Temple University Press’s Annual Holiday Give and Get

This week in North Philly Notes, the staff at Temple University Press suggest the Temple University Press books they would give along with some non-Temple University Press titles they hope to read and receive this holiday season. 

Mary Rose Muccie, Director

Give: My family is full of Philadelphia sports fans, so there are two recent Press titles that make perfect gifts for them. Stan Hochman Unfiltered, edited by Gloria Hochman, contains almost 100 Philadelphia Daily News columns by the late sportswriter.  Columns by another late Daily News sportswriter, Phil Jasner, are collected by his son Andy in Phil Jasner “On the Case”Jasner covered the 76ers for almost 30 years, while Hochman’s columns cover all sports. Both collections are great reads and capture Philly sports hits and misses, many of which fans will never forget.

Get: I already gifted myself and have recommended to numerous friends Ronan Farrow’s Catch and Kill. In it, Farrow details his investigation into Harvey Weinstein and the lengths powerful men went to to cover it up, as well as the intimidation tactics used against him as he dug for the truth.  It’s a riveting account of the ways money and power were used to protect predators and silence women, and the strength and courage of those women as they stood against it.

Karen Baker, Associate Director, Financial Manager
Give: I would like to give Contested Image by Laura Holzman because my family is from Philadelphia and was always very interested in art and the local museums.

Get: I would like to receive I’m a Good Dog: Pit Bulls, America’s Most Beautiful (and Misunderstood) Pet, because I have a pit bull, and while I know how great they are, I would like to read the stories of others and all of their inspirational stories.

Ashley Petrucci, Rights and Contracts Coordinator and Editorial Assistant

Give: Invisible People: Stories of Lives at the Margins by Alex Tizon and edited by Sam Howe Verhovek: Like many others, I saw “My Family’s Slave” from The Atlantic shared on Reddit back in 2017 and found Lola’s tale so compelling that I made sure to pass the article along to several friends.  Working on this book a little over a year later was such a pleasant surprise, and I’m excited to have a whole book of Alex’s work to share with the same friends that I sent the story to back in 2017.

Get: None!  I have two tall bookcases full of books, so I don’t think I can fit anymore!  As a matter of fact, I should probably begin “the purge” (only to then replace them with more books, I’m sure…)

Aaron Javsicas, Editor-in-Chief

Give: Monument Lab: Creative Speculations for Philadelphia. This is a catalog of the temporary monuments installed throughout the city in Fall 2017 in answer to the question, “What is an appropriate monument for the current city of Philadelphia?” It’s the latest book to emerge from our long collaboration with Mural Arts Philadelphia, and it’s in some ways the boiled-down essence of what Temple University Press publishing is all about. It’s daring, it’s urban, and it’s about Philly, and it makes an important contribution to scholarship with writing that’s approachable for any reader. It’s also beautifully designed and illustrated. Very, very giftable. Gift it.

Get: What I’d really like to get is that one manuscript I’ve been waiting on. Meanwhile, I hope someone gives me Eric Loomis’s A History of America in Ten Strikes. The labor movement in this country has endured body blow after body blow, and a book rounding up the moments in our history when labor action caused fundamental change seems like a smart way to frame how it’s been definitionally important and could be again.

Ryan Mulligan, Editor,

Give: Stan Hochman Unfiltered, Sports columnists today tend to be either passionate avatars of their cities, channeling the frustrated voice of the people into provocative takes, or erudite scribes digging into the human interest stories of the people behind the uniforms. Stan Hochman brought the best both in his columns and he started doing it before most any other writer was doing either. His writing was acerbic, cathartic, funny, and revealing.

Get: The Nickel Boys. Colson Whitehead’s The Underground Railroad was one of my favorite books of the past decade so sign me up for his next effort.

Sarah Munroe, Editor

Give: Set in Kamchatka, Julia Phillips’s Disappearing Earth is billed as a mystery because two young girls disappear in the very beginning. But the way the story unfolds is so much more. Each chapter is told from a different person’s perspective and the characters overlap in each others’ stories in big and small ways throughout. Underneath runs the current of the girls’ disappearance and we see the ripples throughout other lives. Phillips swiftly and deftly brings the reader into each new life in such a compelling way that I wanted to read a whole book about each of the protagonists. Disclaimer: I could be biased because there’s a scene in which a couple encounters a bear while camping, which happened to my husband and I this summer because of our overly zealous small dog.  

Get:  A two-fer: Lawn People: How Grasses Weeds and Chemicals Make Us Who We Are by Paul Robbins and Inconspicuous Consumption: The Environmental Impact You Don’t Know You Have by Tatiana Schlossberg. I’ll soon be moving to a house with an actual yard that’s mine to care for the first time in my adult life, and I frequently worry about climate change, famine, and water scarcity. What I do when I worry is read about my worry. Both of these books think about individual choices as part of local and global ecologies.

Ann-Marie Anderson, Marketing Director

Give: I want Monument Lab as the book to give to my artist friends who grapple with questions of public art.

Get: I want to get On Earth We’re Briefly Gorgeous, a novel about a Vietnamese American family, to read during my lengthy, leisurely holiday break.

Irene Imperio, Promotions Manager

Give: Gifting for my young readers: Art Museum Opposites by Katy Friedland is a book of opposites for young readers, based on the Philadelphia Museum of Art’s collections.

Get: Hoping to get: Life Is Magic: My Inspiring Journey from Tragedy to Self-Discovery, the new memoir from former Philadelphia Eagles long snapper Jon Dorenbos.

Gary Kramer, Publicity Manager

Give: I would give my cinephile friends a copy of Greg Burris’ The Palestinian Idea, as it contains an analysis of films by Annemarie Jacir and Hany Abu-Assad, two of my favorite filmmakers. Burris examines radical perspectives on Palestinian media and popular culture, making it a provocative book that should generate considerable thought and discussion.

Get: What I would like to get is John Waters’s Mr. Know-It-All, which I’ve been meaning to buy and read since it was published. If I get a copy, that will prompt me to finally read it!

Kate Nichols, Art Manager

Give and GetI am both giving family members, and myself Alex Tizon’s Invisible People.

Joan Vidal, Senior Production Editor 

Give: I plan to give Alex Tizon’s Invisible People: Stories of Lives at the Marginsa collection of the award-winning journalist’s masterful stories of those who are commonly dismissed and disregarded.

Get: I’d like to receive None of the Above, by Michael Cocchiarale, a novel about the childhood and young adulthood of Midwesterner Increase “Ink” Alt and the trials and tribulations that put his maturity to the test when he returns to his hometown in his thirties.

Dave Wilson, Senior Production Editor

Give: Stan Hochman Unfiltered because his unique take on the Philadelphia sports scene.

Get: Me: Elton John, the official autobiography of this music icon that has spanned generations.

 

 

Zingers and more from “unfiltered” sportswriter Stan Hochman’s posthumous book

This week in North Philly Notes, Gloria Hochman, editor of Stan Hochman Unfiltered, writes about compiling 100 of her late husband’s columns.

As I read through Stan’s 7,000 columns to come up with the 100 or so chosen for Stan Hochman Unfiltered: 50 Years of Wit and Wisdom from the Groundbreaking Sportswriter I smiled, then I cried. All the facets of Stan’s extraordinary life and interests  were reflected in his wit, his knowledge and his way with words. He was the quintessential Renaissance man who loved cool jazz and soulful singers, chilled Chardonnay and sizzling lamb ragout, Shakespeare in the round and theater with Mark Rylance. He was passionate about social justice and harmonious race relations, a society where drugs meant antibiotics, not heroin. His sometimes gruff exterior concealed a cushy niche for the well-being of children whom he believed thrived on praise and unconditional love.  His passionate love for his family-his daughter, his daughter-in-law, his granddaughter and for me—were no secret. Anyone who read his columns or heard his broadcasts knew what was in his expansive heart and on his brilliant mind.

The book features a Foreword from WIP sports host Angelo Cataldi and a message from Governor Edward G. Rendell. The chapters are arranged by sport: Baseball, Horse Racing, Boxing,  Football, Hockey,  and Basketball (pro and college), plus one entitled, “Stan’s World:  Outside the Lines,” which features popular columns on tennis and golf, restaurant reviews, helping kids with disabilities through sports and, even Elizabeth Taylor. Each section is introduced by a sports colleague—Garry Maddox, Larry Merchant, Ray Didinger, Bernie Parent, Dick Jerardi, Pat McLoone, Weatta Frazier Collins (Joe’s daughter) and Jim Lynam.

And throughout Stan Hochman Unfiltered are his many “zingers.” Here are a few of my favorites:

  • After Temple’s Jim Williams scored 30 points in a rousing win, Penn coach Jack McCloskey looked like a guy who had wrestled a case of TNT… and lost.
  • Doug Sanders swings a golf club like a man trying to kill a rattlesnake with a garden hoe.
  • George Foreman has a heart like a lion and a head like a cantaloupe.
  • Leonard Toes loves the heat in the kitchen.  Thrives on it.  Bring on the divorce attorneys. Bring on the tough-talking truck drivers.  Leonard Tose has a vocabulary that will melt their transmissions.
  • Louise’s banana cream pie is still the most fun you can have in Atlantic City with your clothes on.

In addition to his more than 50 years as a Daily News columnist, Hochman, was well-known for his stint on WIP radio as the Grand Imperial Poobah, where he would settle callers’ most pressing sports debates.

Stan Hochman Unfiltered_smStan lived with his family in Wynnewood, PA until his death in 2015. He appeared frequently on television, wrote three books, and was featured as a grumpy sportswriter in the movie Rocky V.  The book’s cover photo of Stan is taken from that film.

My favorite columns in a remarkable field: Jackie Robinson and his struggle to become the first black baseball player in the big leagues; the tragic 1972 Summer Olympics in Munich, where thirteen Israelis were killed in a chilling blot on the world’s showcase for sports excellence; his graphic description of the fight of the century between Joe Frazier and Muhammad Ali (and the reactions of the ‘guys and dolls’ who were privileged to see it).

There were hundreds of columns that didn’t make it into the book. They sit in a corner in my bedroom with a big label: heartbreakingly discarded. Maybe another book!

I’ve won 23 journalism awards and had a book on the New York Times bestseller list for three months. But this one is my labor of love—a tribute to the most remarkable wordsmith, husband, father, grandfather and mentor to countless friends and colleagues who continue to carry into the world what we learned from him.

University Press Week Blog Tour: How to build community

It’s University Press Week and the Blog Tour is back! This year’s theme is Read. Think. Act. Today’s theme is: How to build community

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Paul Farber and Ken Lum, co-editors of our new book Monument Lab penned this entry on community building.

From coeditor Paul Farber:

Monument Lab_CMYK_090319_smWhen we started Monument Lab, it was not a fully-realized curatorial project or interventionit was a classroom experiment. Ken and I were teaching in Fine Arts and Urban Studies, respectively, and were galvanized by our conversations with our students about representation, equity, and memory. We each spent time with scholarly texts and we also moved outside of our classes into public spaces as their own primary sources. We met one another, and connected with a circle of collaborators after that expanded what we could have ever dreamed of on our own. We iterated and took our questions outside to the courtyard of City Hall in 2015 for our first discovery phase exhibition. We eventually that moved to public squares and parks around the city for the citywide project with Mural Arts Philadelphia documented in the book, and now work in other cities with similar goals of critically engaging monuments we have inherited and unearthing the next generation of monuments.

We have been fortunate to work with a range of artists, writers, and organizers*. Some have artworks and essays represented in this book. Others put fingerprints and directed their own forms of expertise to the project to make this possible. We hope people will read the essays, but we hope people also tend to the captions, credits, and thank you’s, as they give insights into how monuments could be and are made, critiqued, and re-imagined. This was a profoundly collaborative effort and that is the point.

There is no single fix to our monumental landscape. There are ways of engaging the moment worth nodding to by many people representing previously exisiting and ongoing approaches. This includes antiracist, decolonial, feminist, queer, ecological, and other systems of social justice perspectives that take long first steps toward redress. These practitioners understand we live at once in the deep seated past, changing present, and unknowable future. The book and the work of Monument Lab is meant to document collective aspirations for art and justice and serve an active, living approach to history.

2_Olivier_FC

Enter Karyn Olivier, The Battle is Joined, Monument Lab 2017 (Steve Weinik/Mural Arts Philadelphia)

6_Hayes

Sharon Hayes, If They Should Ask, Monument Lab 2017 (Steve Weinik/Mural Arts Philadelphia)

From editor Ken Lum

I just received Deborah Thomas’ book Political Life in the Wake of the Plantation: Sovereignty, WitnessingRepair. She is an esteemed colleague at Penn and we both co-taught a course in Kingston, Jamaica that looks at a major violent incursion that took place in the impoverished neighborhood of Tivoli Gardens in 2010. From this moment of eruption, there followed an uneven and halting pattern of attempts at recognition, redress and reconciliation for the many human lives affected, and continues to affect, by the incursion. Although a different context, as I started reading this book, it made me think about Monument Lab: Creative Speculations for Philadelphia, the new book from Temple University Press that Paul Farber and I edited. 

There are many sites all over the world, even sites within sites, such as neighborhoods within neighborhoods or streets within streets, whereby were they truly examined in a holistically democratic and critical sense, would reveal many of the same flailing patterns that stymies institutional and official initiatives that attempt to confront issues of human trauma and under-recognition. I started thinking about how Monument Lab: Creative Speculations for Philadelphia is not just a book but also a method of thinking about matters of address and redress that offers no presaged prescription or anticipated conclusion. What Monument Lab offers is a way of thinking about the world in as open a manner as possible. Monument Lab is a project of inclusion including the real inclusion of Philadelphia’s many unheard voices. Monument Lab recognizes the untapped wisdom of the unacknowledged peoples and the truths that they offer. Monument Lab is a means rather than an end, but one that produces hope in the coming together of voices. 

Monument Lab draws on visual art, oral histories, scholarship and subjugated knowledges—there is no one knowledge that takes precedence over another. It is this openness in both thinking and method that accounts for whatever success Monument Labhas been able to achieve.


*Contributors: Alexander Alberro, Alliyah Allen, Laurie Allen, Andrew Friedman, Justin Geller, Kristen Giannantonio, Jane Golden, Aviva Kapust, Fariah Khan, Homay King, Stephanie Mach, Trapeta B. Mayson, Nathaniel Popkin, Ursula Rucker, Jodi Throckmorton, Salamishah Tillet, Jennifer Harford Vargas, Naomi Waltham-Smith, Bethany Wiggin, Mariam I. Williams, Leslie Willis-Lowry, and the editors 

Artists: Tania Bruguera, Mel Chin, Kara Crombie, Tyree Guyton, Hans Haacke, David Hartt, Sharon Hayes, King Britt and Joshua Mays, Klip Collective, Duane Linklater, Emeka Ogboh, Karyn Olivier, Michelle Angela Ortiz, Kaitlin Pomerantz, RAIR, Alexander Rosenberg, Jamel Shabazz, Hank Willis Thomas, Shira Walinsky and Southeast by Southeast, and Marisa Williamson

Celebrating America

This week in North Philly Notes, we celebrate the Fourth of July with ten of Temple University Press’s “American” titles. These books look at colonial America,  American culture, and the American Dream, reflecting on our country, its past, present, and future.

COLONIAL AMERICA

Sex and the Founding Fathers: The American Quest for a Relatable Pastby Thomas A. Foster

Biographers, journalists, and satirists have long used the subject of sex to define the masculine character and political authority of America’s Founding Fathers. Tracing these commentaries on the Revolutionary Era’s major political figures in Sex and the Founding Fathers, Thomas Foster shows how continual attempts to reveal the true character of these men instead exposes much more about Americans and American culture than about the Founders themselves.

The Spirits of America: A Social History of Alcoholby Eric Burns

In The Spirits of America, Burns relates that drinking was “the first national pastime,” and shows how it shaped American politics and culture from the earliest colonial days. He details the transformation of alcohol from virtue to vice and back again, how it was thought of as both scourge and medicine. He tells us how “the great American thirst” developed over the centuries, and how reform movements and laws (some of which, Burn s says, were “comic masterpieces of the legislator’s art”) sprang up to combat it. Burns brings back to life such vivid characters as Carrie Nation and other crusaders against drink. He informs us that, in the final analysis, Prohibition, the culmination of the reformers’ quest, had as much to do with politics and economics and geography as it did with spirituous beverage.

Upon the Ruins of Liberty: Slavery, the President’s House at Independence National Historical Park, and Public Memoryby Roger C. Aden

In Upon the Ruins of Liberty, Roger Aden offers a compelling account that explores the development of the important historic site of the President’s House installation at Philadelphia’s Independence National Historical Park, and the intersection of contemporary racial politics with history, space, and public memory. Aden constructs this engrossing tale by drawing on archival material and interviews with principal figures in the controversy—including historian Ed Lawler, site activist Michael Coard, and site designer Emanuel Kelly.

AMERICAN CULTURE

“I Hear America Singing”: Folk Music and National Identity by Rachel Clare Donaldson

In America, folk music—from African American spirituals to English ballads and protest songs—renders the imagined community more tangible and comprises a critical component of our diverse national heritage. In “I Hear America Singing,” Rachel Donaldson traces the vibrant history of the twentieth-century folk music revival from its origins in the 1930s through its end in the late 1960s. She investigates the relationship between the revival and concepts of nationalism, showing how key figures in the revival—including Pete Seeger, Alan Lomax, Moses Asch, and Ralph Rinzler—used songs to influence the ways in which Americans understood the values, the culture, and the people of their own nation.

Mickey Mouse History and Other Essays on American Memoryby Mike Wallace

This is a book about why history matters. It shows how popularized historical images and narratives deeply influence Americans’ understanding of their collective past. A leading public historian, Mike Wallace observes that we are a people who think of ourselves as having shed the past but also avid tourists who are on a “heritage binge,” flocking by the thousands to Ellis Island, Colonial Williamsburg, or the Vietnam Memorial. Wallace probes into the trivialization of history that pervades American culture as well as the struggles over public memory that provoke stormy controversy.

Red War on the Family: Sex, Gender, and Americanism in the First Red Scareby Erica J. Ryan

In the 1920s, cultural and political reactions to the Red Scare contributed to a marked shift in the way Americans thought about sexuality, womanhood, manhood, and family life. The Russian Revolution prompted anxious Americans who sensed a threat to social order to position heterosexuality, monogamy, and the family as bulwarks against radicalism.  In her probing and engaging book, Erica Ryan traces the roots of sexual modernism and the history of antiradicalism and antifeminism. Red War on the Family charts the ways Americanism both reinforced and was reinforced by these sexual and gender norms in the decades after World War I.

Framing the Audience: Art and the Politics of Culture in the United States, 1929-1945, by Isaorda Helfgott

Framing the Audience argues that efforts to expand the social basis of art became intertwined with—and helped shape—broader debates about national identity and the future of American political economy. Helfgott chronicles artists’ efforts to influence the conditions of artistic production and display. She highlights the influence of the Federal Art Project, the impact of the Museum of Modern Art as an institutional home for modernism in America and as an organizer of traveling exhibitions, and the efforts by LIFE and Fortune magazines to integrate art education into their visual record of modern life. In doing so, Helfgott makes critical observations about the changing relationship between art and the American public.

THE AMERICAN DREAM

The American Dream in the 21st Century, edited by Sandra L. Hanson and John K. White

The American Dream has long been a dominant theme in U.S. culture, one with enduring significance, but these are difficult times for dreamers. The editors of and contributors to The American Dream in the 21st Century examine the American Dream historically, socially, and economically and consider its intersection with politics, religion, race, gender, and generation. The conclusions presented in this short, readable volume provide both optimism for the faith that most Americans have in the possibility of achieving the American Dream and a realistic assessment of the cracks in the dream. The last presidential election offered hope, but the experts here warn about the need for better programs and policies that could make the dream a reality for a larger number of Americans.

Free Time: The Forgotten American Dream, by Benjamin Kline Hunnicutt

Has the “American Dream” become an unrealistic utopian fantasy, or have we simply forgotten what we are working for? In his topical book, Free Time, Benjamin Kline Hunnicutt examines the way that progress, once defined as more of the good things in life as well as more free time to enjoy them, has come to be understood only as economic growth and more work, forevermore. Hunnicutt provides an incisive intellectual, cultural, and political history of the original “American Dream” from the colonial days to the present. Taking his cue from Walt Whitman’s “higher progress,” he follows the traces of that dream, cataloging the myriad voices that prepared for and lived in an opening “realm of freedom.” Free Time reminds Americans of the forgotten, best part of the “American Dream”—that more and more of our lives might be lived freely, with an enriching family life, with more time to enjoy nature, friendship, and the adventures of the mind and of the spirit.

Tensions in the American Dream: Rhetoric, Reverie, or Realityby Melanie E. L. Bush and Roderick D. Bush

Could the promise of upward mobility have a dark side? In Tensions in the American Dream, Melanie and Roderick Bush ask, “How does a ‘nation of immigrants’ pledge inclusion yet marginalize so many citizens on the basis of race, class, and gender?” The authors consider the origins and development of the U.S. nation and empire; the founding principles of belonging, nationalism, and exceptionalism; and the lived reality of these principles. Tensions in the American Dream also addresses the relevancy of nation to empire in the context of the historical world capitalist system. The authors ask, “Is the American Dream a reality questioned only by those unwilling or unable to achieve it? What is the ‘good life,’ and how is it particularly ‘American’?”

 

Art in the Age of Magnetic Reproduction

This week in North Philly Notes, Laura Holzman, author of Contested Image, appreciates a magnet of Thomas Eakins’s painting The Gross Clinic, one of the artworks featured in her new book.

GrossClinic1-575x715I have a Gross Clinic magnet on my refrigerator. That’s right—a reproduction of Thomas Eakins’s celebrated 1875 painting helps keep coupons, family photos, and wedding invitations in their place. When I reach for the yogurt I see Dr. Samuel Gross leading a surgical procedure to remove infected bone from his patient’s thigh. If I glance up while chopping carrots, I see a body on an operating table. How did an image that was once deemed too gory for display in an art gallery come to be a regular view during meal prep?

My dad gave me the magnet a few years ago. He knew that I had been studying the painting, so when he saw the magnet in the gift shop at the Philadelphia Museum of Art, he couldn’t resist. He’d picked out other magnets for me in the past—usually from national parks where he’d gone hiking. But this one surprised me. I did an amused double-take when he put it in my hand. It wasn’t that a famous artwork had been reproduced on an everyday object—anyone who’s been to a museum gift shop has seen the likenesses of notable works of art printed on mugs, t-shirts, umbrellas, and more. I was struck instead by this particular image. In The Gross Clinic, doctors perform an innovative operation while an audience observes from their seats in the surgical theater. Visually, the striking contrast between deep shadows and bright highlights directs a viewer’s attention to the lead surgeon and the patient. A team of doctors hold the patient still, keep him sedated, and probe the incision in his leg. There is blood on Dr. Gross’s hands. A cringing woman averts her eyes. The medical team focuses on their work. This is undeniably an intense scene. It’s apparently also one that makes a good souvenir from a visit to the museum.

The Gross Clinic has taken on different meanings since Eakins completed it. It has been rejected from and embraced in fine-art settings. It has been used to tell stories about the artist, the period when he lived and worked, the history of art, and Philadelphia. Eakins conceived of the painting as a submission to the Centennial Exhibition, the 1876 world’s fair held in Philadelphia. The organizers of the festival, concerned about the raw imagery, decided that it was more appropriate for display in a medical exhibit than in an art gallery. By the time Eakins died in 1916, the painting had been included in prominent art exhibitions, and essays memorializing the artist gave the painting high praise. For more than 120 years the painting was part of the collection of Jefferson University, the medical school where Dr. Gross had been a beloved faculty member. In 2006, when Jefferson University announced plans to sell The Gross Clinic—potentially to an out-of-state collector—the painting acquired yet another layer of meaning. Local audiences who helped the Philadelphia Museum of Art and the Pennsylvania Academy of the Fine Arts jointly purchase the painting embraced it as a city icon that belonged in Philadelphia and nowhere else.

Contested Image_smThe fundraising and public relations campaign to keep The Gross Clinic in Philadelphia is one of the key episodes I examine in Contested Image: Defining Philadelphia for the Twenty-First Century. The book demonstrates how passionate, wide-reaching public conversations about where art belongs in the city were tied to Philadelphia’s changing reputation around the year 2000. By examining the public discourse surrounding The Gross Clinic sale and by looking closely at the painting itself, I show how the identity of the painting and the identity of the city became intertwined.

This important part of the painting’s recent history affects how viewers today encounter The Gross Clinic. In the museum, visitors are invited to connect the story of the sale with their understanding of the artwork because the credit line on the object label acknowledges the thousands of people who contributed to the fundraising campaign. At home, there’s no credit line to provide that context, but the magnet itself reframes the nineteenth-century artwork depicted on its surface. The diminutive scale—just 9 by 6.5 centimeters—and the flatness of the print discourage close looking. When I see the magnet, I recognize the image as The Gross Clinic, but I don’t look carefully the way I would look at the actual painting. Downplaying the artwork as object shifts the emphasis to what it represents: Eakins’s artistry, medical excellence, a trip to the museum, the city of Philadelphia. When I look at the magnet, I don’t see the bloody wound. I see a reminder of a place (Philadelphia) and an activity (visiting the museum, raising money to keep the painting local). In that way it’s not so different from the Grand Canyon and Yellowstone magnets that hang on the door nearby.

Temple University Press’ Spring 2019 Catalog

This week in North Philly Notes, we feature highlights from our Spring 2019 catalog.

sp19 cover As the cover of this catalog proclaims, 2019 is the Press’s 50th anniversary, and there’s much to celebrate.

We’ve published more than 1600 titles in the past five decades, starting with Marxism and Radical Religion: Essays Toward a Revolutionary Humanism, edited by John C. Raines and Thomas Dean. Since that auspicious beginning, Temple University Press has dedicated itself to publishing socially engaged scholarship. Our list is chock-full of titles related to social justice and social change. We pride ourselves on being pioneers in advancing the scholarly value and social importance of disciplines such as women’s studies, ethnic studies, and the study of race. To that end, we launched highly regarded lists in African American studies and Latin American and Latino/a studies and a field-shaping series in Asian American studies. We’ve been recognized for publishing award-winning titles in urban studies, political science, and gender and sexuality studies. And we have the premiere list of titles on Philadelphia and the region, from arts and culture to history and sports and more.

The titles in this catalog are built upon the strengths of our past. They in turn lay the groundwork for our next 50 years. If past is prologue, our future looks bright. Here’s to 50 more years!—MARY ROSE MUCCIE,  Director


Highlights from the Spring Catalog include: 
contested_image_smThomas Eakins’ 1875 painting, The Gross Clinic, the Rocky Statue, and the Barnes Foundation are all iconic in Philadelphia for different reasons. But around the year 2000, this painting, this sculpture, and this entire art collection, respectively, generated extended—and heated—controversies about the “appropriate” location for each item. Contested Image revisits the debates that surrounded these works of visual culture and how each item changed through acts of reception—through the ways that viewers looked at, talked about, and used these objects to define their city.

Laura Holzman investigates the negotiations and spirited debates that affected the city of Philadelphia’s identity and its public image. She considers how the region’s cultural resources reshaped the city’s reputation as well as delves into discussions about official efforts to boost local spirit. In tracking these “contested images,” Holzman illuminates the messy process of public envisioning of place and the ways in which public dialogue informs public meaning of both cities themselves and the objects of urban identity.


getting_away_from_it_all_smVacations are a delimited period during which social rules and responsibilities are eased, removed, or shifted, and people have increased autonomy over what they choose to do. Recent trends in the travel industry emphasize the appeal of vacations for voluntary identity changes—when bankers can become bikers for a week or when “Momcations” allow mothers to leave their families behind. But how do our vacations allow us to shape our identity?

Getting Away from It All is a study of individuality and flexibility and the intersection of self-definition and social constraint. Karen Stein interviews vacationers about their travels and down time, focusing on “identity transitions.” She shows how objects, settings, temporal environments and social interactions limit or facilitate identity shifts, and how we arrange our vacations to achieve the shifts we desire. Stein also looks at the behavior, values, attitudes, and worldview of individuals to illuminate how people engage in either identity work or identity play.

Vacations say a lot about individuals. They signal class and economic standing and reveal aspirations and goals. Getting Away from It All insists that vacations are about more than just taking time off to relax and rejuvenate—they are about having some time to work on the person one wants to be.


in_the_weeds_smMore and more states are legalizing marijuana in some form. Moreover, a majority of the U.S. population is in favor of legalizing the drug for recreational use. In the Weeds looks at how our society has become more permissive in the past 150 years—even though marijuana is still considered a Schedule I drug by the American government.

Sociologists Clayton Mosher and Scott Akins take a deep dive into marijuana policy reform, looking at the incremental developments and the historical, legal, social, and political implications of these changes. They investigate the effects, medicinal applications, and possible harms of marijuana. In the Weeds also considers arguments that youth will be heavy users of legalized cannabis, and shows how “weed” is demonized by exaggerations of the drug’s risks and claims that it lacks medicinal value. Mosher and Akins end their timely and insightful book by tracing the distinct paths to the legalization of recreational marijuana in the United States and other countries as well as discussing what the future of marijuana law holds.


the_palestinian_idea_061818_smIs there a link between the colonization of Palestinian lands and the enclosing of Palestinian minds? The Palestinian Idea argues that it is precisely through film and media that hope can occasionally emerge amidst hopelessness, emancipation amidst oppression, freedom amidst apartheid. Greg Burris employs the work of Edward W. Said, Jacques Rancière, and Cedric J. Robinson in order to locate Palestinian utopia in the heart of the Zionist present.

He analyzes the films of prominent directors Annemarie Jacir ( Salt of This Sea, When I Saw You) and Hany Abu-Assad ( Paradise Now) to investigate the emergence and formation of Palestinian identity. Looking at Mais Darwazah’s documentary My Love Awaits Me By the Sea, Burris considers the counterhistories that make up the Palestinian experience—stories and memories that have otherwise been obscured or denied. He also examines Palestinian (in)visibility in the global media landscape, and how issues of Black-Palestinian transnational solidarity are illustrated through social media, staged news spectacles, and hip hop music.

Temple University Press’s Annual Holiday Give and Get

This week in North Philly Notes, the staff at Temple University Press suggest the Temple University Press books they would give along with some non-Temple University Press titles they hope to read and receive this holiday season. 

 

Ann-Marie Anderson, Marking Director

Give: This year I’d give Nelson Diaz’s memoir Not from Here, Not from There because of its uplifting story as the first of many things—from first Latino to graduate from the Temple Law School to the first Latino judge in the state of Pennsylvania, and on and on.  This is a book for all of us who have dual status—American but also “other”—and a dare to dream of life’s many possibilities.

Get: It’s a bit late to give me a book that I’d want to read because I already have it.  Michelle Obama’s Becoming is another inspiring memoir by the former First Lady of the United States. Besides, I still haven’t gotten the book I asked Santa for last year—Soul of a Nation: Art in the Age of Black Power, a survey of African American art from 1963-83.

Karen Baker, Financial Manager

Give: The Eagles Encyclopedia Champions Edition by Ray Didinger with Robert S. Lyons, all my family—Mom, Dad, brothers, and kids who are all die-hard Philly fans.

Get: I would like to receive Dog Shaming by Pascale Lemire because it looks so funny.

Sara Cohen, Editor

Give: This year, I’ll be giving Rebecca Yamin’s Archaeology at the Site of the Museum of the American Revolution to the history buffs in my life. It tells the story of 300 years of Philadelphia history through artifacts found in privies on the site of the Museum of the American Revolution through tons of gorgeous full color images. It’s also short which makes it an easy read and an affordable gift.

Get: I’m getting ready to move, so I hope that no one give me any holiday presents this year (just more to pack). Once I get settled, I’m hoping to read Mohsin Hamid’s Exit West (I just read a great chapter on it by one of my authors) and Gina Apostol’s Insurrecto.

Irene Imperio, Advertising and Promotions Manager

Give:  Color Me… Cherry & White. What better way to unwind than with a coloring book?  A great gift for kids and kids-at-heart.

Get: Becoming by Michelle Obama, an eagerly awaited memoir of a truly inspirational woman.

Aaron Javsicas, Editor in Chief

Give: I’m so thrilled to have Steven Davis’s In Defense of Public Lands on the list. This is an academically rigorous and powerfully written book that’s not afraid to take a stand. Davis offers the privatizers’ best arguments in a fair-minded way, then systematically dismantles them. This is engaged scholarship at its best, and there’s simply nothing else like ityou won’t find a more comprehensive and keenly argued overview of this vital and terrifyingly timely debate anywhere.

Get: I hope someone gives me Kathy Cramer’s The Politics of Resentment: Rural Consciousness in Wisconsin and the Rise of Scott Walker. I believe this book is still understood to have been the most prescient work on political conditions which would eventually give us President Donald Trump. Maybe I’m not the only one still trying to figure this out?

Gary Kramer, Publicity Manager

Give:  Architectures of Revolt: The Cinematic City circa 1968edited by Mark Shiel. This book has all my Venn Diagrams overlapping—it’s about film, it’s about cities, and it’s about 1968. It’s also about protests and architecture. It’s the perfect gift for my cinephile friends, my urbanist friends, my activist friends, and anyone else who turned 50 in 1968 (or like the press will in 2019).

Get: Jonathan Coe’s Middle England. This is the third of Coe’s books about four friends that began with The Rotters’ Club and The Closed Circle. The only problem with getting this book is that it will make me want to re-read the first two!

Mary Rose Muccie, Director

Give: They say that politics makes for strange bedfellows, and to me, that was never truer than in the alliance of Evangelicals with Republican candidate and now President Donald Trump.  How people dedicated to spreading the message of Christianity could support a man who is at best morally ambiguous seems incongruous. If you, too, are perplexed, as are many of my friends and family, the contributors to Paul Djupe and Ryan Claassen’s book The Evangelical Crackup? The Future of the Evangelical-Republican Coalition explain how and why this came to pass.

Get: Technically, I already got this (as a gift to myself), but I’m looking forward to sitting down with a pot of tea and Circe, by Madeline Miller. I love Greek mythology, and books about strong, independent, intelligent woman are always on my wish list. Circe has both covered.

Ryan Mulligan, Editor

Give: Healing Our Divided Society: Investing in America 50 Years After the Kerner Report, edited by Fred Harris and Alan Curtis. This year marked the 50th anniversary of the Kerner Commission’s warning that the United States was headed toward two societies, “separate and unequal” and that “To continue our present course will involve the continuing polarization of the American community and, ultimately, the destruction of basic democratic values.” As Americans struggle more and more to find common ground, the keepers of the Kerner flame Fred Harris and Alan Curtis compile the top authorities on the most pressing urban issues and assemble a comprehensible compendium of what we know works: as reasonable a place to start as any in an unreasonable time.

Get: The Personality Brokers: The Strange History of Myers-Briggs and the Birth of Personality Testing, by Merve Emre. I’m a millennial, and if there’s one thing millennials like, it’s taking quizzes to better label, sort, and categorize ourselves, proudly declaring the insights that we’d only discovered moments ago must now be immutably true. Luckily, if there are two things millennials like, the other is reading about how all our habits and values are harmful and wrong. This book tells how the mother-daughter team of Myers and Briggs created our national obsession with slapping four letters on who we are and how we operate and asks what it is we think we’re getting out of it?

Kate Nichols, Art Manager

Give: Kalfou: A Journal of Comparative and Relational Ethnic StudiesThis isn’t a first-time choice for me. Published by Temple University Press on behalf of the UCSB Center for Black Studies Research, Kalfou addresses the many issues and critical concerns that increasingly are plaguing our communities and institutions. The journal gives me a measure of hope in this very crazy time. As per the inscriptions in the beginning: kal ´fü—a Haitian Kreyòl word meaning “crossroads”“This means that one must cultivate the art of recognizing significant communications, knowing what is truth and what is falsehood, or else the lessons of the crossroads—the point where doors open or close, where persons have to make decisions that may forever after affect their lives—will be lost.”—Robert Farris Thompson.

Get: Educated by Tara Westover. I keep hearing wonderful things about it.

Ashley Petrucci, Rights and Contracts Coordinator

Give: Who Will Speak for America? edited by Stephanie Feldman and Nathaniel Popkin. Who Will Speak for America? draws upon the current political climate to advocate for change, which makes it a very timely piece that I think is important for everyone to read.  This would definitely be a book of great interest to several of my friends, who would enjoy reading about the various perspectives and reading through the various styles of the contributors to this edited collection.

Get: The Supernatural in Society, Culture, and History edited by Dennis Waskul and Marc Eaton. I may be a bit biased, since aspects of the supernatural were key components to my senior thesis on Sir Gawain and the Green Knight, but this would be the book that I would most like to receive.  I’ve always enjoyed horror movies and studying the supernatural elements of folktales and stories (particularly from the Middle Ages), so I would love to sit down and read this book over the holidays.  A nightmare before Christmas, if you will.

Joan Vidal, Senior Production Manager

Give: Undocumented Fears: Immigration and the Politics of Divide and Conquer in Hazleton, Pennsylvania, by Jamie Longazel. To quote the Preface, “This book contributes to an understanding of U.S. immi­gration politics in this tumultuous first decade and a half of the twenty-first century.” 

Get: Dreams and Nightmares: I Fled Alone to the United States When I Was Fourteen, by Liliana Velásquez.

Dave Wilson, Senior Production Manager

Give: Policing in Natural Disasters, by Terri M. Adams and Leigh R. Anderson, is inspired by the personal accounts of triumph and tragedy shared by first responders. The short- and long-term effects of these events on first responders—the very people society relies upon in the midst of a catastrophe—are often overlooked. This book opened my mind about the strength of these responders and the challenges they face while responding during times of crisis. I find it fascinating to weigh the dilemma: How do they take care of their own families first and risk neglecting their needs when the responders are required to place the needs of the people they serve first.

 

 

 

 

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