Honoring Ann-Marie Anderson

This week in North Philly Notes, we pay tribute to Marketing Director Ann-Marie Anderson, who is retiring from Temple University Press at the end of the month.

Temple University Press Marketing Director Ann-Marie Anderson, is retiring January 31, after a decades-long career at the Press..

Ann-Marie has been an inspiring member of the press during her tenure. She championed many of the Press’s best-selling and beloved titles. Her efforts promoting Deborah Willis’s books—The Black Female Body (coauthored with Carla Williams), the NAACP Award-winning Envisioning Emancipation (coauthored with Barbara Krauthamer), as well as Black Venus 2010—were labors of love and among her favorite and proudest achievements. (She has long wanted The Black Female Body to come back in print and could supplement her retirement by selling her copy of the book, which fetches $450 on Amazon).

She also enthusiastically supported Tasting Freedom, Daniel Biddle and Murray Dubin’s book about Octavius Catto, and attended the 2017 unveiling of the Catto statue, Philadelphia’s first statue of an African American.

Despite being from New York, Ann-Marie was particularly excited to promote Philadelphia-based books. From Larry Kane’s memoir, to three Mural Arts titles; from Forklore,the Press’s first cookbook, to  P Is for Philadelphia, the Press’s first children’s book, she appreciated the history, art, and culture of her adopted city. Ann-Marie spearheaded the development and publication of Color Me…. Cherry & White, the Press’s first coloring book, which featured images from Temple University, an institution that, despite thinking she would spend only a few years at, proved hard to leave.  

Like any committed marketing director, Ann-Marie loved books that sold in huge quantities, which meant anything written by Ray Didinger. She also once sold 10,000 copies of AFSCME’s Philadelphia Story to a local union, which may have been her single largest sale.

Ann-Marie enjoyed working with all Press authors, ranging from Molefi Kete Asante on his landmark books The Afrocentric Idea and African Intellectual Heritage (coedited with Abu S. Abarry), to Judge James P. Gray and his book Why Our Drug Laws Have Failed and What Can We Do About It. She delayed her retirement because of the numerous interesting books she was keen to read and market, most notably the forthcoming The Collected Short Stories of Bharati Mukherjee.

Other career highlights included campaigns for Harilyn Rousso’s Don’t Call Me Inspirational, Lori Peek’s Behind the Backlash, Patricia Hill Collins’s From Black Power to Hip Hop and On Intellectual Activism, as well as the American Literatures Initiatives series, which included titles such as This Is All I Choose to Tell, by Isabelle Thuy Pelaud, and Unbought and Unbossed, by Trimiko Melancon.

Ann-Marie’s passion for books and strong connections with book buyers, bookstores, and area organizations helped her effectively promote titles such as The Great Gardens of Philadelphia; two books on the Philadelphia institution that is The Mummers; two Philadelphia Orchestra titles; Monument Lab, on Philadelphia’s public art installation; a book on Philadelphia’s Rittenhouse Square, as well as books about the Electric Factory, Philadelphia: Finding the Hidden City, and a book on weather, coauthored by a Franklin Institute scientist and a local TV weatherman, among many others.

Ann-Marie also met many heroes and legends during her career, from Olympic gold medalist Tommie Smith, coauthor of Silent Gesture, to Lindy hoppers Norma Miller (coauthor of Swingin’ at the Savoy) and Frankie Manning (coauthor of his eponymous memoir). A music aficionado, one of her absolute favorite projects was Jimmy Heath’s memoir, I Walked with Giants, and her experiences with Heath at signings or performances in New York and Philadelphia are among her most cherished memories.

Temple University Press staff members can say they Walked with a Giant working alongside Ann-Marie, who leaves big shoes to fill. We wish her well on her future endeavors, which include, cooking, singing (not signing, as a colleague might mistype), and amassing and reading her vast collection of African American literature.

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