Can the Row’s Relics be Rescued?

This week in North Philly Notes, Dotty Brown, author of Boathouse Row writes about working with history buffs on Boathouse Row to find ways to preserve and archive the clubs’  fascinating historical records. 

We have all this stuff. Where do you start? What do you do with it?”

Henry Hauptfuhrer, of the Bachelors Barge Club, was not talking about cleaning out his house. This was about how to preserve 150 years of Boathouse Row history, everything from oil paintings and silver trophies to old log books and financial records.

Last week a handful of rowers toured two 19thcentury upriver social clubs – the Button (belonging to the Bachelors Barge Club) and Castle Ringstetten (Undine Barge Club) – then traveled down to the Malta Boat Club to survey artifacts desperately in need of preservation.

The problem is ubiquitous on the Row, where important historical records – many dating back more than a century – are variously stored in plastic storage bins, closet-like rooms with no air conditioning, or in the attics of officers’ homes.

Over the years, some clubs have moved their most valuable papers to facilities such as the Independence Seaport Museum or the Historical Society of Pennsylvania, where they are preserved, catalogued, and available to the public for review, sometimes even on the internet. But their space is limited (where to put all those trophies?), and archiving costs money which would have to be raised.

The quantity of stuff is so great, it could fill an entire museum – and many wish a Rowing Museum could be launched in Philadelphia.

Meanwhile, a rump group made up of Henry Hauptfuhrer of Bachelors, Rick Stehlik and Chuck Patterson of the Malta Boat Club and Katie Biddle of Undine, who is trained in archival work, hope their effort will pick up speed along the Row. Expect announcements of meetings and suggestions for taking steps to prevent papers from mouldering and how to move on from there.

A memorable moment of our little gathering was the quiet presentation by Bachelor’s Henry Hauptfuhrer of a 96-year-old gold pocket watch to the Undine Barge Club.

“A friend who knew I rowed alerted me about the watch” which was for sale decades ago at a jewelry store in Wayne, Henry explained. “It was engraved, “Peoples Regatta, Philadelphia, July 4th 1922, Senior Single Shells, 14 Mile Dash, Won By:….”

“I knew this would be an important item from the glory days of Boathouse Row,” Henry said. “However, the winner’s name was missing and I had no luck over the years” learning who might have won it.

But Rick Stehlik, in perusing old clippings in Malta’s trove, found that the watch had been won by Thomas J. Rooney, a champion rower of the years around World War I. In 1916, rowing for Long Island’s Ravenswood Boat Club, he won the National Singles Championship and would have gone on to the 1916 Olympics, but the games were cancelled because of the war.

It’s not clear how he ended up rowing for Undine in 1922, but his name appears on the club’s 1922 Mileage Trophy, honoring the member who rowed the most miles that year.

The watch, now returned to Undine, comes with its own challenge – that of figuring out how to safeguard it. Along with safeguarding so much more.

Anyone interested in joining this adventure in archiving, please contact Rick at rstehlik1@verizon.net, Henry or Katie or me at bhrthebook@gmail.com

This column was re-posted from www.boathouserowthebook/blog   Follow Dotty on Facebook at https://www.facebook.com/BoathouseRowBook/ 

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Celebrating the Olympics and Black History Month

This week in North Philly Notes, we pay tribute to both the Olympics and Black History Month by reposting our Q&A with Tommie Smith for his book Silent Gesture.

Q: Congratulations on your book. Why did you wait almost 40 years to tell your story?
A: My life wasn’t ready to be told in story until there was a closure with my athletic, teaching, and coaching career. The time I needed to devote to such an adventure was too great. You have to begin somewhere to be great. The race began in 1968 and now it is time to tell the journey of “how did I get to this race, and where did I go when it was over?”

Q: You say you “never regretted” your actions on the victory stand, “and never will”—that it was, as you write—”something I felt I had no choice in doing.” Did you think at the time that your protest would become one of the most famous protests in sports history?
A: I do not feel remorseful about the act on the victory stand as it was an act of “faith.” Because I believe in “hope” for our changing society, the evidence of non-equality had to be challenged. At the time, my “visual” on the victory stand was not thought of as a portrait to be classified as a picture of history, but as a cry for freedom.

Q: Do you think that such a protest could take place now?
A: Making the same gesture now is defeat; let us repeat the cry with sounds of understanding and deliverance.
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“This is a book about principle, commitment, belief; and consequences. And the consequences of consequences. Tommie Smith says his gesture was done in the name of human rights, and in these pages, he offers himself up, in the fullest-the complexity, the scars, the pain, and the affirmation of his own humanity. Should there ever be an appointed time, would that I might show half the commitment and courage. Bravissimo!”
Delroy Lindo

Q: Can you briefly describe the Olympic Project for Human Rights and discuss your participation in it?
A: The Olympic Project for Human Rights was a non-violent platform used in the athletic arena as a cry for freedom. It originated on the San Jose State University campus in 1967. I was one athlete who chose to involve myself for the human rights issues.

Q: You and your family received death threats and hate mail before and after Mexico City. Were you prepared for this? How did you handle living in fear?
A: My family received hate mail and death threats which altered our daily routine, but we had to continue to remain calm and socially aware. There are still some [people] who do not change and there are some who have made progress.

Q: You have been “forever linked” with John Carlos (Bronze medal winner at the 1968 Mexico City games) on and off since the Olympics. How has your relationship with him been over the years since your “silent gesture”?
A: I had not known John Carlos until my senior year in college, in 1967. Since then, my response to John has been a respectful acquaintance.

Q: You talk about how San Jose State welcomed you back and dedicated a statue to you and John Carlos. How have attitudes towards you—and your actions—changed over time?
A: When I returned to the San Jose State University for the statue dedication, attitudes were fresh, warm and respectful. The student body and administration was knowledgeable and unafraid in their quest to identify pioneers from the past and ideally, former students such as John Carlos and me.

Q: You have worked as a track & field coach and talk about your coaches in Silent Gesture. Do you have any particular mentors and coaches that influenced you?
A: There are two coaches in my past that I will forever remember because of their knowledge and their social attitude. They were positive “in the time of need.” Lloyd C. “Bud” Winter, my college coach and Bill Walsh, my professional football area coach with the Cincinnati Bengals.

Q: Silent Gesture dispels the rumors that you were a member of the Black Panthers. Your book also clears the record that the Mexico City Olympic Committee did not take for your medals back, or throw you out of the Olympic Village. Can you discuss these rumors?
A: Tommie Smith has never been a Black Panther. I am still in possession of my gold medal—I won the race fair and square, and so the medal is mine. I stayed in the Olympic Village until the race was over, and I returned the next day to get my belongings. As I was leaving, the press was everywhere, so kicking me out of the Olympic Village was a “helpful exit.”

Q: I understand at one point in time you were interested in selling your medals. Is that true? Why did you consider this?
A: I will answer a question with a question…Can you find a Humanitarian donor for $500,000?

Q: You are a hero to many for your actions—who were your heroes?
A: Dr. Martin Luther King Jr., a man who had a Dream of Freedom and Equality, and my father, Richard Smith, who taught me pain is obvious, but how you react is not.

Q:  What do you think yo ur legacy will be?
A: I want to leave a legacy that says, “Tommie Smith was a Man who also had a Dream and a Vision and his Standing was not in vain.”

 

Biz Mackey, a Giant behind the Plate

This week in North Philly Notes, Rich Westcott, author of Biz Mackey, a Giant behind the Plate, honors the legacy of the Negro League star and Hall of Fame catcher.

One of best players ever to perform in Negro League baseball was James Raleigh (Biz) Mackey. A member of the Baseball Hall of Fame, Mackey spent 27 years as a professional player, starring in Philadelphia as well as Indianapolis, Baltimore, and Newark.

In addition to his accomplishments on the field, Mackey was a successful Negro League manager. He was also Roy Campanella’s mentor, teaching the youngster how to be a catcher. And he played a major role in elevating the interest in baseball in Japan to its present level.

“As a player, as a manager, and as a personality, he was in a class by himself,” Hall of Famer Monte Irvin said.

Satchel Paige, Judy Johnson, Josh Gibson, Buck Leonard, Oscar Charleston, and Cool Papa Bell, all are among the greats of the Negro leagues. All of them played an important part in the history of black baseball and the ultimate acceptance of black players into major league baseball. Mackey is a major part of that group.

WestcottRevised080717SMIt is generally acknowledged that Mackey was the greatest all-around catcher in Negro League history. Gibson was a better hitter, but Mackey was an outstanding hitter, too, and he could run, field, throw, handle pitchers, and run a game better than any other catcher who ever played in the Negro leagues.

Even though he never played major league baseball, Mackey is considered one of the greatest catchers of all time, ranking at the top with Bill Dickey, Mickey Cochrane, Yogi Berra, Johnny Bench, and Campanella. Biz’s skills behind the plate were as highly regarded as any of those all-time greats.

Mackey was elected to the Baseball Hall of Fame in 2006, some 41 years after his death. Currently, he is one of only 18 catchers who have been inducted into the baseball shrine.

The son of sharecroppers, Mackey was born in 1897 and raised near San Antonio, Texas in the first African American settlement in that state.

Possessor of a friendly person who was liked by virtually all with whom he came into contact, Mackey played professionally from 1920 until making his last at-bat in 1947 at the age of 50. According to black baseball historians Larry Lester and Dick Clark, his lifetime batting average was .327.

Biz spent nine years playing in Philadelphia, including six with the Hilldale Daisies and three with the Philadelphia Stars. He led both teams to victories in the Negro League World Series—the Daisies in 1925 and the Stars in 1934. In those days, Philadelphia was one of the major cities in Negro league baseball and games, including some played at Baker Bowl and Shibe Park, were big attractions, not only to black fans but many times to white fans as well.

Mackey, who played in many different countries around the world during his career, was also a key member of the Indianapolis ABCs, the Baltimore Elite Giants, and the Newark Eagles. As manager, he led to the Giants in 1939 and the Eagles in 1946 to Negro League championships.

Overall, it was truly a glittering career for this all-time great Negro League player, manager, and innovator.

A son’s love letter to his father

This week in North Philly Notes, Andy Jasner, editor of Phil Jasner “On the Case” recalls his father’s work and work ethic.  
I always knew Phil Jasner worked hard.
I always knew he took great pride in outworking the competition.
Even I didn’t know he worked this hard.
What am I referencing?
Compiling Phil Jasner: On The Case, a labor of love which took several years, was no small task. I knew that from the beginning. When you’re in six — count ‘em, six – Halls of Fames, you’ve obviously put countless hours into perfecting your craft.
Phil Jasner On the Case_smGoing through thousands and thousands and even more thousands of articles over a four decade-plus career, I truly saw the work that Jasner, aka Dad, put in every single day.
When you’re a kid growing up, you don’t pay attention to what your parents are going through at work. You’re not supposed to worry about things like that. It’s about being a kid, playing basketball, baseball, or whatever sport it may be, going to school, hanging out with your friends, etc.
Reading through Dad’s volume of copy was a gargantuan task and an amazingly fulfilling one.
There was the day Dad tried to prove that Julius Erving could fly (check out the article in the book). That was just one of about six stories in the Philadelphia Daily News alone, totaling more than 12,000 words. One day! In the world of Twitter that we all now live in, that was so telling about the type of work ethic Dad embodied 24 hours a day, seven days a week and 365 days a year.
Dad didn’t have a job. He never went to work.
Dad lived his dream every day. How many people can say that? Not many, I imagine.
Sure, there were tough days when flights were delayed, baggage was lost and even a story or two was deleted by accident.
JasnerandSon

Andy Jasner, left, with his father, Phil Jasner at the 1996 NBA Finals

But in the big picture, Dad simply lived a dream. Even though that dream was tragically cut short on Dec. 3, 2010 at the young age of 68, Dad’s readers were never shortchanged. His work shined through on the newspaper pages and on the Internet. The passion and pride was on display in every article.

You could feel Dad’s passion when reading through the articles. I felt that way when compiling the book, which was quite therapeutic and necessary to continue a legacy for years and years.
The hard work will be in print forever. It deserves to be. Dad will never be forgotten and neither will his hard work.
It sure will be etched in my memory forever. Readers of Phil Jasner“On The Case” will certainly feel the same way. How can they not?

Temple University Press’ Annual Holiday Sale

This week in North Philly Notes, we prepare for the holidays by promoting our annual Holiday Sale December 7-8 from 11am-2pm in the Diamond Club Lobby, (lower level of Mitten Hall at Temple University)

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Celebrating University Press Week

November 6-11 is University Press Week. Since 2012, we have celebrated University Press Week each year to help tell the story of how university press publishing supports scholarship, culture, and both local and global communities.

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Today’s theme: Libraries and Librarians helping us all #LookItUP

What do libraries and librarians do to promote facts and scholarship. How do University Presses assist in this?

University of Missouri Press A look at how the Special Collections archives and certain librarians helped the author and press with Lanford Wilson: Early Stories, Sketches, Poems.

University Press of Florida Pat Leach, Library Director at Lincoln City Libraries, comments on a perfectly ordinary thing—conversation about books.

University of Georgia Press How libraries serve as a bastion of facts and real information against the onslaught of Fake News.

University of Alabama Press Highlights their on-campus library system. Below is a conversation with Tom Wilson, Associate Dean for Research and Technology.

Celebrating University Press Week!

November 6-11 is University Press Week. Since 2012, we have celebrated University Press Week each year to help tell the story of how university press publishing supports scholarship, culture, and both local and global communities.

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Today’s theme: Producing the books that matter

Focuses on production, editorial, and design, and how these elements are vital in helping books succeed in the world and getting the broadest possible exposure.

University of Kansas Press Focuses on the relationship between the editorial and production departments, and how they intereact to create books.

University of California Press Blogs about “ASA, Interdisciplinary Associations, and American Studies Now” Much of the most exciting contemporary work in American Studies refuses the distinction between politics and culture—focusing on historical cultures of power and protest on the one hand, or the political importance of cultural practices on the other. The titles in recently-launched series American Studies Now cover these political and cultural intersections while such teachable moments are at the center of public conversation.

Georgetown University Press We sit down with our Editorial, Production, and Design department to highlight a few elements of book production in scholarly publishing that our readers might not know about.

UBC Press A post on the challenges and rewards of working closely with an author to develop a book for a general rather than a scholarly audience.

University of Michigan Press  An interview with the author of Academic Ableism

Fordham University Press  Author, David Goodwin, talks about the production of his book,  Left Bank of the Hudson, that published this fall.

Yale University Press A blog piece featuring an episode of our podcast we recorded on the making of the Voynich Manuscript.

MIT Press We’ll take a look back at a biography of our colophon designer, Muriel Cooper and look at her influence on our current designers.

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