Fernando Ortiz Today

This week in North Philly Notes, Robin Moore, editor of Fernando Ortiz on Music, writes about the relevance and influence of Ortiz’s writing on Cuban music, history, and culture

Who is Fernando Ortiz, why should anyone care about what he wrote, and what does he have to offer to readers today? Those are important questions, especially given that Ortiz lived and wrote many years ago; that his writings focus primarily on black music in other countries; and that—as an author trained in late nineteenth-century Europe—he inherited many biases toward Afro-descendant expression. As such, some of his observations sound dated or even racist by the standards of the present day. The relevance of his writings in 2018 may not be immediately apparent to everyone.

I first became acquainted with a few of Ortiz’s books as a graduate student at the University of Texas in the early 1990s. I planned to write a dissertation on Cuban music, and Ortiz loomed large as an individual who undertook the first detailed studies of Afro-Cuban culture in that country, based in large part on ground-breaking ethnographic excursions and interviews. His work was impressive in many respects: he published tremendous amounts of material, many thousands of pages over the course his career, and on a wide array of topics. He read widely in half a dozen languages. His knowledge of Cuban history and access to primary and secondary sources supporting such work were extraordinary. Fernando Ortiz on MusicSMIt became clear to me that countless individuals interested in black history, African-influenced languages in the new world, drumming and dance traditions, Afro-descendant religions, the Atlantic slave trade, and other topics had drawn heavily on Ortiz as they pursued academic work in the US, the Caribbean, South America, and elsewhere. Those influenced by his work in the U.S., for example, include the dancer Katherine Dunham; the anthropologist and founder of black studies in the United States, Melville Herskovits; and the art historian Robert Farris Thompson. Simply put, Ortiz was very influential; and if his work had written in English rather than Spanish, I am certain that it would have met an even more enthusiastic reception internationally.

Cuba, along with a few other Latin American/Caribbean countries, has a unique cultural profile because of the large numbers of enslaved Africans brought the island, and the fact that many of them arrived rather late (clandestinely the slave trade continued there well into the 1870s). In broad strokes, Cuba and the United States share a history of European colonization, the decimation of local indigenous populations, and the use of slave labor. Yet the fact that free and enslaved Africans and their descendants have constituted a majority of the island’s population for most of the past two centuries, and that African-derived traditions have been re-created in overt ways there, means that Cuba looks and sounds very different from the United States. I find that the study of Cuban music and history suggests interesting points of comparison for those based in the U.S. It helps us recognize similar Afrodescendant cultural influences in our own country. Cuba’s music and dance traditions that blend influences from West Africa and Europe are quite similar to our own, providing insights into processes of cultural fusion and how Afro-descendant cultures manifest themselves in repertoire such as black gospel. Reading about Cuban and Caribbean history helps us situate US history within a broader framework and makes us realizes that our “unique” cultural forms — from rap to blues to jazz — emerged out of broader processes.

Not only do I find the ethnographic data in Ortiz’s work still broadly relevant, but I consider even his ideological flaws and limitations to be instructive. The post-WWII period, which represents the apex of Ortiz’s career, was one in which leading authors throughout Europe and the Americas began to seriously question racist beliefs about non-European people for the first time. Much of this soul-searching was inspired by the Nazis and their horrendously racist views of non-Arian people, of course, as well as political challenges to colonial rule in Asia, Africa, and elsewhere. Ortiz’s struggles with entrenched Eurocentric points of view, notions of racial and cultural hierarchy, and the “proper place” of Afrodescendant culture within his country represent a corollary to similar debates taking place throughout the Western world and beyond. Including Ortiz in the study of racial debates of the era expands our understanding of such discourse beyond the spheres of U.S. and European academia. It helps “decenter” that literature by underscoring the important contributions and perspectives of those in developing countries. And it helps us better appreciate the true extent of slavery’s impact on politics, culture, and ideology throughout the Western hemisphere.


Revisiting The Kerner Report, 50 Years Later

This week in North Philly Notes, we look at the Kerner Report 50 years later, and our new book,  Healing Our Divided Society edited by Fred Harris and Alan Curtis. 

Following the terrible summer of 1967 disorders in many American cities, like Detroit and Newark, then-President Lyndon Johnson appointed a bipartisan citizens investigative commission, the Kerner Commission, to analyze the sources of unrest and propose solutions.

On February 29, 1968, the Commission issued its historic report which concluded, “Our nation is moving toward two societies, one black, one white – separate and unequal.”

The Commission recommended significant, long run federal government-led progress in reducing poverty, income inequality, wealth inequality and racial injustice in America.

Healing Our Divided Society_smHealing Our Divided Society is a fifty year update of the Kerner Commission, a kind of Kerner Report 2.0, edited by Fred Harris, former U.S. Senator and the last surviving member of the Commission, and Alan Curtis, President of Eisenhower Foundation, the private sector continuation of the Commission—along with contributions by a 23-member National Advisory Council of distinguished Americans, including Nobel Prize winner in Economics Joseph Stiglitz, Children’s Defense Fund President Marian Wright Edelman, and Stanford University Professor Emeritus and Learning Policy Institute President and CEO Linda Darling-Hammond.

“In Healing Our Divided Society,” writes former Secretary of State John Kerry,” Senator Harris and Dr. Curtis have curated brilliant pieces authored by a diverse group of respected experts and activists, to examine the places we’ve gone wrong and wrestle with what we must do to live up to the promise of our country, and respond at last to the alarm bell of the Kerner Report.”

Occupied by the Vietnam War and concerned about the legacy of his domestic policy, President Johnson rejected the “two societies” warning.  But leaders like Dr. Martin Luther King and Senator Robert Kennedy strongly endorsed the Kerner Report in 1968.

Since then, Healing Our Divided Society concludes that there has been only some progress, much of it in the late 1960s and in the 1970s—yet we have learned what works and must assemble “new will” among a broad-based coalition of Americans to legislate a better life for the poor, working class and middle class of all races in the nation.

Over the 50 years since the Kerner Commission, we have elected an African-American president.  There has been an increase in the number of other African-American and Hispanic/Latino elected officials and an expansion of the African-American and Hispanic/Latino middle class.

Yet there has not been nearly enough progress, and, in some ways, things have gotten no better or have gotten worse over the last 50 years.

Celebrating Black History Month with our African American Literature titles

This week in North Philly Notes, we focus on our African American books about books in honor of Black History Month

From Slave Ship to Supermax: Mass Incarceration, Prisoner Abuse, and the New Neo-Slave Novel by Patrick Elliot Alexander

In his cogent and groundbreaking book, From Slave Ship to Supermax, Patrick Elliot Alexander argues that the disciplinary logic and violence of slavery haunt depictions of the contemporary U.S. prison in late twentieth-century Black fiction. Alexander links representations of 2426_reg.gifprison life in James Baldwin’s novel If Beale Street Could Talk to his engagements with imprisoned intellectuals like George Jackson, who exposed historical continuities between slavery and mass incarceration. Likewise, Alexander reveals how Toni Morrison’s Beloved was informed by Angela Y. Davis’s jail writings on slavery-reminiscent practices in contemporary women’s facilities. Alexander also examines recurring associations between slave ships and prisons in Charles Johnson’s Middle Passage, and connects slavery’s logic of racialized premature death to scenes of death row imprisonment in Ernest Gaines’ A Lesson Before Dying.

Alexander ultimately makes the case that contemporary Black novelists depict racial terror as a centuries-spanning social control practice that structured carceral life on slave ships and slave plantations-and that mass-produces prisoners and prisoner abuse in post-Civil Rights America. These authors expand free society’s view of torment confronted and combated in the prison industrial complex, where discriminatory laws and the institutionalization of secrecy have reinstated slavery’s system of dehumanization.

Black Regions of the Imagination: African American Writers between the Nation and the World, by Eve Dunbar, a title in the American Literatures Initiative

Zora Neale Hurston, Richard Wright, James Baldwin, and Chester Himes were all pressured by critics and publishers to enlighten mainstream (white) audiences about race and African American culture. Focusing on fiction and non-fiction they produced between the Harlem Renaissance and the Black Arts Movement, Eve Dunbar’s important book, Bla2239_reg.gifck Regions of the Imagination, examines how these African American writers—who lived and traveled outside the United States—both document and re-imagine their “homegrown” racial experiences within a worldly framework.

From Hurston’s participant-observational accounts and Wright’s travel writing to Baldwin’s Another Country and Himes’ detective fiction, these writers helped develop the concept of a “region” of blackness that resists boundaries of genre and geography. Each writer represents—and signifies—blackness in new ways and within the larger context of the world. As they negotiated issues of “belonging,” these writers were more critical of social segregation in America as well as increasingly resistant to their expected roles as cultural “translators.”

Pimping Fictions: African American Crime Literature and the Untold Story of Black Pulp Publishing, by Justin Gifford, a title in the American Literatures Initiative

“Lush sex and stark violence colored Black and served up raw by a great Negro writer,” promised the cover of Run Man Run, Chester Himes’ pioneering novel in the black crime fiction tradition. In Pimping Fictions, Justin Gifford provides a hard-boiled investigation of hundreds of pulpy paperbacks written by Himes, Donald Goines, and Iceberg Slim (a.k.a. Robert Beck), among many others.

Gifford draws from an im2186_reg.gifpressive array of archival materials to provide a first-of-its-kind literary and cultural history of this distinctive genre. He evaluates the artistic and symbolic representations of pimps, sex-workers, drug dealers, and political revolutionaries in African American crime literature—characters looking to escape the racial containment of prisons and the ghetto.

Gifford also explores the struggles of these black writers in the literary marketplace, from the era of white-owned publishing houses like Holloway House—that fed books and magazines like Players to eager black readers—to the contemporary crop of African American women writers reclaiming the genre as their own.

Black Theatre: Ritual Performance in the African Diaspora, edited by Paul Carter Harrison, Victor Leo Walker II, and Gus Edwards 

Generating a new understanding of the past—as well as a vision for the future—this path-breaking volume contains essays written by playwrights, scholars, and critics that analyze African Americ1429_reg.gifan theatre as it is practiced today.

Even as they acknowledge that Black experience is not monolithic, these contributors argue provocatively and persuasively for a Black consciousness that creates a culturally specific theatre. This theatre, rooted in an African mythos, offers ritual rather than realism; it transcends the specifics of social relations, reaching toward revelation. The ritual performance that is intrinsic to Black theatre renews the community; in Paul Carter Harrison’s words, it “reveals the Form of Things Unknown” in a way that “binds, cleanses, and heals.”

Savoring the Salt: The Legacy of Toni Cade Bambara, edited by Linda Janet Holmes and Cheryl A. Wall

The extraordinary spirit of Toni Cade Bambara lives on in Savoring the Salt, a vibrant and appreciati1900_reg.gifve recollection of the work and legacy of the multi-talented, African American writer, teacher, filmmaker, and activist. Among the contributors who remember Bambara, reflect on her work, and examine its meaning today are Toni Morrison, Amiri Baraka, Pearl Cleage, Ruby Dee, Beverly Guy-Sheftall, Nikki Giovanni, Avery Gordon Audre Lorde, and Sonia Sanchez.

Admiring readers have kept Bambara’s fiction in print since her first collection of stories, Gorilla, My Love, was published in 1972. She continued to write-and her audience and reputation continued to grow-until her untimely death in 1995. Savoring the Salt includes excerpts from her published and unpublished writings, along with interviews and photos of Bambara. The mix of poets and scholars, novelists and critics, political activists, and filmmakers represented here testifies to the ongoing importance and enduring appeal of her work.

Yo’ Mama! New Raps, Toasts, Dozens, Jokes and Children’s Rhymes from Urban Black America, edited by Onwuchekwa Jemie 

Collected primarily in metropolitan New York and Philadelphia during the classic era of black “street poetry” (i.e., during the late 1960s and early 1970s) these raps, signifyings, toasts, boasts, jokes and children’s rhymes will delight general readers as 1453_reg.gifwell as scholars. Ranging from the simple rhymes that accompany children’s games to verbally inventive insults and the epic exploits of traditional characters like Shine and Stagger Lee, these texts sound the deep rivers of culture, echoing two continents. Onwuchekwa Jemie’s introductory essay situates them in a globally pan-African context and relates them to more recent forms of oral culture such as rap and spoken word.

Unbought and Unbossed: Transgressive Black Women, Sexuality, and Representation, by Trimiko Melancon, a title in the American Literatures Initiative

Unbought and Unbossed examines black women’s literary and cultural production of the 1970s and early 1980s. Considering texts in the socio-cultural and historical moments of their production, Trimiko Melancon analyzes representations of black women that not


only transgress racial, gender, and sexual boundaries, but also diverge from both discourses of “whiteness” and constructions of female identity imposed by black nationalism.

Drawing from black feminist and critical race theories, discourses on gender and sexuality, and literary criticism, Melancon illuminates the complexity of black female identity, desire, and intimacy. She sheds light on a more complex black identity, one ungoverned by rigid politics over-determined by race, gender and sexuality, while also enabling us to better understand the black sexual revolution, contemporary cultural moments, and representations in the age of Michelle Obama.

Re-Viewing James Baldwin: Things Not Seen, edited by D. Quentin Miller, foreword by David Adams Leeming

This new collection of essays presents a critical reappraisal of James Baldwin’s work, looking beyond the commercial and critical success of some of Baldwin’s early writings such as Go Tell it on the 1463_reg.gifMountain and Notes of a Native Son. Focusing on Baldwin’s critically undervalued early works and the virtually neglected later ones, the contributors illuminate little-known aspects of this daring author’s work and highlight his accomplishments as an experimental writer. Attentive to his innovations in style and form, Things Not Seen reveals an author who continually challenged cultural norms and tackled matters of social justice, sexuality, and racial identity. As volume editor D. Quentin Miller notes, “What has been lost is a complete portrait of [Baldwin’s] tremendously rich intellectual journey that illustrates the direction of African-American thought and culture in the late twentieth century.”

African American Writing: A Literary Approach, by Werner Sollors

Werner Sollors’ African American Writing takes a fresh look at what used to be called “Negro literature.” The essays collected here, ranging in topic from Gustavus Vassa/Olaudah Equiano to LeRoi Jones/Amiri Baraka, and in time from the Enlightenment to the Obama presidency, take a literary approach to black writing and present writers as readers and as intellectuals who were or are open to the world.
From W.E.B. Du Bois com2396_reg.gifmenting on Richard Wagner and Elvis Presley, to Zora Neale Hurston attacking Brown v. Board of Ed. in a segregationist newspaper, to Charles Chesnutt’s effigy darkened for the black heritage postage stamp, Sollors alternates between close readings and broader cultural contextualizations to delineate the various aesthetic modes and intellectual exchanges that shaped a series of striking literary works.
Readers will make often-surprising discoveries in the authors’ writing and in their encounters and dialogues with others. The essays, accompanied by Winold Reiss’s pastels, Carl Van Vechten’s photographs, and other portraits, attempt to honor this important literature’s achievement, heterogeneity, and creativity.


Celebrating the Olympics and Black History Month

This week in North Philly Notes, we pay tribute to both the Olympics and Black History Month by reposting our Q&A with Tommie Smith for his book Silent Gesture.

Q: Congratulations on your book. Why did you wait almost 40 years to tell your story?
A: My life wasn’t ready to be told in story until there was a closure with my athletic, teaching, and coaching career. The time I needed to devote to such an adventure was too great. You have to begin somewhere to be great. The race began in 1968 and now it is time to tell the journey of “how did I get to this race, and where did I go when it was over?”

Q: You say you “never regretted” your actions on the victory stand, “and never will”—that it was, as you write—”something I felt I had no choice in doing.” Did you think at the time that your protest would become one of the most famous protests in sports history?
A: I do not feel remorseful about the act on the victory stand as it was an act of “faith.” Because I believe in “hope” for our changing society, the evidence of non-equality had to be challenged. At the time, my “visual” on the victory stand was not thought of as a portrait to be classified as a picture of history, but as a cry for freedom.

Q: Do you think that such a protest could take place now?
A: Making the same gesture now is defeat; let us repeat the cry with sounds of understanding and deliverance.
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“This is a book about principle, commitment, belief; and consequences. And the consequences of consequences. Tommie Smith says his gesture was done in the name of human rights, and in these pages, he offers himself up, in the fullest-the complexity, the scars, the pain, and the affirmation of his own humanity. Should there ever be an appointed time, would that I might show half the commitment and courage. Bravissimo!”
Delroy Lindo

Q: Can you briefly describe the Olympic Project for Human Rights and discuss your participation in it?
A: The Olympic Project for Human Rights was a non-violent platform used in the athletic arena as a cry for freedom. It originated on the San Jose State University campus in 1967. I was one athlete who chose to involve myself for the human rights issues.

Q: You and your family received death threats and hate mail before and after Mexico City. Were you prepared for this? How did you handle living in fear?
A: My family received hate mail and death threats which altered our daily routine, but we had to continue to remain calm and socially aware. There are still some [people] who do not change and there are some who have made progress.

Q: You have been “forever linked” with John Carlos (Bronze medal winner at the 1968 Mexico City games) on and off since the Olympics. How has your relationship with him been over the years since your “silent gesture”?
A: I had not known John Carlos until my senior year in college, in 1967. Since then, my response to John has been a respectful acquaintance.

Q: You talk about how San Jose State welcomed you back and dedicated a statue to you and John Carlos. How have attitudes towards you—and your actions—changed over time?
A: When I returned to the San Jose State University for the statue dedication, attitudes were fresh, warm and respectful. The student body and administration was knowledgeable and unafraid in their quest to identify pioneers from the past and ideally, former students such as John Carlos and me.

Q: You have worked as a track & field coach and talk about your coaches in Silent Gesture. Do you have any particular mentors and coaches that influenced you?
A: There are two coaches in my past that I will forever remember because of their knowledge and their social attitude. They were positive “in the time of need.” Lloyd C. “Bud” Winter, my college coach and Bill Walsh, my professional football area coach with the Cincinnati Bengals.

Q: Silent Gesture dispels the rumors that you were a member of the Black Panthers. Your book also clears the record that the Mexico City Olympic Committee did not take for your medals back, or throw you out of the Olympic Village. Can you discuss these rumors?
A: Tommie Smith has never been a Black Panther. I am still in possession of my gold medal—I won the race fair and square, and so the medal is mine. I stayed in the Olympic Village until the race was over, and I returned the next day to get my belongings. As I was leaving, the press was everywhere, so kicking me out of the Olympic Village was a “helpful exit.”

Q: I understand at one point in time you were interested in selling your medals. Is that true? Why did you consider this?
A: I will answer a question with a question…Can you find a Humanitarian donor for $500,000?

Q: You are a hero to many for your actions—who were your heroes?
A: Dr. Martin Luther King Jr., a man who had a Dream of Freedom and Equality, and my father, Richard Smith, who taught me pain is obvious, but how you react is not.

Q:  What do you think yo ur legacy will be?
A: I want to leave a legacy that says, “Tommie Smith was a Man who also had a Dream and a Vision and his Standing was not in vain.”



Remembering Allan G. Johnson

Temple University Press was deeply saddened to hear of the loss of author Allan G. Johnson. He was the author of the press bestsellers The Forest and the Trees and The Gender Knot, as well as the memoir, Not From Here. 

His obituary, reprinted below, was published January 7 in the New York Times and the Hartford Courant.  If anyone would like to leave memories or condolences, please use this legacy.com site


Noted sociologist and novelist Allan G. Johnson, an influential figure in the profeminist men’s movement and the broader progressive movements for social justice, died on December 24 at his home in Canton, Connecticut, surrounded by family and friends. He was 71. Author both of nonfiction books and novels, his work coupled keen analysis with engaging, accessible writing in books addressing gender, race, and class. Best known among them are The Gender Knot, and Privilege, Power, and Difference. “Allan was passionately committed to ending men’s violence against women, which is how I was initially drawn to his work, and to him,” said the author and cultural critic, Jackson Katz. “He made a major contribution to our theoretical and practical understanding of how men-especially white men-can and should play a role in the struggles for gender, racial and economic justice.” Paula Rothenberg, editor of Race, Class, and Gender in the United States said by unraveling society’s patriarchal legacy, The Gender Knot was “one of the best, most readable, and most comprehensive accounts of patriarchy that is available in print.”

Born on January 26, 1946, the son of Valdemar Nels Johnson of Sequim, Wash., and Alice Griswold Johnson of Newburyport, Mass., Allan lived in Washington, D.C. until he was six, when his family moved to Oslo, Norway for two years, where his father was posted with the U.S. Navy. Upon returning to the U.S., the family settled in Andover, Massachusetts. Johnson began writing while in high school at Philips Andover Academy, graduating with prizes in poetry and short fiction in 1964. He earned his B.A. in Sociology and English at Dartmouth College, and a Ph.D. in Sociology at the University of Michigan. His dissertation focused on women’s roles in Mexico City, where he lived for eight months.

It was while he was a professor of sociology at Wesleyan University in Middletown, Connecticut, that he began a lifelong commitment to understanding the fundamental nature of social life and systems of oppression and privilege, including how and why systems of privilege are created and maintained by society. The issue that first drew him to these problems was men’s violence against women. In the late 1970s, he began volunteering at the Rape Crisis Service in Hartford, Conn. He developed an undergraduate course on the sociology of gender to explore the structure and culture of patriarchal systems and male privilege. A consultant with the National Center for the Prevention of Rape, he served on the board of the Connecticut Coalition against Domestic Violence, as well as testifying before the state judiciary committee on laws to protect the rights of sexual assault victims.

His first book, Social Statistics without Tears, was published in 1976. After leaving Wesleyan, he wrote his next book, Human Arrangements: An Introduction to Sociology. During this time he also rediscovered his love of fiction, writing short stories and working for a brief time in San Miguel de Allende, Mexico, with the American novelist, poet, and editor, Leonard Wallace Robinson. Returning to the U.S., he joined the faculty at Hartford College for Women where he taught sociology and women’s studies. During this period, he wrote his most important nonfiction works, including The Gender Knot: Unraveling Our Patriarchal Legacy; The Forest and the Trees: Sociology as Life, Practice, and Promise; The Blackwell Dictionary of Sociology; and Privilege, Power, and Difference.

In 1995, he began speaking and conducting trainings around the country addressing topics of race and gender, initially on behalf of diversity consulting firms in corporate settings. Following publication of The Gender Knot, he shifted his focus to presentations and workshops at colleges, universities, and non-educational settings. He also blogged regularly at http://www.agjohnson.us.

His first novel, The First Thing and the Last, was published in 2010 after meeting with considerable resistance from mainstream publishers because of its realistic portrayal of domestic violence. Publishers Weekly recognized it as a notable debut work of fiction, and Oprah Magazine listed it as one of ten “Great Reads” in April, 2010. Nothing Left to Lose, his second novel, was published the following year and revolved around an American family in crisis during the Vietnam War.

Not from Here was his last book, a memoir published in 2015 that explored the meaning of being white in North America. In addition to his writing, Allan was an avid swimmer and musician. He continued to swim a mile a day at a local pool until just before his death, and passed his love for swimming on to his children and grandchildren. He studied jazz piano as an adult and his house was always filled with music.

Allan is survived by his beloved life partner, Nora Jamieson, a healer, writer, and gatherer of women with whom he shared his life for 37 years; his sister, Annalee Johnson of Newburyport, Mass.; his brother, Dudley Paul Johnson of Alberta, Canada; his children, Paul Johnson of Arlington, Mass. (Karla MacDonald), and Emily Johnson of Los Angeles, Calif.; his niece, Petra Jamieson Gillette of Alstead, NH, and four grandchildren, Andrew, Fiona, Oscar and Simon. He also is survived by his beloved dog Roxie.

“He was a man of integrity and depth of soul,” Nora said of him, “who carried and wrote of suffering, creating exquisite beauty that pierced the heart. More than anything, Allan wanted to walk the path of a real human being.”

Following a home funeral and family-led graveside service, Johnson was buried in the North Canton Cemetery on December 29. A memorial gathering to honor his life is being planned for a later date. For updates on details please subscribe to https://www.caringbridge.org/visit/allanjohnson5. Individuals wishing to make a contribution in his memory can do so by donating to WorldTrust (https://world-trust.org).


Temple University Press’s 2017 Best Sellers

This week in North Philly Notes, we showcase our most popular books of the past year: The Top 10 best sellers of 2017!

  1. Philadelphia: Finding the Hidden Cityby Joseph E. B. Elliott, Nathaniel Popkin, and Peter Woodall. Revealing the physical and cultural intricacies of Philadelphia, from the intimate to the monumental.
  2. The Man-Not: Race, Class, Genre, and the Dilemmas of Black Manhoodby Tommy J. Curry. Introduces the conceptual foundations for Black Male Studies, going beyond gender theories that cast the Black Male as a pathological aspiring patriarch.
  3. The Forest and the Trees: Sociology as Life, Practice, and Promise, Third Editionby Allan G. Johnson. An updated exploration of sociology as a way of thinking.
  4.  Tasting Freedom: Octavius Catto and the Battle for Equality in Civil War America, by Daniel R. Biddle and Murray Dubin. The life and times of the extraordinary Octavius Catto, and the first civil rights movement in America.
  5. The New Eagles Encyclopedia, Ray Didinger with Robert Lyons. The best-selling book on the Philadelphia Eagles, completely updated and expanded.
  6. The Possessive Investment in Whiteness: How White People Profit from Identity Politics, Revised and Expanded Edition, by George Lipsitz. A widely influential book—revised to reveal racial privilege at work in the 21st century.
  7. Historical Thinking and Other Unnatural Acts: Charting the Future of Teaching the Past, by Sam Wineburg, How do historians know what they know?
  8. We Make the Road by Walking: Conversations on Education and Social Change, by Myles Horton and Paulo Freire, edited by Brenda Bell, John Gaventa, and John Peters. Two pioneers of education discuss their diverse experiences and ideas.
  9. Believing in Cleveland: Managing Decline in “The Best Location in the Nation,” by J. Mark Souther. Explores how civic and business leaders used image-making in an effort to reimagine and revive Cleveland in the decades after World War II.
  10. Phil Jasner “On the Case:” His Best Writing on the Sixers, the Dream Team, and Beyond, edited by Andy Jasner. Three decades of reporting by renowned Philadelphia Hall of Fame sportswriter Phil Jasner.



What Temple University Press staff wants to give and gift this holiday season

This week in North Philly Notes, the staff at Temple University Press suggest the Temple University Press books they would give along with some non-Temple University Press titles they hope to read and receive this holiday season. 

Mary Rose Muccie, Director

1761_reg.gifGive: Just in time for Christmas, we’ve reprinted P Is for Philadelphia, an alphabet book, beautifully illustrated by Philly school children, that celebrates everything that makes the city great. I’ll be giving it to my 7-year-old niece, Hailey, and can’t wait to read it with her.

Get: Earlier this year I read a review of The Bedlam Stacks, by Natasha Pulley and have had it on my list ever since. Set in mid-1800’s Peru, it’s a combination of science fiction and fantasy, mystery and adventure. If I don’t get it, I’ll be giving it to myself!

Irene Imperio, Advertising and Promotions Manager
Give: P Is for Philadelphia. Although Amazon doesn’t have copies we do!!!  And it’s fun for the whole family!

Karen Baker, Financial Manager2427_reg.gif
Give: I would give We Decide!, by Michael Menser, to my son-in-law because he is very interested in politics and democracy.

Get: I would like to receive I Can’t Make This Up: Life Lessons by Kevin Hart because I think he is hilarious.

Ryan Mulligan, Editor 

GiveThe Cost of Being a Girl I’ve discovered while publishing this book that there are people on Twitter who search for the phrase “wage gap” just to tell anyone who happens to be talking about it that the concept is a myth – that women’s wages are lower because they have less experience on average and go into lower-paying fields.

2400_reg.gifThe irony is, this book takes that contention head-on by looking at a population where all labor is equally unqualified and low-skilled: teenage workers entering the workforce for the first time in fields like retail and food service. Even here though, Besen-Cassino shows us that male workers are fast-tracked towards management, while female workers are pegged for “aesthetic labor” and “emotional work” that pays less and takes a significant toll on the worker’s well-being. These dynamics not only reveal the biases of the workplace, but set teens on unequal tracks that continue into adulthood. And the book is really compelling reading. So I’d give this book to all those Twitter trolls.

GetLocked In: The True Causes of Mass Incarceration and How to Achieve Real Reform by John Pfaff.  A lot of criminologists I talk to are really excited about this book. Mass Incarceration is one of the US’s defining issues of the day, of concern across the political spectrum thanks to its disproportionate hold relative to the rest of the world, its effect on American families, and its costs. Pfaff’s contribution, undertaking a sensical review of the dauntingly hard-to-consolidate evidence, sounds like discovering a new verse to a song you thought you knew by heart.

Ann-Marie Anderson, Marketing Director

Give:  2453_reg.gifI’d give a copy of Tommy Curry’s The Man-Not to aid in understanding the stereotypes (and oppression) of black men.

Get: I’ve already received my holiday supply of books to read, but I have just learned about Soul of a Nation: Art in the Age of Black Power, a survey of African American art from 1963-83 which was a crucial period in American art history.  The book purports to bring to light previously neglected black artists, like Sam Gilliam, Melvin Edwards, Faith Ringgold, Betye Saar, and many others.

Sara Cohen, Editor

Give: This holiday season, I’ll be getting my friends and family copies of Philadelphia: Finding the Hidden City. As the editor of this book, I learned a ton about Philadelphia’s Gilded Age history, and it’s really changed the way I think about and read 2381_reg.gifour city.  It’s a great gift for the urban historian/architecture critic/fine photography connoisseur/Philadelphian in your life.

Get: Mary Shelley’s Frankenstein. I haven’t read it since I became a mother, and because it’s partially about how weird it is to create and be responsible for another being, I’ve been meaning to reread it.  Plus, 2018 will be the 200th anniversary of the book, and rereading it seems like a great way to celebrate it’s bicentennial.

Aaron Javsicas, Editor-in-Chief

Give: Pennsylvania Stories–Well Told, by Bill Ecenbarger. Bill is a superb writer, and he showcases some 2445_reg.gifof the wonderful weirdness — but also nobility, industry, and the dark side — of our often overlooked commonwealth. From the Pennsylvania pencil and fireworks industries, to the turnpike, to the author’s ride-along with John Updike, to the unfortunately significant presence of the Klan, Ecenbarger treats his subjects with humor, insight, and honesty. I love this state and know a lot of other folks who do too, so this will be an ideal gift.

GetGood Neighbors: The Democracy of Everyday Life in America, by Nancy Rosenblum. National politics over the last eighteen months or so have been quite inspirational — by which I mean, it has inspired me to focus local politics. This book looks like a great way to get your mind around what that means, by examining our neighborly democratic interactions. Local relationships form the underlying fabric that supports our larger democracy, so what makes that fabric strong or weak?

Joan Vidal, Senior Production Editor

GivePennsylvania Stories—Well Told, by master storyteller William Ecenbarger. This compelling collection of articles originally published in the Philadelphia Inquirer Magazine, which features topics that range from Byberry to Zambelli Fireworks to deer hunting to John Updike, makes a perfect gift for anyone interested in Pennsylvania history and popular culture.

Get: the novel Lilli de Jongby Philadelphia author Janet Benton, which tells the story of a young Quaker woman who decides to keep her baby girl after giving birth in an institution for unwed mothers in 1883 Philadelphia. Through a series of journal entries that detail her struggles, she sheds light on the daily lives and social norms of the people and communities around her.

2456_reg.gifDave Wilson, Senior Production Editor

Give: Phil Jasner “On the Case”. This book is about the long-time Philadelphia Daily News sports writer and Naismith Hall of Famer who had a tireless work ethic in his quest to report Philadelphia sports. Phil’s son, Andy, also a sports writer, assembled a book showing just a sliver of his dad’s greatest moments and Phil’s passion to report accurately while exhibiting a tireless work ethic. This book is a wonderful tribute by a son to this father. The book shows the amazing relationships Phil had with great Philadelphia sports legends, and the chapter introductions from prominent Philadelphia sports figures make this an entertaining and touching read.

Nikki Miller, Rights and Permissions Manager


GiveExploiting the Wilderness by Greg L. Warchol as a holiday gift.  As an animal lover, I think this is a great book that offers a look into the wildlife crime that occurs in Africa and what can be done to stop it.

GetLilac Girls by Martha Hall Kelly.  I’ve read great reviews about this book and can’t wait to start reading it over the holidays.

Kate Nichols, Art Manager

GiveKalfou: A Journal of Comparative and Relational Ethnic Studies, published by Temple University Press on behalf of the UCSB Center for Black Studies Research. As per George Lipsitz, the Senior editor, “In addition to its featured peer-reviewed scholarly articles, Kalfou devotes parts of each issue to short features focused on the places where ideas, activism, and art intersect.” As Volume 4, Issue 2 was just published, the journal is more important and timely than ever.

Rachel Elliott, Marketing Assistant

Give: 2384_reg.gifThe Audacity of Hoop by Alexander Wolff, because it is a visually compelling book that brings the president, often an inaccessible figure, down to the real world. We get to see him as he is in real life.
GetWe Should All Be Feminists because it has been recommended to me several times already! I love learning more about women’s issues and inclusive feminism and this book explores exactly that!

1912_reg.gifGary Kramer, Publicity Manager

Give: I recently attended the 20th-anniversary party for Ellen Yin’s restaurant, Fork. While the menu has changed since she published her memoir/cookbook Forklore, the recipes and stories collected in her fabulous book are timeless, and still wonderful to read and savor.

Get: I’ve been wanting to read Sherman Alexie’s You Don’t Have to Say You Love Me since it was published. One of my favorite authors has written a memoir about his mother. But I just know this is going to break my heart, so I’ve been resisting it. But if someone gave it to me, I’d feel obligated to read it.

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