Celebrating Banned Book Week

This week in North Philly Notes, for Banned Book Week, we blog about Prison Masculinities, edited by Don Sabo, Terry A. Kupers, and Willie London. A passage on prisoner rape prompted the entire state of Texas’ prison system to ban the book!

 

 From the Texas Civil Rights Project 2011 Human Rights Report:

Prison Masculinities, edited by Dr. Terry Kupers, M.D., Don Sabo, and Willie London, is banned because passages on pages 128-131 discuss prisoner rape. A prisoner describes how he was “humiliated telling anyone about” being sexually assaulted, and how he underwent “torture scenes” at the hands of fellow prisoners. TDCJ officials have testified they would even censor government documents that discuss prison rape. 

The book’s editor, Dr. Kupers, an expert in prison mental health care, included the passage as an “illustrat[ion of] the kind of prisoner orientation and education that is mandated by federal law – i.e. the Prison Rape Elimination Act signed into law by President [George W.] Bush in 2003.” According to Dr. Kupers, “the material in Prison Masculinities is designed to facilitate peaceful, smooth operations of the prisons and contribute to the rehabilitation of prisoners.”

About the book:

Prison Masculinities explores the frightening ways our prisons mirror the worst aspects of society-wide gender relations. It is part of the growing research on men and masculinities. The collection is unusual in that it combines contributions from activists, academics, and prisoners.

The opening section, which features an essay by Angela Davis, focuses on the historical roots of the prison system, cultural practices surrounding gender and punishment, and the current expansion of corrections into the “prison-industrial complex.”

prison masculinitiesThe next section examines the dominant or subservient roles that men play in prison and the connections between this hierarchy and male violence. Another section looks at the spectrum of intimate relationships behind bars, from rape to friendship, and another at physical and mental health.

The last section is about efforts to reform prisons and prison masculinities, including support groups for men. It features an essay about prospects for post-release success in the community written by a man who, after doing time in Soledad and San Quentin, went on to get a doctorate in counseling.

The contributions from prisoners include an essay on enforced celibacy by Mumia Abu-Jamal, as well as fiction and poetry on prison health policy, violence, and intimacy. The creative contributions were selected from the more than 200 submissions received from prisoners.

About the Editors:

Don Sabo, Professor of Social Sciences at D’Youville College in Buffalo, is author or editor of five books, most recently, with David Gordon, Men’s Health and Illness: Gender, Power, and the Body and, with Michael Messner, Sex, Violence, and Power in Sports: Rethinking Masculinity. Sabo has appeared on The Today Show, Oprah, and Donahue.

Terry A. Kupers, M.D., a psychiatrist, teaches at the Wright Institute in Berkeley. He is the author of four books, editor of a fifth. His latest books are Prison Madness: The Mental Health Crisis Behind Bars and What We Must Do About It and Revisioning Men’s Lives: Gender, Intimacy, and Power. Kupers has served as an expert witness in more than a dozen cases on conditions of confinement and mental health services.

Willie London, a published poet, is General Editor of the prison publication Elite Expressions. He is currently an inmate at Eastern Corrections. For nine years he was a prisoner at Attica.

Temple University Press is having a Back-to-School SALE!

TOP


SaleBOTTOM

Bruce Jackson: Pictures from a Drawer

The cover image for Jackson's book, Pictures from a Drawer

The cover image for Jackson's book, Pictures from a Drawer


This is the book’s cover illustration. It shows, in one image, everything I did and was trying to do with these images.

Most of the image has a dulling yellow patina, which obscures detail in both light and dark areas of her face and her clothing. The clear rectangle shows the results of some work I did on that image in Photoshop CS3. Mainly, I reduced (but didn’t remove entirely) the level of yellow and applied a bit of sharpening to what was left. I also shifted the greys and blacks a bit. With some of the other images I tinkered with some other color channels as well.

It was a matter of trial and error, of working with those various color and density controls until I got a balance that seemed right to me. (This is fast and easy on the computer, but very complex, very slow and very expensive in a darkroom, which is why I couldn’t do this book until now.) As I worked with the images more, I found myself going back to images I thought I’d finished earlier and redoing them. I also found myself developing relationships with the images themselves: even though I know nothing about the lives of any of these individuals I would come to feel, after looking at them on my monitor for many hours, that they needed to be lighter or darker than I’d previously printed them, or there should be more or less yellow or magenta. I can’t explain that: it’s just a matter of feeling, like music.

Continue reading

%d bloggers like this: