Celebrating Temple University Press Books at the Association for Asian American Studies conference

This week in North Philly Notes, we spotlight our new Asian American titles, which will be on display at the Association for Asian American Studies conference, April 25-27 in Madison, Wisconsin. Several Temple University Press titles will be celebrated at a reception for new books on Thursday, April 25, at 6:00 pm in the Madison Concourse Hotel.

But wait, there’s more!…

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Temple University Press is hosting a reception at 2:00 pm on Friday, April 26 to celebrate 50 years of publishing. Our Asian American History and Culture series editors are expected to attend.

 

Temple University Press titles in Asian American Studies for 2018-2019

From Confinement to Containment: Japanese/American Arts during the Early Cold Warby Edward Tang, examines the work of four Japanese and Japanese/American artists and writers during this period: the novelist Hanama Tasaki, the actor Yamaguchi Yoshiko, the painter Henry Sugimoto, and the children’s author Yoshiko Uchida. Tang shows how the film, art, and literature made by these artists revealed to the American public the linked processes of U.S. actions at home and abroad. Their work played into—but also challenged—the postwar rehabilitated images of Japan and Japanese Americans as it focused on the history of transpacific relations such as Japanese immigration to the United States, the Asia-Pacific War, U.S. and Japanese imperialism, and the wartime confinement of Japanese Americans.

Anna May Wong: Performing the Modernby Shirley Jennifer Lim, re-evaluates the pioneering Chinese American actress Anna May Wong who made more than sixty films, headlined theater and vaudeville productions, and even starred in her own television show. Her work helped shape racial modernity as she embodied the dominant image of Chinese and, more generally, “Oriental” women between 1925 and 1940. Lim scrutinizes Wong’s cultural production and self-fashioning to provide a new understanding of the actress’s career as an ingenious creative artist.

America’s Vietnam: The Longue Durée of U.S. Literature and Empireby Marguerite Nguyen, challenges the prevailing genealogy of Vietnam’s emergence in the American imagination—one that presupposes the Vietnam War as the starting point of meaningful Vietnamese-U.S. political and cultural involvements. Examining literature from as early as the 1820s, Marguerite Nguyen takes a comparative, long historical approach to interpreting constructions of Vietnam in American literature. She analyzes works in various genres published in English and Vietnamese by Monique Truong and Michael Herr as well as lesser-known writers such as John White, Harry Hervey, and Võ Phiến. America’s Vietnam recounts a mostly unexamined story of Southeast Asia’s lasting and varied influence on U.S. aesthetic and political concerns.

Where I Have Never Been: Migration, Melancholia, and Memory in Asian American Narratives of Return, by Patricia P. Chu. In researching accounts of diasporic Chinese offspring who returned to their parents’ ancestral country, author Patricia Chu learned that she was not alone in the experience of growing up in America with an abstract affinity to an ancestral homeland and community. The bittersweet emotions she had are shared in Asian American literature that depicts migration-related melancholia, contests official histories, and portrays Asian American families as flexible and transpacific. Where I Have Never Been explores the tropes of return, tracing both literal return visits by Asian emigrants and symbolic “returns”: first visits by diasporic offspring. Chu argues that these Asian American narratives seek to remedy widely held anxieties about cultural loss and the erasure of personal and family histories from public memory.

Sticky Rice: A Politics of Intraracial Desire, by Cynthia Wu, examines representations of same-sex desires and intraracial intimacies in some of the most widely read pieces of Asian American literature. Analyzing canonical works such as John Okada’s No-No Boy, Monique Truong’s The Book of Salt, H. T. Tsiang’s And China Has Hands, and Lois-Ann Yamanaka’s Blu’s Hanging, as well as Philip Kan Gotanda’s play, Yankee Dawg You Die, Wu considers how male relationships in these texts blur the boundaries among the homosocial, the homoerotic, and the homosexual in ways that lie beyond our concepts of modern gay identity. Wu lays bare the trope of male same-sex desires that grapple with how Asian America’s internal divides can be resolved in order to resist assimilation.

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Meet Temple University Press’s new acquiring editor, Sarah Munroe!

This week in North Philly Notes, a Q&A with our new acquiring editor, Sarah Munroe. 

Sarah Munroe joined Temple University Press’s editorial team this week. She will be acquiring titles in Asian American studies, gender and sexuality studies, disability studies, literary studies, as well as regional interest. She comes to the Press after experience at West Virginia University Press and the Pew Charitable Trusts. She has an MFA in creative writing with a focus in poetry.

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We asked her about her book and reading habits to get to know her better.

What book(s) are you currently reading?
Friday Black by Nana Kwame Adjei-Brenyah (short stories)
The Water Cure by Sophie Mackintosh (novel)
Indecency by Justin Phillip Reed (poetry)

What’s the last great book you read?
Toddler-Hunting and Other Stories by Taeko Kono – It’s such a deliciously sinister title! The stories were written in the 1960s and set in mid-twentieth century Japan. The restraint and orderliness of the language, setting, and scenarios contrasts surprisingly with the proclivities and obsessions of the characters, yet I found I wanted to recommend each story to a different friend as being somehow meaningful to their own current life situations.

Also, Milkman by Anna Burns—the way its structured is masterful. She tells you up front where it’s going to go, but the back and forth in time and the swelling of nearly overwhelming mundane detail somehow sustains tension and creates suspense leading up to the ending. The images and emotional landscape really stuck with me.

What book made the greatest impression on you?
A Wrinkle in Time by Madeleine L’Engle
Country Music: Selected Early Poems by Charles Wright

Which writers do you love (or hate) the most?
Love: Maggie Nelson, Anne Carson, Elizabeth Bishop, Robert Hass, and every now and then I need to read some Margaret Atwood to feel grounded again.

When and how do you read?
I read on the subway to and from work, usually the New Yorker. During my lunch I like to take a walk to clear my mind for half the time and then read a book while I eat (apologies to my new coworkers if I appear antisocial, it’s my introvert). I read before bed every night, usually a novel. I’ll read in the evenings while my husband plays video games, and in a coffee shop on the weekends while he draws, or in bed on the weekends if I wake up before he does. I wake up early one morning a week to go to my favorite coffee shop and read poetry and some kind of writing book—that keeps me sane.

What book might people be surprised to find on your shelves?
Ha, I have eclectic interests and buy retired books from the library for a quarter with the intention to read and then donate to Free Little Library, so I have amassed an odd assortment. But Mind Hunter by John Douglas has been sitting by my bed for a long time, and I probably won’t donate it when I’m done. I started reading true crime as “research” for a PhD I thought I might try to get, but now I just need to fess up to the fact that I am among the stereotype who consume it.

Who is your favorite fictional hero or heroine?
Does Anne of Green Gables count? She was so plucky. Or Indiana Jones—the scholar adventurist.

What Temple University Press book has particular meaning to you?
2502_regWho Will Speak for America?edited by Stephanie Feldman and Nathaniel Popkin. I attended a Writers Resist event in Philadelphia in January 2017 that was part of the inspiration for this collection. At the time, I was in my last semester in grad school for an MFA in creative writing in poetry at West Virginia University. The MFA program itself was great, fully funded, and it gave me the opportunity to work at WVU Press for two years, which is how I’m now at TUP, so I’m incredibly grateful. However, the pursuit of poetry sometimes made me want to put my head on a desk for a long time. The Writers Resist event though—local writers reading their works and works of others—and the writing and art that came out in response to it, is a testament to the power of writing and creative expression in how it brings people together and offers a communal and individual forum for mourning, for rage, and for hope.

2453_regWhat Temple University Press book would you recommended to someone?
The Man-Not, by Tommy J. Curry. Actually, I have yet to read it—it’s next on my list—so if you read it, we can discuss it!

What book will you read next?
The Rise and Fall of the Dinosaurs: A New History of a Lost World. I got it for Christmas, and it’s since been sitting on the dinosaur bookshelf, time to dust it off.

What three writers would you invite to a dinner party?
I couldn’t. I would be too nervous to meet them and stressed about cooking and what to say and if they like each other and if they mind that one of my dogs just piddled with excitement. I would garden with Louise Glück and possibly discuss murder mysteries, take a walk with Rebecca Solnit, and have whiskey with Margaret Atwood.

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