Highlights from the latest–and past–issues of Kalfou, a Journal of Comparative and Relational Ethnic Studies

This week in North Philly Notes, we present the table of contents for the new issue of Temple University Press’s journal, Kalfou, edited by George Lipsitz, as well as some links to sample articles from previous editions of the journal.

Please recommend to your library! • To subscribe: click here  

VOLUME 5, ISSUE 2 • FALL 2018

Kalfou_generic-cover_102015FEATURE ARTICLES • From the symposium “Over the Line: A Conversation about Race, Place, and the Environment,” edited by Ingrid R. G. Waldron and George Lipsitz

No Ordinary Time: Indigenous Dispossession and Slavery Unwilling to Die • George Lipsitz

A Precarious Confluence: Neoliberalism, Race, and Water Insecurity • Michael Mascarenhas

Women on the Frontlines: Grassroots Movements against Environmental Violence in Indigenous and Black Communities in Canada • Ingrid R. G. Waldron

Marginalizing Poverty with Car-Dependent Design: The Story of Two Expulsions • Tristan Cleveland

Indigenous Environmental Justice, Knowledge, and Law • Deborah McGregor

Reconciliation and Environmental Racism in Mi’kma’ki • Dorene Bernard

Dismantling White Privilege: The Black Lives Matter Movement and Environmental Justice in Canada • Cheryl Teelucksingh

Community Mobilization to Address Environmental Racism: The South End Environmental Injustice Society • Louise Delisle and Ellen Sweeney

This Sacred Moment: Listening, Responsibility, and Making Room for Justice • Sadie Beaton

IDEAS, ART, AND ACTIVISM
TALKATIVE ANCESTORS Ida B. Wells on Criminal Justice

KEYWORDS Deflective Whiteness: White Rhetoric and Racial Fabrication • Hannah Noel

LA MESA POPULAR The Dependent Origination of Whiteness • John B. Freese

ART AND SOCIAL ACTION Stanton Heights: Intersections of Art and Science in an Era
of Mass Incarceration • Norman Conti

MOBILIZED 4 MOVEMENT The ENRICH Project: Blurring the Borders between  Community and the Ivory Tower • Ingrid R. G. Waldron

TEACHING AND TRUTH Rules and Consequences • Dave Cash

IN MEMORIAM When Giants Leave the Forest, the Trees Carry Their Songs: Clarence
Fountain, Edwin Hawkins, Walter Hawkins, Aretha Franklin • Johari Jabir

Sample articles from past issues

“A Relatively New Discovery in the Modern West”: #BlackLivesMatter and the Evolution of Black Humanism, Juan Floyd-Thomas, Kalfou 4-1 (2017).

A Precarious Confluence: Neoliberalism, Race, and Water Insecurity, Michael Mascarenhas, Kalfou 5-2 (2018)

No Ordinary Time: Indigenous Dispossession and Slavery Unwilling to Die, George Lipsitz, Kalfou 5-2 (2018)

Prophets and Profits of Racial Science, Ruha Benjamin, Kalfou 5-1 (2018)

 

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Celebrating National Poetry Month with Temple University Press books

This week in North Philly Notes, we highlight our books featuring and analyzing poetry in honor of National Poetry Month

1215_reg.gifMayan Drifter: Chicano Poet in the Lowlands of America, by Juan Felipe Herrera, Poet Laureate

In Mayan Drifter, Juan Felipe Herrera journeys to the Maya Lowlands of Chiapas on a quest for his Indio heritage and a vision of the multicultured identity emerging in America. He attempts to shed the trappings and privileges of his life in California in order to reduce his distance from the dispersed and shrinking Mayan population. In Mexico, Herrera seeks a deeper understanding of his homeland’s history, its exploitation, and looks to realize his own place in relation to the struggle of his people.

Like the Mayan drifter, the text crosses and extends boundaries. In a variety of narrative voices, poems, and a play, across time, Herrera recounts how the Maya have been invaded by the Spanish, the government, the multinational corporations of the petrochemical industry, and anthropologists. The Maya survive and resist as their numbers dwindle and the forces that mount against them become more powerful.

Inspired by the Maya’s resilience, Herrera envisions the disappearance of borders and evokes a fluid American self that needs no fixed identity or location.

Forthcoming in July from Temple University Press…

Who Will Speak for America? edited by Stephanie Feldman and Nathaniel Popkin

The editors and contributors to Who Will Speak for America? are passionate and justifiably angry voices providing a literary response to today’s political crisis. Inspired by and drawing from the work of writers who participated in nationwide Writers Resist events in January 2017, this volume provides a collection of poems, stories, essays, and cartoons that wrestle with the meaning of America and American identity.

THEFT 2502_reg.gif

Fran Wilde

–For Mia

That morning the officials
stole all the words

We bit into apples sliced thin
and drank coffee, not noticing
that the table had disappeared,
the window
even as we talked and chewed and laughed.

Friends wrote columns of blank space
demanding a return
of sense and empathy

and the officials heard the
and saw the

Then they returned our words
in sacks. Gave them back
to us upside down.

So we sit at the thin
and sip at a table

And we bite into windows
The brittle glass stinging our tongues
and we refuse to stop chewing

Also of interest….

On Becoming Filipino: Selected Writings of Carlos Bulosan by Carlos Bulosan, edited by E. San Juan, Jr.

A companion volume to The Cry and the Dedication, this is the first extensive collection of Carlos Bulosan’s short stories, essays, poetry, and correspondence. Bulosan’s writings expoun1184_reg.gifd his mission to redefine the Filipino American experience and mark his growth as a writer. The pieces included here reveal how his sensibility, largely shaped by the political circumstances of the 1930s up to the 1950s, articulates the struggles and hopes for equality and justice for Filipinos. He projects a “new world order” liberated from materialist greed, bigoted nativism, racist oppression, and capitalist exploitation. As E. San Juan explains in his Introduction, Bulosan’s writings “help us to understand the powerlessness and invisibility of being labeled a Filipino in post Cold War America.”

Yo’ Mama!: New Raps, Toasts, Dozens, Jokes and Children’s Rhymes from Urban Black America edited by Onwuchekwa Jemie

Collected primarily in metropolitan New York and Philadelphia during the classic era of black “street poetry” (i.e., during the late 1960s and early 1970s) these raps, signifyings, toasts, boasts, jokes and children’s rhymes will delight general readers as well as scholars. Ranging from the simple rhymes that accompany children’s games to verbally inventive insults and the epic exploits of traditional characters like Shine and Stagger Lee, these texts sound the deep rivers of culture, echoing two continents. Onwuchekwa Jemie’s introductory essay situates them in a globally pan-African context and relates them to more recent forms of oral culture such as rap and spoken word. 1453_reg.gif

I HATE BOSCO

I hate Bosco
It’s no good for me
My mother poured some in my milk
To try and poison me
But I fooled my mother
I poured some in her tea
Now I don’t have no mother
To try and poison me

Flow: The Life and Times of Philadelphia’s Schuylkill River by Beth Kephart

The Schuylkill River — the name in Dutch means “hidden creek” — courses many miles, turning through Philadelphia before it yields to the Delaware. “I am this wide. I am this deep. A tad voluptuous, but only in places,” writes Beth Kephart, capturing the voice of this natural resource in Flow.

An award-winning author, 1909_reg.gifKephart’s elegant, impressionistic story of the Schuylkill navigates the beating heart of this magnificent water source. Readers are invited to flow through time-from the colonial era and Ben Franklin’s death through episodes of Yellow Fever and the Winter of 1872, when the river froze over-to the present day. Readers will feel the silt of the Schuylkill’s banks, swim with its perch and catfish, and cruise-or scull-downstream, from Reading to Valley Forge to the Water Works outside center city.

Flow‘s lush narrative is peppered with lovely, black and white photographs and illustrations depicting the river’s history, its people, and its gorgeous vistas. Written with wisdom and with awe for one of the oldest friends of all Philadelphians, Flow is a perfect book for reading while the ice melts, and for slipping in your bag for your own visit to the Schuylkill.

Yellow Fever
It was a low-flying sheen that I could hardly see through.
It was a murderously persistent whine.
The eggs were slime.
I was too shallow.
Forgive me.

Fernando Ortiz Today

This week in North Philly Notes, Robin Moore, editor of Fernando Ortiz on Music, writes about the relevance and influence of Ortiz’s writing on Cuban music, history, and culture

Who is Fernando Ortiz, why should anyone care about what he wrote, and what does he have to offer to readers today? Those are important questions, especially given that Ortiz lived and wrote many years ago; that his writings focus primarily on black music in other countries; and that—as an author trained in late nineteenth-century Europe—he inherited many biases toward Afro-descendant expression. As such, some of his observations sound dated or even racist by the standards of the present day. The relevance of his writings in 2018 may not be immediately apparent to everyone.

I first became acquainted with a few of Ortiz’s books as a graduate student at the University of Texas in the early 1990s. I planned to write a dissertation on Cuban music, and Ortiz loomed large as an individual who undertook the first detailed studies of Afro-Cuban culture in that country, based in large part on ground-breaking ethnographic excursions and interviews. His work was impressive in many respects: he published tremendous amounts of material, many thousands of pages over the course his career, and on a wide array of topics. He read widely in half a dozen languages. His knowledge of Cuban history and access to primary and secondary sources supporting such work were extraordinary. Fernando Ortiz on MusicSMIt became clear to me that countless individuals interested in black history, African-influenced languages in the new world, drumming and dance traditions, Afro-descendant religions, the Atlantic slave trade, and other topics had drawn heavily on Ortiz as they pursued academic work in the US, the Caribbean, South America, and elsewhere. Those influenced by his work in the U.S., for example, include the dancer Katherine Dunham; the anthropologist and founder of black studies in the United States, Melville Herskovits; and the art historian Robert Farris Thompson. Simply put, Ortiz was very influential; and if his work had written in English rather than Spanish, I am certain that it would have met an even more enthusiastic reception internationally.

Cuba, along with a few other Latin American/Caribbean countries, has a unique cultural profile because of the large numbers of enslaved Africans brought the island, and the fact that many of them arrived rather late (clandestinely the slave trade continued there well into the 1870s). In broad strokes, Cuba and the United States share a history of European colonization, the decimation of local indigenous populations, and the use of slave labor. Yet the fact that free and enslaved Africans and their descendants have constituted a majority of the island’s population for most of the past two centuries, and that African-derived traditions have been re-created in overt ways there, means that Cuba looks and sounds very different from the United States. I find that the study of Cuban music and history suggests interesting points of comparison for those based in the U.S. It helps us recognize similar Afrodescendant cultural influences in our own country. Cuba’s music and dance traditions that blend influences from West Africa and Europe are quite similar to our own, providing insights into processes of cultural fusion and how Afro-descendant cultures manifest themselves in repertoire such as black gospel. Reading about Cuban and Caribbean history helps us situate US history within a broader framework and makes us realizes that our “unique” cultural forms — from rap to blues to jazz — emerged out of broader processes.

Not only do I find the ethnographic data in Ortiz’s work still broadly relevant, but I consider even his ideological flaws and limitations to be instructive. The post-WWII period, which represents the apex of Ortiz’s career, was one in which leading authors throughout Europe and the Americas began to seriously question racist beliefs about non-European people for the first time. Much of this soul-searching was inspired by the Nazis and their horrendously racist views of non-Arian people, of course, as well as political challenges to colonial rule in Asia, Africa, and elsewhere. Ortiz’s struggles with entrenched Eurocentric points of view, notions of racial and cultural hierarchy, and the “proper place” of Afrodescendant culture within his country represent a corollary to similar debates taking place throughout the Western world and beyond. Including Ortiz in the study of racial debates of the era expands our understanding of such discourse beyond the spheres of U.S. and European academia. It helps “decenter” that literature by underscoring the important contributions and perspectives of those in developing countries. And it helps us better appreciate the true extent of slavery’s impact on politics, culture, and ideology throughout the Western hemisphere.

Celebrating Black History Month with our African American Literature titles

This week in North Philly Notes, we focus on our African American books about books in honor of Black History Month

From Slave Ship to Supermax: Mass Incarceration, Prisoner Abuse, and the New Neo-Slave Novel by Patrick Elliot Alexander

In his cogent and groundbreaking book, From Slave Ship to Supermax, Patrick Elliot Alexander argues that the disciplinary logic and violence of slavery haunt depictions of the contemporary U.S. prison in late twentieth-century Black fiction. Alexander links representations of 2426_reg.gifprison life in James Baldwin’s novel If Beale Street Could Talk to his engagements with imprisoned intellectuals like George Jackson, who exposed historical continuities between slavery and mass incarceration. Likewise, Alexander reveals how Toni Morrison’s Beloved was informed by Angela Y. Davis’s jail writings on slavery-reminiscent practices in contemporary women’s facilities. Alexander also examines recurring associations between slave ships and prisons in Charles Johnson’s Middle Passage, and connects slavery’s logic of racialized premature death to scenes of death row imprisonment in Ernest Gaines’ A Lesson Before Dying.

Alexander ultimately makes the case that contemporary Black novelists depict racial terror as a centuries-spanning social control practice that structured carceral life on slave ships and slave plantations-and that mass-produces prisoners and prisoner abuse in post-Civil Rights America. These authors expand free society’s view of torment confronted and combated in the prison industrial complex, where discriminatory laws and the institutionalization of secrecy have reinstated slavery’s system of dehumanization.

Black Regions of the Imagination: African American Writers between the Nation and the World, by Eve Dunbar, a title in the American Literatures Initiative

Zora Neale Hurston, Richard Wright, James Baldwin, and Chester Himes were all pressured by critics and publishers to enlighten mainstream (white) audiences about race and African American culture. Focusing on fiction and non-fiction they produced between the Harlem Renaissance and the Black Arts Movement, Eve Dunbar’s important book, Bla2239_reg.gifck Regions of the Imagination, examines how these African American writers—who lived and traveled outside the United States—both document and re-imagine their “homegrown” racial experiences within a worldly framework.

From Hurston’s participant-observational accounts and Wright’s travel writing to Baldwin’s Another Country and Himes’ detective fiction, these writers helped develop the concept of a “region” of blackness that resists boundaries of genre and geography. Each writer represents—and signifies—blackness in new ways and within the larger context of the world. As they negotiated issues of “belonging,” these writers were more critical of social segregation in America as well as increasingly resistant to their expected roles as cultural “translators.”

Pimping Fictions: African American Crime Literature and the Untold Story of Black Pulp Publishing, by Justin Gifford, a title in the American Literatures Initiative

“Lush sex and stark violence colored Black and served up raw by a great Negro writer,” promised the cover of Run Man Run, Chester Himes’ pioneering novel in the black crime fiction tradition. In Pimping Fictions, Justin Gifford provides a hard-boiled investigation of hundreds of pulpy paperbacks written by Himes, Donald Goines, and Iceberg Slim (a.k.a. Robert Beck), among many others.

Gifford draws from an im2186_reg.gifpressive array of archival materials to provide a first-of-its-kind literary and cultural history of this distinctive genre. He evaluates the artistic and symbolic representations of pimps, sex-workers, drug dealers, and political revolutionaries in African American crime literature—characters looking to escape the racial containment of prisons and the ghetto.

Gifford also explores the struggles of these black writers in the literary marketplace, from the era of white-owned publishing houses like Holloway House—that fed books and magazines like Players to eager black readers—to the contemporary crop of African American women writers reclaiming the genre as their own.

Black Theatre: Ritual Performance in the African Diaspora, edited by Paul Carter Harrison, Victor Leo Walker II, and Gus Edwards 

Generating a new understanding of the past—as well as a vision for the future—this path-breaking volume contains essays written by playwrights, scholars, and critics that analyze African Americ1429_reg.gifan theatre as it is practiced today.

Even as they acknowledge that Black experience is not monolithic, these contributors argue provocatively and persuasively for a Black consciousness that creates a culturally specific theatre. This theatre, rooted in an African mythos, offers ritual rather than realism; it transcends the specifics of social relations, reaching toward revelation. The ritual performance that is intrinsic to Black theatre renews the community; in Paul Carter Harrison’s words, it “reveals the Form of Things Unknown” in a way that “binds, cleanses, and heals.”

Savoring the Salt: The Legacy of Toni Cade Bambara, edited by Linda Janet Holmes and Cheryl A. Wall

The extraordinary spirit of Toni Cade Bambara lives on in Savoring the Salt, a vibrant and appreciati1900_reg.gifve recollection of the work and legacy of the multi-talented, African American writer, teacher, filmmaker, and activist. Among the contributors who remember Bambara, reflect on her work, and examine its meaning today are Toni Morrison, Amiri Baraka, Pearl Cleage, Ruby Dee, Beverly Guy-Sheftall, Nikki Giovanni, Avery Gordon Audre Lorde, and Sonia Sanchez.

Admiring readers have kept Bambara’s fiction in print since her first collection of stories, Gorilla, My Love, was published in 1972. She continued to write-and her audience and reputation continued to grow-until her untimely death in 1995. Savoring the Salt includes excerpts from her published and unpublished writings, along with interviews and photos of Bambara. The mix of poets and scholars, novelists and critics, political activists, and filmmakers represented here testifies to the ongoing importance and enduring appeal of her work.

Yo’ Mama! New Raps, Toasts, Dozens, Jokes and Children’s Rhymes from Urban Black America, edited by Onwuchekwa Jemie 

Collected primarily in metropolitan New York and Philadelphia during the classic era of black “street poetry” (i.e., during the late 1960s and early 1970s) these raps, signifyings, toasts, boasts, jokes and children’s rhymes will delight general readers as 1453_reg.gifwell as scholars. Ranging from the simple rhymes that accompany children’s games to verbally inventive insults and the epic exploits of traditional characters like Shine and Stagger Lee, these texts sound the deep rivers of culture, echoing two continents. Onwuchekwa Jemie’s introductory essay situates them in a globally pan-African context and relates them to more recent forms of oral culture such as rap and spoken word.

Unbought and Unbossed: Transgressive Black Women, Sexuality, and Representation, by Trimiko Melancon, a title in the American Literatures Initiative

Unbought and Unbossed examines black women’s literary and cultural production of the 1970s and early 1980s. Considering texts in the socio-cultural and historical moments of their production, Trimiko Melancon analyzes representations of black women that not

2325_reg.gif

only transgress racial, gender, and sexual boundaries, but also diverge from both discourses of “whiteness” and constructions of female identity imposed by black nationalism.

Drawing from black feminist and critical race theories, discourses on gender and sexuality, and literary criticism, Melancon illuminates the complexity of black female identity, desire, and intimacy. She sheds light on a more complex black identity, one ungoverned by rigid politics over-determined by race, gender and sexuality, while also enabling us to better understand the black sexual revolution, contemporary cultural moments, and representations in the age of Michelle Obama.

Re-Viewing James Baldwin: Things Not Seen, edited by D. Quentin Miller, foreword by David Adams Leeming

This new collection of essays presents a critical reappraisal of James Baldwin’s work, looking beyond the commercial and critical success of some of Baldwin’s early writings such as Go Tell it on the 1463_reg.gifMountain and Notes of a Native Son. Focusing on Baldwin’s critically undervalued early works and the virtually neglected later ones, the contributors illuminate little-known aspects of this daring author’s work and highlight his accomplishments as an experimental writer. Attentive to his innovations in style and form, Things Not Seen reveals an author who continually challenged cultural norms and tackled matters of social justice, sexuality, and racial identity. As volume editor D. Quentin Miller notes, “What has been lost is a complete portrait of [Baldwin’s] tremendously rich intellectual journey that illustrates the direction of African-American thought and culture in the late twentieth century.”

African American Writing: A Literary Approach, by Werner Sollors

Werner Sollors’ African American Writing takes a fresh look at what used to be called “Negro literature.” The essays collected here, ranging in topic from Gustavus Vassa/Olaudah Equiano to LeRoi Jones/Amiri Baraka, and in time from the Enlightenment to the Obama presidency, take a literary approach to black writing and present writers as readers and as intellectuals who were or are open to the world.
From W.E.B. Du Bois com2396_reg.gifmenting on Richard Wagner and Elvis Presley, to Zora Neale Hurston attacking Brown v. Board of Ed. in a segregationist newspaper, to Charles Chesnutt’s effigy darkened for the black heritage postage stamp, Sollors alternates between close readings and broader cultural contextualizations to delineate the various aesthetic modes and intellectual exchanges that shaped a series of striking literary works.
Readers will make often-surprising discoveries in the authors’ writing and in their encounters and dialogues with others. The essays, accompanied by Winold Reiss’s pastels, Carl Van Vechten’s photographs, and other portraits, attempt to honor this important literature’s achievement, heterogeneity, and creativity.

Temple University Press’s 2017 Best Sellers

This week in North Philly Notes, we showcase our most popular books of the past year: The Top 10 best sellers of 2017!

  1. Philadelphia: Finding the Hidden Cityby Joseph E. B. Elliott, Nathaniel Popkin, and Peter Woodall. Revealing the physical and cultural intricacies of Philadelphia, from the intimate to the monumental.
  2. The Man-Not: Race, Class, Genre, and the Dilemmas of Black Manhoodby Tommy J. Curry. Introduces the conceptual foundations for Black Male Studies, going beyond gender theories that cast the Black Male as a pathological aspiring patriarch.
  3. The Forest and the Trees: Sociology as Life, Practice, and Promise, Third Editionby Allan G. Johnson. An updated exploration of sociology as a way of thinking.
  4.  Tasting Freedom: Octavius Catto and the Battle for Equality in Civil War America, by Daniel R. Biddle and Murray Dubin. The life and times of the extraordinary Octavius Catto, and the first civil rights movement in America.
  5. The New Eagles Encyclopedia, Ray Didinger with Robert Lyons. The best-selling book on the Philadelphia Eagles, completely updated and expanded.
  6. The Possessive Investment in Whiteness: How White People Profit from Identity Politics, Revised and Expanded Edition, by George Lipsitz. A widely influential book—revised to reveal racial privilege at work in the 21st century.
  7. Historical Thinking and Other Unnatural Acts: Charting the Future of Teaching the Past, by Sam Wineburg, How do historians know what they know?
  8. We Make the Road by Walking: Conversations on Education and Social Change, by Myles Horton and Paulo Freire, edited by Brenda Bell, John Gaventa, and John Peters. Two pioneers of education discuss their diverse experiences and ideas.
  9. Believing in Cleveland: Managing Decline in “The Best Location in the Nation,” by J. Mark Souther. Explores how civic and business leaders used image-making in an effort to reimagine and revive Cleveland in the decades after World War II.
  10. Phil Jasner “On the Case:” His Best Writing on the Sixers, the Dream Team, and Beyond, edited by Andy Jasner. Three decades of reporting by renowned Philadelphia Hall of Fame sportswriter Phil Jasner.

 

Temple University Press: Committed to Sustainable Open Access

This week in North Philly Notes, we celebrate Open Access Week.

The theme of this year’s Open Access Week, the 10th annual, “Open in order to…”, is intended to prompt thoughts and conversations about what is made possible by open access (OA) to research and scholarship.  For Temple University Press, OA editions of Press titles expand their reach, eliminate barriers in resource-poor areas of the world such as the Global South, and support our authors in their goal of disseminating their research as broadly and deeply as possible.

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The Press supports OA in several ways. In April, we and the Temple University Libraries received a grant from the National Endowment for the Humanities to make 25 to 30 out-of-print labor studies titles freely available online. We’ve long been known as a publisher of groundbreaking titles in labor studies and are excited by the opportunity to bring these important titles, selected by an advisory board of scholars, to a new worldwide audience. Titles will be available on a custom website in epub and pdf form, along with a low-cost print-on-demand option.

The Press was an early participant in of Knowledge Unlatched and we’re proud to have had books selected for inclusion in the first three rounds (so far), including both frontlist and backlist titles. Timely titles Constructing Muslims in France: Discourse, Public Identity, and the Politics of Citizenship, by Jennifer Fredette, unlatched in 2014, and The Muslim Question in Europe: Political Controversies and Public Philosophies, by Peter O’Brien, unlatched in 2016, have been downloaded from OAPEN over 1000 times through June 2017 and similar use is happening on HathiTrust.

In addition, we’re one of approximately 60 university presses participating in the AAU/ARL/AAUP Open Access Monograph Publishing Initiative. Rather than being funded by federal grant-making agencies or libraries, in this case the baseline publishing costs will be covered by an author’s university, should it participate, and the title, if it is published by one of the participating presses, will be made freely available online.  Under this model, universities show their support for and the value they place on the humanities and social sciences scholarship being created by their faculties.

As these examples show, we’re committed to sustainable open access and plan to continue to participate in initiatives that support the goals of scholars, students, our authors, and Temple University Press.

 

A view of Public History in the light of recent events in Charlottesville

This week in North Philly Notes, in response to the Charlottesville Syllabus, which details books and articles about confederate statues and other related issues, we showcase our public history title, Presenting the Past.

In recent years, history has been increasingly popularized through television docudramas, history museums, paperback historical novels, grassroots community history projects, and other public representations of historical knowledge. This collection of lively and accessible essays is the first examination of the rapidly growing field called “public history.” Based in part on articles written for the Radical History Review, these eighteen original essays take a sometimes irreverent look at how history is presented to the public in such diverse settings as children’s books, Colonial Williamsburg, and the Statue of Liberty.

presenting the pastPresenting the Past is organized into three areas which consider the role of mass media (“Packaging the Past”), the affects of applied history (“Professionalizing the Past”) and the importance of grassroots efforts to shape historical consciousness (“Politicizing the Past”). The first section examines the large-scale production and dissemination of popular history by mass culture. The contributors criticize many of these Hollywood and Madison Avenue productions that promote historical amnesia or affirm dominant values and institutions.

In “Professionalizing the Past,” the authors show how non-university based professional historians have also affected popular historical consciousness through their work in museums, historic preservation, corporations, and government agencies. Finally, the book considers what has been labeled “people’s history”—oral history projects, slide shows, films, and local exhibits—and assesses its attempts to reach such diverse constituents as workers, ethnic groups, women, and gays.

Of essential interest to students of history, Presenting the Past also explains to the general reader how Americans have come to view themselves, their ancestors, and their heritage through the influence of mass media, popular culture, and “public history.”

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