Celebrating Women’s History Month

This week in North Philly Notes, we celebrate Women’s History Month. Use promo code TWHM22 for 30% off all our Women’s Studies titles. Sale ends March 31, 2022.

New Titles

Elaine Black Yoneda: Jewish Immigration, Labor Activism, and Japanese American Exclusion and Incarceration, by Rachel Schreiber, recounts the remarkable story of a Jewish activist who joined her incarcerated Japanese American husband and son in an American concentration camp.

Are You Two Sisters: The Journey of a Lesbian Couple, by Susan Krieger, authored by one of the most respected figures in the field of personal ethnographic narrative, this book serves as both a memoir and a sociological study, telling the story of one lesbian couple’s lifelong journey together.

From our Backlist:

Anna May Wong: Performing the Modern, by Shirley Jennifer Lim, shows how Anna May Wong’s work shaped racial modernity and made her one of the most significant actresses of the twentieth century.

The Cost of Being a Girl: Working Teens and the Origins of the Gender Wage Gap, by Yasemin Besen-Cassino, traces the origins of the gender wage gap to part-time teenage work, which sets up a dynamic that persists into adulthood.

Feminist Post-Liberalism, by Judith Baer, reconciles liberalism and feminist theory.

Feminist Reflections on Childhood: A History and Call to Action, by Penny A. Weiss, recovers a history of feminist thought and activism that demands greater voice and respect for young people.

Good Reasons to Run: Women and Political Candidacy, edited by Shauna L. Shames, Rachel I. Bernhard, Mirya R. Holman, and Dawn Langan Teele, how and why women run for office.

Gross Misbehavior and Wickedness: A Notorious Divorce in Early Twentieth-Century America, by Jean Elson, a fascinating story of the troubled marriage and acrimonious divorce of Nina and James Walker elucidates early twentieth-century gender and family mores.

Motherlands: How States Push Mothers Out of Employment, by Leah Ruppanner challenges preconceived notions of the states that support working mothers.

Savoring the Salt: The Legacy of Toni Cade Bambara, edited by Linda Janet Holmes and Cheryl A. Wall, an anthology that celebrates the life and work of a major African American writer.

Their Day in the Sun: Women in the Manhattan Project, by Ruth H. Howes and Caroline C. Herzenberg, tells the hidden story of the contribution of women in the effort to develop the atomic bomb.

Undermining Intersectionality: The Perils of Powerblind Feminism, by Barbara Tomlinson, a sustained critique of the ways in which scholars have engaged with and deployed intersectionality.

Women Take Their Place in State Legislature: The Creation of Women’s Caucuses, by Anna Mitchell Mahoney, investigates the opportunities, resources, and frames that women utilize to create legislative caucuses.

Women’s Empowerment and Disempowerment in Brazil: The Rise and Fall of President Dilma Rousseff, by Pedro A.G. dos Santos and Farida Jalalzai, explains what the rise and fall of Brazil’s first and only female president can teach us about women’s empowerment.

Celebrating Banned Book Week

This week in North Philly Notes, in honor of Banned Book Week, we highlight Temple University Press’ Critical Race Theory titles.

Crossroads, Directions, and a New Critical Race Theory, edited by Francisco Valdes, Jerome McCristal Culp and Angela P. Harris

Its opponents call it part of “the lunatic fringe,” a justification for “black separateness,” “the most embarrassing trend in American publishing.” “It” is Critical Race Theory. But what is Critical Race Theory? How did it develop? Where does it stand now? Where should it go in the future? In this volume, thirty-one CRT scholars present their views on the ideas and methods of CRT, its role in academia and in the culture at large, and its past, present, and future.

Critical race theorists assert that both the procedures and the substance of American law are structured to maintain white privilege. The neutrality and objectivity of the law are not just unattainable ideals; they are harmful actions that obscure the law’s role in protecting white supremacy. This notion—so obvious to some, so unthinkable to others—has stimulated and divided legal thinking in this country and, increasingly, abroad. The essays in Crossroads, Directions, and a New Critical Race Theory—all original—address this notion in a variety of helpful and exciting ways. They use analysis, personal experience, historical narrative, and many other techniques to explain the importance of looking critically at how race permeates our national consciousness.

Critical Race Theory: The Cutting Edge, Third Edition, edited by Richard Delgado and Jean Stefancic

Critical Race Theory has become a dynamic, eclectic, and growing movement in the study of law. With this third edition of Critical Race Theory, editors Richard Delgado and Jean Stefancic have created a reader for the twenty-first century—one that shakes up the legal academy, questions comfortable liberal premises, and leads the search for new ways of thinking about our nation’s most intractable, and insoluble, problem—race. The contributions, from a stellar roster of established and emerging scholars, address new topics, such as intersectionality and black men on the “down low.” Essays also confront much-discussed issues of discrimination, workplace dynamics, affirmative action, and sexual politics. Also new to this volume are updated section introductions, author notes, questions for discussion, and reading lists for each unit. The volume also covers the spread of the movement to other disciplines such as education. Offering a comprehensive and stimulating snapshot of current race jurisprudence and thought, this new edition of Critical Race Theory is essential for those interested in law, the multiculturalism movement, political science, education, and critical thought.

The editors also published Critical White Studies: Looking Behind the Mirror, edited by Richard Delgado and Jean Stefancic

The Roots of Migrant Suffering

This week in North Philly Notes, Jamie Longazel and Miranda Cady Hallett, editor of Migration and Mortality, consider the lethal threat U.S. imperialism poses for migrants.

During a June visit to Guatemala, Vice President Kamala Harris had a simple, three-word message for those thinking about migrating to the United States: “Do not come.” Her stern statement received pushback from progressives, but Harris remained unwavering. “Listen,” she said, “I’m really clear we have to deal with the root causes and that is my focus. Period.”

But what exactly are the ‘root causes’ of the so-called migrant crisis? Who in actuality is being harmed and in what ways? Who is benefiting? And what is missing from political rhetoric of this sort?

We take on these questions in our new, edited book, Migration and Mortality. Our central argument is that capitalism, white supremacy, and U.S. imperialism—not poor individual choices or inherently despotic tendencies in the region—are at the root of death and social suffering among migrants in the Americas.

Simply saying “do not come” overlooks how systemic dynamics produce displacement in the Americas. It also changes the narrative. When it becomes an issue of individual choice, we lose sight of all the unnecessary social and biological death migrants experience, not just along the deadly U.S.-Mexico border and in detention centers, but at home, on the streets, and at work—in high-risk extractive industries and on the plantations of large agribusiness.

The Trump administration’s spectacularly harsh policies as well as the exclusion and risks faced by asylum seekers and other migrants during the coronavirus pandemic have brought this violence into sharp focus. Yet Migration and Mortality makes clear that these dynamics, and the harsh and undeniable differential mortality they reproduce, are bipartisan and longstanding.

The current conditions of violence faced by transnational migrants in this hemisphere are the product of long histories of U.S. interventionism. Without apology, ongoing policies from the Monroe Doctrine forward overtly seek regional control and domination, spurring violence and destabilization.

Domestically, brought on by a lethal mix of fearmongering, economic anxieties related to global restructuring, and the continued reactionary response to basic civil and human rights reforms, we’re seeing a rapid rise in xenophobic discourses and policies. Other forms of legal exclusion, too, threaten migrants’ lives: health policies that discriminate on the basis of status and labor law that fails to protect migrant workers, for example.

From our description, you may assume that we, like many others, argue that “the system is broken” and requires comprehensive reform. Our conclusion is a bit different: the system works just as it should for the most powerful and that is why it continues. Immigration policies and enforcement regimes underpin a system designed to give parasitic capitalists and corporations the ability to extract wealth from migrant bodies with impunity.

While this analysis frames the book, the chapters present diverse research reports and essays—drawing on empirical work from public health to cultural anthropology, and bringing critical social theory to bear on the devastating details. While some contributions trace the profiteering of private prison companies, for example, others describe migrants’ experiences of risk and solidarity through qualitative research with impacted communities.

Contributing authors also make a point to stay attuned to migrants’ survival and agency. Because even when non-migrants are sympathetic to the plight of people on the move, we have a tendency to dehumanize, to paint migrants as helpless victims. This is the other thing Harris gets wrong: of course her command won’t cause Guatemalans to relinquish their human urge to survive at all costs. The stories in our book are horrific, to be sure, but each also reveals people fighting back, engaging in collective resistance and personal resilience, and using solidarity and ingenuity to persist—not always surviving as individuals, yet enduring as a collective.

Celebrating Asian American and Pacific Islander Heritage Month

This week in North Philly Notes, we showcase some of our recent Asian American and Pacific Islander titles.

In the Critical Race, Indigeneity and Relationality series

Ocean Passages: Navigating Pacific Islander and Asian American Literatures, by Erin Suzuki

In her pathbreaking book, Ocean Passages, Erin Suzuki explores how movement through—and travel across—the ocean mediates the construction of Asian American and Indigenous Pacific subjectivities in the wake of the colonial conflicts that shaped the modern transpacific. Ocean Passages considers how Indigenous Pacific scholars have emphasized the importance of the ocean to Indigenous activism, art, and theories of globalization and how Asian American studies might engage in a deconstructive interrogation of race in conversation with this Indigenous-centered transnationalism.

In the Asian American History and Culture series

Giving Back: Filipino America and the Politics of Diaspora Giving, by L. Joyce Zapanta Mariano

Giving Back shows how integral this system of charitably giving back to their families, their communities, or social development projects and organizations back home is for understanding Filipino diaspora formation. Joyce Mariano “follows the money” to investigate the cultural, social, economic, and political conditions of diaspora giving. She takes an interdisciplinary approach to reveal how power operates through this charity and the ways the global economic and cultural dimensions of this practice reinforce racial subordination and neocolonialism. Giving Back explores how this charity can stabilize overlapping systems of inequality as well as the contradictions of corporate social responsibility programs in diaspora.

Graphic Migrations: Precarity and Gender in India and the Diaspora, by Kavita Daiya

In Graphic Migrations, Kavita Daiya provides a literary and cultural archive of refugee stories and experiences to respond to the question “What is created?” after decolonization and the 1947 Partition of India. She explores how stories of Partition migrations shape the political and cultural imagination of secularism and gendered citizenship for South Asians in India and the United States. Daiya analyzes literature, Bollywood films, Margaret Bourke-White’s photography, digital media, and print culture to show how they memorialize or erase refugee experiences. She also engages oral testimonies of Partition refugees from Hong Kong, South Asia, and North America that address the nation-state, ethnic discrimination, and religious difference. Employing both Critical Refugee Studies and Feminist Postcolonial Studies frameworks, Daiya traces the cultural, affective, and political legacies of the Partition migrations for South Asia and South Asian America.

Illegal Immigrants/Model Minorities: The Cold War of Chinese American Narrative, by Heidi Kim

In the Cold War era, Chinese Americans were caught in a double-bind. The widespread stigma of illegal immigration, as it was often called, was most easily countered with the model minority, assimilating and forming nuclear families, but that in turn led to further stereotypes. In Illegal Immigrants/Model Minorities, Heidi Kim investigates how Chinese American writers navigated a strategy to normalize and justify the Chinese presence during a time when fears of Communism ran high. Kim explores how writers like Maxine Hong Kingston, Jade Snow Wong, and C. Y. Lee, among others, addressed issues of history, family, blood purity, and law through then-groundbreaking novels and memoirs. Illegal Immigrants/Model Minorities also uses legal cases, immigration documents, and law as well as mass media coverage to illustrate how writers constructed stories in relation to the political structures that allowed or disallowed their presence, their citizenship, and their blended identity.

Prisoner of Wars: A Hmong Fighter Pilot’s Story of Escaping Death and Confronting Life, by Chia Youyee Vang, with Pao Yang, Retired Captain, U.S. Secret War in Laos

Retired Captain Pao Yang was a Hmong airman trained by the U.S. Air Force and CIA to fly T-28D aircraft for the U.S. Secret War in Laos. However, his plane was shot down during a mission in June 1972. Yang survived, but enemy forces captured him and sent him to a POW camp in northeastern Laos. He remained imprisoned for four years after the United States withdrew from Vietnam because he fought on the American side of the war. Prisoner of Wars shows the impact the U.S. Secret War in Laos had on Hmong combatants and their families. Chia Vang uses oral histories that poignantly recount Yang’s story and the deeply personal struggles his loved ones—who feared he had died—experienced in both Southeast Asia and the United States. As Yang eventually rebuilt his life in America, he grappled with issues of freedom and trauma.

The Refugee Aesthetic: Reimagining Southeast Asian America, by Timothy K. August

The refugee is conventionally considered a powerless figure, eagerly cast aside by both migrant and host communities. In his book, The Refugee Aesthetic, Timothy August investigates how and why a number of Southeast Asian American artists and writers have recently embraced the figure of the refugee as a particularly transformative position. He explains how these artists, theorists, critics, and culture-makers reconstruct their place in the American imagination by identifying and critiquing the underlying structures of power that create refugees in the contemporary world. August looks at the outside forces that shape refugee representation and how these expressions are received. He considers the visual legacy of the Southeast Asian refugee experience by analyzing music videos, graphic novels, and refugee artwork. August also examines the power of refugee literature, showing how and why Southeast Asian American writers look to the refugee position to disentangle their complicated aesthetic legacy.

The United States of India: Anticolonial Literature and Transnational Refraction, by Manan Desai

The United States of India shows how Indian and American writers in the United States played a key role in the development of anticolonial thought in the years during and immediately following the First World War. For Indians Lajpat Rai and Dhan Gopal Mukerji, and Americans Agnes Smedley, W.E.B. Du Bois, and Katherine Mayo, the social and historical landscape of America and India acted as a reflective surface. Manan Desai considers how their interactions provided a “transnational refraction”—a political optic and discursive strategy that offered ways to imagine how American history could shed light on an anticolonial Indian future. Desai traces how various expatriate and immigrant Indians formed political movements that rallied for American support for the cause of Indian independence. These intellectuals also developed new forms of writing about subjugation in the U.S. and India. Providing an examination of race, caste, nationhood, and empire, Desai astutely examines this network of Indian and American writers and the genres and social questions that fomented solidarity across borders.

Celebrating Black History Month

This week in North Philly Notes, we celebrate Black History Month with an entry highlighting some of our African American Studies and Understanding Racism titles, which are available at 30% off by using promo code TBHM2021 through 3/31/2021.

Black Identity Viewed from a Barber’s Chair: Nigrescence and Eudaimonia, by William E. Cross Jr., revisits the author’s ground-breaking model on Black identity awakening known as Nigrescence, connects W. E. B. DuBois’s concept of double consciousness to an analysis of how Black identity is performed in everyday life, and traces the origins of the deficit perspective on Black culture to scholarship dating back to the 1930s. He follows with a critique showing such deficit and Black self-hatred tropes were always based on extremely weak evidence.

Do Right by Me: Learning to Raise Black Children in White Spaces, by Valerie I. Harrison and Kathryn Peach D’Angelo, invites readers into a conversation on how best to raise black children in white families and white communities. For decades, Katie D’Angelo and Valerie Harrison engaged in conversations about race and racism. However, when Katie and her husband, who are white, adopted Gabriel, a biracial child, Katie’s conversations with Val, who is black, were no longer theoretical and academic. The stakes grew from the two friends trying to understand each other’s perspectives to a mother navigating, with input from her friend, how to equip a child with the tools that will best serve him as he grows up in a white family.

Biz Mackey, a Giant behind the Plate: The Story of the Negro League Star and Hall of Fame Catcher, by Rich Westcott, is the first biography of arguably the greatest catcher in the Negro Leagues. A celebrated ballplayer before African Americans were permitted to join Major League Baseball, Biz Mackey ranks as one of the top catchers ever to play the game. Using archival materials and interviews with former Negro League players, baseball historian Rich Westcott chronicles the catcher’s life and remarkable career in Biz Mackey as well as providing an in-depth look at Philadelphia Negro League history.

Civic Intimacies: Black Queer Improvisations on Citizenship, by Niels van Doorn, maps the political and personal stakes of Black queer lives in Baltimore. Because members of the Black queer community often exist outside conventional civic institutions, they must explore alternative intimacies to experience a sense of belonging. Civic Intimacies examines how—and to what extent—these different forms of intimacy catalyze the values, aspirations, and collective flourishing of Black queer denizens of Baltimore.

God Is Change: Religious Practices and Ideologies in the Works of Octavia Butler, Edited by Aparajita Nanda and Shelby L. Crosby (forthcoming in June) explores Octavia Butler’s religious imagination and its potential for healing and liberation. The editors of and contributors to God Is Change heighten our appreciation for the range and depth of Butler’s thinking about spirituality and religion, as well as how Butler’s work—especially the Parable and Xenogenesis series—offers resources for healing and community building. God Is Change meditates on alternate religious possibilities that open different political and cultural futures to illustrate humanity’s ability to endure change and thrive.

The Great Migration and the Democratic Party: Black Voters and the Realignment of American Politics in the 20th Century, by Keneshia N. Grant frames the Great Migration as an important economic and social event that also had serious political consequences. Keneshia Grant created one of the first listings of Black elected officials that classifies them based on their status as participants in the Great Migration. She also describes some of the policy/political concerns of the migrants. The Great Migration and the Democratic Party lays the groundwork for ways of thinking about the contemporary impact of Black migration on American politics.

The Man-Not: Race, Class, Genre, and the Dilemmas of Black Manhood, by Tommy J. Curry, is a justification for Black Male Studies. He posits that we should conceptualize the Black male as a victim, oppressed by his sex. The Man-Not, therefore, is a corrective of sorts, offering a concept of Black males that could challenge the existing accounts of Black men and boys desiring the power of white men who oppress them that has been proliferated throughout academic research across disciplines. Curry challenges how we think of and perceive the conditions that actually affect all Black males.

Mediating America: Black and Irish Press and the Struggle for Citizenship, 1870-1914, by Brian Shott, explores the life and work of T. Thomas Fortune and J. Samuel Stemons as well as Rev. Peter C. Yorke and Patrick Ford—respectively two African American and two Irish American editor/activists in the late nineteenth and early twentieth centuries. Historian Brian Shott shows how each of these “race men” (the parlance of the time) understood and advocated for his group’s interests through their newspapers.

Books that honor the legacy of Dr. Martin Luther King, Jr.

This week, in North Philly Notes, in honor of Dr. Martin Luther King Jr.’s birthday, we focus our attention on our books, new and old, that speak to a dedication to civil rights and human struggles.

The Civil Rights Lobby: The Leadership Conference on Civil Rights and the Second Reconstruction, by Shamira Gelbman, investigates how minority group, labor, religious, and other organizations worked together to lobby for civil rights reform during the 1950s and ’60s. Shamira Gelbman explains how the diversity of this interest group coalition both hindered and enabled lobbyists to generate broad-based support for reforms that often seemed risky to legislators. They coordinated their efforts by identifying common ground among member organizations, developing coalitional positions on substantive and strategic questions, and exhorting organizations to mobilize professional and grassroots lobbying resources accordingly. The result was to “speak with one booming voice” to ultimately help secure the passage of the Civil Rights Act of 1964.

Black Identity Viewed from a Barber’s Chair: Nigrescence and Eudaimonia, by William E. Cross, Jr., revisits his ground-breaking model on Black identity awakening known as Nigrescence. Cross connects W. E. B. DuBois’s concept of double consciousness to an analysis of how Black identity is performed in everyday life, and traces the origins of the deficit perspective on Black culture to scholarship, dating back to the 1930s. He follows with a critique showing such deficit and Black self-hatred tropes were always based on extremely weak evidence. His book sets out to disrupt and agitate as Cross attempts to more accurately capture the humanity of Black people that has been overlooked in previous research.


Philadelphia Freedoms: Black American Trauma, Memory, and Culture after King, by Michael Awkward captures the disputes over the meanings of racial politics and black identity during the post-King era in the City of Brotherly Love. Looking closely at four cultural moments, he shows how racial trauma and his native city’s history have been entwined. Awkward introduces each of these moments with poignant personal memories of the decade in focus, chronicling the representation of African American freedom and oppression from the 1960s to the 1990s.

Jesus, Jobs, and Justice: African American Women and Religion by Bettye Collier-Thomas, is a groundbreaking book that provides a remarkable account of the religious faith, social and political activism, and the extraordinary resilience of Black women during the centuries of American growth and change. As co-creators of churches, women were a central factor in their development and as Collier-Thomas skillfully shows, Black church women created national organizations to fight for civil rights and combat discrimination.


God Is Change: Religious Practices and Ideologies in the Works of Octavia Butler, edited by Aparajita Nanda and Shelby L. Crosby (forthcoming in June) examines Octavia Butler’s religious imagination and its potential for healing and liberation. In her work, Butler explored, critiqued, and created religious ideology. But religion, for Butler, need not be a restricting force. The editors of and contributors to God Is Change heighten our appreciation for the range and depth of Butler’s thinking about spirituality and religion, as well as how Butler’s work—especially her Parable and Xenogenesis series—offers resources for healing and community building.

The African American Jeremiad: Appeals for Justice in America, by David Howard-Pitney, shows that Black leaders have employed the jeremiad, a verbal tradition of protest and social prophecy, in a way that is specifically African American. David Howard-Pitney examines the jeremiads of Frederick Douglass, Booker T. Washington, Ida B. Wells, W.E.B. DuBois, Mary McLeod Bethune, Martin Luther King, Jr., and Malcolm X, as well as more contemporary figures such as Jesse Jackson and Alan Keyes. This revised and expanded edition demonstrates that the African American jeremiad is still vibrant, serving as a barometer of faith in America’s perfectibility and hope for social justice.

Healing Our Divided Society: Investing in America Fifty Years after the Kerner Report, edited by Fred Harris and Alan Curtis examines inequality in America. The 1968 Kerner Commission concluded that America was heading toward “two societies, one black, one white—separate and unequal.” In Healing Our Divided Society, Fred Harris, the last surviving member of the Kerner Commission, along with Eisenhower Foundation CEO Alan Curtis, re-examine fifty years later the work still necessary towards the goals set forth in The Kerner Report. Reflecting on America’s urban climate today, this new report sets forth evidence-based policies concerning employment, education, housing, neighborhood development, and criminal justice based on what has been proven to work—and not work.

Who Will Speak for America? edited by Stephanie Feldman and Nathaniel Popkin, collects passionate and justifiably angry voices providing a literary response to today’s political crisis. Inspired by and drawing from the work of writers who participated in nationwide Writers Resist events in January 2017, this volume provides a collection of poems, stories, essays, and cartoons that wrestle with the meaning of America and American identity. Who Will Speak for America? inspires readers by emphasizing the power of patience, organizing, resilience and community. These moving works advance the conversation the American colonists began, and that generations of activists, in their efforts to perfect our union, have elevated and amplified.

A musical journey with Psychobilly author Kimberly Kattari

This week in North Philly Notes, Kimberly Kattari, author of Psychobilly: Subcultural Survivalwrites about the significance of subcultural music communities.

Since seventh grade, my identity has often revolved around my interest in some genre of popular music. First it was heavy metal. The first cassette I bought was Metallica’s self-titled album (known as “The Black Album”) and the first song I learned to play on the guitar was “Nothing Else Matters.” Then came grunge, then punk rock, and many other styles, all of with which I resonated strongly. I’d signal my interest in that style of music through my fashion and style choices—long thermals under band shirts or flannel for grunge; dyed hair, fishnets, and safety pin “jewelry” for punk. It felt great to be on the same wavelength with others who shared my passion for that style of music, were invested in what the lyrics were about, and felt that our musical taste said something about who we were.

I think my deep desire to be part of a musical community stemmed from the fact that I was once completely not in touch with popular music. As a kid, I was mostly exposed to the classical and world music my parents listened to. I regularly attended concerts with them at university concert halls, the Hollywood Bowl, and the philharmonic. In the fourth grade, while my peers danced in the schoolyard to songs by New Kids on the Block and giggled about which member of the boy band they had a crush on, I was clueless. I was listening to Robert Schumann, Ladysmith Black Mambazo (an a cappella group from South Africa), and KODO (a taiko drum ensemble from Japan). By the beginning of seventh grade, I still hadn’t branched out from the music my parents listened to. On the first day of my English class, the teacher asked everyone to introduce themselves and share their favorite musician or band. I froze. I didn’t really know any “popular” bands that someone my age would like. I blurted out the only musician’s name I could remember—Rod Stewart (my mother was a fan). Let’s just say this was not a “cool” choice. My classmates laughed. I was completely embarrassed.

After that day, I started to pay more attention to the music that my peers listened to. I still love classical music and “world music” too. I went on to earn my doctorate in ethnomusicology after all (and began to understand why the term “world music” problematically reinforces colonialist legacies). But I also became fascinated with understanding how and why people identify with different types of popular music, why we resonate with one type and not another, and how we feel connected to others who share our musical interests because we usually have more in common than just our musical tastes. Music says something about us.

Psychobilly_smFast-forward to 2007. I had just finished writing my Master’s thesis on reggaetón, exploring why fans across the United States felt that the music expressed their bicultural identity and values. Then a friend invited me to a show featuring a psychobilly band called Nekromantix. I had never heard of “psychobilly.” Intrigued, I went to the show and was stunned by what I saw. The fans blended aspects of 1950s rockabilly and punk rock. They looked like a hybrid of Elvis and the Sex Pistols. Some had a greased-up pompadour, while others had an exaggerated flattop mutated with a Mohawk. Clothes and tattoos featured symbols that signified an obsession with the macabre—coffins, bats, skeletons, monsters—done in a cartoonish, horror B-movie camp style. The music matched the fashion: it sounded like a harder, faster, more “punk” version of rockabilly with lyrics about “getting horny in a hearse” and running scared from the “gargoyles over Copenhagen.” The lead singer played a stand-up bass (a rockabilly staple) but it looked like a coffin. He rolled his eyes back into his head, looking psychotic, while growling lyrics about dancing with the dead in a graveyard (“Dead MoonWalkin”) (2004, Dead Girls Don’t Cry, Hellcat Records). Here, in a dive bar in Austin, Texas, was a whole subcultural community I never knew existed. I was having flashbacks to being in seventh grade: how could I be completely clueless about this whole other world that some people were clearly committed to? I was intrigued to learn more about why people identified with this particular combination of vintage rock ’n’ roll, punk, and campy horror.

Psychobilly: Subcultural Survival explores how and why members of this subcultural community identify so strongly with it. I spent more than ten years interviewing musicians and fans about their participation in this scene. Above all, psychobillies expressed to me that this scene gives them a place to freely express their non-mainstream identity. As one interlocutor put it, “Psychobilly is the only place where I feel like me.” Most of my interlocutors said that they don’t normally fit in with others and have been socially and/or economically marginalized in a variety of ways. So they free themselves from normative expectations at psychobilly events: they “wreck” (erratically mosh around in a pit while throwing their fists every which way); they dress in ways that might scare “normal” people; and they sing along with tongue-in-cheek songs about killing the cheerleader (which aren’t meant to be taken seriously but still express a defiant and rebellious attitude).

The hybridization of stylistic elements of rockabilly and punk started to make more sense to me as I talked to members of the subculture: psychobillies combined aspects of two genres that had each represented working-class expressions of rebellion against the status quo. But psychobillies rebelled even further by rejecting the clichés that characterized rockabilly and punk by the early 1980s. Instead of singing about pink Cadillacs and bopping on a Saturday night (typical rockabilly) or political rage (conventional punk), psychobillies celebrated their defiant attitude in songs like “Scum of the Neighborhood” by Batmobile (Batmobile, Kix 4 U Records, 1985): “We’re the scum of the neighborhood, going out tonight / We like to walk in small streets and get messed up in a fight / Crushing skulls and pulling knives, we care for nobody’s life.” Influenced by horror and science fiction, the lyrics allowed fans to escape reality and fantasize about an imagined world where they yielded the power and inverted social and economic hierarchies.

This book not only illustrates how subcultures represent important spaces for people to resist hegemonic expectations and imagine an alternative to their daily lived experience, but also how they help participants stake out their own way to survive tough times. Having been rejected or excluded from traditional avenues for economic success, many psychobillies lean on each other for social and economic support.

In short, this under-the-radar subculture exists because people rely on it in meaningful ways. It’s an important vehicle through which members of this community express a non-normative identity and draw on the support of others who share their experiences, values, and interests. The subculture survives today because it helps people survive. It allows them a place to be—in their own way and on their own terms.

A Feminist Post-Liberal Future

This week in North Philly Notes, Judith Baer, author of Feminist Post-Liberalism,  writes about how feminists and liberals can correct each other’s characteristic errors.

Basketball great Kobe Bryant died in a helicopter crash on January 26, 2020. Early media coverage consisted mostly of eulogies. They stressed his five NBA championships with the Los Angeles Lakers, his two Olympic gold medals, and his commitment to equality in race relations and women’s sports. These stories, like the one in my local paper, ignored the worst incident on his record: an accusation of rape in 2003. (Criminal charges were dropped; a civil suit was settled out of court.)

Once this information emerged in postmortem coverage, all hell broke loose on social media. Fans accused critical commentators of bad taste and cruelty to the families of the crash victims. Bryant’s defenders also pointed out that he had made restitution and apologized, urging critics to put the episode behind them. Some, assuming without evidence that all women who criticized Bryant were white, accused them of ignoring the fact that black men are more likely than white men to be punished for rape and the long history of white women’s false accusations of black men. These commentators urged the critics to confront their own racism.

What does all this have to do with feminist post-liberalism? In my book, I suggest how these two belief systems can correct each other’s characteristic errors and how feminist ideas can break the connection between liberalism and male supremacy. The issues I explore include mass incarceration and cultural appropriation, both of which are relevant to the Kobe Bryant discussion.

Feminist Post-LiberalismA 40-year “war on crime” that began when Richard Nixon became president gave the United States the highest incarceration rate in the world. (We used to be third, after the USSR and the Union of South Africa.) This mass incarceration, which many liberals supported,  disproportionately harms African Americans. So many lose the right to vote that a “new Jim Crow” negates the effects of the Voting Rights Act of 1965. Twenty-first century liberals want to end mass incarceration. But they fail to ask how fewer and shorter sentences might affect victims of sexual assault and domestic violence. Most rapists, whatever their race, get away with it. Feminism gets lost in the dialogue.

Cultural appropriation occurs when writers or artists use material from a culture not their own, especially without understanding or respect. Those who advised Kobe Bryant’s critics to face their own racism echoed the accusations an argument that goes back at least to 1932, when the poet Langston Hughes criticized the children’s book Little Black Sambo. Feminist critics of male authors have done likewise. Critics of Jeanine Cummins’s novel American Dirt have accused the African American author of appropriating the experience of undocumented Mexican immigrants—accused her so angrily that the publisher canceled Cummins’s promotion tour in fear for her safety.

Commentators who have jumped on the cultural appropriation bandwagon have abandoned a central tenet of liberalism: its commitment to reason. Passion does not turn an opinion into a fact or a difference of degree into a difference of kind. To lose these distinctions frustrates rational discourse.

Feminism and liberalism are distinct but tangled philosophies. Modern Western feminism developed logically and historically from liberalism. A belief system that replaced faith with reason, divine right with representative government, and hierarchy with equality invited critical scrutiny of male supremacy. Defenses of women’s rights appeared in Great Britain, France, and North America during and after the democratic revolutions in these countries. So did anti-feminist tracts. Jean-Jacques Rousseau found gender equality incompatible with motherhood. Some anti-revolutionary Frenchwomen opposed equality on religious grounds. French radicals rejected feminism because they considered a decent standard of living more important than legal rights. All these arguments existed by 1800 and still thrive today. Conservative critiques of feminism continue to emphasize religion and the family. Radical critiques insist that class and/or race is the primary, and gender a secondary, determinant of inequality.

Feminism and liberalism are compatible belief systems, but not all feminists are liberals and not all liberals are feminists. Both belief systems are complex and diverse. Feminists do not all think alike. Neither do all liberals. Differences of opinion and emphasis exist within both groups, as they do among conservatives and radicals. I devoted much time and space to distinguishing among various types of feminism and liberalism.

My first draft envisioned a feminist post-liberalism free of male supremacy and misogyny. I argued that the two sets of theories could correct characteristic errors, like some liberals’ emphasis on human rights at the expense of human needs and some feminists’ acceptance of gender roles. I also discussed characteristic errors that feminist and liberals shared, like a predisposition to guilt. My optimistic tone jarred with reality in the form of the 2016 election, which decisively rebuffed both feminism and liberalism.

A progressive feminist woman lost the presidency to a billionaire outsider. A coalition of conservatives, capitalists, and fundamentalist Christians was born. Enough people in enough states preferred a misogynist to a woman and a political novice to a seasoned legislator and diplomat. Enough people in enough states sat out the election to give Donald Trump the victory. Enough voters wanted change, and did not see a woman insider as an agent of change. Instead, we got reactionary change. Conservative ideas dominate the executive and judicial branches of the federal government. Feminists and liberals have a great deal of work to do.

Celebrating Dr. Martin Luther King, Jr.

This week in North Philly Notes, in honor of MLK Day, we showcase six books with connections to Dr. Martin Luther King, Jr. 

The End of Empires: African Americans and Indiaby Gerarld C. Horne

Martin Luther King Jr.’s adaptation of Gandhi’s doctrine of nonviolent resistance is the most visible example of the rich history of ties between African Americans and India. In The End of Empires, Gerald Horne provides an unprecedented history of the relationship between African Americans and Indians in the period leading up to Indian independence in 1947. Recognizing their common history of exploitation, Horne writes, African Americans and Indians interacted frequently and eventually created alliances, which were advocated by W.E.B. Du Bois, among other leaders. Horne tells the fascinating story of these exchanges, including the South Asian influence on the Nation of Islam and the close friendship between Paul Robeson and India’s first prime minister, Jawaharlal Nehru. Based on extensive archival research in India, the United States and the United Kingdom, The End of Empires breaks new ground in the effort to put African American history into a global context.

Philadelphia Freedoms: Black American Trauma, Memory, and Culture after King, by Michael Awkward

Michael Awkward’s Philadelphia Freedoms captures the disputes over the meanings of racial politics and black identity during the post-King era in the City of Brotherly Love. Looking closely at four cultural moments, he shows how racial trauma and his native city’s history have been entwined. Awkward introduces each of these moments with poignant personal memories of the decade in focus, chronicling the representation of African American freedom and oppression from the 1960s to the 1990s. Philadelphia Freedoms explores NBA players’ psychic pain during a playoff game the day after Martin Luther King, Jr.’s assassination; themes of fatherhood and black masculinity in the soul music produced by Philadelphia International Records; class conflict in Andrea Lee’s novel Sarah Phillips; and the theme of racial healing in Oprah Winfrey’s 1997 film, Beloved. Awkward closes his examination of racial trauma and black identity with a discussion of candidate Barack Obama’s speech on race at Philadelphia’s Constitution Center, pointing to the conflict between the nation’s ideals and the racial animus that persists even into the second term of America’s first black president.

The African American Jeremiad: Appeals for Justice in Americaby David Howard-Pitney

Begun by Puritans, the American jeremiad, a rhetoric that expresses indignation and urges social change, has produced passionate and persuasive essays and speeches throughout the nation’s history. Showing that black leaders have employed this verbal tradition of protest and social prophecy in a way that is specifically African American, David Howard-Pitney examines the jeremiads of Frederick Douglass, Booker T. Washington, Ida B. Wells, W.E.B. DuBois, Mary McLeod Bethune, Martin Luther King, Jr., and Malcolm X, as well as more contemporary figures such as Jesse Jackson and Alan Keyes. This revised and expanded edition demonstrates that the African American jeremiad is still vibrant, serving as a barometer of faith in America’s perfectibility and hope for social justice. This new edition features: • A new chapter on Malcolm X • An updated discussion of Jesse Jackson • A new discussion of Alan Keyes

African Intellectual Heritage: A Book of Sources edited by Molefi Kete Asante and Abu S. Abarry

Organized by major themes—such as creation stories, and resistance to oppression—this collection gather works of imagination, politics and history, religion, and culture from many societies and across recorded time. Asante and Abarry marshal together ancient, anonymous writers whose texts were originally written on stone and papyri and the well-known public figures of more recent times whose spoken and written words have shaped the intellectual history of the diaspora.

Within this remarkably wide-ranging volume are such sources as prayers and praise songs from ancient Kemet and Ethiopia along with African American spirituals; political commentary from C.L.R. James, Malcolm X, Mary McLeod Bethune, and Joseph Nyerere; stirring calls for social justice from David Walker, Abdias Nacimento, Franzo Fanon, and Martin Luther King, Jr. Featuring newly translated texts and documents published for the first time, the volume also includes an African chronology, a glossary, and an extensive bibliography. With this landmark book, Asante and Abarry offer a major contribution to the ongoing debates on defining the African canon.

The End of White World Supremacy: Black Internationalism and the Problem of the Color Line, by Roderick D. Bush 

The End of White World Supremacy explores a complex issue—integration of Blacks into White America—from multiple perspectives: within the United States, globally, and in the context of movements for social justice. Roderick Bush locates himself within a tradition of African American activism that goes back at least to W.E.B. Du Bois. In so doing, he communicates between two literatures—world-systems analysis and radical Black social movement history—and sustains the dialogue throughout the book. Bush explains how racial troubles in the U.S. are symptomatic of the troubled relationship between the white and dark worlds globally. Beginning with an account of white European dominance leading to capitalist dominance by White America, The End of White World Supremacy ultimately wonders whether, as Myrdal argued in the 1940s, the American creed can provide a pathway to break this historical conundrum and give birth to international social justice.

Chapter 6: Black Power, the American Dream, and the Spirit of Bandung: Malcolm X and Dr. Martin Luther King, Jr. in the Age of World Revolution

Black Power Ideologies; An Essay in African-American Political Thought, by John T. McCartney

In a systematic survey of the manifestations and meaning of Black Power in America, John McCartney analyzes the ideology of the Black Power Movement in the 1960s and places it in the context of both African-American and Western political thought. Starting with the colonization efforts of the Pan-Negro Nationalist movement in the 18th century, McCartney contrasts the work of Bishop Turner with the opposing integrationist views of Frederick Douglass and his followers. McCartney examines the politics of accommodation espoused by Booker T. Washington; W.E.B. Du Bois’s opposition to this apolitical stance; the formation of the NAACP, the Urban League, and other integrationist organizations; and Marcus Garvey’s reawakening of the separatist ideal in the early 20th century. Focusing on the intense legal activity of the NAACP from the 1930s to the 1960s, McCartney gives extensive treatment to the moral and political leadership of Martin Luther King, Jr., and his challenge from the Black Power Movement in 1966.

%d bloggers like this: