What the Temple University Press staff are reading while sheltering at home

This week in North Philly Notes, we ask the staff what they are reading while self-quarantined.

Shaun Vigil, Acquisitions Editor

While acclimating myself to the Press’s frontlist, it was a special pleasure to discover Kimberly Kattari’s Psychobilly, due for publication this spring. As a longtime fan of the genre — as well as a voracious reader of books on musical subcultures — nothing could have better signaled that my arrival at Temple. This book is truly a perfect match. Kattari’s in-depth accounts have not only helped to launch me into a world outside of my apartment during quarantine, but have also inspired me to pick up my Gretsch guitar and start brushing up on my picking!”

Kate Nichols, Art Manager

I just finished the design/layout of the first pass pages for Amy Finstein’s Modern Mobility Aloft: Elevated Highways, Architecture, and Urban Change in Pre-Interstate America, forthcoming in October. The book focuses on New York, Chicago and Boston and includes 103 halftones and 12 maps. I read a bit as I work, but I primarily focused on the images. Having spent a lot of time living in both New York and Boston, I was very interested in the historic photographs. Once published, I will give this book to my brother who is an architect in Boston.

As for a non-Temple book, I just began reading The Overstory by Richard Powers.

Ann-Marie Anderson, Marketing Director

I didn’t bring any recent TUP books home. It was too short notice, so along with new book projects, I’m reading and relaxing with James McBride’s Deacon King Kong. Luckily, I bought it before the pandemic hit and since the book is new, there are loads of reviews of it online. Being a former Brooklynite I’m enjoying an escape into a hilarious sixties Brooklyn neighborhood, told in McBride’s usually captivating way.

Aaron Javsicas, Editor-in-Chief

I’m reading Nick Hornby’s High Fidelity, which is just the right kind of escapism for me right now — a voice from another world, in which records and relationships somehow managed to command center stage. Wouldn’t it be nice to go back?

Mary Rose Muccie, Director

I just finished The Clockmaker’s Daughter, by Kate Morton. I’m a big fan of how she interweaves the past and present around a transformative event, usually a death.  I’ve started an older book of hers, The Secret Keeper. 

Gary Kramer, Publicity Manager

Before our offices closed, I grabbed a copy of our recently published book, Action = Vie, by Christophe Broqua about the history and accomplishments of Act Up-Paris. It is an interesting title to read during the pandemic. I had read (and seen) and been inspired by David France’s How to Survive a Plague, so I am seeking similar inspiration from Broqua’s Action = Vie.

 

Here’s how the gender gap in presidential politics breaks down by issue

This week in North Philly Notes, a recent commentary by Mary-Kate Lizotte, author of  Gender Differences in Public Opinion from MarketWatch about what women want presidential candidates.

Gender_Differences_in_Public_OpinionMuch has been written about the gender gap in American electoral politics. In this year marking the 100th anniversary of women’s suffrage, a Democrat cannot win in November without women voters and without minority voters, particularly African Americans and Latinx. And what the majority of women want, according to my research as a political scientist, is for a candidate who promotes social equality and policies that provide for the well-being of all.

Democratic primary candidates and President Donald Trump should take note of these influences when strategizing how to promote women’s turnout and garner women’s vote in November.

Data on the presidential vote choice of men and women by demographic subgroup from 1980 through 2016 reveals that women are more likely than men in the same demographic subgroup to vote for the Democratic presidential candidate.

The overall gender gap between men and women who voted in the presidential race that election year during that period is only 6 percentage points. But within subgroups, the gap varies in size from 2 percentage points among African Americans and to 8 percentage points among those born prior to the boomer generation. These gaps are statistically significant.

What is most striking, though, are the differences between subgroups. The biggest difference is the race gap: 99% of black women voted for the Democratic presidential candidate in those years compared to only 38% of white women.

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It is still true that women, across the different subgroups, are more likely than men to vote for the Democratic presidential candidate. Why? Political science research, including my own, provides insight into what issues and other characteristics explain this phenomenon. Attracting the majority of women voters, especially white women, college-educated women, and black women, requires presidential candidates to highlight a vision of a more equal society and a government that protects the well-being of its citizens through a strong social safety net, a commitment to anti-discrimination policies and a green environmental policy agenda.

Statistical mediational analysis allows one to determine to what extent different factors explain the gender gap in presidential vote choice. Each of the factors discussed below were analyzed separately, and thus, the percentages do not add up to 100%.

• Egalitarianism, or a preference for an equal society, is a political value on which there is a gender difference. Egalitarianism explains 34.56% of the gender gap in presidential vote choice.

• Support for a social safety net includes a desire for more government spending on public schools, health care, and childcare; for more government services; and for a reduction in income inequality. Women across demographic subgroups of race, age cohort, income, and education prefer a strong social safety net compared to men of the same subgroup, and this explains an astounding 60.95% of the gender gap in vote choice.

This could prove detrimental for Trump’s 2020 campaign given his administration’s proposed budgetary cuts to such programs. It also may shed light on Sen. Bernie Sander’s popularity given his income equality campaign messaging and Vice President Joe Biden’s popularity because of the legacy of the Affordable Care Act.

• Women also are more likely than men to back anti-discrimination policies and express more progressive attitudes toward women and African Americans. With respect to discrimination, women are more in favor extending rights and legal protections to gay men and lesbians. In addition, women are more in favor of affirmative action compared to men. Attitudes toward gay men and lesbians having the legal right to adopt explains 28.99% of the gender gap and having legal protections against discrimination explain 25.47% of the gender gap in presidential vote choice.

In the past, attitudes toward affirmative action and women’s role in society has not been a factor in presidential vote choice. Of course that could change given the salience of #BlackLivesMatter and #MeToo.

• Racial resentment, a measure of negative attitudes toward African Americans, explains 18.21% of the gender gap in vote choice and a strong predictor of presidential vote among white and Black voters.

• Environmental policy preferences also divide men and women. In comparison to white men and college educated men, white women and college educated women want more government spending and regulations to protect the environment. Among Black Americans, both men and women report high levels of support for environmental protection policies, including government spending and greater regulations. Attitudes toward government spending and regulations to protect the environment explain 14.81% and 20.93% of the gender gap in presidential vote choice.

Simply put, women are more likely to want a candidate who advocates for policies that promote equality and provide a social safety net. To motivate turnout among and procure votes from women, candidates for the Democratic presidential nomination should stress such a vision and emphasize how they differ from President Trump on these issues, on equality, and on compassion more generally.

Mary-Kate Lizotte is an associate professor of political science in the department of social sciences at Augusta University in Augusta, Ga., and the author of Gender Differences in Public Opinion.

Time to Remember French AIDS Activism

This week in North Philly Notes, Christophe Broqua, author of Action = Vie, writes about Act Up-Paris.

Since the end of 2018, large-scale mobilizations in France by activist groups have challenged the authorities and demanded more social justice. The “Yellow Vest” movement holds demonstrations every Saturday in Paris. Among the streets that they have regularly occupied—sometimes without providing advance notice to the Prefecture (as prescribed by French law)—is the famous Avenue des Champs-Élysées, which stretches from Place de la Concorde to Place de l’Étoile, where the Arc de Triomphe is located, an area largely inaccessible for street demonstrations.

Action=Vie_SMTwenty-five years earlier, on December 1, 1993, the AIDS organization Act Up-Paris braved the difficulty of demonstrating in this same area by placing a giant condom on the Obélisque de la Concorde. They also blocked the top of the Avenue des Champs-Élysées on December 1, 1994, an action illustrated by the photo on the cover of Action = Vie: A History of AIDS Activism and Gay Politics in France. At the time, Act Up-Paris was considered one of the major social movements in France. The organization met with considerable success in terms of mobilization as well as media coverage and political impact—contrary to the predictions of failure that it had initially inspired.

Indeed, when Act Up-Paris was formed in 1989, the vast majority of local commentators thought the organization, based on the American model, could not succeed. They reproached it for being a lame copy, unsuited to the French context. That it was linked to the gay and lesbian community undoubtedly added to mistrust and discrediting of the organization. The success of Act-Up-Paris, however, continues the long French protest tradition—it reached its peak in the mid 1990s. The criticism was indicative of the tense relationship between the French and the United States, rather than of the relevance (or not) of political activism in the face of the epidemic in France. Indeed, France is dominated by an ideology that claims to reject “communitarianism” in favor of “republican universalism,” but which, in reality, fears political organization of oppressed or stigmatized minorities more than anything.

Nevertheless, the success of Act Up-Paris had some limitations, particularly when new treatments led to a drop in HIV/AIDS-related mortality, at least in the Global North. Little by little, without ever disappearing, the organization got smaller, while the other dominant AIDS organization in France, AIDES—inspired by the Gay MHC (New York) and the Terrence Higgins Trust (London)—succeeded due to their commitment to helping individuals. In contrast, Act Up defined its actions as strictly political. In the 1990s, Act Up-Paris had become a major player in the AIDS fight and gay rights movements, but lost its media visibility in the following decade and was virtually unknown to new generations.

MV5BZWM2NTcxM2QtOTYxMC00OTllLWJhN2MtODBjNjA2Y2FjYmU1XkEyXkFqcGdeQXVyNzQzNzQxNzI@._V1_UY268_CR3,0,182,268_AL_This progressive erasure and oblivion slowed in 2017 with the release of the film, BPM (Beats Per Minute). Directed and co-written by Robin Campillo a former member of Act Up-Paris, the film retraced the first years of the organization in a fictional but very realistic way. It also included a tragic love story between two activists, Nathan (Arnaud Valois) and Sean (Nahuel Pérez Biscayart). Debuting at the Cannes Film Festival, the film won the prestigious Jury Grand Prize. From the outset, critics were ecstatic in their support of the film and the emotions it stirred. When it was released in cinemas, it was a huge success; in just a few months more than 800,000 tickets were sold. This tremendous response to a past that was largely forgotten, especially among the new generation, was impressive. For younger viewers, it was the discovery of a heroic past that many people did not know about; for older viewers, the film stirred memories of difficult times or the feeling of having missed out on history.

Overall, the film enabled society to indulge in a kind of collective redemption in the face of what it had not wanted to see—i.e., an epidemic affecting stigmatized minorities who used forms of political action to survive. Far from being an isolated phenomenon, the movie success was part of a larger remembrance process affecting both the history of the fight against AIDS as well as the mobilization of sexual and gender minorities in various European and North American countries.

Alas, this rediscovery of Act Up-Paris was focused mainly in France, as the film BPM did not enjoy the same commercial success in the United States, though it fared well critically.

French history is strongly connected to American history: the founder and several important activists of Act Up-Paris went through Act Up New York, which also represented an important model for the French group. Later, Act Up-Paris became the largest Act Up group in the world.

Now that time has passed, will its history finally be discovered beyond the French borders?

Tipping toward possibility: an alternative framing of identity

This week in North Philly Notes, Milo Obourn, author of Disabled Futures, writes about the thorny issues of identity politics. 

A recent episode of NPR’s 1A featured a story about the great divide in political thinking that blamed, you’ll never guess, identity politics.

Bob Garfield, co-host of WNYC’s On the Media was arguing that the U.S. has an “identity obsessed culture” which “erodes the ideal of e pluribus unum” and inevitably leads to authoritarianism. Identity politics in this reading is factionalism that keeps us from working together, not the result of long histories of resistance to very targeted and explicit violences and discriminations. I could not help but think of the images that circulated after the 2017 Women’s March of a person I read as an older woman looking bored and holding a protest sign that reads, “I can’t believe I still have to protest this shit.” The image is now a poster, pin, and T-shirt you can buy on Amazon. Even the wry commentary on the never-ending cycle of the same political and social arguments is commodified into the never-ending cycle of capitalist incorporation of political and social arguments. How to get out?

Disabled Futures_022719_smThis question of “how to get out” underlies many of the theoretical moves I make in Disabled Futures: A Framework for Radical Inclusion. In this book, I explore the concept of “racialized disgender” as a way of framing identity that is not about a series of contemporary differences but rather a complex and nuanced framework of power in which ideologies of ability inform and construct our understanding of gender. A framework of power in which racism and constructions of dis/ability and its use to do violence to bodies are inextricable. A framework of power in which no one living in contemporary U.S. society is unaffected or unharmed by the ways race, gender, and dis/ability are assigned to our material selves. And finally, a framework in which no one couldn’t use their own experience to start to unpack how all oppression is, to quote Staceyann Chin, connected.

My first book Reconstituting Americans: Liberal Multiculturalism and Identity Difference in Post-1960s Literature was a way for me to deconstruct the fear of an “identity politics” that looms in popular culture as a force of divisiveness that causes those with historically marginalized identities to cling to our pain and/or is criticized for being empty politically correct nonsense—the kind of identity politics that turned “diversity and inclusion” into buzzwords translating into serving tacos in school cafeterias to represent Mexican culture. I wanted in this first book to think about how narrative and literary representation can help readers understand the ways American liberalism has eroded or put up barriers to our understanding of the politics surrounding identity oppression as offering us actual avenues for justice, knowledge, and ways to thrive in this world. It was a “how we got distracted” after all this work kind of book. Our world is full of these distractions—instead of wondering why things are so deeply inequitable we focus on Black people and Jewish people not getting along; instead of wondering how to make people feel more valued, safe, and included we argue about whether we should call it a “safe space” or a “brave space;” instead of asking why we have so many homeless trans youth and trans women of color being murdered every year; we focus on whether it’s okay to allow people in bathrooms and the struggles cis parents have understanding trans kids.

When I started writing Disabled Futures, I was ready to move beyond why we get stuck and look at models for how to frame our work toward greater justice in relation to inextricable intersections not just between marginalized identities but between systems of power that impact us all. What made me ready? Two things. First, I lost a child in infancy, I got very depressed, and the only thing that I could manage to do productively was work related to implementing active change based on knowledge from my academic research. Need a workshop on white privilege and how white people can process and own that? I was on it. Build a team to offer trainings on why respecting names and pronouns is important? I’m your trans person. The loss of this baby, Woolf, made any more critique without implementation feel like yet another distraction. I wanted a more potentially realizable (if still complex and very challenging) framework for understanding questions of identity and justice. The second and related thing was that I stepped in as Brockport’s Interim Chief Diversity Officer and found myself excited to be in a different relation to the immediate systems around me, to have my focus be big picture systems and the communities that inhabit them, as well as building connections with students outside of the classroom where I could mentor them in self advocacy that was not draining and distracting, but helpful to their ability to flourish in their academic life as well.

As an academic, I have been trained in critique. I have not been formally trained to present solutions. Disabled Futures is not a solution per se. But I felt at the point I was writing it that I needed the perspective of solution to survive and to thrive and that is the perspective I carried into my writing. I am committed in Disabled Futures to the idea that analyzing complex representations of race, gender, and dis/ability closely offers shifts in perspective that can keep us out of the cycle of distraction and argumentation, without devaluing the political and social knowledge that comes from living with and advocating from our social identity positions.

Years ago, when I discovered disability theory it gave me the seeds of some of the connections I make in this book. It let me talk about woundedness and impairment without shame or feeling like I had to isolate the harm of violence from the power of processing and living through it. To me this was applicable not only to disability as we understand it in our current moment but to the ways disability and ability form and inform all of our identities. It was a way to talk about whiteness and identity without fear that it would become white supremacy (the only choice according to the 1A interview with Garfield); a way of thinking about how dominant social identities work in complex collaboration with marginalization, not as its opposition, and not in ways that leave any of us unscathed by history. It was a way of connecting to myself and to years of academic study that I hadn’t known before and it became the platform for a theory of possibility. I hope that readers will leave this book tipping slightly more in the direction of possibility.

Announcing Temple University Press’ Spring 2020 Catalog

Happy New Year! And Happy New Catalog! This week in North Philly Notes, we announce the titles from our Spring 2020 catalog

 

Shakespeare and Trumpby Jeffrey R. Wilson

Revealing the modernity of Shakespeare’s politics, and the theatricality of Trump’s

Rude Democracy: Civility and Incivility in American Politicsby Susan Herbst

A look at how civility and incivility are strategic weapons on the state of American democracy, now with a new Preface for 2020

The Great Migration and the Democratic Party: Black Voters and the Realignment of American Politics in the 20th Centuryby Keneshia N. Grant

Examining the political impact of Black migration on politics in three northern cities from 1915 to 1965

Clowns to the Left of Me, Jokers to the Right: American Life in Columnsby Michael A. Smerconish

Now in Paperback—the opinions—and evolution—of Michael Smerconish, the provocative radio/TV host and political pundit

Good Reasons to Run: Women and Political Candidacy, edited by Shauna L. Shames, Rachel I. Bernhard, Mirya R. Holman, and Dawn Langan Teele

How and why women run for office

Gender Differences in Public Opinion: Values and Political ConsequencesMary-Kate Lizotte

Explores the gender gap in public opinion through a values lens

Under the Knife: Cosmetic Surgery, Boundary Work, and the Pursuit of the Natural Fakeby Samantha Kwan and Jennifer Graves 

How the pursuit of a “naturally” beautiful body plays out in cosmetic surgery

Sport and Moral Conflict: A Conventionalist Theoryby William J. Morgan 

How we make our way morally and otherwise when we cannot see eye to eye on the point and purpose of sport

Whose Game?: Gender and Power in Fantasy Sportsby Rebecca Joyce Kissane and Sarah Winslow

How fantasy sport participants experience gendered power

Biz Mackey, A Giant behind the Plate: The Story of the Negro League Star and Hall of Fame Catcherby Rich Westcott

Now in Paperback—the first biography of arguably the greatest catcher in the Negro Leagues

Allies and Obstacles: Disability Activism and Parents of Children with Disabilitiesby Allison C. Carey, Pamela Block, and Richard K. Scotch

Addresses the nature and history of activism by parents of people with disabilities, and its complex relationship to activism by disabled leaders

Degrees of Separation: Identity Formation While Leaving Ultra-Orthodox Judaism, by Schneur Zalman Newfield

How exiting ultra-Orthodox Judaism is not a single act of defiance, but an interactive process that extends for years after leaving

Psychobilly: Subcultural Survivalby Kimberly Kattari

How people improve their lives by participating in a rebellious music-based subculture

Metro Dailies in the Age of Multimedia Journalism, by Mary Lou Nemanic

How daily metro newspapers can continue to survive in the age of digital journalism

Reinventing the Austin City Councilby Ann O’M. Bowman

Examining how Austin, Texas changed the way it elects its city council—and why it matters

Disruptive Situations: Fractal Orientalism and Queer Strategies in Beirutby Ghassan Moussawi

The first comprehensive study to employ the lens of queer lives in the Arab World to understand everyday life disruptions, conflicts, and violence

Transnational Nationalism and Collective Identity among the American Irishby Howard Lune

How collective action creates meaning and identity within culturally diverse and physically dispersed communities

Communists and Community: Activism in Detroit’s Labor Movement, 1941-1956, by Ryan S. Pettengill

Enhances our understanding of the central role Communists played in the advancement of social democracy throughout the mid-twentieth century

A Collective Pursuit: Teacher’s Unions and Education Reformby Lesley Lavery

Arguing that teachers’ unions are working in community to reinvigorate the collective pursuit of reforms beneficial to both educators and public education

The United States of India: Anticolonial Literature and Transnational Refractionby Manan Desai

Examines a network of intellectuals who attempted to reimagine and reshape the relationship between the U.S. and India

The Winterthur Garden Guide: Color for Every Seasonby Linda Eirhart

How to build a garden with the “Winterthur look”

Writing Latinx Environmentalisms

This week in North Philly Notes, Sarah D. Wald, David Vázquez, Priscilla Solis Ybarra, and Sarah Jaquette Ray, co-editors of Latinx Environmentalisms, tell “A Story of Inspiration and Acompañamiento.”

Latinx Environmentalisms is a collection of original essays and original interviews that explores the challenges and possibilities of bringing the environmental humanities and Latinx* studies together. The collection seeks to account for the variety of ways in which Latinx cultures are often (although certainly not always) environmental, but hardly ever identify as environmentalist. In this book, we argue that Latinx art, literature, film, and other forms of creative productions redefine and broaden what counts as environmentalism, even as they sometimes reject the term entirely. Part of how Latinx artists redefine these terms is by pointing out the racism inherent in some of the assumptions of environmentalism. We argue that Latinx art, literature, film, and other creative works hold the potential to make visible key aspects of the exploitation of the Earth, and in particular the ways in which colonization and capitalism exacerbate it. Latinx creative works often offer deep and significant insights about environmental issues, environmental ethics, and the intertwining of environmental ills with the social ills of racism, capitalism, and colonialism.

Latinx Environmentalisms_smAlthough the book seeks to build new bridges in environmental humanities and Latinx studies scholarship, it is just as much a story of building collegial and friendship bridges between the editors and contributors. In this post,we share how the book is also a story of collaboration, of how academic life looks and feels behind the pages of our scholarly products. We might even say that we offer this collection as a product of “acompañamiento.” Anthropologist Mariela Nuñez-Janes describes the concept as a process of creating networks of support and solidarity in a way that extends notions of kinship.

The story of this collaboration begins at a couple of different conferences in 2013: both the First Biennial Latina/o Literary Theory and Criticism conference at John Jay College of Criminal Justice in New York City and the Association for the Study of Literature and the Environment (ASLE) held at the University of Kansas. The four of us had known and admired each other for some time. We met to discuss the idea of producing an edited volume together. Although each of us knew about pockets of environmental humanities work that considered Latinx literature and culture, and a very tiny group of Latinx studies scholars who thought about the environment, we kept talking about how much there was to say about literary authors such as Helena Maria Viramontes, Ana Castillo, Cherrie Moraga, and Gloria Anzaldua, visual artists such as Ester Hernandez, and filmmakers such as Alex Rivera. Our initial conversations got us to realize that there was a huge and largely untapped archive of material that had unique things to say about the environment.

We also realized that there was a growing body of scholarship in Latinx studies that was already doing some of this work. Scholars such as Kamala Platt and María Herrera-Sobek had pioneered thinking about environmental themes in Chicana/o/x literature. Social scientists Laura Pulido and Devon Peña were also early leaders in thinking about Chicana/o/x environmentalisms, as was Robert Melchior Figueroa in the discipline of philosophy. We looked to some of our contributors, such as Randy Ontiveros, Gabriela Nuñez, and Jennifer García Peacock who identified their work as environmental, and others such as Paula Moya and Richard T. Rodríguez, who didn’t identify as doing environmental work, but who were clearly engaging with important ecocritical concepts.

Our question then became: how do we put these people into conversation with one another in order to highlight the innovative environmental thinking they identified in their works? 

Our collaboration was aided by some key developments in our individual scholarship. Priscilla wrapped up her book project, Writing the Goodlife (Arizona UP, 2016), which made an important intervention in how Chicanx/Mexican American cultural production is treated in the environmental field. Rather than focusing on texts where mainstream environmental ideas appear in Mexican American writing, Writing the Goodlife asks us to redefine “environmental” to see long-standing traditions, identities, cultural sensibilities, and forms of resistance as environmental, and to interrogate the exclusion of these expressions in the mainstream environmental canon.

Sarah D. Wald’s book, The Nature of California (Washington, 2016), was also just coming out. In it, she examined the ways writings of Japanese American, Filipino, and Mexican American farmers and farmworkers contested their exclusion from national identity through depictions of nature and land. Like Priscilla, she was redefining where and how we look for environmental ideas and what environmentalism may entail.

David, too, was realizing that much of his interest in urban literary expression and Latinx identity had environmental resonance, but only if we redefined what that meant– not only “wilderness” but also a sense of space, negotiations of ecological costs and benefits, etc.. David became particularly interested in how some communities bring a keen sense of “environment” to how they inhabit places, particularly in laying claim to cultural ownership over urban neighborhoods like New York’s Spanish Harlem.

And Sarah Jaquette Ray’s research in The Ecological Other (Arizona UP, 2013) on how environmental discourse can define immigrants as threats to American national security vis-a-vis its borderland ecosystems also situated her work as pushing this intersection.

All told, the four of us found each other through this research on Latinx environmentalisms, which kept landing us in the same places, such as the John Jay Latinx Literary Theory and Criticism Conference, the Association for the Study of Literature and Environment Executive Council meetings (on which Priscilla and Sarah W. both served as Diversity Officers, Sarah R. served as Vice President, and Sarah R. and Priscilla as executive council members), the American Studies Association conferences, the Latino Studies Association conferences, and David and Sarah W’s home institution, the University of Oregon, having conversations about where the field might go, and laying the groundwork for working together.

We are so grateful to these conferences and professional organizations for providing the infrastructure for us to have these early exploratory conversations.

In other settings– especially in our classrooms, communities, and committees– we sensed a great interest in this intersection of Latinx and environmental concerns, but knew there was a dearth of scholarship on it. We were particularly struck by the enthusiasm our students shared with us. For example, in David’s courses on Latinx Sci-Fi and Environmental Thinking and Sarah W’s Environmental Humanities 203 courses at the University of Oregon, students were wildly enthusiastic about analyzing canonical authors like Leopold and Thoreau through lenses of race and ethnicity, as well as reading authors that had not been in the environmental canon through environmental lenses, such as Viramontes and Castillo. Both of the Sarahs and Priscilla led a 2015 ASLE workshop on Latinx Environmental Pedagogies, which reinforced our sense that students were pushing these boundaries.

We landed on the notion of “recovery” as a correction to the “diversity” approach of second-wave environmental literary criticism–which just adds more seats to the environmental table without challenging the very structure of the table –and had lots of ideas about how our project might take up these questions. Early in the process we recognized that some of the most sophisticated analysis of Latinx environmentalisms occurred within the fiction, non-fiction, and poetry of Latinx writers, especially among those writers who identified as Chicana feminists. This led us to talk directly to many of the Latinx authors whose work was foundational to our own inspiration.  Even more gratifying was the reception we got from scholars whose work was already pushing these fields in exciting directions. Quite simply they started to come out of the woodwork as we were beginning these conversations. That’s how the project started. Many of the insights in our Introduction to the book came from the various conversations that we had at conferences in our field and on panels with our contributors.

What is not obvious is how a project like this builds over time–in our case, five years of working together– and the details of collaboration. We learned how to step up and step back based on our strengths and weaknesses, and filled in for each other when our personal lives became distracting; we learned how scholarship never happens without tragedy, celebration, frustration, generosity, heartbreak, and mundane intrusions (like sick pets and home maintenance issues) on the intellectual process.

We met several times as a group to just sit in silence and write together. We became more acquainted with Google Docs and Dropbox than we ever thought possible. We spent what amounts to about 50 hours together on four-way Skype conference calls, watching each other’s lives carry on in the background– children growing up, family members moving in and out, seasons and health issues coming and going, the material realities of life moving through different places and stages.

The boundaries between our academic, friendship, and personal lives became increasingly blurred, and each editor would probably say that the book is a reflection of both collegial synergy and personal friendship. The work of pulling something like this together is both dramatic and unglamorous, intellectual and material, urgent and slow. To us, the process has been as illuminating as the product.

It is a true honor to share this book with audiences that are interested in not only these topics, but also the story of what academic life is about, what it means to produce scholarship in collaboration with others, and the thrills and concerns of pushing the boundaries of our disciplines.

Less than mapping these intersections, our hope is that the book opens a door for more thinking and more imagining of what could be. We want to lift voices, but also to scrutinize the liberating, and also oppressive, cultural work of environmental discourse. We continue to think about these issues, but also want to push it further to ask, for example, what implications do these conversations have for the other work we do at our institutions, such as our work with students and our efforts to create structures of inclusion and equity? 

We hope that others will not only carry this project in ever more diverse directions, but also be moved to embark on a similar kind of collaboration, where intellectual and personal worlds merge, and both are profoundly changed in the process.


*A note on terminology: We define Latinx studies as the comparative study of race, identity, and culture in U.S. communities with roots in Latin America (for example, Puerto Rican, Mexican American, or Central American communities). We use the term Latinx as a gender-neutral alternative to Latina or Latino in solidarity with LGBTQ+ communities. We also use the “x” to mark the indigenous peoples and knowledges that we will never know due to the conquest of the Americas. We also note that in using the term Latinx, we are deliberately operating from a comparative, interethnic perspective. What this means is that the essays and interviews we include focus on multiple Latin American-origin communities in the U.S. (Mexican American and Dominican American, for example), and that we compare and contrast the environmental ideas that emerge from these disparate communities. 

 

University Press Week Blog Tour: How to build community

It’s University Press Week and the Blog Tour is back! This year’s theme is Read. Think. Act. Today’s theme is: How to build community

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Paul Farber and Ken Lum, co-editors of our new book Monument Lab penned this entry on community building.

From coeditor Paul Farber:

Monument Lab_CMYK_090319_smWhen we started Monument Lab, it was not a fully-realized curatorial project or interventionit was a classroom experiment. Ken and I were teaching in Fine Arts and Urban Studies, respectively, and were galvanized by our conversations with our students about representation, equity, and memory. We each spent time with scholarly texts and we also moved outside of our classes into public spaces as their own primary sources. We met one another, and connected with a circle of collaborators after that expanded what we could have ever dreamed of on our own. We iterated and took our questions outside to the courtyard of City Hall in 2015 for our first discovery phase exhibition. We eventually that moved to public squares and parks around the city for the citywide project with Mural Arts Philadelphia documented in the book, and now work in other cities with similar goals of critically engaging monuments we have inherited and unearthing the next generation of monuments.

We have been fortunate to work with a range of artists, writers, and organizers*. Some have artworks and essays represented in this book. Others put fingerprints and directed their own forms of expertise to the project to make this possible. We hope people will read the essays, but we hope people also tend to the captions, credits, and thank you’s, as they give insights into how monuments could be and are made, critiqued, and re-imagined. This was a profoundly collaborative effort and that is the point.

There is no single fix to our monumental landscape. There are ways of engaging the moment worth nodding to by many people representing previously exisiting and ongoing approaches. This includes antiracist, decolonial, feminist, queer, ecological, and other systems of social justice perspectives that take long first steps toward redress. These practitioners understand we live at once in the deep seated past, changing present, and unknowable future. The book and the work of Monument Lab is meant to document collective aspirations for art and justice and serve an active, living approach to history.

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Enter Karyn Olivier, The Battle is Joined, Monument Lab 2017 (Steve Weinik/Mural Arts Philadelphia)

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Sharon Hayes, If They Should Ask, Monument Lab 2017 (Steve Weinik/Mural Arts Philadelphia)

From editor Ken Lum

I just received Deborah Thomas’ book Political Life in the Wake of the Plantation: Sovereignty, WitnessingRepair. She is an esteemed colleague at Penn and we both co-taught a course in Kingston, Jamaica that looks at a major violent incursion that took place in the impoverished neighborhood of Tivoli Gardens in 2010. From this moment of eruption, there followed an uneven and halting pattern of attempts at recognition, redress and reconciliation for the many human lives affected, and continues to affect, by the incursion. Although a different context, as I started reading this book, it made me think about Monument Lab: Creative Speculations for Philadelphia, the new book from Temple University Press that Paul Farber and I edited. 

There are many sites all over the world, even sites within sites, such as neighborhoods within neighborhoods or streets within streets, whereby were they truly examined in a holistically democratic and critical sense, would reveal many of the same flailing patterns that stymies institutional and official initiatives that attempt to confront issues of human trauma and under-recognition. I started thinking about how Monument Lab: Creative Speculations for Philadelphia is not just a book but also a method of thinking about matters of address and redress that offers no presaged prescription or anticipated conclusion. What Monument Lab offers is a way of thinking about the world in as open a manner as possible. Monument Lab is a project of inclusion including the real inclusion of Philadelphia’s many unheard voices. Monument Lab recognizes the untapped wisdom of the unacknowledged peoples and the truths that they offer. Monument Lab is a means rather than an end, but one that produces hope in the coming together of voices. 

Monument Lab draws on visual art, oral histories, scholarship and subjugated knowledges—there is no one knowledge that takes precedence over another. It is this openness in both thinking and method that accounts for whatever success Monument Labhas been able to achieve.


*Contributors: Alexander Alberro, Alliyah Allen, Laurie Allen, Andrew Friedman, Justin Geller, Kristen Giannantonio, Jane Golden, Aviva Kapust, Fariah Khan, Homay King, Stephanie Mach, Trapeta B. Mayson, Nathaniel Popkin, Ursula Rucker, Jodi Throckmorton, Salamishah Tillet, Jennifer Harford Vargas, Naomi Waltham-Smith, Bethany Wiggin, Mariam I. Williams, Leslie Willis-Lowry, and the editors 

Artists: Tania Bruguera, Mel Chin, Kara Crombie, Tyree Guyton, Hans Haacke, David Hartt, Sharon Hayes, King Britt and Joshua Mays, Klip Collective, Duane Linklater, Emeka Ogboh, Karyn Olivier, Michelle Angela Ortiz, Kaitlin Pomerantz, RAIR, Alexander Rosenberg, Jamel Shabazz, Hank Willis Thomas, Shira Walinsky and Southeast by Southeast, and Marisa Williamson

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