to prove that marijuana “impairment” caused these collisions (i.e., finding mere traces of marijuana in one’s system does not prove that the person was impaired, nor that the alleged impairment caused the collision). We also do not have sufficient historical data (i.e., pre-legalization) to determine whether there has been an actual increase in such incidents. It is important to stress that people drove under the influence of marijuana well before its legalization. Legalization did not invent marijuana.

Marijuana prohibitionists emphasize that marijuana use among adults in the U.S. is increasing, as is heavy and frequent use among certain individuals. There are legitimate concerns regarding these increases in heavy and frequent use. However, marijuana prohibitionists have not acknowledged the emerging research indicating that cannabis may serve as a substitute for other drugs such as alcohol, opiates, and even stimulant drugs. And importantly, it is by no means clear that increases in heavy and frequent use of marijuana is attributable to the legalization of recreational or medical marijuana – that is, marijuana use, including heavy use, began increasing in the mid-2000s.

Marijuana prohibitionists (conveniently or deliberately) ignore that, although cannabis is now legal for recreational purposes in 10 U.S. states, pursuit of the substance by law enforcement continues to be a major component of the ongoing war on drugs. In fact, the most recent FBI data indicate that marijuana arrests nationally increased in both 2016 and 2017, reaching almost 600,000 arrests for possession alone in both of these years. Over the last two decades, police in the United States have made more than 11 million arrests for marijuana possession.

Marijuana prohibitionists also conveniently or deliberately ignore the fact that the defining characteristic of marijuana (and other drug law) enforcement in the United States is the gross racial/ethnic disparities in these arrests. Nationally, blacks, who consume marijuana in roughly similar proportions to whites, are about four times more likely to be arrested for marijuana possession – in some U.S. jurisdictions, the disparity ratio is as high as 30.

Even in the rare cases where they do acknowledge the number of arrests and disparities, prohibitionists will claim that none of this is a big deal, because “no one goes to jail for marijuana possession.” This is simply not true. A 2015 report by the Department of Justice found that 11,553 people in the United States were in prison on marijuana-related charges (compared to only 5,800 for heroin). In addition, each year, tens of thousands of people arrested for marijuana possession are held in jail for several days or months because they cannot post bail. There are also collateral costs associated with these arrests – they commonly result in criminal records that show up on background checks when individuals apply to rent apartments or obtain and keep their jobs.

Marijuana prohibitionists have emphasized the fact that the marijuana available today is “not your father’s marijuana” – in particular, that the THC levels in marijuana available in states where the substance is legal is much higher than in the past. This assertion is debatable to begin with – people in the United States and elsewhere who wanted high potency marijuana have always been able to obtain it (consider hashish, for example). While high potency marijuana (especially as contained in edibles and other such products) may be problematic for novice users, there is scientific evidence that more experienced users will respond to higher potency marijuana by titrating their doses to achieve their desired high.  And importantly, one of the advantages of legalization is that consumers are informed of the content of the product they are consuming.  This obviously does not occur when marijuana is only available through the black market.

Marijuana prohibitionists (especially, recently, Alex Berenson in his book Tell Your Children) have emphasized a connection between consumption of cannabis and psychosis/schizophrenia. As we document in In the Weeds, prohibitionists have overstated the results of the complex science on this issue, and confuse correlation and causation.

Among the most significant incentives for recreational marijuana legalization is that the substance can be regulated, controlled, and taxed by government entities rather than the regulation and profit remaining in the hands of criminal enterprises. For governments that have legalized recreational marijuana, the tax revenue has been substantial, far exceeding expectations, and these revenues have been used to fund a variety of societal needs, including drug prevention and treatment programs, general health services, and public education.

In the Weeds concludes that marijuana has been legalized, and the sky has not fallen.

Temple University Libraries and University Press’ Diversity Statement

This week in North Philly Notes, we post the Temple University Libraries and University Press diversity statement that recently posted on the library’s website.

Introduction

In 2017, the Temple University Libraries & University Press (TULUP) Diversity & Inclusion (D&I) Committee was charged with mapping the trajectory of diversity and inclusion initiatives at TULUP. The TULUP D&I Committee facilitated the creation of a Diversity Statement in order to guide TULUP’s commitment to the range of human representations in all areas of our work. In an effort to exemplify a commitment to engaging diverse voices, all TULUP staff were invited to share their input on the statement. The TULUP D&I Committee used these suggestions to shape the Diversity Statement you see below and continues to work diligently to facilitate TULUP’s upholding of the principles within it.

Diversity Statement

The staff of Temple University Libraries and Press strive to engage, include, and serve the full diversity of the Temple academic and local communities regardless of race, ethnicity, sex, gender identity, sexual orientation, age, religion, socioeconomic status, veteran status, culture, language, political views, citizenship status, or diverse abilities.

We are dedicated to the principles and practices of social justice, diversity, and equity among our staff, collections, and services.

While our staff is not as diverse as the communities we serve, we are working toward our commitment to the recruitment and retention of a diverse workforce.

We hope to act as a catalyst to our users to challenge their own assumptions and viewpoints, while also intentionally building collections and services that let users see themselves reflected. We strive to create safe spaces in our buildings and on our websites, and do not tolerate harassment or hate speech in any form.

We’re fully committed to eliminating barriers to learning and fostering access for our communities. The development of a diverse, inclusive, and equitable environment is a continuous process. We’re taking small steps every day towards our goals, including regular attention to these issues and calls to action from our standing Diversity and Inclusion Committee.

How could we be doing better? Let us know at asktulibrary@temple.edu.

Temple University Press’s Annual Holiday Give and Get

This week in North Philly Notes, the staff at Temple University Press suggest the Temple University Press books they would give along with some non-Temple University Press titles they hope to read and receive this holiday season. 

 

Ann-Marie Anderson, Marking Director

Give: This year I’d give Nelson Diaz’s memoir Not from Here, Not from There because of its uplifting story as the first of many things—from first Latino to graduate from the Temple Law School to the first Latino judge in the state of Pennsylvania, and on and on.  This is a book for all of us who have dual status—American but also “other”—and a dare to dream of life’s many possibilities.

Get: It’s a bit late to give me a book that I’d want to read because I already have it.  Michelle Obama’s Becoming is another inspiring memoir by the former First Lady of the United States. Besides, I still haven’t gotten the book I asked Santa for last year—Soul of a Nation: Art in the Age of Black Power, a survey of African American art from 1963-83.

Karen Baker, Financial Manager

Give: The Eagles Encyclopedia Champions Edition by Ray Didinger with Robert S. Lyons, all my family—Mom, Dad, brothers, and kids who are all die-hard Philly fans.

Get: I would like to receive Dog Shaming by Pascale Lemire because it looks so funny.

Sara Cohen, Editor

Give: This year, I’ll be giving Rebecca Yamin’s Archaeology at the Site of the Museum of the American Revolution to the history buffs in my life. It tells the story of 300 years of Philadelphia history through artifacts found in privies on the site of the Museum of the American Revolution through tons of gorgeous full color images. It’s also short which makes it an easy read and an affordable gift.

Get: I’m getting ready to move, so I hope that no one give me any holiday presents this year (just more to pack). Once I get settled, I’m hoping to read Mohsin Hamid’s Exit West (I just read a great chapter on it by one of my authors) and Gina Apostol’s Insurrecto.

Irene Imperio, Advertising and Promotions Manager

Give:  Color Me… Cherry & White. What better way to unwind than with a coloring book?  A great gift for kids and kids-at-heart.

Get: Becoming by Michelle Obama, an eagerly awaited memoir of a truly inspirational woman.

Aaron Javsicas, Editor in Chief

Give: I’m so thrilled to have Steven Davis’s In Defense of Public Lands on the list. This is an academically rigorous and powerfully written book that’s not afraid to take a stand. Davis offers the privatizers’ best arguments in a fair-minded way, then systematically dismantles them. This is engaged scholarship at its best, and there’s simply nothing else like ityou won’t find a more comprehensive and keenly argued overview of this vital and terrifyingly timely debate anywhere.

Get: I hope someone gives me Kathy Cramer’s The Politics of Resentment: Rural Consciousness in Wisconsin and the Rise of Scott Walker. I believe this book is still understood to have been the most prescient work on political conditions which would eventually give us President Donald Trump. Maybe I’m not the only one still trying to figure this out?

Gary Kramer, Publicity Manager

Give:  Architectures of Revolt: The Cinematic City circa 1968edited by Mark Shiel. This book has all my Venn Diagrams overlapping—it’s about film, it’s about cities, and it’s about 1968. It’s also about protests and architecture. It’s the perfect gift for my cinephile friends, my urbanist friends, my activist friends, and anyone else who turned 50 in 1968 (or like the press will in 2019).

Get: Jonathan Coe’s Middle England. This is the third of Coe’s books about four friends that began with The Rotters’ Club and The Closed Circle. The only problem with getting this book is that it will make me want to re-read the first two!

Mary Rose Muccie, Director

Give: They say that politics makes for strange bedfellows, and to me, that was never truer than in the alliance of Evangelicals with Republican candidate and now President Donald Trump.  How people dedicated to spreading the message of Christianity could support a man who is at best morally ambiguous seems incongruous. If you, too, are perplexed, as are many of my friends and family, the contributors to Paul Djupe and Ryan Claassen’s book The Evangelical Crackup? The Future of the Evangelical-Republican Coalition explain how and why this came to pass.

Get: Technically, I already got this (as a gift to myself), but I’m looking forward to sitting down with a pot of tea and Circe, by Madeline Miller. I love Greek mythology, and books about strong, independent, intelligent woman are always on my wish list. Circe has both covered.

Ryan Mulligan, Editor

Give: Healing Our Divided Society: Investing in America 50 Years After the Kerner Report, edited by Fred Harris and Alan Curtis. This year marked the 50th anniversary of the Kerner Commission’s warning that the United States was headed toward two societies, “separate and unequal” and that “To continue our present course will involve the continuing polarization of the American community and, ultimately, the destruction of basic democratic values.” As Americans struggle more and more to find common ground, the keepers of the Kerner flame Fred Harris and Alan Curtis compile the top authorities on the most pressing urban issues and assemble a comprehensible compendium of what we know works: as reasonable a place to start as any in an unreasonable time.

Get: The Personality Brokers: The Strange History of Myers-Briggs and the Birth of Personality Testing, by Merve Emre. I’m a millennial, and if there’s one thing millennials like, it’s taking quizzes to better label, sort, and categorize ourselves, proudly declaring the insights that we’d only discovered moments ago must now be immutably true. Luckily, if there are two things millennials like, the other is reading about how all our habits and values are harmful and wrong. This book tells how the mother-daughter team of Myers and Briggs created our national obsession with slapping four letters on who we are and how we operate and asks what it is we think we’re getting out of it?

Kate Nichols, Art Manager

Give: Kalfou: A Journal of Comparative and Relational Ethnic StudiesThis isn’t a first-time choice for me. Published by Temple University Press on behalf of the UCSB Center for Black Studies Research, Kalfou addresses the many issues and critical concerns that increasingly are plaguing our communities and institutions. The journal gives me a measure of hope in this very crazy time. As per the inscriptions in the beginning: kal ´fü—a Haitian Kreyòl word meaning “crossroads”“This means that one must cultivate the art of recognizing significant communications, knowing what is truth and what is falsehood, or else the lessons of the crossroads—the point where doors open or close, where persons have to make decisions that may forever after affect their lives—will be lost.”—Robert Farris Thompson.

Get: Educated by Tara Westover. I keep hearing wonderful things about it.

Ashley Petrucci, Rights and Contracts Coordinator

Give: Who Will Speak for America? edited by Stephanie Feldman and Nathaniel Popkin. Who Will Speak for America? draws upon the current political climate to advocate for change, which makes it a very timely piece that I think is important for everyone to read.  This would definitely be a book of great interest to several of my friends, who would enjoy reading about the various perspectives and reading through the various styles of the contributors to this edited collection.

Get: The Supernatural in Society, Culture, and History edited by Dennis Waskul and Marc Eaton. I may be a bit biased, since aspects of the supernatural were key components to my senior thesis on Sir Gawain and the Green Knight, but this would be the book that I would most like to receive.  I’ve always enjoyed horror movies and studying the supernatural elements of folktales and stories (particularly from the Middle Ages), so I would love to sit down and read this book over the holidays.  A nightmare before Christmas, if you will.

Joan Vidal, Senior Production Manager

Give: Undocumented Fears: Immigration and the Politics of Divide and Conquer in Hazleton, Pennsylvania, by Jamie Longazel. To quote the Preface, “This book contributes to an understanding of U.S. immi­gration politics in this tumultuous first decade and a half of the twenty-first century.” 

Get: Dreams and Nightmares: I Fled Alone to the United States When I Was Fourteen, by Liliana Velásquez.

Dave Wilson, Senior Production Manager

Give: Policing in Natural Disasters, by Terri M. Adams and Leigh R. Anderson, is inspired by the personal accounts of triumph and tragedy shared by first responders. The short- and long-term effects of these events on first responders—the very people society relies upon in the midst of a catastrophe—are often overlooked. This book opened my mind about the strength of these responders and the challenges they face while responding during times of crisis. I find it fascinating to weigh the dilemma: How do they take care of their own families first and risk neglecting their needs when the responders are required to place the needs of the people they serve first.

 

 

 

 

University Press Week Blog Tour: “The Neighborhood” and Finding Diamonds in Our Own Backyard

Temple University founder, Russell H. Conwell’s speech, Acres of Diamondsoffers a multitude of lessons about the rewards of work, education, and finding the riches of life in one’s own back yard.

At Temple University Press, our books that are connected to the university in some way represent the riches in our back yard. Here is a sampling of our favorite titles about Temple, by Temple professors, or by Temple graduates.

 

About Temple University

Color Me…Cherry & White. The brainchild of Press Marketing Director Ann-Marie Anderson, Temple University’s first adult coloring book features more than twenty iconic Temple University landmarks taken by the University Photography Department and crafted into pages for amateur artists to beautify. The designs stoke memories and provide stress relief as artists create their own colorful impressions of the campus.

Temple University, 125 Years of Service to Philadelphia, the Nation, and the WorldJames Hilty and Matthew Hanson. The first full history of Temple University, lovingly written and beautifully designed, this book provides a rich chronicle from founder Russell Conwell’s vision to democratize, diversify, and broaden the reach of higher education.

The Education of a University Presidentby Marvin Wachman. Marvin Wachman’s parents were Russian Jewish immigrants with little formal education. Yet they instilled in their son the values of education, self-improvement, and perseverance. Because of Wachman’s beliefs in human progress, he learned not only how to survive in hard times, but how to flourish.  The Education of a University President recalls Wachman’s distinguished career in education and his steadfast dedication to liberal values.

By Temple University Professors

The Magic of Children’s Gardens, by Lolly Tai, Professor of Landscape Architecture at Temple University.  In The Magic of Children’s Gardens, landscape architect Lolly Tai provides the primary goals, concepts, and key considerations for designing outdoor spaces that are attractive and suitable for children, especially in urban environments. Tai presents inspiring ideas for creating children’s green spaces by examining nineteen outstanding case studies, including the Chicago Botanic Garden, Winterthur, and the Brooklyn Botanic Garden.

Dancing the Fairy Tale, by Laura Katz Rizzo, Program Director of the Bachelor of Fine Arts Program in Dance and an Assistant Professor of Dance at Temple University. Using extensive archival research, dance analysis, and American feminist theory,Dancing the Fairy Tale places women at the center of a historical narrative to reveal how the production and performance of The Sleeping Beauty in the years between 1937 and 2002 made significant contributions to the development and establishment of an American classical ballet.

Philadelphia Maestros, by Phyllis Rodriguez-Peralta, Emeritus Professor of  Spanish and Portuguese at Temple University. A lifelong fan and scholar of the Philadelphia Orchestra, Phyllis Rodriguez-Peralta paints intimate portraits of conductors Eugene Ormandy, Riccardo Muti, and Wolfgang Sawallisch, using archival material and interviews. She recounts Eugene Ormandy’s performance as a last-minute substitute for guest conductor Arturo Toscanini; Riccardo Muti’s magnetic presence and international fame; and the role of Wolfgang Sawallisch in moving the Orchestra to its grand new hall at the Kimmel Center.

By Temple University Graduates

The Eagles Encyclopedia: Champions Edition, by Ray Didinger.  In this Champions Edition of The Eagles Encyclopedia, Didinger recounts the team’s remarkable, against-all-odds season that culminated in Super Bowl LII where they upset the New England Patriots. He updates his best-selling book The Eagles Encyclopedia with the departure of Coach Chip Kelly and the dawn of the Doug Pederson era. He provides a new chapter on the 2017–18 season and postseason. And he includes dozens of new player, coach, and front-office profiles as well as updates on 2018 Hall of Fame inductees Brian Dawkins and Terrell Owens.

My Soul’s Been Psychedelicized, by Larry Magid. In My Soul’s Been Psychedelicized, Magid presents a spectacular photographic history of the bands and solo acts that have performed at the Electric Factory and at other venues in Factory-produced concerts over the past four decades. The book includes concert posters, photographs, and promotional items featuring both rising stars and established performers, such as Pink Floyd, Jimi Hendrix, Bob Dylan, Bruce Springsteen, Bette Midler, Elvis Presley, Tina Turner, Pearl Jam, and many, many more.

Not from Here, Not from There, by Nelson Diaz. In his inspiring autobiography, Not from Here, Not from There, Judge Nelson Díaz tells the story of his struggles and triumphs as his perspective widened from the New York streets and law school classrooms to the halls of power in Philadelphia and Washington, DC. Whether as a leader in economic development, a pioneer in court reform, or a champion of fair housing, Díaz has never stopped advocating for others. Díaz was happy to be the first Latino to “do something,” but he never wanted to be the last. This story of an outsider who worked his way to the inside offers powerful lessons on finding a place in the world by creating spaces where everyone is welcome.

University Press Week Blog Tour: Politics

It’s University Press Week and the Blog Tour is back! This year’s theme is #TurnItUP. Today’s theme is Politicsbanner.upweek2018

University of Chicago Press @UChicagoPress
The book world is groaning under the weight of books about politics. Yet most of them are just dressed up opinion. What university press books on politics have to offer is much better: data and serious analysis. And we have an incredible group of recent books that, taken together, offer far more insight into what’s going on with American politics than a thousand Bob Woodward or Newt Gingrich books could ever supply.

Georgetown University Press @GUPress

A Pocket Guide to the U.S. Constitution.

Teachers College Press @TCPress

A reading list on education policy or a listicle from an author on the topic.

University of Wisconsin Press @uwiscpress

To Be Determined

University of Virginia Press @uvapress

We are publishing an updated edition of our Trump book in time for second anniversary of inauguration. We will pull something from that book for a post and tie it into the just-decided midterms.

Rutgers University Press @rutgersupress

We plan to dedicate a post on three recent politics books we’ve published: The Politics of Fame by Eric Burns and the reissues of classics Democracy Ancient and Modern by M.I. Finley and Echoes of the Marseillaise by Eric Hobsbawn.

University of British Columbia Press @UBCPress 

A feature on our new Women’s Suffrage and the Struggle for Democracy series.

Louisiana State University Press @lsupress

I’m going to talk about our new list dealing with contemporary social justice issues, pegged to Jim Crow’s Last Stand and the recent state vote to ban non-unanimous criminal jury verdicts.

University Press of Kansas @Kansas_Press  

Will post interview with Dick Simpson and Betty O’Shaughnessy, authors of Winning Elections in the 21st Century.

 

 

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