Temple University Press Holiday Sale

Temple University Press is preparing for the holidays with our Annual Holiday Book Sale! Visit us at Temple University’s Diamond Club Lobby (lower level of Mitten Hall) December 2-4 from 11:00 am-2:00 pm to get reduced prices on all our books!

Meet City in a Park authors Jim McClelland and Lynn Miller on December 3 from 12:00 pm-2:00 pm!

Meet The New Eagles Encyclopedia author Ray Didinger on December 4 from 11:00 am-12:30 pm!

TUP Holiday sale 2015

A Q&A with UNSETTLED author Eric Tang for University Press Week

In this Q&A, Eric Tang, author of Unsettled: Cambodian Refugees in the New York City Hyperghettotalks with Temple University Press publicist Gary Kramer about the value of publishing with a University Press and the books that were influential to him as a scholar and reader.

GK: Why publish with a University Press? 

ET: Professors are expected to publish (their first book at least) with a University press. The expectation is that our books should be making a contribution to a certain academic field. At the same time, however, there’s this pull I feel to speak to a much broader audience—especially because I situate myself in the field of race and ethnic studies—and this led to my decision to publish with Temple.

GK: What made you choose to publish Unsettled with Temple University Press?

Unsettled_smET: Temple University Press has a long track record in race and ethnic studies. Its Asian American Studies history and culture series is the oldest and most established of its kind. When I first started reading about race, racism and social movements as an undergrad in the 1990s, TUP published some of my favorite titles. But more importantly, I noticed how those outside of academia were also familiar with these TUP titles—activist, community organizers, and artists were also reading the Press’ books. So I’ve always thought of TUP as more than an academic press; it was clear to me that it had a reach with other audiences, and this is why TUP was at the top of my list when I was looking for a home for Unsettled.

GK: What observations do you have about your experiences with a university press?

ET: There are a lot of things that go into making one’s decision on which press to sign with. Having gone through the process, I feel certain that the decision should hinge on whether or not the editor you will be working with really wants and gets your project. You can tell from your initial conversation with the editor if they are excited about the unique argument and contribution you desire to make in your book—if they would actually look forward to reading your book regardless of who you published with. Granted, professors are known to have healthy egos and many of us believe that everybody wants to read our books, but there’s a way in which that initial conversation with a potential editor should go—I would define it as less salesmanship and more geek—that should tip you off and make you feel certain that this particular editor and press is right for you. That’s the kind of situation that I had with my editor at Temple.

GK: What do you see as the benefits and challenges of university press publishing?

ET: The clear benefit of publishing with the university press is that it gets your book directly into the hands of your core audience: colleagues, graduate students, and undergraduates. The press promotes your books through academic journals and at conferences, and it gets your book reviewed by peers. The university press is set up do to all of this, which is terrific.

As for challenges, the university press is obviously smaller than the trade press and therefore under-resourced. This means that whatever advance you might receive will be relatively small (and usually a first-time author won’t receive any advance) and there is very little money they offer to support authors on the production end—with essential pieces like paying for permissions and indexing. Authors have to absorb the cost of these things (or find external funding to support these items).

Also, the university press does not have a lot of advertising dollars to promote your book beyond the core academic audience. Still, if a certain university press has a marketing team with extensive experience and contacts, this can more than make up for what that press may lack in raw dollars. I think it’s a mistake to think that a small university press can’t get a book reviewed in the New York Times or covered on National Public Radio. I’ve seen it happen a lot, and TUP is an excellent example of a press that reaches large markets despite its relatively small size.

GK: How involved were you as an author with elements such as cover design, editing, layout, endorsements, and other aspects related to the publication of your book.

ET: As for the cover design and other design elements, I think it’s important for the author to be very clear about the look he or she desires. Pick out some images that you wish to have on the cover, and present the press with some examples of other book covers that you really admire so that its design people have a clear sense of what you want. Even go so far as to make some font suggestions. However, once you do this—once you are clear about what you want—I think it’s important for you (the author) to get out of the way and let the press do its work. Don’t try to micro-manage the process or think that you are in a position to go back and forth a dozen times with the designer until they get it just right. This was my general disposition to the book design process with TUP, and it paid off for me. I was very impressed with the cover they came up with and I didn’t ask them to change a thing.

GK: How has university press publishing helped your career?

ET: To the extent that publishing a book with a university press is essential to meeting the criteria for promotion and tenure at a major research university, then publishing with TUP has already paid off for me. But beyond climbing the career ladder, it has also put me in touch with other scholars who I would have never met or heard from otherwise. In fact, the other day I received an email from a faculty member from the University of Hong Kong who read Unsettled and gave me wonderful feedback.

GK: What are your thoughts on the university press community as a whole?

ET: I think the university press has been in a steady process of moving away from its reputation as publishing house for arcane scholarly work that isn’t accessible to the public. Increasingly, I see it taking on issues that are at the center of the public discourse: police violence, immigration, LGBT issues. But as is it takes on these issues, it holds its authors accountable to scholarly rigor. Writers are expected to tell new stories, offer new ways of looking at these matters, while at the same time being in conversation with the existing scholarship. In other words, one gets the best of both worlds with the university press.

GK: What books are you currently reading?

I’m currently re-reading two disparate works in preparation for my next manuscript. I’m putting these two works in conversation with each other (at least in my own head!): Sylvia Winter: On Being Human As Praxis edited by Katherine McKittrick and Mike Tyson’s autobiography Undisputed Truth. Both books are revelatory and devastating on their own, and placed together they are a true gift.

GK: Was there a particularly significant titles that influenced your work and career? 

542_regET: George Lipsitz’s A Life in the Struggle: Ivory Perry and the Culture of Opposition was formative for me. For an example of how good scholarship should read—how it should hew to the sensibilities of  those it writes about—I consistently turn to Robin Kelley’s Race Rebels. For pure inspiration, Edwidge Danticat’s Krik? Krak! made me understand what writing was all about, what it does for the political. Of course it made me want to be a writer, and at the same time scared me to death about what that meant, what it really takes. I guess you can say I am still stuck in the mid-1990s! It’s true for the music, too—hip hop between 1994-1996 is still the pinnacle for me.

GK: What would folks be surprised to discover you reading/on your bookshelf?

ET: I will read anything. From the brilliant books mentioned above to worst, most destructive self-help books you can imagine (precisely why I get to airports early for my flights — to catch up on the latest self-help degeneracy). I’m also a bit of a fanboy, I read comics. Right now, I love Saga (Image comics): all about race, gender, biopolitics and liberal warfare. I will teach it one day. The X-Men, of course. I’m staring at a stack of comics about Wolverine I just picked up at Austin’s comic con, they are resting on top of Lisa Lowe’s The Intimacies of Four Continents.

Celebrating University Press Week: Surprise!

November 8-14 is University Press Week. Since 2012, we have celebrated University Press Week each year to help tell the story of how university press publishing supports scholarship, culture, and both local and global communities.

Today’s theme: Surprise!

University Press of Florida provides recipes and photos from recent UPF cookbooks that have changed how people view the Sunshine State, highlighting a thriving food scene that has often gone unnoticed amid the state’s highly-publicized beaches and theme parks.

University Press of New England blogs about the unusual success of a book from our trade imprint, ForeEdge—the book titled Winning Marriage, by Marc Solomon, tracing the years-long, state-by-state legal battle for marriage equality in America. Surprises came in many forms: from the serendipitous timing of the book’s publication with the Supreme Court ruling to the book’s ability to resonate with general readers and legal scholars alike—and many others surprises in between.

University Press of Mississippi Steve Yates, marketing director at University Press of Mississippi, describes how the Press has partnered with Lemuria Books in Jackson and writers across the state to create the Mississippi Books page at the Clarion Ledger.

University Press of Kentucky We’re surprising everyone with a pop quiz about some surprising facts about AAUP Member Presses.

University of Nebraska Press We’re more than our books! Find out about the UNP staff and who we are.

University of California Press UC Press’ Luminos and Collabra OA publishing platforms (inclusion in slideshow AAUP is creating)

University of Wisconsin Press Mystery fiction is a surprise hit, and a surprisingly good fit, at the University of Wisconsin Press. Our sleuths in several series include a duo of globe-trotting art history experts, a Wisconsin sheriff in a favorite tourist destination, a gay literature professor, and a tough detective who quotes Shakespeare and Melville.

Help us Celebrate!

  • Use the hashtag #ReadUP that presses have been using all year to talk about the work we publish—maybe use it to draw your book into University Press Week conversations.
  • Tell the story of publishing with us with the hashtag #PublishUP.
  • Join our #UPshelfie campaign (we are continuing this campaign from last year if you Google #UPshelfie you will find them!). Show us what university press books are on your shelf!
  • Subscribe to the University Press Week newsletter here, keep an eye out for the 2015 UP Week infographic, and attend one of our online events.

Chronicling the unfinished odyssey of Bronx Cambodians

This week, Eric Tang, author of Unsettled likens the Cambodian refugees that are featured in his book to the current exodus of Syrian refugees to show connections of race, gender, and activism.

After they survived the Khmer Rouge genocide of the mid-to-late 1970s, followed by several years of confinement in international refugee camps, as many as 10,000 Southeast Asian refugees arrived to the Bronx during the 1980s and 1990s.

Unsettled chronicles the unfinished odyssey of Bronx Cambodians, closely following one woman and her family for several years as they both survive and resist their literal insertion into the Bronx “hyperghetto.” The term hyperghetto refers to the postwar structural decomposition of U.S. cities resulting from massive and compulsory unemployment, public and private disinvestment, and the hyper-segregation and confinement of the city’s poorest Black and Latino residents. It serves as a prime example of how late-capitalism and racial democracy failed far too many in the post-Civil Rights era.

Unsettled_smI wrote Unsettled  to reveal how Cambodian refugee resettlement to the United States did not mark the closing of the refugee sojourn, followed by the opening of a new era of peace and stability for those who fled their homeland. I wanted to show the ways in which the refugees remained displaced, their sojourn unclosed, owing to the false promises of federal policy makers and the unscrupulous actions of their handlers. Politicians talked boldly about delivering refugees into the arms of the free market, but there was never a meaningful economic plan tethered to U.S. refugee resettlement policy. The Office of Refugee Resettlement (ORR) offered only one-year of housing and job training assistance to refugees before they were cut loose, told to make it on their own. Meanwhile local resettlement agencies placed Cambodian refugees into ruinous housing units in some of the most economically marginalized neighborhoods in the Bronx. According to the past three decennial censuses, Southeast Asian refugees have held some of the highest welfare and poverty rates of any racial or ethnic group in the United States. Among Cambodian refugees living in New York City, 42.8 percent were living in poverty, 23.9 percent were unemployed, and 62 percent had less than a high school education twenty years after their resettlement. Over the past three decades the vast majority of Bronx Cambodians have subsisted on welfare programs (or what remains of them).

Despite these harsh realities, many Bronx Cambodians engaged in activism. Unsettled explores how Bronx Cambodians resisted conditions of poverty, violence, and housing discrimination. It pays attention to the unique process whereby community members developed an analysis of their conditions, reached consensus on their collective needs, and sought meaningful political redress through community organizing and direct action. Today, such activism continues through the community’s younger generation—the children and grandchildren of refugees—led by organizations such as Mekong NYC. The organization’s work, as told by director and community organizer Chhaya Chhoum is featured in key chapters of the book.

As an urban ethnography, Unsettled offers a new kind of discussion on race and gender in the contemporary city, particularly as it relates to the welfare-dependent and jobless urban poor. In this way, it departs from the core thesis of seminal texts in the sociology of immigration that, in the decade following refugee resettlement, predicted the seamless transition of Cambodian refugees into American labor markets as well as their eventual assimilation into Anglo-American culture. It serves as a rebuttal to research that seeks to ideologically remove the refugee from the grips of a Black and Latino “underclass”—the sociological pejorative used to describe racialized inner city poverty. By examining the ongoing phenomena of refugee poverty—that is, the manner in which Cambodian refugees of the Bronx simultaneously subsist in the welfare state and the sweatshop economy—Unsettled complicates the fixed race and gender identities that structure common-sense notions of the city: the immigrant working-poor on the one hand, the domestic and welfare-dependent underclass on the other.

Finally, Unsettled poses questions that are relevant to the present moment. The current exodus of Syrian refugees represents the “biggest humanitarian emergency of our era,” according the United Nations High Commissioner for Refugees.  Indeed, not since the Southeast Asian refugee crisis of the late-1970s and 1980s, have so many migrants from one region risked their lives, across land and sea, in search of asylum. Yet what happens after they are resettled to their new homelands? Have their struggles come to an end, or have they only just begun?

Commemorating Katrina Ten Years Later

This week in North Philly Notes, to commemorate the 10th anniversary of the natural disaster, we feature various Temple University Press titles on and authors whose work relates to Hurricane Katrina.


Behind the Backlash author Lori Peek, was interviewed on the CBS Evening News on August 24 about the Children of Katrina.

Peek is the author of two books on Katrina,  Displaced: Life in the Katrina Diaspora (with Lynn Weber) and Children of Katrina  (with Alice Fothergill).

Filling the Ark by Leslie Irvine

Filling the Ark sm compWhen disasters strike, people are not the only victims. Hurricane Katrina raised public attention about how disasters affect dogs, cats, and other animals considered members of the human family. In this short but powerful book, noted sociologist Leslie Irvine goes beyond Katrina to examine how disasters like oil spills, fires, and other calamities affect various animal populations—on factory farms, in research facilities, and in the wild.

Filling the Ark argues that humans cause most of the risks faced by animals and urges for better decisions about the treatment of animals in disasters. Furthermore, it makes a broad appeal for the ethical necessity of better planning to keep animals out of jeopardy. Irvine not only offers policy recommendations and practical advice for evacuating animals, she also makes a strong case for rethinking our use of animals, suggesting ways to create more secure conditions.

The Possessive Investment in Whiteness by George Lipsitz

Possessive_Investment_rev_ed_smIn this unflinching look at white supremacy, George Lipsitz argues that racism is a matter of interests as well as attitudes, a problem of property as well as pigment. Above and beyond personal prejudice, whiteness is a structured advantage that produces unfair gains and unearned rewards for whites while imposing impediments to asset accumulation, employment, housing, and health care for minorities.

Lipsitz delineates the weaknesses embedded in civil rights laws, the racial dimensions of economic restructuring and deindustrialization, and the effects of environmental racism, job discrimination and school segregation. He also analyzes the centrality of whiteness to U.S. culture, This revised and expanded edition of The Possessive Investment in Whiteness includes an essay about the impact of Hurricane Katrina on working class Blacks in New Orleans, whose perpetual struggle for dignity and self determination has been obscured by the city’s image as a tourist party town.

Rebuilding Community_smRebuilding Community after Katrina, edited by Ken Reardon and John Forester (forthcoming in November)

Rebuilding Community after Katrina chronicles the innovative and ambitious partnership between Cornell University’s City and Regional Planning department and ACORN Housing, an affiliate of what was the nation’s largest low-income community organization. These unlikely allies came together to begin to rebuild devastated neighborhoods in New Orleans after Hurricane Katrina.

The editors and contributors to this volume allow participants’ voices to show how this partnership integrated careful, technical analysis with aggressive community outreach and organizing. With essays by activists, organizers, community members, and academics on the ground, Rebuilding Community after Katrina presents insights on the challenges involved in changing the way politicians and analysts imagined the future of New Orleans’ Ninth Ward.

What emerges from this complex drama are lessons about community planning, organizational relationships, and team building across multi-cultural lines. The accounts presented in Rebuilding Community after Katrina raise important and sensitive questions about the appropriate roles of outsiders in community-based planning processes.

Coming soon to a Philadelphia library near you

This week in North Philly Notes, we preview three  forthcoming events at Philadelphia area libraries featuring Temple University Press authors.
The Outsider_smWednesday, August 19 at 6:30PM

Dan Rottenberg, The Outsider: Albert M. Greenfield and the Fall of the Protestant Establishment

At the Community Room of the City Institute Branch of the Free Library of Philadelphia, 1905 Locust Street.
Cost: FREE, No tickets required.

In The Outsider, veteran journalist and best-selling author Dan Rottenberg deftly chronicles the astonishing rises, falls, and countless reinventions of Albert M. Greenfield, a Russian immigrant outsider, and combative businessman.

“With The Outsider, Rottenberg [shows how] Greenfield carefully managed his public image, from the time of his emergence as a real estate trader pledged to the corrupt Vare Republican political gang of the 1910s and ’20s, through his emergence as a banking and retail baron and patron of FDR’s New Deal, to his post-World War II national prominence.”—Philadelphia Inquirer

MayanDriferFriday, September 18 at 7:30PM

An Evening with Juan Felipe Herrera, US Poet Laureate and author of  Mayan Drifter 

Parkway Central Library, 1901 Vine Street, Philadelphia

Cost: $15 General Admission, $7 Students
Ticket and Subscription Packages

Tickets on sale Thursday, September 3 at 10:00 AM!

“Grounded in ethnic identity, fueled by collective pride, yet irreducibly individual” (New York Times), Juan Felipe Herrera is the virtuosic first Mexican American U.S. Poet Laureate. The son of migrant farm workers, his writing is strongly influenced by his experiences in California as a campesino and the artistic movements he discovered in 1960s San Francisco. His poetry collections include 187 Reasons Mexicanos Can’t Cross the Border: Undocuments 1971-2007,Senegal Taxi, and Half the World in Light, winner of the National Book Critics Circle Award. The author of several works of prose, short stories, young adult novels, and bilingual picture books for children, Herrera joins the Free Library for a celebration of identity, cultural perspective, and the verses of a lyrical life.


Wednesday, October 7 at 7:30PM

Beth Kephart | Love: A Philadelphia Affair

Parkway Central Library, 1901 Vine Street, Philadelphia

Cost: FREE
No tickets required. For Info: 215-567-4341.

In conversation with Marciarose Shestack

“A gifted, even poetic writer” (New York Times), Beth Kephart is the author of 18 books across a wide range of genres, most notably the memoir. The award-winning Handling the Truth offers a thoughtful meditation on the questions that lie at the heart of the genre. Another memoir, A Slant of Sun, was a National Book Award finalist. A writing professor at the University of Pennsylvania, Kephart is the recipient of a National Endowment for the Arts grant and the Speakeasy Poetry Prize, among other honors. From the suburbs to SEPTA to Salumeria sandwiches at the Terminal Market, Kephart’s new volume of personal essays and photos is an ode to all things Philly.

Temple University Press Books of the Year

Temple University Press had much to celebrate in 2014. Ray Didinger’s The New Eagles Encyclopedia was the year’s best-sellerand it’s still selling strong.  Philadelphia Mural Arts @ 30, edited by Jane Golden and David Updike, was the third collaboration for the Press and the City of Philadelphia’s Mural Arts Program. And Thomas Foster’s Sex and the Founding Fathers  was a History Book Club Selection. 

But wait, there’s more! Press titles were honored all year long.  Envisioning Emancipation by Deborah Willis and Barbara Krauthamer received the NAACP Image Award for Outstanding Literary Work, Non-Fiction. Adia Harvey Wingfield’s No More Invisible Man won both the Distinguished Book Award from the American Sociological Association’s section on Race, Gender, and Class as well as the Richard A. Lester Prize from the Industrial Relations Section at Princeton University. The Ethics of Care by Fiona Robinson won the J. Ann Tickner prize from the International Studies Association, and Bindi Shah’s Laotian Daughters received the Outstanding Book Award in the category Social Science from the Association of Asian American Studies.

Temple University Press also published it’s first journal, Kalfoumore about which is below. 

As the year comes to a close, the staff at Temple University Press reflects back on some titles they were proud of publishing in 2014. 

Mary Rose Muccie, Director

My best book of 2014 isn’t a book.  Despite the many great titles on our 2014 list, I have to go with our first journal, Kalfou: A Journal of Comparative and Relational Ethnic Studies.

Kalfou_smKalfou and I “launched” around the same time; the first issue was published shortly before I came to the Press in June. Adding a journal was an important step for us as a scholarly publisher and came with challenges big and small. We have years of experience publishing great books and had to learn quickly what was involved in publishing a great journal. The Press staff stretched, did what was needed, pulled together, and turned us into a journal publisher.

I chose Kalfou not only because of the accessible interdisciplinary content put together by a top-notch editorial board, the striking cover created by Art Manager Kate Nichols, or the electronic edition created with help from our friends in the Temple library. I chose it because it represents us stepping out of our comfort zone and expanding our own definition of who we are.

Kate Nichols, Art Manager

I am particularly proud of Kalfou, TUP’s first journal, published on behalf of the UCSB Center for Black Studies Research. Not only was the design and print/online publication a professional challenge (in collaboration with old and new colleagues), but the Kalfou’s content makes it especially rewarding.

kal´fü—a Haitian Kreyòl word meaning “crossroads” . . .

“This means that one must cultivate the art of recognizing significant communications, knowing what is truth and what is falsehood, or else the lessons of the crossroads—the point where doors open or close, where persons have to make decisions that may forever after affect their lives—will be lost.”—Robert Farris Thompson

Joan Vidal, Senior Production Editor 
Mobilizing Gay Singapore_sm

I’m particularly proud of Lynette J. Chua’s Mobilizing Gay Singapore: Rights and Resistance in an Authoritarian State for its analysis of the gay movement in a state that criminalizes homosexual acts and has no formal democratic process. Chua shows how activists have managed to put gay rights on the agenda by continuously adapting their strategies to circumstances under authoritarian rule.


Micah Kleit, Interim Editor-in-Chief 

Resisting Work_smA lot of what we publish in the social sciences confronts the challenges contemporary society places on the public sphere. Corporations, employers, social media; all of these parts of life make demands on us: on our identity and sense of self and other; our connection to the world; and, perhaps most subtly but crucially, our idea of who we are when we surround ourselves with friends and family.  Peter Fleming’s Resisting Work: The Corporatization of Life and Its Discontents grapples with these issues and offers real ways in which we can take back the public sphere from the forces of work and consumption in ways that recognize the destabilizing power of capitalism and neoliberalism.  It is a book that belongs to one of the great traditions of sociology, one that focuses on the power of social science as a force for transformation and liberation and affirms the importance of our existence as social beings.

Aaron Javsicas, Senior Editor



I was especially proud to publish two great new books on women and gender in politics: Navigating Gendered Terrain, by Kelly Dittmar, and Women in Politics in the American City, by Mirya Holman. This is an exciting, expanding area for us, and I’m pleased to say we’ll have additional strong projects on offer in coming years.



Gary Kramer, Publicity Manager

Hughey_front_012814_smAs a film buff and critic, I was particularly excited by the publication of The White Savior Film by Matthew Hughey. His canny analysis of films such as The Blind Side and Children of Men made me rethink how these films should be viewed. I especially appreciated his methodological framework that incorporates critical and consumer perspectives to explore “White Savior” films sociologically. This speaks to what interests me most as a critic: Why do people watch what they watch? I’ve long thought that folks look to the silver screen as a mirror. Hughey deftly shows that mirror is a prism.


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