Risking Life and Lens

This week in North Philly Notes, Helen M. Stummer, author of Risking Life and Lens, provides her artist statement and a few images from her exhibit at the New Jersey Historical Society that runs through June 24.  

This exhibit is a small selection from the large body of work I have created over the past four decades as a social documentary photographer and visual sociologist.

I began my career as a painter. I loved to paint, but when I enrolled in a class at the International Center of Photography in my early thirties only planning to learn how to use my camera better, I became involved photographing the Lower East Side of Manhattan, which was what the New York Times then called one of the meanest areas in America. “If you don’t take a risk you will never do anything meaningful” became my mantra.

Stummer_fig3.26

Woman Carrying Water Home, Guatemala, 1997

France Under bridge Paris copy

Man Living Under Bridge, Paris, France, 2000

E 6th St NYC Manicure Shirley & her twins 11_22_1978 file 104 fr#31e104

Giving Mommy a Manicure, 1978

Maine Ellen Rocking Jimmy Maine. 1989 jpg

Ellen Rocking Jimmy, 1989

stummer-helen_James on Stairwell

James on the Stairs at 322, 1994

Driven out by drug dealers after four years, I went on to photograph mostly in the Central Ward of Newark, and became involved with the struggles of local residents addressing injustice in education, health, housing and police practices. I befriended several families, seeing many of their children grow up and have children of their own. During those years, I also worked in rural Maine, Guatemala, and France with a large organization, Homeworkers Organized for More Employment (H.O.M.E), in the fight against poverty, homelessness and hopelessness.

Risking Life and Lens_smRisking Life and Lens takes the reader/viewer through many of my own experiences and challenges, as well as the everyday stories that residents shared with me. I was there to learn and to witness without judging, striving to capture the innate qualities of dignity, spirit and elegance of people living amidst suffering and devastation. Their grief and anger at the world’s injustice could not erase their grace and humanity, and that left a mark on my camera and my heart.

Nelson Mandela said that poverty is man-made and therefore can be unmade. It makes no more sense to think that someone living in a so-called “bad neighborhood” is a bad person than to assume someone who lives in a “good neighborhood” is a good person. We see so much change happening in suddenly “desirable” urban environments, but a civilized society, if it is to survive, has to offer opportunity that includes and fulfills the needs of all people.

Helen M. Stummer

Remembering the late TUP author Tom Regan

This week in North Philly Notes, we honor the late Tom Regan, who was the author or editor of several Temple University Press titles, including: Animal Sacrifices, Health Care Ethics, The Early Essays, The Thee Generation, and Elements of Ethics, among other titles.  

This slideshow requires JavaScript.

Regan’s obituary (below) appeared in The Philadelphia Inquirer on February 17.

Tom Regan, the author of a noted book on animal rights and a professor emeritus of philosophy at NC State University, has died. Marion Cox Bolz, a spokesperson for the family, said Regan died Friday after a bout of pneumonia at his North Carolina home. Regan was 78.

Regan is known for “The Case for Animal Rights,” which is described on the web page http://www.tomregan.info as stating non-human animals bear moral rights. He wrote that a crucial attribute that all humans have in common, he argues, is not rationality, but the fact that each of us has a life that matters to us.

Regan is survived by his wife Nancy, son Bryan and daughter Karen and four grandchildren. Funeral arrangements are pending.

 

Celebrating the 50th anniversary edition of The Phenomenology of Dance by Maxine Sheets-Johnstone

ThePhenomenologyofDance050715 international-national Flyer-thubHow useful is the 50th anniversary edition of The Phenomenology of Dance to USABP members?

This book is clearly not a book about therapy, body-oriented or otherwise. It may nevertheless be of considerable interest to dance therapists as well as body-oriented therapists in general by providing an experience-based analysis of movement and dance, and hence thought-provoking reflections on movement and dance. The book’s finely detailed descriptive analysis of movement is complementary to the graphic analysis of movement that constitutes Labananalysis. In addition to its finely detailed descriptive analysis of movement, the book concerns itself with dynamics, rhythm, and expression, each in separate chapters, and elaborates in experiential ways Susanne Langer’s philosophy of art as a matter of “form symbolizing feeling.” In particular, though Sheets-Johnstone diverges methodologically from Langer’s analytical approach, following instead the rigorous methodology of phenomenology, The Phenomenology of Dance prospers greatly from her insights into how the qualitative dynamics of movement in dance come to symbolize forms of human feeling.

The 50th anniversary edition also includes a lengthy new preface that addresses what Sheets-Johnstone sees as present-day issues in research studies and writings on movement and dance, most notably but not exclusively, the lack of recognition of kinesthesia as a sense modality, and with it, a lack of attention to the qualitative realities of movement. Sheets-Johnstone furthermore shows the value of dance to be dance in and of itself. She thus shows that dance is not a means to lofty goals of education, but that an education in dance–and hence the study of movement–is of prime value in and of itself.

In her first life, Maxine Sheets-Johnstone was a dancer/choreographer, professor of dance/dance scholar. That life has continued to inform her life as a philosopher and interdisciplinary scholar in near 80 articles in humanities, art, and science journals, and in nine books, all of which attest in one way and another to a grounding in the tactile-kinesthetic body. She has several articles in psychotherapy journals, among which Body, Movement and Dance Psychotherapy, American Journal of Dance Therapy, Psychotherapy and Politics International, and Philoctetes (the latter a journal co-sponsored by the New York Psychoanalytic Institute), as well as articles on movement and dance and on animation in journals such as Phenomenology and the Cognitive Sciences and Continental Philosophy Review.

She has given guest lectures and keynotes in the states and abroad and is scheduled in 2016 as a guest speaker at the International Human Science Research Conference in Ottawa, the European Association Dance Movement Therapy Conference in Milan, and the European Association of Body Psychotherapists Conference in Greece. She was awarded a Distinguished Fellowship at the Institute of Advanced Study at Durham University in the UK in the Spring of 2007 for her research on xenophobia, an Alumni Achievement Award by the School of Education, University of Wisconsin in 2011, and was honored with a Scholar’s Session at the Society for Phenomenology and Existential Philosophy Conference in 2012. She has an ongoing Courtesy Professor appointment in the Department of Philosophy at the University of Oregon.

%d bloggers like this: