Honoring Mexico on Cinco de Mayo

This week in North Philly Notes, we showcase books about Mexico in honor of Cinco de Mayo.

urban leviathanUrban Leviathan: Mexica City in the Twentieth Century by Diane E. Davis

Why, Diane Davis asks, has Mexico City, once known as the city of palaces, turned into a sea of people, poverty, and pollution? Through historical analysis of Mexico City, Davis identifies political actors responsible for the uncontrolled industrialization of Mexico’s economic and social center, its capital city. This narrative biography takes a perspective rarely found in studies of third-world urban development: Davis demonstrates how and why local politics can run counter to rational politics, yet become enmeshed, spawning ineffective policies that are detrimental to the city and the nation.

effects of the nationThe Effects of the Nation: Mexican Art in an Age of Globalization edited by Carl Good and John V. Waldron

What is the effect of a “nation”? In this age of globalization, is it dead, dying, only dormant? The essays in this groundbreaking volume use the arts in Mexico to move beyond the national and the global to look at the activity of a community continually re-creating itself within and beyond its own borders.

Mexico is a particularly apt focus, partly because of the vitality of its culture, partly because of its changing political identity, and partly because of the impact of borders and borderlessness on its national character. The ten essays collected here look at a wide range of aesthetic productions—especially literature and the visual arts—that give context to how art and society interact.

Ethical Borders sm compEthical Borders: NAFTA, Globalization, and Mexican Migration by Bill Ong Hing

In his topical new book, Ethical Borders, Bill Ong Hing asks, why do undocumented immigrants from Mexico continue to enter the United States and what would discourage this surreptitious traffic? An expert on immigration law and policy, Hing examines the relationship between NAFTA, globalization, and undocumented migration, and he considers the policy options for controlling immigration. He develops an ethical rationale for opening up the U.S./Mexican border, as well as improving conditions in Mexico so that its citizens would have little incentive to migrate.

Sounds Modern Nation smallSounds of the Modern Nation: Music, Culture, and Ideas in Post-Revolutionary Mexico by Alejandro L. Madrid

Sounds of the Modern Nation explores the development of modernist and avant-garde art music styles and aesthetics in Mexico in relation to the social and cultural changes that affected the country after the 1910-1920 revolution. Alejandro Madrid argues that these modernist works provide insight into the construction of individual and collective identities based on new ideas about modernity and nationality. Instead of depicting a dichotomy between modernity and nationalism, Madrid reflects on the multiple intersections between these two ideas and the dialogic ways through which these notions acquired meaning.

MinichCompFinal.inddAccessing Citizenship: Disability, Nation, and Cultural Politics of Greater Mexico  by Julie Avril Minich

Accessible Citizenships examines Chicana/o cultural representations that conceptualize political community through images of disability. Working against the assumption that disability is a metaphor for social decay or political crisis, Julie Avril Minich analyzes literature, film, and visual art post-1980 in which representations of nonnormative bodies work to expand our understanding of what it means to belong to a political community. Minich shows how queer writers like Arturo Islas and Cherríe Moraga have reconceptualized Chicano nationalism through disability images. She further addresses how the U.S.-Mexico border and disabled bodies restrict freedom and movement. Finally, she confronts the changing role of the nation-state in the face of neoliberalism as depicted in novels by Ana Castillo and Cecile Pineda.

Mexican Voices Border Region compMexican Voices of the Borders Region by Laura Velasco Ortiz and Oscar F. Contreras

Mexican Voices of the Border Region examines the flow of people, commercial traffic, and the development of relationships across this border. Through first-person narratives, Laura Velasco Ortiz and Oscar F. Contreras show that since NAFTA, Tijuana has become a dynamic and significant place for both nations in terms of jobs and residents. The authors emphasize that the border itself has different meanings whether one crosses it frequently or not at all. The interviews probe into matters of race, class, gender, ethnicity, place, violence, and political economy as well as the individual’s sense of agency.

Mexican American Women Activists: Identity and Resistance in Two Los Angeles Communities by Mary Pardo

mexican american women activistsMexican American Women Activists tells the stories of Mexican American women from two Los Angeles neighborhoods and how they transformed the everyday problems they confronted into political concerns. By placing these women’s experiences at the center of her discussion of grassroots political activism, Mary Pardo illuminates the gender, race, and class character of community networking. She shows how citizens help to shape their local environment by creating resources for churches, schools, and community services and generates new questions and answers about collective action and the transformation of social networks into political networks.

nothing nobodyNothing, Nobody: The Voices of the Mexico City Earthquake by Elena Poniatowska

September 19, 1985: A powerful earthquake hits Mexico City in the early morning hours. As the city collapses, the government fails to respond. Long a voice of social conscience, prominent Mexican journalist Elena Poniatowska chronicles the disintegration of the city’s physical and social structure, the widespread grassroots organizing against government corruption and incompetence, and the reliency of the human spirit. As a transformative moment in the life of mexican society, the earthquake is as much a component of the country’s current crisis as the 1982 debt crisis, the problematic economic of the last ten years, and the recent elections.

Musica Nortena sm compMúsica Norteña: Mexican Migrants Creating Community Between Nations by Cathy Ragland

Música norteña, a musical genre with its roots in the folk ballad traditions of northern Mexico and the Texas-Mexican border region, has become a hugely popular musical style in the U.S., particularly among Mexican immigrants. Featuring evocative songs about undocumented border-crossers, drug traffickers, and the plight of immigrant workers, música norteña has become the music of a “nation between nations.” Música Norteña is the first definitive history of this transnational music that has found enormous commercial success in norteamérica. Cathy Ragland, an ethnomusicologist and former music critic, serves up the fascinating fifty-year story of música norteña, enlivened by interviews with important musicians and her own first-hand observations of live musical performances.

New ImageSurviving Mexico’s Dirty War: A Political Prisoner’ s Memoir by Alberto Ulloa Bornemann

This is the first major, book-length memoir of a political prisoner from Mexico’s “dirty war” of the 1970s. Written with the urgency of a first-person narrative, it is a unique work, providing an inside story of guerrilla activities and a gripping tale of imprisonment and torture at the hands of the Mexican government.

Alberto Ulloa Bornemann was a young idealist when he dedicated himself to clandestine resistance and to assisting Lucio Cabañas, the guerrilla leader of the “Party of the Poor.” Here the author exposes readers to the day-to-day activities of revolutionary activists seeking to avoid discovery by government forces. After his capture, Ulloa Bornemann endured disappearance into a secret military jail and later abusive conditions in three civilian prisons.

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Temple University Press staff picks for Black History Month

This week in North Philly Notes, Temple University Press staff members select their favorite titles for Black History Month

Ann-Marie Anderson, Marketing Director

I was totThe_Parker_Sisters_emboss_smally captivated by Lucy Maddox’s The Parker Sisters! In 1851, the two free black sisters were kidnapped from a farm in Chester County, Pennsylvania, and sold back into slavery for a full year. Their story reads like a novel with twists and turns at every angle as the true story of the two young sisters unfolds. True freedom was not to be had for many African Americans during that time, and for both the free and fugitive living in border areas like here in Pennsylvania and nearby Maryland, danger lurked everywhere. Slave catchers were a mighty force, getting legal and illegal assistance from both black and white. Through newspaper accounts, diaries, and courtroom documents, Maddox traces the sisters harrowing experiences and provides a glimpse into what life was like in mid-19th century America.

Gary Kramer, Publicity Manager

I’m a complete sucker for Sandra Bullock and her film The Blind Side. But after reading Matthew Hughey’s The White Savior Film, I can’t look at this (or any other) film about racial uplift the same way again. Hughey’s cogent unpacking of “saviorism” has prompted me to call it out whenHughey_front_012814_sm I write about film, and also to find films that eschew this trope that perpetrates stereotypes about race, class (and even gender). Reading Hughey’s book makes me even more conscientious of racial equality in film. And “The DuVernay Test,” named for African American filmmaker Ava DuVernay (I Will Follow, Selma), was devised to monitor films to ensure “African Americans and other minorities have fully realized lives rather than serve as scenLayout 1ery in white stories.” The current Oscar-nominated film Hidden Figures, which features a trio of female African American mathematicians playing vital roles at NASA, passes the DuVernay test, and despite scenes of saviorism, is decidedly not a White Savior film. These women were real people whose abilities paved their way to success. Incidentally, Hidden Figures also evokes another Temple University Press title, Swimming Against the Tideby Sandra Hanson, about African American girls and science education, which also demands reader’s attention.

Mary Rose Muccie, Director

Aden_2.inddThousands of people come to Independence National Historical Park in Philadelphia each year to visit the Liberty Bell, Independence Hall, and the nation’s first White House, known as the President’s House.  There they’ll also see the only memorial to slavery on federal land.  As Roger Aden explains in his book, Upon the Ruins of Liberty: Slavery, the President’s House at Independence National Historical Park, and Public History, the memorial’s location is more than a gesture. When he came from Virginia to live in the President’s House, George Washington brought with him nine African slaves and later found a loophole in Pennsylvania state law that allowed him to avoid granting them their freedom.  The stories of freedom and liberty associated with the events that took place in Philadelphia rarely if ever acknowledged the existence of the slaves present as history was being made, and Aden’s book speaks to the importance of expanding the “history” commemorated at the site and describes the perhaps unexpected issues around doing so.  Its discussion of the sometimes uncomfortable presentation of this piece of our history speaks to many of the threads woven into Black History Month and to the need to change what we’re taught about how the notion of  liberty was applied.

Ryan Mulligan, Editor

Layout 1We’ve seen sports serve as an intensely visible and symbolic ground to showcase the slow march towards progress that has, in fits and starts, propelled black history. In sports we’ve seen exclusion become segregation, participation met with resistance, success met with fear, and finally and most ironically racial pride become national pride. This last transition is visible in the distance between now and the 1968 Olympics, when Tommie Smith scandalized America by celebrating his gold medal in the 200-meter dash with a raised fist gloved in black as the National Anthem played. That scandal forced spectators to reconcile America’s progress with its work to be done, that if it wanted to take pride in its native son’s achievement, it would also need to hear his protest. This seems to me emblematic not only of a step in black history but also in the telling of black history. Black history, taught and learned well, cannot be restricted to a story white people tell about statuesque historical figures frozen in time but must give a platform for those figures to speak for themselves. That is why I’d like to call attention to Silent Gesturewhich Temple published 10 years ago in which Tommie Smith tells his own story and his silent gesture takes on a living voice.

Aaron Javsicas, Editor in Chief

Tasting Freedom_AD(12-16-09) finalDan Biddle and Murray Dubin’s Tasting Freedom: Octavius Catto and the Battle for Equality in Civil War America is a masterfully told story about this important figure in both Philadelphia and American history. Catto’s heroic activism and tragic murder at the hands of a racist mob on election day in 1871 foreshadowed the century of civil rights struggle to come. As Philadelphia prepares to unveil a statue memorializing Catto’s life later this spring on the grounds of City Hall, please consider picking up a copy of this engrossing and important biography.

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