Announcing the new issue of Kalfou

This week in North Philly Notes, we present the table of contents for the new issue of Temple University Press’s journal, Kalfou, edited by George Lipsitz.

Please recommend to your library!   • To subscribe: click here  

Kalfou_generic-cover_102015
Vol 6 No 1 (2019): Kalfou: A Journal of Comparative and Relational Ethnic Studies
Feature Articles

Art and Social Action

Teaching and Truth

In Memoriam

Book Reviews

Kalfou is a scholarly journal focused on social movements, social institutions, and social relations. We seek to build links among intellectuals, artists, and activists in shared struggles for social justice. The journal seeks to promote the development of community-based scholarship in ethnic studies among humanists and social scientists and to connect the specialized knowledge produced in academe to the situated knowledge generated in aggrieved communities.

Kalfou is published by Temple University Press on behalf of the UCSB Center for Black Studies Research.

 

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Announcing Temple University Press’ Fall 2019 Books

This week in North Philly Notes, we showcase the titles on Temple University Press’ Fall 2019 catalog.

 

Action=Vie: A History of AIDS Activism and Gay Politics in France, by Christophe Broqua
Chronicling the history and accomplishments of Act Up-Paris

The Battles of Germantown: Effective Public History in America, by David W. Young
Lessons from Philadelphia’s Germantown neighborhood on how the public engages the past

Campaigns of Knowledge: U.S. Pedagogies of Colonialism and Occupation in the Philippines and Japan, by Malini Johar Schueller
Making visible the afterlives of U.S. colonial and occupation tutelage in the Philippines and Japan

Disabled Futures: A Framework for Radical Inclusion, by Milo W. Obourn
Offering a new avenue for understanding race, gender, and disability as mutually constitutive through an analysis of literature and films

Feminist Post-Liberalism, by Judith A. Baer
Reconciling liberalism and feminist theory

Immigrant Rights in the Nuevo South: Enforcement and Resistance at the Borderlands of Illegalityby Meghan Conley
Examining the connections between repression and resistance for unauthorized immigrants in the U.S. Southeast

Invisible People: Stories of Lives at the MarginsAlex Tizon; Edited by Sam Howe Verhovek; Foreword by Jose Antonio Vargas
Unforgettable profiles of immigrants, natives, loners, villains, eccentrics, and oracles

Japanese American Millennials: Rethinking Generation, Community, and Diversity, Edited by Michael Omi, Dana Y. Nakano, and Jeffrey T. Yamashita
A groundbreaking study of ethnic identity and community in the everyday lives of Japanese American millennials

Protestors and Their Targets, Edited by James M. Jasper and Brayden G King
Examining the dynamics when protesters and their targets interact

Latinx Environmentalisms: Place, Justice, and the DecolonialEdited by Sarah D. Wald, David J. Vazquez, Priscilla Solis Ybarra, and Sarah Jaquette Ray
Putting the environmental humanities into dialogue with Latinx literary and cultural studies

Little Italy in the Great War: Philadelphia’s Italians on the Battlefield and Home Frontby Richard N. Juliani
How Philadelphia’s Italian community responded during World War I

Memory Passages: Holocaust Memorials in the United States and Germanyby Natasha Goldman
Considers Holocaust memorials in the United States and Germany, postwar to the present

Monument Lab: Creative Speculations for Philadelphia, Edited by Paul M. Farber and Ken Lum
A living handbook for vital perspectives on public art and history

Pennsylvania Politics and Policy: A Commonwealth Reader, Volume 2Edited by J. Wesley Leckrone and Michelle J. Atherton
Addressing important issues in Pennsylvania politics and policy in a constructive, nonpartisan manner

Power, Participation, and Protest in Flint, Michigan: Unpacking the Policy Paradox of Municipal Takeovers, by Ashley E. Nickels
The policy history of, implementation of, and reaction to Flint’s municipal takeovers

Public City/Public Sex: Homosexuality, Prostitution, and Urban Culture in Nineteenth-Century Parisby Andrew Israel Ross
How female prostitutes and men who sought sex with other men shaped the history and emergence of modern Paris in the nineteenth century

Reencounters: On the Korean War and Diasporic Memory Critique, by Crystal Mun-hye Baik
Examines the insidious ramifications of the un-ended Korean War through an interdisciplinary archive of diasporic memory works

The Rise and Fall of America’s Concentration Camp Law: Civil Liberties Debates from the Internment to McCarthyism and the Radical 1960sby Masumi Izumi
Dissecting the complex relationship among race, national security, and civil liberties in “the age of American concentration camps”

Rock of Ages: Subcultural Religious Identity and Public Opinion among Young EvangelicalsJeremiah J. Castle
Are young evangelicals becoming more liberal?

Stan Hochman Unfiltered: 50 Years of Wit and Wisdom from the Groundbreaking Sportswriter, Edited by Gloria Hochman, Foreword by Angelo Cataldi, With a Message from Governor Edward G. Rendell
50 years of classic columns from one of Philadelphia’s most beloved sportswriters

Strategizing against Sweatshops: The Global Economy, Student Activism, and Worker Empowerment, by Matthew S. Williams
Explores how U.S. college students engaged in strategically innovative activism to help sweatshop workers across the world

Taking Juvenile Justice Seriously: Developmental Insights and System Challenges, by Christopher J. Sullivan
Comprehensive developmental insights suggest pragmatic changes to the complexity that is the juvenile justice system

The Age of Experiences: Harnessing Happiness to Build a New Economy, by Benjamin Kline Hunnicutt, With a Foreword by B. Joseph Pine II
How the booming experience and transformation economies can generate happiness—and jobs

The Subject(s) of Human Rights: Crises, Violations, and Asian/American Critique, Edited by Cathy J. Schlund-Vials, Guy Beauregard, and Hsiu-chuan Lee, With an Afterword by Madeleine Thien
Considers the ways Asian American studies has engaged with humanitarian crises and large-scale violations

Mourning the loss of lindy hopper and author Norma Miller

This week in North Philly Notes, we re-post the obituary from the May 5 issue of the New York Times that celebrated the life of Norma Miller, author of Swinin’ at the Savoy

By Robert D. McFadden

swingin at the savoyNorma Miller, who danced the Lindy Hop on Harlem sidewalks as a child, and as a teenager dazzled crowds on international tours in the 1930s and early ′40s doing the same kicks, spins and drops that had made it a Jazz Age jitterbug craze, died on Sunday at her home in Fort Myers, Fla. She was 99.

Her longtime manager and caretaker, John Biffar, announced her death.

Among the cultural prodigies who arose after the aviator Charles A. Lindbergh’s “hop” from New York to Paris in 1927 — hence the dance’s name — Ms. Miller, known as the “Queen of Swing,” was the youngest recruit and last survivor of the original Lindy Hoppers, the all-black Herbert White troupe that broke in at Harlem’s Savoy Ballroom and popularized the Lindy Hop in Broadway shows, on tours of Europe and Latin America, and in Hollywood films.

In the movies, she danced and sang in memorable black-cast numbers in the Marx Brothers’ “A Day at the Races” (1937) and in the madcap Olsen and Johnson comedy “Hellzapoppin’ ” (1941). She later thrived as a choreographer, comedian, television actor and author, and was honored by the National Endowment for the Arts in 2003 as a conservator of the Lindy Hop.

With her own black companies, the Norma Miller Dancers and Norma Miller and Her Jazzmen, she joined early fights to undermine segregation in the nightclubs and casinos of Miami Beach and Las Vegas, where black entertainers — even stars like Nat King Cole and Sammy Davis Jr. — drew big crowds but afterward had to leave through the kitchen and stay in segregated accommodations.

A child of poverty whose father died before she was born, Ms. Miller lived with her mother and sister in a cramped, noisy Harlem apartment, whose back windows looked out on the ballroom that would be her steppingstone to stardom. On the horizon were professional friendships with Duke Ellington, Count Basie, Ella Fitzgerald, Billie Holiday, Artie Shaw and other musical legends.

She was discovered on Easter Sunday 1932 by the great swing dancer Twist Mouth George Ganaway as she flashed her moves on the sidewalk outside the Savoy, a blocklong rhythm factory on Lenox Avenue between West 140th and 141st Streets. She was only 12, too young even to get into the swanky, mirrored emporium of swing that Langston Hughes called “the heartbeat of Harlem.”

“I was a precocious youngster,” Ms. Miller said in “Queen of Swing,” a 2006 documentary on her life. Mr. Ganaway spotted her performance and gave her a Coca-Cola. From inside the Savoy, a swing band’s hard-driving sound beat its way to the sidewalk, and there she and Mr. Ganaway danced.

“He swung me out,” she recalled. “I don’t know if I ever hit the floor. He just flew me all around.”

Norma, wiry and nimble, already knew some Lindy Hop moves: the swing out, the hip-to-hip, the side-flip, the sugar push. Mr. Ganaway was impressed. He took her into the Savoy, ignoring the technicality of her age, and they were soon captivating the regulars with through-the-legs slides, over-the-head flips and acrobatic aerial lifts. Later, they won a Lindy Hop contest at the Savoy.

She continued to improve. After watching her win the Harvest Moon Ball dance contest at the Apollo Theater in 1934, Herbert White invited her to join his new troupe, the Lindy Hoppers. She agreed, and at 15 came under the tutelage of Mr. White’s choreographer,  Frankie Manning, the master of swing-era dances, who was the inspirational coach of the Lindy Hoppers.

What followed over the next few years was the professional education of a dancer: the wider world of hard work and the excitement and grind of travel to faraway places, of dancing in Broadway shows and on a seven-month tour of Paris, London and other European cities, then performances across America with Ethel Waters and a girl’s first adventure in Hollywood.

She was not quite 18 when she met the Marx Brothers, Allan Jones and Maureen O’Sullivan on the Metro-Goldwyn-Mayer lot and made her film debut in “A Day at the Races.” She danced and sang with the Lindy Hoppers in the well-known black-cast barn scene number, “All God’s Chillun Got Rhythm,” which featured Ivie Anderson and Duke Ellington’s orchestra. The Lindy Hop sequence was nominated for an Academy Award for dance direction.

Ms. Miller and the Lindy Hoppers were showcased in the Broadway musical revue hit “Hellzapoppin’ ” in 1938 and in 1941 appeared in the Hollywood version, both of which starred Ole Olsen, Chic Johnson and Martha Raye. It was a slashing satire of show business, with slapstick mayhem, horned demons, collapsing staircases and fun house slides that led straight to hell.


In a sequence widely regarded as the best example of the Lindy Hop on film, four couples in backstage-workers’ get-ups swing out, one after the other, into acrobatic shines at a frenetic tempo. Ms. Miller and Billy Ricker, dancing in chefs caps like animated rag dolls, execute breathtaking flips, slides, kicks, splits, lifts and lightning moves that seem to defy gravity and human speed limits

After completing the filming, the Lindy Hoppers flew to Brazil and were performing in Rio de Janeiro when the bombing of Pearl Harbor plunged the United States into World War II. Unable to find transportation home, the troupe toured for six months in South America before returning home exhausted and nearly broke.

With the war on, the Lindy Hop began to fade as musical tastes changed. In 1942, Ms. Miller made her last tour with the Lindy Hoppers, appearing in New York, Washington and Baltimore. When her dance partner was drafted into the military, she left the troupe, which disbanded soon after. While her career went on for decades, it never returned to the high notes of her early years.

The Savoy Ballroom, which opened in 1926 and brought blacks and whites together in an era of racial segregation, was torn down in 1958 to make way for a housing project. On any given night, thousands had packed its hardwood floors as swing music by Ellington, Basie or Chick Webb inspired the Norma Millers.

“Black girls didn’t have many outlets,” she told a Florida radio station in 2015, eight decades after her heyday. “You had laundry. You had hairdresser. Or teacher. Now, I didn’t qualify for any of those. I could dance. I could just do it naturally.”

Norma Miller was born in Harlem on Dec. 2, 1919, the second daughter of Norman and Alma Miller, immigrants from Barbados. Her father, a shipyard worker, died of pneumonia a month before her birth, and her mother worked as a charwoman to raise her and her sister, Dot. Norma was fascinated with dance, and her mother, though struggling to pay rent, enrolled her in Saturday dance classes. Norma danced at her mother’s “rent parties,” as friends chipped in.

In the Roaring Twenties, music was everywhere in Harlem, but after 1929, when the Millers moved into a tenement apartment on West 140th Street, swing from the Savoy boomed nightly through their back windows. Looking out on the ballroom’s rear windows, Norma saw dancing patrons as shadows moving behind the curtains, doing the Charleston and the Lindy Hop.

She and her friends practiced the dances in the gym at her school, P.S. 136, and after church on the sidewalk outside the Savoy, where Mr. Ganaway discovered her. As her talents grew, she was enrolled at the Manhattan School of the Arts on the Upper West Side.

After her meteoric Lindy Hop career, Ms. Miller reinvented herself in 1952. She founded and choreographed the Norma Miller Dancers, a jazz-dance troupe that toured America and Australia for two years, then joined Count Basie on a national tour. In the pervasive racial segregation of the day, Ms. Miller and her group faced daily reminders of their secondary status in renting rooms, riding in the back of buses, dining in black eateries and sometimes confronting white protests.

In 1957, the Norma Miller Dancers played long-running engagements in Miami Beach and Las Vegas as part of an extravagant production called the “Cotton Club Revue.” The show, starring Cab Calloway and a 48-member all-black cast, drew huge nightly audiences for months. But it also stirred racial unrest, as had been anticipated: Every cast member was given an identity card issued by the police, and after each show had to retreat to a “colored” hotel.

“We were to be the first all-black show to play the Beachcomber in Miami Beach,” Ms. Miller recalled in “Stompin’ at the Savoy: The Memoir of a Jazz Dancer” (2003, with Evette Jensen). “During rehearsal, racial tensions surfaced. The day of our big dress rehearsal, there were headlines in The Miami Sun telling Murray Weinger” — a Miami nightclub owner — “that they didn’t want his colored show on the beach.”

Ms. Miller lived in Las Vegas for much of the 1960s and ′70s. She did comedy routines in clubs with Redd Foxx and taught children’s dance classes. In 1972, she entertained American troops in Vietnam. She had roles in three of Mr. Foxx’s NBC sitcoms: “Sanford and Son” in 1973-74, “Grady” in 1976, and “Sanford Arms” in 1977.

Besides “Queen of Swing,” John Biffar’s documentary on her life, Ms. Miller appeared in at least nine other documentaries on dance, black comedy and other subjects, including Ken Burns’s PBS series “Jazz” (2000). She was the subject of a children’s book by Alan Govenar, “Stompin’ at the Savoy: The Story of Norma Miller” (2006). Her own books include “Swing Baby Swing” (2010, with Darlene Gist), a chronicle of swing dancing over her century.

Ms. Miller, who never married and left no immediate survivors, had a long-term relationship with fellow Hellzapoppin’ performer Roy Glenn, who died in 1971. She traveled widely to appear at swing and jazz festivals and give talks on her dancing days. “The Savoy was our community,” she told Bobby White in one interview in 2016, “and the dance floor was the place we found freedom.”

In 2018, Ms. Miller appeared at the Herrang Dance Camp in Sweden, an annual gathering since the 1980s of Lindy Hop lovers from around the world. “A place like this is unbelievable,” she said. “It’s like Brigadoon” the musical about a Scottish village that magically reappears once every 100 years.

Why Everyday Life Matters

This week in North Philly Notes, Ulka Anjaria, author of Reading India Now, explains the importance of reading literature to understand the Indian present and its political futures.

The Indian general elections are once again upon us. Like the upcoming U.S. election, this one too is fraught with anxiety about whether the country will re-elect the right-wing party of its incumbent prime minister. As part of legitimate fears about a global right-wing turn, this is the brief period when Indian politics becomes global news. But what is happening in India between globally-significant elections? What is the daily life of this fast-changing country beyond institutional politics, what are the stories that might never make global headlines? How are people coming to terms with recent changes – not only at the voting booth, but as they imagine their everyday lives?

When I spent a fellowship year living in Mumbai in 2015-16, one of the many things I was struck by was how distant both scholarship and the news media are from everyday life in India. There were several disturbing and violent, national-level events that occurred that year, such as the assassination of Kannada writer M. M. Kalburgi in August and the Award Wapsi movement that followed, where dozens of writers protested the government’s increasing indifference to mob violence by returning their national literary awards. A beef ban was instituted in Maharashtra, exposing the encroachment of Hindu hegemony on eating practices in the supposedly secular nation. Rohith Vemula, a Dalit student, committed suicide in Hyderabad, revealing the continuing casteism that plagues even university campuses. But in between these events, daily life went along at an everyday rhythm, much as it does around the world. Looking around to see where I could begin to read about this everyday rhythm, I found that it was largely absent in the news media and in scholarly accounts. While the news media, in both India and abroad, focuses mostly on party politics and violent events, scholarship tends to take a longer view, uncovering the influence of historical forces such as colonialism and Partition on the Indian present. While both of these are important tasks, I found that I had to turn to literature, specifically contemporary Indian literature, to begin to understand the contours of the Indian present.

Reading India Now_SMFor in fact, India is experiencing a massive expansion of its publishing industry, with some anticipating that India will be the world’s largest English-language publisher within a decade. This means that whereas in the 1980s and 1990s, many Indian authors had to gain legitimacy by publishing first in the US or UK, now Indian publishers have made it much easier to publish as an Indian writer. This has resulted in an expansion of what genres authors can publish in, such as fantasy fiction, mysteries and detective fiction, romance, chick lit, self-help fiction, graphic novels, and so on. Most of these new works are geared toward Indian readers rather than, as was in the past, international ones. This is coinciding with an expansion of the English-language readership in India beyond those who are western-educated, to first-generation English readers who might otherwise be reading in the bhashas (Indian vernacular languages).

Reading India Now, looks at the implications of this publishing boom for rethinking what is important in the study of India. Much of this new fiction is written for young people trying to make their way in a new India, and are thus local stories for local readers. As such, they do not often engage with historical analysis or with who is in power, but address issues of more local importance: what is the meaning of success, what are the possibilities and limitations of the new capitalist economy, what are the new social and sexual mores of the new India, and so on. If read as complex works rather than just simplistic, market-oriented fictions, these new books tell us a huge amount about the kind of daily life that never makes the headlines.

Celebrating Temple University Press Books at the Urban Affairs Association conference

This week in North Philly Notes, we spotlight our new Urban Studies titles, which will be on display at the Urban Affairs Association conference, April 24-27 in Los Angeles, CA.

On April 25, at 3:30 pm, Latino Mayors, edited by Marion Orr and Domingo Morel, will be the subject of a panel discussion.

On April 26, at 2:05 pm, Alan Curtis, co-editor of Healing Our Divided Society, will participate in a presentation entitled, The Kerner Commission 50 Years Later

Temple University Press titles in Urban Studies for 2018-2019

Architectures of Revolt: The Cinematic City circa 1968, edited by Mark Shiel
Coinciding with the fiftieth anniversary of the worldwide mass protest movements of 1968—against war, imperialism, racism, poverty, misogyny, and homophobia—the exciting anthology Architectures of Revolt explores the degree to which the real events of political revolt in the urban landscape in 1968 drove change in the attitudes and practices of filmmakers and architects alike.

Constructing the Patriarchal City: Gender and the Built Environments of London, Dublin, Toronto, and Chicago, 1870s into the 1940sby Maureen A. Flanagan
Constructing the Patriarchal City compares the ideas and activities of men and women in four English-speaking cities that shared similar ideological, professional, and political contexts. Historian Maureen Flanagan investigates how ideas about gender shaped
the patriarchal city as men used their expertise in architecture, engineering, and planning to fashion a built environment for male economic enterprise and to confine women in the private home. Women consistently challenged men to produce a more
equitable social infrastructure that included housing that would keep people inside the city, public toilets for women as well as men, housing for single, working women, and public spaces that were open and safe for all residents.

Contested Image: Defining Philadelphia for the Twenty-First Century, by Laura M. Holzman
Laura Holzman investigates the negotiations and spirited debates that affected the city of Philadelphia’s identity and its public image. She considers how the region’s cultural resources reshaped the city’s reputation as well as delves into discussions about official efforts to boost local spirit. In tracking these “contested images,” Holzman illuminates the messy process of public envisioning of place and the ways in which public dialogue informs public meaning of both cities themselves and the objects of urban identity.

Courting the Community: Legitimacy and Punishment in a Community Court, by
Christine Zozula
Courting the Community is a fascinating ethnography that goes behind the scenes to explore how quality-of-life discourses are translated into court practices that marry therapeutic and rehabilitative ideas. Christine Zozula shows how residents and businesses participate in meting out justice—such as through community service, treatment, or other sanctions—making it more emotional, less detached, and more legitimate in the eyes of stakeholders. She also examines both “impact panels,” in which offenders, residents, and business owners meet to discuss how quality-of-life crimes negatively impact the neighborhood, as well as strategic neighborhood outreach efforts to update residents on cases and gauge their concerns.

Daily Labors: Marketing Identity and Bodies on a New York City Street Corner, by Carolyn Pinedo-Turnovsky
Daily Labors reveals how ideologies about race, gender, nation, and legal status operate on the corner and the vulnerabilities, discrimination, and exploitation workers face in this labor market. Pinedo-Turnovsky shows how workers market themselves to conform to employers’ preconceptions of a “good worker” and how this performance paradoxically leads to a more precarious workplace experience. Ultimately, she sheds light on belonging, community, and what a “good day laborer” for these workers really is.

Democratizing Urban Development: Community Organizations for Housing across the United States and Brazil, by Maureen M. Donaghy
Rising housing costs put secure and decent housing in central urban neighborhoods in peril. How do civil society organizations (CSOs) effectively demand accountability from the state to address the needs of low-income residents? In her groundbreaking book, Democratizing Urban Development, Maureen Donaghy charts the constraints and potential opportunities facing these community organizations. She assesses the various strategies CSOs engage to influence officials and ensure access to affordable housing through policies, programs, and institutions.

Ecohumanism and the Ecological Culture: The Educational Legacy of Lewis
Mumford and Ian McHarg, by William J. Cohen, With a Foreword by
Frederick R. Steiner
Lewis Mumford, one of the most respected public intellectuals of the twentieth century, speaking at a conference on the future environments of North America, said, “In order to
secure human survival we must transition from a technological culture to an ecological culture.” In Ecohumanism and the Ecological Culture, William Cohen shows how  Mumford’s conception of an educational philosophy was enacted by Mumford’s
mentee, Ian McHarg, the renowned landscape architect and regional planner at the University of Pennsylvania. McHarg advanced a new way to achieve an ecological culture through an educational curriculum based on fusing ecohumanism to the planning and design disciplines.

Healing Our Divided Society: Investing in America Fifty Years after the Kerner Report, edited by Fred Harris and Alan Curtis
Outstanding Academic Title, Choice, 2018

In Healing Our Divided Society, Fred Harris, the last surviving member of the Kerner Commission, along with Eisenhower Foundation CEO Alan Curtis, re-examine fifty years later the work still necessary towards the goals set forth in The Kerner Report. This timely volume unites the interests of minorities and white working- and middle-class Americans to propose a strategy to reduce poverty, inequality, and racial injustice. Reflecting on America’s urban climate today, this new report sets forth evidence-based
policies concerning employment, education, housing, neighborhood development, and criminal justice based on what has been proven to work—and not work.

Latino Mayors:  Political Change in the Postindustrial City, edited by Marion Orr and Domingo Morel
As recently as the early 1960s, Latinos were almost totally excluded from city politics. This makes the rise of Latino mayors in the past three decades a remarkable American story—one that explains ethnic succession, changing urban demography, and political contexts. The vibrant collection Latino Mayors features case studies of eleven Latino mayors in six American cities: San Antonio, Los Angeles, Denver, Hartford, Miami, and Providence.

Painting Publics: Transnational Legal Graffiti Scenes as Spaces for Encounter, by
Caitlin Frances Bruce
Public art is a form of communication that enables spaces for encounters across difference. These encounters may be routine, repeated, or rare, but all take place in urban spaces infused with emotion, creativity, and experimentation. In Painting Publics,
Caitlin Bruce explores how various legal graffiti scenes across the United States, Mexico, and Europe provide diverse ways for artists to navigate their changing relationships with publics, institutions, and commercial entities.

Celebrating Temple University Press Books at the Association for Asian American Studies conference

This week in North Philly Notes, we spotlight our new Asian American titles, which will be on display at the Association for Asian American Studies conference, April 25-27 in Madison, Wisconsin. Several Temple University Press titles will be celebrated at a reception for new books on Thursday, April 25, at 6:00 pm in the Madison Concourse Hotel.

But wait, there’s more!…

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Temple University Press is hosting a reception at 2:00 pm on Friday, April 26 to celebrate 50 years of publishing. Our Asian American History and Culture series editors are expected to attend.

 

Temple University Press titles in Asian American Studies for 2018-2019

From Confinement to Containment: Japanese/American Arts during the Early Cold Warby Edward Tang, examines the work of four Japanese and Japanese/American artists and writers during this period: the novelist Hanama Tasaki, the actor Yamaguchi Yoshiko, the painter Henry Sugimoto, and the children’s author Yoshiko Uchida. Tang shows how the film, art, and literature made by these artists revealed to the American public the linked processes of U.S. actions at home and abroad. Their work played into—but also challenged—the postwar rehabilitated images of Japan and Japanese Americans as it focused on the history of transpacific relations such as Japanese immigration to the United States, the Asia-Pacific War, U.S. and Japanese imperialism, and the wartime confinement of Japanese Americans.

Anna May Wong: Performing the Modernby Shirley Jennifer Lim, re-evaluates the pioneering Chinese American actress Anna May Wong who made more than sixty films, headlined theater and vaudeville productions, and even starred in her own television show. Her work helped shape racial modernity as she embodied the dominant image of Chinese and, more generally, “Oriental” women between 1925 and 1940. Lim scrutinizes Wong’s cultural production and self-fashioning to provide a new understanding of the actress’s career as an ingenious creative artist.

America’s Vietnam: The Longue Durée of U.S. Literature and Empireby Marguerite Nguyen, challenges the prevailing genealogy of Vietnam’s emergence in the American imagination—one that presupposes the Vietnam War as the starting point of meaningful Vietnamese-U.S. political and cultural involvements. Examining literature from as early as the 1820s, Marguerite Nguyen takes a comparative, long historical approach to interpreting constructions of Vietnam in American literature. She analyzes works in various genres published in English and Vietnamese by Monique Truong and Michael Herr as well as lesser-known writers such as John White, Harry Hervey, and Võ Phiến. America’s Vietnam recounts a mostly unexamined story of Southeast Asia’s lasting and varied influence on U.S. aesthetic and political concerns.

Where I Have Never Been: Migration, Melancholia, and Memory in Asian American Narratives of Return, by Patricia P. Chu. In researching accounts of diasporic Chinese offspring who returned to their parents’ ancestral country, author Patricia Chu learned that she was not alone in the experience of growing up in America with an abstract affinity to an ancestral homeland and community. The bittersweet emotions she had are shared in Asian American literature that depicts migration-related melancholia, contests official histories, and portrays Asian American families as flexible and transpacific. Where I Have Never Been explores the tropes of return, tracing both literal return visits by Asian emigrants and symbolic “returns”: first visits by diasporic offspring. Chu argues that these Asian American narratives seek to remedy widely held anxieties about cultural loss and the erasure of personal and family histories from public memory.

Sticky Rice: A Politics of Intraracial Desire, by Cynthia Wu, examines representations of same-sex desires and intraracial intimacies in some of the most widely read pieces of Asian American literature. Analyzing canonical works such as John Okada’s No-No Boy, Monique Truong’s The Book of Salt, H. T. Tsiang’s And China Has Hands, and Lois-Ann Yamanaka’s Blu’s Hanging, as well as Philip Kan Gotanda’s play, Yankee Dawg You Die, Wu considers how male relationships in these texts blur the boundaries among the homosocial, the homoerotic, and the homosexual in ways that lie beyond our concepts of modern gay identity. Wu lays bare the trope of male same-sex desires that grapple with how Asian America’s internal divides can be resolved in order to resist assimilation.

Meet Temple University Press’s new acquiring editor, Sarah Munroe!

This week in North Philly Notes, a Q&A with our new acquiring editor, Sarah Munroe. 

Sarah Munroe joined Temple University Press’s editorial team this week. She will be acquiring titles in Asian American studies, gender and sexuality studies, disability studies, literary studies, as well as regional interest. She comes to the Press after experience at West Virginia University Press and the Pew Charitable Trusts. She has an MFA in creative writing with a focus in poetry.

SarahMunroe

We asked her about her book and reading habits to get to know her better.

What book(s) are you currently reading?
Friday Black by Nana Kwame Adjei-Brenyah (short stories)
The Water Cure by Sophie Mackintosh (novel)
Indecency by Justin Phillip Reed (poetry)

What’s the last great book you read?
Toddler-Hunting and Other Stories by Taeko Kono – It’s such a deliciously sinister title! The stories were written in the 1960s and set in mid-twentieth century Japan. The restraint and orderliness of the language, setting, and scenarios contrasts surprisingly with the proclivities and obsessions of the characters, yet I found I wanted to recommend each story to a different friend as being somehow meaningful to their own current life situations.

Also, Milkman by Anna Burns—the way its structured is masterful. She tells you up front where it’s going to go, but the back and forth in time and the swelling of nearly overwhelming mundane detail somehow sustains tension and creates suspense leading up to the ending. The images and emotional landscape really stuck with me.

What book made the greatest impression on you?
A Wrinkle in Time by Madeleine L’Engle
Country Music: Selected Early Poems by Charles Wright

Which writers do you love (or hate) the most?
Love: Maggie Nelson, Anne Carson, Elizabeth Bishop, Robert Hass, and every now and then I need to read some Margaret Atwood to feel grounded again.

When and how do you read?
I read on the subway to and from work, usually the New Yorker. During my lunch I like to take a walk to clear my mind for half the time and then read a book while I eat (apologies to my new coworkers if I appear antisocial, it’s my introvert). I read before bed every night, usually a novel. I’ll read in the evenings while my husband plays video games, and in a coffee shop on the weekends while he draws, or in bed on the weekends if I wake up before he does. I wake up early one morning a week to go to my favorite coffee shop and read poetry and some kind of writing book—that keeps me sane.

What book might people be surprised to find on your shelves?
Ha, I have eclectic interests and buy retired books from the library for a quarter with the intention to read and then donate to Free Little Library, so I have amassed an odd assortment. But Mind Hunter by John Douglas has been sitting by my bed for a long time, and I probably won’t donate it when I’m done. I started reading true crime as “research” for a PhD I thought I might try to get, but now I just need to fess up to the fact that I am among the stereotype who consume it.

Who is your favorite fictional hero or heroine?
Does Anne of Green Gables count? She was so plucky. Or Indiana Jones—the scholar adventurist.

What Temple University Press book has particular meaning to you?
2502_regWho Will Speak for America?edited by Stephanie Feldman and Nathaniel Popkin. I attended a Writers Resist event in Philadelphia in January 2017 that was part of the inspiration for this collection. At the time, I was in my last semester in grad school for an MFA in creative writing in poetry at West Virginia University. The MFA program itself was great, fully funded, and it gave me the opportunity to work at WVU Press for two years, which is how I’m now at TUP, so I’m incredibly grateful. However, the pursuit of poetry sometimes made me want to put my head on a desk for a long time. The Writers Resist event though—local writers reading their works and works of others—and the writing and art that came out in response to it, is a testament to the power of writing and creative expression in how it brings people together and offers a communal and individual forum for mourning, for rage, and for hope.

2453_regWhat Temple University Press book would you recommended to someone?
The Man-Not, by Tommy J. Curry. Actually, I have yet to read it—it’s next on my list—so if you read it, we can discuss it!

What book will you read next?
The Rise and Fall of the Dinosaurs: A New History of a Lost World. I got it for Christmas, and it’s since been sitting on the dinosaur bookshelf, time to dust it off.

What three writers would you invite to a dinner party?
I couldn’t. I would be too nervous to meet them and stressed about cooking and what to say and if they like each other and if they mind that one of my dogs just piddled with excitement. I would garden with Louise Glück and possibly discuss murder mysteries, take a walk with Rebecca Solnit, and have whiskey with Margaret Atwood.

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