The importance of telling local history

This week in North Philly Notes, we premiere a new video promting Lucy Maddox’s The Parker Sistersand Maddox explains what prompted her to research this local border kidnapping, and why this remarkable story resonates still today. 

 

Shortly after the publication of Annette Gordon-Reed’s important book on Thomas Jefferson and his slave family, The Hemingses of Monticello, I heard Gordon-Reed give a talk about her book.

After the talk, I asked her where she thought the study of slavery ought to go next. What needed to be done? Where should historians be focusing their attention? She gave the question some thought before saying, firmly, “Local history.” It was exactly the answer I had been hoping for, and all the reinforcement I needed to set me off on the research that led eventually to The Parker Sisters.

I had spent my career teaching and writing about literature, and increasingly I found that I was most interested in the historical contexts for the literature. I wanted to shift my focus and write about history; I especially wanted to find the people and stories that had been buried and were in danger of being lost. That is, I wanted to write local history.

The place where I now live on the Eastern Shore of Maryland has a long and complex history, much of it unexplored—especially the history of African Americans in the area. It was inviting, and I plunged in, beginning by ransacking the library at the local historical society. There is a lot in the history that many people wouldn’t mind forgetting; Maryland had been, after all, a slave state, with all the shameful and painful history that implies.

The_Parker_Sisters_emboss_smThere had also been a large population of free blacks living in the area, about whom there was very little in the way of written records. I wanted to know what life was like for both slaves and free blacks, what became of them, how they negotiated life in a state that had been decidedly pro-slavery. In the course of reading newspapers from the period, I came across a few tantalizing details about a man from the Eastern Shore who had kidnapped two free black sisters in Pennsylvania and sold them to a slave dealer in Baltimore.

As I found more details, I became more intrigued by this story and more aware of how this single episode reached out to and illuminated the larger history of mid-nineteenth-century America, a country being ripped apart by the vicious politics of slavery. The man who kidnapped the Parker sisters had kidnapped others before. Living close to the border between a slave state and a free state, he could cross that border easily, capture someone he had identified as a good candidate, and hustle his victim back across the border and down to Baltimore, which had become a major slave-exporting center. He was known as a kidnapper. He had a reputation. Free blacks who lived anywhere near the Maryland-Pennsylvania border were frightened of him and of others who were also attracted to the profits of kidnapping.

Many black people in the border area simply disappeared, some of them forever, taking their stories with them. However, because the story of the Parker sisters involved the unsolved murder of a white man, their case had been followed by newspapers in Maryland and Pennsylvania and beyond, so theirs was a story that could be retrieved, preserved, and even put back into the larger narrative of racial politics in the United States. The real draw of the Parkers’ story for me was that it grounded history in a specific time and place; it provided names and even a few faces to flesh out the generalizations and statistics that were readily available. I knew about the kidnappings of free black people—but, as it turned out, I didn’t know very much.

The more I learned about the appalling treatment of the Parker sisters and other kidnap victims, the more I focused on specific details and particular people, no matter how seemingly insignificant, the better I understood the history that produced both the Parkers and their kidnapper.

The recent accounts of the deaths of African Americans at the hands of law enforcement officials resonate with the Parkers’ story in ways that might make us wonder how we could have been so deaf for so long. We knew about the kidnappings in the nineteenth century, just as we knew about the disproportionate number of black people who have been incarcerated or who have died in altercations with the police or in police custody. We had heard the statistics, both kinds, many times. But I don’t think we really knew what the numbers meant until we learned the names of people who died, saw their faces, listened to their families talk about them, and began to hear something of their stories. It’s important that their stories, like the Parkers’, don’t get lost.

Black People, Sexuality, and Myths of Homophobia

This week in North Philly Notes, we re-post Unbought and Unbossed author Trimiko Melancon’s blog entry for the Good Men’s Project entited, “Black People, Sexuality, and Myths of Homophobia,” which combats stereotypes of African Americans.

In the wake of last year’s Baltimore protests for Freddie Gray, black people challenged their mischaracterizations as “thugs” and “rioters.” These monikers, which came from various segments of the population and media, stigmatized blacks as inherently criminal, violent, and disorderly. While black men and women rightfully contested such labels, another one has circulated generally and goes largely uncontested as if it’s conventional wisdom: that is, the labeling of black people, particularly black men, as the most homophobic racial group—ever. (Or, in other words, the false idea that they are somehow the epitome of excessive fear, prejudice, hatred, or violence against gays and lesbians—or, pretty much the LGBTQ community as a whole).

Much like the racially coded labels “thugs” and “rioters,” exaggerated claims of black homophobia achieve similar false propaganda and dangerous stereotypes. They ascribe a backwardness to blacks, conflate them with excessive homophobia, and cast homophobia as a black phenomenon, while simultaneously minimizing other homophobic attitudes in our society.

We are, to be clear, in an era when the first-known black U.S. President, Barack Obama, endorsed same-sex marriage and is the first to use “lesbian,” “bisexual,” and “transgender” in the State of the Union address. Civil rights organizations and leaders—the NAACP and Rep. John Lewis, the late Coretta Scott King, Julian Bond and others—have publicly championed LGBT rights. Young queer black women founded the Black Lives Matter movement to protest state violence against black bodies (cis and trans), celebrate black humanity, and challenge anti-black racism. 

And, black male hip hop artists from Jay-Z to Kanye West (whom Bruce Jenner credited for Kim Kardashian West’s acceptance of Jenner’s gender transition to Caitlyn Jenner) have expressed support and, in the process, challenged black men, black masculinity, and hip hop as viciously hyper (hetero) sexual, hypermasculine, and homophobic. As Jay-Z noted, “What people do in their own homes is their business and you can choose to love whoever you love.”

Why, then, do black men and black folks generally get such a “bad rep” regarding homophobia? And, why is there such historical oversights of their championing sexual liberation or gender fluidity as Jaden Smith has recently done in his modeling debut, in traditional women’s clothing, for Louis Vuitton?

This is not new. In fact, more than four decades ago, during the black power movement, Huey P. Newton—as supreme commander of the Black Panther Party, known for its conspicuously hyper-masculine and revolutionary black nationalist approach to liberation—expressed support for gay liberation. In his 1970, “A Letter from Huey to the Revolutionary Brothers and Sisters about the Women’s Liberation and Gay Liberation Movements,” Newton asserted: “We haven’t said much about the homosexual at all and we must relate to the homosexual movement” and “must understand [homosexuality] in its purest form; that is, a person should have the freedom to use his body whatever way he wants to.” “Homosexuals,” he continues, “are not enemies of the people.”

So, surely some folks will suggest that black religiosity or organized religion accounts for excessive black homophobia. But, let’s be clear: these alone are shortsighted and do not quantify the myths. According to the Pew Research Center, 21% of white Evangelical Protestants and 41% of black Protestants supported same-sex marriage in 2014, while 13% of white Evangelical Protestants and 30% of black Protestants did so in 2001. Simply put, black Protestants’ support of same-sex marriage has been consistently higher than their counterparts. And, generational attitudes, religiously unaffiliated blacks, and other variables further debunk myths.

Why, then, we might ask, are there such historical oversights, limited representations (of black men and masculinity—and black women, too), as well as inattention to black people’s nuanced responses to and support of LGBTQ folks and concerns? And what are the underlying consequences?

When we sensationalize black homophobia or stigmatize black people as homophobic collectively, we not only stereotype black men and women; we neglect and do a disservice to black people’s complex history of advocacy for civil and human rights, gay liberation, and equality for all. Second, we condition ourselves to accept, justify, or normalize hatred and deadly violence against black gay, trans, and queer bodies like Michelle Vash Payne, Ty Underwood, Monica Roberts, and others whose names and murders we seldom know.

Equally problematic, we ignore the contours and realities of homophobia in America—the same dynamics and realities that account for NFL players like Odell Beckham Jr. having to contend with derogatory gay slurs or vicious invectives when he dares to dance with men, don honey-blonde-dyed hair, or refuse to deny himself or be encumbered by rather limited constructions of (black) manhood

We cannot afford to be uncritical, blind sighted, or to accept homophobia or heterosexist sentiments in any shape, form, or variation; nor can we succumb to the hype of black homophobia. When black people are called out of their names and labeled the epitome of homophobia, we should be as offended as when called “thugs” or other racially-charged insults. And, we should respond in similar fashion as when black bodies—male or female, young and old—are targets of attack and violence: whether in a crowd in Chicago, on a bicycle in Baltimore, atpool party in McKinney, Texas, or on a playground in Cleveland, Ohio.

After all, the fact of the matter is simple. Stereotypes and labels are not innocuous. They are far from harmless. Not as long as they have the power to color perceptions, invoke slurs, incite brutality and compromise one’s safety, or to cause black and LGBTQ folks their very lives.

Dear White America

This week in North Philly Notes, we re-post Look, a White! author George Yancy’s provocative New York Times Opinionator blog from December 24, 2015 entitled, “Dear White America.”

Look a Whitesm

In 2015, I conducted a series of 19 interviews with philosophers and public intellectuals on the issue of race. My aim was to engage, in this very public space, with the often unnamed elephant in the room.

These discussions helped me, and I hope many of our readers, to better understand how race continues to function in painful ways within our country. That was one part of a gift that I wanted to give to readers of The Stone, the larger philosophical community, and the world.

The interviewees themselves — bell hooks, Cornel West, Judith Butler, Peter Singer, David H. Kim, Molefi Kete Asante among them — came from a variety of racial backgrounds, and their concerns and positions were even more diverse. But on the whole I came to see these interviews as linked by a common thread: They were messages to white America — because they often directly expressed the experience of those who live and have lived as people of color in a white-run world, and that is something no white person could ever truly know firsthand.

That is how I want to deliver my own message now.

Dear White America,

I have a weighty request. As you read this letter, I want you to listen with love, a sort of love that demands that you look at parts of yourself that might cause pain and terror, as James Baldwin would say. Did you hear that? You may have missed it. I repeat: I want you to listen with love. Well, at least try.

We don’t talk much about the urgency of love these days, especially within the public sphere. Much of our discourse these days is about revenge, name calling, hate, and divisiveness. I have yet to hear it from our presidential hopefuls, or our political pundits. I don’t mean the Hollywood type of love, but the scary kind, the kind that risks not being reciprocated, the kind that refuses to flee in the face of danger. To make it a bit easier for you, I’ve decided to model, as best as I can, what I’m asking of you. Let me demonstrate the vulnerability that I wish you to show. As a child of Socrates, James Baldwin and Audre Lorde, let me speak the truth, refuse to err on the side of caution.

This letter is a gift for you. Bear in mind, though, that some gifts can be heavy to bear. You don’t have to accept it; there is no obligation. I give it freely, believing that many of you will throw the gift back in my face, saying that I wrongly accuse you, that I am too sensitive, that I’m a race hustler, and that I blame white people (you) for everything.

I have read many of your comments. I have even received some hate mail. In this letter, I ask you to look deep, to look into your souls with silence, to quiet that voice that will speak to you of your white “innocence.” So, as you read this letter, take a deep breath. Make a space for my voice in the deepest part of your psyche. Try to listen, to practice being silent. There are times when you must quiet your own voice to hear from or about those who suffer in ways that you do not.

What if I told you that I’m sexist? Well, I am. Yes. I said it and I mean just that. I have watched my male students squirm in their seats when I’ve asked them to identify and talk about their sexism. There are few men, I suspect, who would say that they are sexists, and even fewer would admit that their sexism actually oppresses women. Certainly not publicly, as I’ve just done. No taking it back now.

To make things worse, I’m an academic, a philosopher. I’m supposed to be one of the “enlightened” ones. Surely, we are beyond being sexists. Some, who may genuinely care about my career, will say that I’m being too risky, that I am jeopardizing my academic livelihood. Some might even say that as a black male, who has already been stereotyped as a “crotch-grabbing, sexual fiend,” that I’m at risk of reinforcing that stereotype. (Let’s be real, that racist stereotype has been around for centuries; it is already part of white America’s imaginary landscape.)

Yet, I refuse to remain a prisoner of the lies that we men like to tell ourselves — that we are beyond the messiness of sexism and male patriarchy, that we don’t oppress women. Let me clarify. This doesn’t mean that I intentionally hate women or that I desire to oppress them. It means that despite my best intentions, I perpetuate sexism every day of my life. Please don’t take this as a confession for which I’m seeking forgiveness. Confessions can be easy, especially when we know that forgiveness is immediately forthcoming.

As a sexist, I have failed women. I have failed to speak out when I should have. I have failed to engage critically and extensively their pain and suffering in my writing. I have failed to transcend the rigidity of gender roles in my own life. I have failed to challenge those poisonous assumptions that women are “inferior” to men or to speak out loudly in the company of male philosophers who believe that feminist philosophy is just a nonphilosophical fad. I have been complicit with, and have allowed myself to be seduced by, a country that makes billions of dollars from sexually objectifying women, from pornography, commercials, video games, to Hollywood movies. I am not innocent.

I have been fed a poisonous diet of images that fragment women into mere body parts. I have also been complicit with a dominant male narrative that says that women enjoy being treated like sexual toys. In our collective male imagination, women are “things” to be used for our visual and physical titillation. And even as I know how poisonous and false these sexist assumptions are, I am often ambushed by my own hidden sexism. I continue to see women through the male gaze that belies my best intentions not to sexually objectify them. Our collective male erotic feelings and fantasies are complicit in the degradation of women. And we must be mindful that not all women endure sexual degradation in the same way.

I recognize how my being a sexist has a differential impact on black women and women of color who are not only victims of racism, but also sexism, my sexism. For example, black women and women of color not only suffer from sexual objectification, but the ways in which they are objectified is linked to how they are racially depicted, some as “exotic” and others as “hyper-sexual.” You see, the complicity, the responsibility, the pain that I cause runs deep. And, get this. I refuse to seek shelter; I refuse to live a lie. So, every day of my life I fight against the dominant male narrative, choosing to see women as subjects, not objects. But even as I fight, there are moments of failure. Just because I fight against sexism does not give me clean hands, as it were, at the end of the day; I continue to falter, and I continue to oppress. And even though the ways in which I oppress women is unintentional, this does not free me of being responsible.

If you are white, and you are reading this letter, I ask that you don’t run to seek shelter from your own racism. Don’t hide from your responsibility. Rather, begin, right now, to practice being vulnerable. Being neither a “good” white person nor a liberal white person will get you off the proverbial hook. I consider myself to be a decent human being. Yet, I’m sexist. Take another deep breath. I ask that you try to be “un-sutured.” If that term brings to mind a state of pain, open flesh, it is meant to do so. After all, it is painful to let go of your “white innocence,” to use this letter as a mirror, one that refuses to show you what you want to see, one that demands that you look at the lies that you tell yourself so that you don’t feel the weight of responsibility for those who live under the yoke of whiteness, your whiteness.

I can see your anger. I can see that this letter is being misunderstood. This letter is not asking you to feel bad about yourself, to wallow in guilt. That is too easy. I’m asking for you to tarry, to linger, with the ways in which you perpetuate a racist society, the ways in which you are racist. I’m now daring you to face a racist history which, paraphrasing Baldwin, has placed you where you are and that has formed your own racism. Again, in the spirit of Baldwin, I am asking you to enter into battle with your white self. I’m asking that you open yourself up; to speak to, to admit to, the racist poison that is inside of you.

Again, take a deep breath. Don’t tell me about how many black friends you have. Don’t tell me that you are married to someone of color. Don’t tell me that you voted for Obama. Don’t tell me that I’mthe racist. Don’t tell me that you don’t see color. Don’t tell me that I’m blaming whites for everything. To do so is to hide yet again. You may have never used the N-word in your life, you may hate the K.K.K., but that does not mean that you don’t harbor racism and benefit from racism. After all, you are part of a system that allows you to walk into stores where you are not followed, where you get to go for a bank loan and your skin does not count against you, where you don’t need to engage in “the talk” that black people and people of color must tell their children when they are confronted by white police officers.

As you reap comfort from being white, we suffer for being black and people of color. But your comfort is linked to our pain and suffering. Just as my comfort in being male is linked to the suffering of women, which makes me sexist, so, too, you are racist. That is the gift that I want you to accept, to embrace. It is a form of knowledge that is taboo. Imagine the impact that the acceptance of this gift might have on you and the world.

Take another deep breath. I know that there are those who will write to me in the comment section with boiling anger, sarcasm, disbelief, denial. There are those who will say, “Yancy is just an angry black man.” There are others who will say, “Why isn’t Yancy telling black people to be honest about the violence in their own black neighborhoods?” Or, “How can Yancy say that all white people are racists?” If you are saying these things, then you’ve already failed to listen. I come with a gift. You’re already rejecting the gift that I have to offer. This letter is about you. Don’t change the conversation. I assure you that so many black people suffering from poverty and joblessness, which is linked to high levels of crime, are painfully aware of the existential toll that they have had to face because they are black and, as Baldwin adds, “for no other reason.”

Some of your white brothers and sisters have made this leap. The legal scholar Stephanie M. Wildman, has written, “I simply believe that no matter how hard I work at not being racist, I still am. Because part of racism is systemic, I benefit from the privilege that I am struggling to see.” And the journalism professor Robert Jensen: “I like to think I have changed, even though I routinely trip over the lingering effects of that internalized racism and the institutional racism around me. Every time I walk into a store at the same time as a black man and the security guard follows him and leaves me alone to shop, I am benefiting from white privilege.”

What I’m asking is that you first accept the racism within yourself, accept all of the truth about what it means for you to be white in a society that was created for you. I’m asking for you to trace the binds that tie you to forms of domination that you would rather not see. When you walk into the world, you can walk with assurance; you have already signed a contract, so to speak, that guarantees you a certain form of social safety.

Baldwin argues for a form of love that is “a state of being, or state of grace – not in the infantile American sense of being made happy but in the tough and universal sense of quest and daring and growth.” Most of my days, I’m engaged in a personal and societal battle against sexism. So many times, I fail. And so many times, I’m complicit. But I refuse to hide behind that mirror that lies to me about my “non-sexist nobility.” Baldwin says, “Love takes off the masks that we fear we cannot live without and know we cannot live within.” In my heart, I’m done with the mask of sexism, though I’m tempted every day to wear it. And, there are times when it still gets the better of me.

White America, are you prepared to be at war with yourself, your white identity, your white power, your white privilege? Are you prepared to show me a white self that love has unmasked? I’m asking for love in return for a gift; in fact, I’m hoping that this gift might help you to see yourself in ways that you have not seen before. Of course, the history of white supremacy in America belies this gesture of black gift-giving, this gesture of non-sentimental love. Martin Luther King Jr. was murdered even as he loved.

Perhaps the language of this letter will encourage a split — not a split between black and white, but a fissure in your understanding, a space for loving a Trayvon Martin, Eric Garner, Tamir Rice, Aiyana Jones, Sandra Bland, Laquan McDonald and others. I’m suggesting a form of love that enables you to see the role that you play (even despite your anti-racist actions) in a system that continues to value black lives on the cheap.

Take one more deep breath. I have another gift.

If you have young children, before you fall off to sleep tonight, I want you to hold your child. Touch your child’s face. Smell your child’s hair. Count the fingers on your child’s hand. See the miracle that is your child. And then, with as much vision as you can muster, I want you to imagine that your child is black.

In peace,

George Yancy

George Yancy is a professor of philosophy at Emory University. He has written, edited and co-edited numerous books, including “Black Bodies, White Gazes,” “Look, a White!” and “Pursuing Trayvon Martin,” co-edited with Janine Jones.

What to Give/Get this Holiday Season

This week in North Philly Notes, the staff at Temple University Press offer the Temple University Press books they will likely give along with some non-Temple University Press titles they hope to get this holiday season. 

Mary Rose Muccie, Director

Dittmar_2.inddGive: As we’re immersed in the run-up to the presidential election with a field that includes a strong female Democratic candidate,  I’d give Navigating Gendered Terrain, by Kelly Dittmar. If you’re interested in understanding the role of gender in campaigning, DIttmar’s book will give you insight into how candidates of different genders approach communicating their message and why those differences matter.

Get: I’d like to read and yet fear reading A Little Life, by Hanya Yanagihara.  In addition to the many accolades it’s received (National Book Aware finalist, short-listed for the Man Booker Prize, numerous great reviews), it comes highly recommended by my best friend of over 35 years. When I asked if, given what I know about it, I’d be left an emotional wreck, she replied, “Probably, but it would be worth it.”

Karen Baker, Financial Manager
The New Eagles Encyclopedia_sm Give: 
Even though the Eagles may not be having the best season this year (what an understatement!) the guys in my family (dad and 5 brothers) are all still die-hard Eagles fans and will enjoy receiving Ray Didinger’s The New Eagles Encyclopedia as a gift and reminiscing about the good old days of the Eagles.

Micah Kleit, Editor-in-Chief

   Give: This year was an embarrassment of riches for the Press; not only have we had another remarkable year of great books, but our two recently-hired or promoted editors have seen their first titles come out, which makes me as proud of their work as I am of the books they’ve published.  For that reason I’d gift Chilean New Song by J. Patrice McSherry and Walking in Cities, edited by Evrick Brown and Timothy Shortell, just to show off what my colleagues have been doing. Another book I’m specifically proud of is Suffering and Sunset by Celeste Marie-Bernier, because it restores Horace Pippin’s place as a critically-important artist, and reminds us of the rich cultural history of our region.

Get: I plan on reading The Nature of Things by Lucretius over the holiday break.  As we think about what we’re grateful for this time of year, it’s also helpful to remember the world as it is, in all its beauty and woe; Lucretius is always a helpful reminder of this.

Sara Cohen, Editor

  Give: Eric Tang’s Unsettled to my family and friends and Alexander Wolff’s The Audacity of Hoop to the popular readers in my life.

Get: I hope nobody gets me any books because I already have a very long queue…

Aaron Javsicas, Senior Editor

GiveHarold Platt’s Building the Urban Environment offers lessons from recent history for anyone interested in the future of cities. Post-World War II contests between modernist planners and the grassroots over what cities should be suggest that cities must function as flexible, multi-purpose “hybrid spaces,” emerging from more open, less top-down planning processes. We can see manifestations of these dynamics all around us in our revitalizing cities.

GetRevolutionary Russia: 1891-1991 by Orlando Figes, promises a tight, sharp, engaging history of the Russian Revolution. I’m looking forward to brushing up on my history of this period and learning something new — Figes argues the revolution really did last, at least in some form, right up until the collapse of the Soviet Union — and frankly, at just over 300 pages it’s particularly appealing to those of us with small children who also want us to watch SpongeBob with them.
Nikki Miller, Right and Contracts Manager
2386_regGive:  Loveby Beth Kephart. It’s a nice combination of history and personal narrative that takes you on a journey through Philadelphia; maybe even introducing you to somewhere new.
Get: The Nightingale, by Kristin Hannah. Family, hope, and the unexpectancy of fighting and living in WWII promises both a sentimental and thrilling read all in one.

Joan Vidal, Senior Production Editor
Guilted Age_sm Give: 
 A Guilted Age: Apologies for the Past, by Ashraf H. Rushdy, which examines two types of apologies: apologies for events of the recent past and apologies for events of the distant past. Rushdy explores the question of whether apology and forgiveness undo the effects of past events or the events themselves, and he makes an intriguing argument about the ambiguity between guilt and grief.

Get: I would like to receive Philly Fiction 2, edited by Josh McIlvain, Christopher Munden, Greg November, and Tracy Parker: Philly stories by local authors.

David Wilson, Senior Production Editor
City in a Park_sm.jpg Give:  City in a Park by James McClelland and Lynn Miller. This book provides an education both to those who use the park and to those who have never visited the park. This informative book traces the historical and present-day uses of the park. It is a must for anyone who wants to visit or expand their visit to The Fairmount Park System throughout Philadelphia.

Kate Nichols, Art Manager

City in a Park_sm.jpg Give: City in a Park by James McClelland and Lynn Miller shows how and why Fairmount Park, within Philadelphia’s city limits, with all its history, architecture, sculpture and wild beauty, is such an amazing gift to those of us who live here.
Levi Dillon, Production Assistant

Give: I can think of no better gift for my MFA-seeking and Horace Pippin fan mother than Suffering and Sunset by Celeste Marie-Bernier.

Get: I’d most like to receive Lisa Randall’s Dark Matter and the Dinosaurs: The Astounding Interconnectedness of the Universe, in which Randall, Harvard cosmologist, suggests a link between dark matter, the extinction of the dinosaurs and our emergence as a species.
Ann-Marie Anderson, Marketing Director
 Give: For my art loving friends, I would give Suffering and Sunset by Celeste Marie-Bernier, a beautiful first biography of Horace Pippin, an African American artist of growing renown.
Get: I have already read Ta-Nehisi Coates’ Between the World and Mebut I will re-read it again during the holidays.  The book is a chance to step inside Coates’ shoes and experience what it means to be black and male in America, and understand…  Peace and love to all this holiday season!

Irene Imperio, Advertising and Promotion Manager

-COVER-FRONTonly.inddGive:  A Guide to the Great Gardens of the Philadelphia Region, text by Adam Levine, photographs by Rob Cardillo. I love to give this book to our out-of-town guests with hopes of new memories around Philadelphia and more visits in the near future.

Get: Jane and the Twelve Days of Christmas by Stephanie Barron. Jane Austen, a mystery, and Christmas all in one book?? I can’t wait to read this!!

Gary Kramer, Publicity Manager

Dream Machine_sm.jpg Give:  As a cinephile, I would gift Samir Dayal’s Dream Machine, as it looks at realism and fantasy in Hindi Cinema. I’ve been impressed with Dayal’s analysis of film as “a mirror and a lamp” because I strongly believe “you are what you watch.” I am encouraged to share Dayal’s insights with others.

Get: What I’d like to receive this year is Hanya Yanagihara’s A Little Life which a friend raved about during the Telluride Film Festival over Labor Day weekend. It is my goal to read this  book  over the holiday break if I get a copy (hint, hint), but I fear it will become my New Year’s Resolution to get it and read it by the end of 2016.

Michael Baratta, Marketing Assistant

Temple University sm comp 0210Give:  James W. Hilty’s book Temple University: 125 Years of Service to Philadelphia, the Nation, and the World to a fellow Temple student or to an alumnus in my family during this holiday season because the book reflects the pride that I have for my university and my excitement to be a student here during a period of such growth and upward movement.

HAPPY HOLIDAYS FROM EVERYONE AT TEMPLE UNIVERSITY PRESS!

Found in Translation: How Sexual Debates Developed Across the Modern World

This week in North Philly Notes, we re-post a recent blog by Heike Bauer, editor of Sexology and Translation, that originally appeared on Notches: (re)marks on the history of sexuality, a blog devoted to promoting critical notches Nconversations about the history of sex and sexuality across theme, period and region. Learn more about the history of sexuality at Notchesblog.com.

By Heike Bauer

A new collection of essays I edited, Sexology and Translation: Cultural and Scientific Encounters Across the Modern World (Temple UP, 2015) shows that the emergence of modern sexuality was a global phenomenon.

The book examines the contemporaneous emergence of sexual science in Europe, Asia, Peru, and the Middle East between the later nineteenth century and the period leading up to World War II. It brings together literary and cultural scholars, historians, sociologists, and political scientists whose contributions cover topics ranging from the history of frigidity to ‘third sex’ culture in 1920s Berlin and the development of the sexual sciences in Russia.

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Many of the contributors first met at an international, Wellcome Trust funded symposium I organized in 2012. The event was prompted by the realization that while we know that many of the founding texts of the sexual science in nineteenth-century Europe were multilingual as well highly intertextual, we still know relatively little about the global travels of ideas and people that shaped modern sexual debates.

For example, Richard von Krafft-Ebing’s Psychopathia Sexualis, a founding text of modern sexology first published in German in 1886, is famous today because it popularized words such as homosexuality, sadism, and masochism. Krafft-Ebing and his contemporaries drew inspiration from literary and scientific works to coin this new vocabulary. Sadism, for instance, was indebted to the books of the Marquis de Sade. A new project led by Kate Fisher and Jana Funke at Exeter University examines the cross-disciplinary ‘invention’ of sexuality.

Sexology and Translation in turn explores the textual and interpersonal avenues of exchange by which sexual ideas migrated across linguistic and cultural, as well as disciplinary, boundaries. Psychopathia Sexualis, for instance, was translated into a host of other languages including English, French, Dutch, Italian, Russian, and Japanese. Within the German text itself, Krafft-Ebing rendered sexually explicit passages in Latin, ostensibly to make them inaccessible to lay readers. That this strategy was unsuccessful is indicated by the proliferation of literary and cultural references to Psychopathia Sexualis – Radclyffe Hall’s novel The Well of Loneliness (1928), the trial of which prompted the first public debates about lesbianism in England, mentioned both Krafft-Ebing and his legal predecessor Karl Heinrich Ulrichs. The Well of Loneliness was itself prefaced by a foreword written by English sexologist Havelock Ellis, indicating the close, albeit complex, links between literary and sexological cultures at the time.

Images such as the photograph of the man in a pink tutu, which was found in Krafft-Ebing’s estate, further reinforce that the development of sexology was not constrained solely to the scientific realm.

L0028607 PP/KEB/E/6/6 Man seated wearing a pink tutu and shoes Credit: Wellcome Library, London. Wellcome Images images@wellcome.ac.uk http://wellcomeimages.org Man seated wearing a pink tutu and shoes, black face mask and tiara with large star on top. Hand-coloured photograph. Richard von Krafft-Ebing (1840-1902), professor of psychiatry at Graz and Vienna, and pioneer of the systematic study of sexual deviation. Photograph Krafft-Ebing, Professor Richard Freiherr von Photographs, n.d.; 1896 Published: - Copyrighted work available under Creative Commons Attribution only licence CC BY 4.0 http://creativecommons.org/licenses/by/4.0/

The collection examines the processes by which ideas were formed and transmitted across the modern world. It deliberately uses the formulationacross the modern world – in place of, say, transnational or global history – to define its scope. This is not to deny the usefulness of either of these critical perspectives – a summer institute on the global history of sexualityat Dartmouth College has shown that much is gained from framing the research in these terms. However, the collection’s subtitle seeks to emphasize the queer allegiances of the work presented here. The word ‘across’ – which can be defined in terms such as ‘not straight’, ‘askance’, and ‘at odds’ – resonates with the ‘traversing’ and ‘twisting’ which, in Eve Kosofsky Sedgwick famous observations, is a conceptual characteristic of ‘queer’.

This association fittingly describes the aims and scope of the book. For while only some of the chapters directly engage with queer theory, all of the contributors look across boundaries, glancing sideways, backwards, and ahead as they expose the similarities in the way sex came to be discussed across different parts of the world between the 1880s and the 1930s.

Translations of Sex

Some of the chapters analyze the translations of certain sexological texts, revealing, for instance, that Psychopathia Sexualis was selectively adapted by the American anarchist John Henry Mackay to support a pro-homosexual stance; that the modern German concept of love is indebted to literary translations of Darwin’s evolutionary theory; and that the Japanese feminist movement found inspiration in the ideas of the English poet and reformer Edward Carpenter.

But the book also shows that translation is not merely a name for the one-way traffic of ideas. Where many previous studies have focused on the emergence of sexology in central Europe, several contributors here chart the coeval emergence of sexual science on the borders of Europe and beyond, discussing sexual debates in Russia, China, Egypt, Palestine and Peru.

This scholarship complicates assumptions that sexological ideas were transmitted from Europe to other parts of the world. For instance, the chapter on feminist debates in Peru shows that inward-looking debates about society were at the heart of gender debates on the nation. The essays on Chinese sexology in turn suggest that it was competing indigenous and international influences that shaped modern ideas about sexuality in that country. One of these essays further considers how ideas about China informed European views on sexual history. It reveals that Foucault’s arguments about the Eastern ars erotica were derived from a scholarly misreading of Chinese sexual culture, which, via, Foucault, was transmitted back into Western culture and thus became influential in the way Western scholars historicized sex.

A Suicidal Encounter

My own contribution on the writings of Jewish sex reformer Magnus Hirschfeld indicates that attention to translation between languages can also offer glimpses at the elusive evidence of past emotions and the circumstance in which they are formed. Hirschfeld is best known today for his homosexual rights activism, sexual intermediaries theory, (which is considered an early conceptualization of trans) and his founding of the Institute of Sexual Science in Berlin. I found that he was also a chronicler of the suffering of women and men who were attacked and ostracized because their bodies and desires did not conform to social norms and expectation. He mentions, for instance, the experience of a man from Philadelphia whose doctor had told him that homosexuals should ‘better commit suicide’. Hirschfeld includes these devastating words in English in the German text, bracketing them to distance himself from the incitement to suicide – even as he alerts readers to the complicity of certain medical discourses and certain doctors in perpetuating violence against homosexuals

It was this passage that first alerted me to Hirschfeld’s little discussed writings on homosexual suicide, writings which reveal that death and suffering as much as affirmative politics and cultural production shaped the emergence of modern queer culture.

Sexology and Translation: Cultural and Scientific Encounters Across the Modern World is full of new research that shows that new critical and scholarly insights can be found in translation. In the short time since its publication, I have already been contacted by several people who work on the emergence of modern sexual sciences in parts of the world not covered by this project. The book is thus also a beginning, the start of an ongoing dialogue about the history of sexuality.

Temple University Press’ Year of Glory

This year Temple University Press received a dozen honors and accolades for its books, authors, and publishing program. We are pleased (and humbled) to be recognized by so many scholarly associations. Below is a compilation of the awards we received during the 2015 calendar year.

Press Award:

Temple University Press was especially pleased to be selected by the Association of American Geographers to receive the AAG Publication Award for 2016. This prize is conferred in recognition of exceptional and outstanding contributions to the discipline by publishers. It read:

At a time when many smaller university presses are shrinking, Temple University Press has distinguished itself by its continued commitment to and excellence in publishing insightful, thorough, and well written scholarship and research in Geography and Urban Studies.

The relationship between the Temple University Press and the discipline of geography goes back to the founding of the Press in 1969. Since that time, the Press has continued to publish important and innovative work on current social issues. Their publications in geography are focused on urban, political, and human geography.

Today, the geographic works published by the Temple University Press are recognized with major awards from a wide variety of organizations. Two recent publications in geography were awarded the “Outstanding Academic Title” by Choice Magazine.  Urban Studies titles have received awards from major academic and professional organizations in Anthropology, History, Sociology, Urban Studies and Planning, among others.

For their long-term commitment to publishing excellent research in geography, we honor Temple University Press with the AAG Publication Award.

Book Awards

Conceiving MasculinityLiberty Walther Barnes received the British Sociological Association’s Foundation for the Sociology of Health and Illness Book Prize for her book Conceiving Masculinity: Male Infertility, Medicine, and Identity 

Softly with Feeling_smEdward Berger was honored with the Association for Recorded Sound Collections’ Award for Excellence in the category of Best Historical Research in Recorded Jazz, 2015 for his book Softly, with Feeling: Joe Wilder and the Breaking of Barriers in American Music.

Mobilizing Gay Singapore_sm Lynette Chua’s Mobilizing Gay Singapore: Rights and Resistance in an Authoritarian State received the Distinguished Book Award from the Sociology of Law Section of the American Sociological Association, 2015.

Reverse Engineering_sm Reverse Engineering Social Mediaby Robert Gehl won the Nancy Baym Book Award 2015, given by the Association of Internet Researchers for the best work in the field of Internet Studies.

Dominican Baseball_sm The North American Society for the Sociology of Sport presented its 2015 Outstanding Book Award to Dominican Baseball: New Pride, Old Prejudice by Alan Klein.

Chilean New Song_sm J. Patrice McSherry received the 2015 Cecil B. Currey Book Award from the Association of Third World Studies for her book, Chilean New Song: The Political Power of Music, 1960s-1973.

MinichCompFinal.indd The Modern Language Association’s 2015 Prize in United States Latina and Latino and Chicana and Chicano Literary Cultural Studies was awarded to Julie Avril Minich for her book, Accessible Citizenships: Disability, Nation, and the Cultural Politics of Greater Mexico.

Blue Juice_FNL_sm Patricia Morris’s Blue Juice: Euthanasia in Veterinary Medicinereceived the Midwest Sociological Society’s 2015 Distinguished Book Award.

Making a Global Immigrant_sm Making a Global Immigrant Neighborhood: Brooklyn’s Sunset Parkby Tarry Hum, received an Honorable Mention from the Association of Collegiate School’s of Planning‘s Paul Davidoff Award, 2015.

Disability and Passing_sm Dea H. Bolster, a contributor to Disability and Passing: Blurring the Lines of Identityedited by Jeffrey A. Brune and Daniel J. Wilson, received the Disability History Association Award for Best Book Chapter 2015.

Lifetime Achievement Award

1615_reg Green blackboard Knowledge LTD_sm The American Sociological Association convened its Marxist Sociology Lifetime Achievement Award, 2015 to the late Randy Martin, author of three Temple University Press titles, Financialization of Daily Life, Under New Management: Universities, Administrative Labor, and the Professional Turnand Knowledge LTD: Toward a Social Logic of the Derivative

 

A Q&A with UNSETTLED author Eric Tang for University Press Week

In this Q&A, Eric Tang, author of Unsettled: Cambodian Refugees in the New York City Hyperghettotalks with Temple University Press publicist Gary Kramer about the value of publishing with a University Press and the books that were influential to him as a scholar and reader.

GK: Why publish with a University Press? 

ET: Professors are expected to publish (their first book at least) with a University press. The expectation is that our books should be making a contribution to a certain academic field. At the same time, however, there’s this pull I feel to speak to a much broader audience—especially because I situate myself in the field of race and ethnic studies—and this led to my decision to publish with Temple.

GK: What made you choose to publish Unsettled with Temple University Press?

Unsettled_smET: Temple University Press has a long track record in race and ethnic studies. Its Asian American Studies history and culture series is the oldest and most established of its kind. When I first started reading about race, racism and social movements as an undergrad in the 1990s, TUP published some of my favorite titles. But more importantly, I noticed how those outside of academia were also familiar with these TUP titles—activist, community organizers, and artists were also reading the Press’ books. So I’ve always thought of TUP as more than an academic press; it was clear to me that it had a reach with other audiences, and this is why TUP was at the top of my list when I was looking for a home for Unsettled.

GK: What observations do you have about your experiences with a university press?

ET: There are a lot of things that go into making one’s decision on which press to sign with. Having gone through the process, I feel certain that the decision should hinge on whether or not the editor you will be working with really wants and gets your project. You can tell from your initial conversation with the editor if they are excited about the unique argument and contribution you desire to make in your book—if they would actually look forward to reading your book regardless of who you published with. Granted, professors are known to have healthy egos and many of us believe that everybody wants to read our books, but there’s a way in which that initial conversation with a potential editor should go—I would define it as less salesmanship and more geek—that should tip you off and make you feel certain that this particular editor and press is right for you. That’s the kind of situation that I had with my editor at Temple.

GK: What do you see as the benefits and challenges of university press publishing?

ET: The clear benefit of publishing with the university press is that it gets your book directly into the hands of your core audience: colleagues, graduate students, and undergraduates. The press promotes your books through academic journals and at conferences, and it gets your book reviewed by peers. The university press is set up do to all of this, which is terrific.

As for challenges, the university press is obviously smaller than the trade press and therefore under-resourced. This means that whatever advance you might receive will be relatively small (and usually a first-time author won’t receive any advance) and there is very little money they offer to support authors on the production end—with essential pieces like paying for permissions and indexing. Authors have to absorb the cost of these things (or find external funding to support these items).

Also, the university press does not have a lot of advertising dollars to promote your book beyond the core academic audience. Still, if a certain university press has a marketing team with extensive experience and contacts, this can more than make up for what that press may lack in raw dollars. I think it’s a mistake to think that a small university press can’t get a book reviewed in the New York Times or covered on National Public Radio. I’ve seen it happen a lot, and TUP is an excellent example of a press that reaches large markets despite its relatively small size.

GK: How involved were you as an author with elements such as cover design, editing, layout, endorsements, and other aspects related to the publication of your book.

ET: As for the cover design and other design elements, I think it’s important for the author to be very clear about the look he or she desires. Pick out some images that you wish to have on the cover, and present the press with some examples of other book covers that you really admire so that its design people have a clear sense of what you want. Even go so far as to make some font suggestions. However, once you do this—once you are clear about what you want—I think it’s important for you (the author) to get out of the way and let the press do its work. Don’t try to micro-manage the process or think that you are in a position to go back and forth a dozen times with the designer until they get it just right. This was my general disposition to the book design process with TUP, and it paid off for me. I was very impressed with the cover they came up with and I didn’t ask them to change a thing.

GK: How has university press publishing helped your career?

ET: To the extent that publishing a book with a university press is essential to meeting the criteria for promotion and tenure at a major research university, then publishing with TUP has already paid off for me. But beyond climbing the career ladder, it has also put me in touch with other scholars who I would have never met or heard from otherwise. In fact, the other day I received an email from a faculty member from the University of Hong Kong who read Unsettled and gave me wonderful feedback.

GK: What are your thoughts on the university press community as a whole?

ET: I think the university press has been in a steady process of moving away from its reputation as publishing house for arcane scholarly work that isn’t accessible to the public. Increasingly, I see it taking on issues that are at the center of the public discourse: police violence, immigration, LGBT issues. But as is it takes on these issues, it holds its authors accountable to scholarly rigor. Writers are expected to tell new stories, offer new ways of looking at these matters, while at the same time being in conversation with the existing scholarship. In other words, one gets the best of both worlds with the university press.

GK: What books are you currently reading?

I’m currently re-reading two disparate works in preparation for my next manuscript. I’m putting these two works in conversation with each other (at least in my own head!): Sylvia Winter: On Being Human As Praxis edited by Katherine McKittrick and Mike Tyson’s autobiography Undisputed Truth. Both books are revelatory and devastating on their own, and placed together they are a true gift.

GK: Was there a particularly significant titles that influenced your work and career? 

542_regET: George Lipsitz’s A Life in the Struggle: Ivory Perry and the Culture of Opposition was formative for me. For an example of how good scholarship should read—how it should hew to the sensibilities of  those it writes about—I consistently turn to Robin Kelley’s Race Rebels. For pure inspiration, Edwidge Danticat’s Krik? Krak! made me understand what writing was all about, what it does for the political. Of course it made me want to be a writer, and at the same time scared me to death about what that meant, what it really takes. I guess you can say I am still stuck in the mid-1990s! It’s true for the music, too—hip hop between 1994-1996 is still the pinnacle for me.

GK: What would folks be surprised to discover you reading/on your bookshelf?

ET: I will read anything. From the brilliant books mentioned above to worst, most destructive self-help books you can imagine (precisely why I get to airports early for my flights — to catch up on the latest self-help degeneracy). I’m also a bit of a fanboy, I read comics. Right now, I love Saga (Image comics): all about race, gender, biopolitics and liberal warfare. I will teach it one day. The X-Men, of course. I’m staring at a stack of comics about Wolverine I just picked up at Austin’s comic con, they are resting on top of Lisa Lowe’s The Intimacies of Four Continents.

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