Fernando Ortiz Today

This week in North Philly Notes, Robin Moore, editor of Fernando Ortiz on Music, writes about the relevance and influence of Ortiz’s writing on Cuban music, history, and culture

Who is Fernando Ortiz, why should anyone care about what he wrote, and what does he have to offer to readers today? Those are important questions, especially given that Ortiz lived and wrote many years ago; that his writings focus primarily on black music in other countries; and that—as an author trained in late nineteenth-century Europe—he inherited many biases toward Afro-descendant expression. As such, some of his observations sound dated or even racist by the standards of the present day. The relevance of his writings in 2018 may not be immediately apparent to everyone.

I first became acquainted with a few of Ortiz’s books as a graduate student at the University of Texas in the early 1990s. I planned to write a dissertation on Cuban music, and Ortiz loomed large as an individual who undertook the first detailed studies of Afro-Cuban culture in that country, based in large part on ground-breaking ethnographic excursions and interviews. His work was impressive in many respects: he published tremendous amounts of material, many thousands of pages over the course his career, and on a wide array of topics. He read widely in half a dozen languages. His knowledge of Cuban history and access to primary and secondary sources supporting such work were extraordinary. Fernando Ortiz on MusicSMIt became clear to me that countless individuals interested in black history, African-influenced languages in the new world, drumming and dance traditions, Afro-descendant religions, the Atlantic slave trade, and other topics had drawn heavily on Ortiz as they pursued academic work in the US, the Caribbean, South America, and elsewhere. Those influenced by his work in the U.S., for example, include the dancer Katherine Dunham; the anthropologist and founder of black studies in the United States, Melville Herskovits; and the art historian Robert Farris Thompson. Simply put, Ortiz was very influential; and if his work had written in English rather than Spanish, I am certain that it would have met an even more enthusiastic reception internationally.

Cuba, along with a few other Latin American/Caribbean countries, has a unique cultural profile because of the large numbers of enslaved Africans brought the island, and the fact that many of them arrived rather late (clandestinely the slave trade continued there well into the 1870s). In broad strokes, Cuba and the United States share a history of European colonization, the decimation of local indigenous populations, and the use of slave labor. Yet the fact that free and enslaved Africans and their descendants have constituted a majority of the island’s population for most of the past two centuries, and that African-derived traditions have been re-created in overt ways there, means that Cuba looks and sounds very different from the United States. I find that the study of Cuban music and history suggests interesting points of comparison for those based in the U.S. It helps us recognize similar Afrodescendant cultural influences in our own country. Cuba’s music and dance traditions that blend influences from West Africa and Europe are quite similar to our own, providing insights into processes of cultural fusion and how Afro-descendant cultures manifest themselves in repertoire such as black gospel. Reading about Cuban and Caribbean history helps us situate US history within a broader framework and makes us realizes that our “unique” cultural forms — from rap to blues to jazz — emerged out of broader processes.

Not only do I find the ethnographic data in Ortiz’s work still broadly relevant, but I consider even his ideological flaws and limitations to be instructive. The post-WWII period, which represents the apex of Ortiz’s career, was one in which leading authors throughout Europe and the Americas began to seriously question racist beliefs about non-European people for the first time. Much of this soul-searching was inspired by the Nazis and their horrendously racist views of non-Arian people, of course, as well as political challenges to colonial rule in Asia, Africa, and elsewhere. Ortiz’s struggles with entrenched Eurocentric points of view, notions of racial and cultural hierarchy, and the “proper place” of Afrodescendant culture within his country represent a corollary to similar debates taking place throughout the Western world and beyond. Including Ortiz in the study of racial debates of the era expands our understanding of such discourse beyond the spheres of U.S. and European academia. It helps “decenter” that literature by underscoring the important contributions and perspectives of those in developing countries. And it helps us better appreciate the true extent of slavery’s impact on politics, culture, and ideology throughout the Western hemisphere.


Celebrating Black History Month with our African American Literature titles

This week in North Philly Notes, we focus on our African American books about books in honor of Black History Month

From Slave Ship to Supermax: Mass Incarceration, Prisoner Abuse, and the New Neo-Slave Novel by Patrick Elliot Alexander

In his cogent and groundbreaking book, From Slave Ship to Supermax, Patrick Elliot Alexander argues that the disciplinary logic and violence of slavery haunt depictions of the contemporary U.S. prison in late twentieth-century Black fiction. Alexander links representations of 2426_reg.gifprison life in James Baldwin’s novel If Beale Street Could Talk to his engagements with imprisoned intellectuals like George Jackson, who exposed historical continuities between slavery and mass incarceration. Likewise, Alexander reveals how Toni Morrison’s Beloved was informed by Angela Y. Davis’s jail writings on slavery-reminiscent practices in contemporary women’s facilities. Alexander also examines recurring associations between slave ships and prisons in Charles Johnson’s Middle Passage, and connects slavery’s logic of racialized premature death to scenes of death row imprisonment in Ernest Gaines’ A Lesson Before Dying.

Alexander ultimately makes the case that contemporary Black novelists depict racial terror as a centuries-spanning social control practice that structured carceral life on slave ships and slave plantations-and that mass-produces prisoners and prisoner abuse in post-Civil Rights America. These authors expand free society’s view of torment confronted and combated in the prison industrial complex, where discriminatory laws and the institutionalization of secrecy have reinstated slavery’s system of dehumanization.

Black Regions of the Imagination: African American Writers between the Nation and the World, by Eve Dunbar, a title in the American Literatures Initiative

Zora Neale Hurston, Richard Wright, James Baldwin, and Chester Himes were all pressured by critics and publishers to enlighten mainstream (white) audiences about race and African American culture. Focusing on fiction and non-fiction they produced between the Harlem Renaissance and the Black Arts Movement, Eve Dunbar’s important book, Bla2239_reg.gifck Regions of the Imagination, examines how these African American writers—who lived and traveled outside the United States—both document and re-imagine their “homegrown” racial experiences within a worldly framework.

From Hurston’s participant-observational accounts and Wright’s travel writing to Baldwin’s Another Country and Himes’ detective fiction, these writers helped develop the concept of a “region” of blackness that resists boundaries of genre and geography. Each writer represents—and signifies—blackness in new ways and within the larger context of the world. As they negotiated issues of “belonging,” these writers were more critical of social segregation in America as well as increasingly resistant to their expected roles as cultural “translators.”

Pimping Fictions: African American Crime Literature and the Untold Story of Black Pulp Publishing, by Justin Gifford, a title in the American Literatures Initiative

“Lush sex and stark violence colored Black and served up raw by a great Negro writer,” promised the cover of Run Man Run, Chester Himes’ pioneering novel in the black crime fiction tradition. In Pimping Fictions, Justin Gifford provides a hard-boiled investigation of hundreds of pulpy paperbacks written by Himes, Donald Goines, and Iceberg Slim (a.k.a. Robert Beck), among many others.

Gifford draws from an im2186_reg.gifpressive array of archival materials to provide a first-of-its-kind literary and cultural history of this distinctive genre. He evaluates the artistic and symbolic representations of pimps, sex-workers, drug dealers, and political revolutionaries in African American crime literature—characters looking to escape the racial containment of prisons and the ghetto.

Gifford also explores the struggles of these black writers in the literary marketplace, from the era of white-owned publishing houses like Holloway House—that fed books and magazines like Players to eager black readers—to the contemporary crop of African American women writers reclaiming the genre as their own.

Black Theatre: Ritual Performance in the African Diaspora, edited by Paul Carter Harrison, Victor Leo Walker II, and Gus Edwards 

Generating a new understanding of the past—as well as a vision for the future—this path-breaking volume contains essays written by playwrights, scholars, and critics that analyze African Americ1429_reg.gifan theatre as it is practiced today.

Even as they acknowledge that Black experience is not monolithic, these contributors argue provocatively and persuasively for a Black consciousness that creates a culturally specific theatre. This theatre, rooted in an African mythos, offers ritual rather than realism; it transcends the specifics of social relations, reaching toward revelation. The ritual performance that is intrinsic to Black theatre renews the community; in Paul Carter Harrison’s words, it “reveals the Form of Things Unknown” in a way that “binds, cleanses, and heals.”

Savoring the Salt: The Legacy of Toni Cade Bambara, edited by Linda Janet Holmes and Cheryl A. Wall

The extraordinary spirit of Toni Cade Bambara lives on in Savoring the Salt, a vibrant and appreciati1900_reg.gifve recollection of the work and legacy of the multi-talented, African American writer, teacher, filmmaker, and activist. Among the contributors who remember Bambara, reflect on her work, and examine its meaning today are Toni Morrison, Amiri Baraka, Pearl Cleage, Ruby Dee, Beverly Guy-Sheftall, Nikki Giovanni, Avery Gordon Audre Lorde, and Sonia Sanchez.

Admiring readers have kept Bambara’s fiction in print since her first collection of stories, Gorilla, My Love, was published in 1972. She continued to write-and her audience and reputation continued to grow-until her untimely death in 1995. Savoring the Salt includes excerpts from her published and unpublished writings, along with interviews and photos of Bambara. The mix of poets and scholars, novelists and critics, political activists, and filmmakers represented here testifies to the ongoing importance and enduring appeal of her work.

Yo’ Mama! New Raps, Toasts, Dozens, Jokes and Children’s Rhymes from Urban Black America, edited by Onwuchekwa Jemie 

Collected primarily in metropolitan New York and Philadelphia during the classic era of black “street poetry” (i.e., during the late 1960s and early 1970s) these raps, signifyings, toasts, boasts, jokes and children’s rhymes will delight general readers as 1453_reg.gifwell as scholars. Ranging from the simple rhymes that accompany children’s games to verbally inventive insults and the epic exploits of traditional characters like Shine and Stagger Lee, these texts sound the deep rivers of culture, echoing two continents. Onwuchekwa Jemie’s introductory essay situates them in a globally pan-African context and relates them to more recent forms of oral culture such as rap and spoken word.

Unbought and Unbossed: Transgressive Black Women, Sexuality, and Representation, by Trimiko Melancon, a title in the American Literatures Initiative

Unbought and Unbossed examines black women’s literary and cultural production of the 1970s and early 1980s. Considering texts in the socio-cultural and historical moments of their production, Trimiko Melancon analyzes representations of black women that not


only transgress racial, gender, and sexual boundaries, but also diverge from both discourses of “whiteness” and constructions of female identity imposed by black nationalism.

Drawing from black feminist and critical race theories, discourses on gender and sexuality, and literary criticism, Melancon illuminates the complexity of black female identity, desire, and intimacy. She sheds light on a more complex black identity, one ungoverned by rigid politics over-determined by race, gender and sexuality, while also enabling us to better understand the black sexual revolution, contemporary cultural moments, and representations in the age of Michelle Obama.

Re-Viewing James Baldwin: Things Not Seen, edited by D. Quentin Miller, foreword by David Adams Leeming

This new collection of essays presents a critical reappraisal of James Baldwin’s work, looking beyond the commercial and critical success of some of Baldwin’s early writings such as Go Tell it on the 1463_reg.gifMountain and Notes of a Native Son. Focusing on Baldwin’s critically undervalued early works and the virtually neglected later ones, the contributors illuminate little-known aspects of this daring author’s work and highlight his accomplishments as an experimental writer. Attentive to his innovations in style and form, Things Not Seen reveals an author who continually challenged cultural norms and tackled matters of social justice, sexuality, and racial identity. As volume editor D. Quentin Miller notes, “What has been lost is a complete portrait of [Baldwin’s] tremendously rich intellectual journey that illustrates the direction of African-American thought and culture in the late twentieth century.”

African American Writing: A Literary Approach, by Werner Sollors

Werner Sollors’ African American Writing takes a fresh look at what used to be called “Negro literature.” The essays collected here, ranging in topic from Gustavus Vassa/Olaudah Equiano to LeRoi Jones/Amiri Baraka, and in time from the Enlightenment to the Obama presidency, take a literary approach to black writing and present writers as readers and as intellectuals who were or are open to the world.
From W.E.B. Du Bois com2396_reg.gifmenting on Richard Wagner and Elvis Presley, to Zora Neale Hurston attacking Brown v. Board of Ed. in a segregationist newspaper, to Charles Chesnutt’s effigy darkened for the black heritage postage stamp, Sollors alternates between close readings and broader cultural contextualizations to delineate the various aesthetic modes and intellectual exchanges that shaped a series of striking literary works.
Readers will make often-surprising discoveries in the authors’ writing and in their encounters and dialogues with others. The essays, accompanied by Winold Reiss’s pastels, Carl Van Vechten’s photographs, and other portraits, attempt to honor this important literature’s achievement, heterogeneity, and creativity.

Temple University Press’s 2017 Best Sellers

This week in North Philly Notes, we showcase our most popular books of the past year: The Top 10 best sellers of 2017!

  1. Philadelphia: Finding the Hidden Cityby Joseph E. B. Elliott, Nathaniel Popkin, and Peter Woodall. Revealing the physical and cultural intricacies of Philadelphia, from the intimate to the monumental.
  2. The Man-Not: Race, Class, Genre, and the Dilemmas of Black Manhoodby Tommy J. Curry. Introduces the conceptual foundations for Black Male Studies, going beyond gender theories that cast the Black Male as a pathological aspiring patriarch.
  3. The Forest and the Trees: Sociology as Life, Practice, and Promise, Third Editionby Allan G. Johnson. An updated exploration of sociology as a way of thinking.
  4.  Tasting Freedom: Octavius Catto and the Battle for Equality in Civil War America, by Daniel R. Biddle and Murray Dubin. The life and times of the extraordinary Octavius Catto, and the first civil rights movement in America.
  5. The New Eagles Encyclopedia, Ray Didinger with Robert Lyons. The best-selling book on the Philadelphia Eagles, completely updated and expanded.
  6. The Possessive Investment in Whiteness: How White People Profit from Identity Politics, Revised and Expanded Edition, by George Lipsitz. A widely influential book—revised to reveal racial privilege at work in the 21st century.
  7. Historical Thinking and Other Unnatural Acts: Charting the Future of Teaching the Past, by Sam Wineburg, How do historians know what they know?
  8. We Make the Road by Walking: Conversations on Education and Social Change, by Myles Horton and Paulo Freire, edited by Brenda Bell, John Gaventa, and John Peters. Two pioneers of education discuss their diverse experiences and ideas.
  9. Believing in Cleveland: Managing Decline in “The Best Location in the Nation,” by J. Mark Souther. Explores how civic and business leaders used image-making in an effort to reimagine and revive Cleveland in the decades after World War II.
  10. Phil Jasner “On the Case:” His Best Writing on the Sixers, the Dream Team, and Beyond, edited by Andy Jasner. Three decades of reporting by renowned Philadelphia Hall of Fame sportswriter Phil Jasner.


Temple University Press: Committed to Sustainable Open Access

This week in North Philly Notes, we celebrate Open Access Week.

The theme of this year’s Open Access Week, the 10th annual, “Open in order to…”, is intended to prompt thoughts and conversations about what is made possible by open access (OA) to research and scholarship.  For Temple University Press, OA editions of Press titles expand their reach, eliminate barriers in resource-poor areas of the world such as the Global South, and support our authors in their goal of disseminating their research as broadly and deeply as possible.


The Press supports OA in several ways. In April, we and the Temple University Libraries received a grant from the National Endowment for the Humanities to make 25 to 30 out-of-print labor studies titles freely available online. We’ve long been known as a publisher of groundbreaking titles in labor studies and are excited by the opportunity to bring these important titles, selected by an advisory board of scholars, to a new worldwide audience. Titles will be available on a custom website in epub and pdf form, along with a low-cost print-on-demand option.

The Press was an early participant in of Knowledge Unlatched and we’re proud to have had books selected for inclusion in the first three rounds (so far), including both frontlist and backlist titles. Timely titles Constructing Muslims in France: Discourse, Public Identity, and the Politics of Citizenship, by Jennifer Fredette, unlatched in 2014, and The Muslim Question in Europe: Political Controversies and Public Philosophies, by Peter O’Brien, unlatched in 2016, have been downloaded from OAPEN over 1000 times through June 2017 and similar use is happening on HathiTrust.

In addition, we’re one of approximately 60 university presses participating in the AAU/ARL/AAUP Open Access Monograph Publishing Initiative. Rather than being funded by federal grant-making agencies or libraries, in this case the baseline publishing costs will be covered by an author’s university, should it participate, and the title, if it is published by one of the participating presses, will be made freely available online.  Under this model, universities show their support for and the value they place on the humanities and social sciences scholarship being created by their faculties.

As these examples show, we’re committed to sustainable open access and plan to continue to participate in initiatives that support the goals of scholars, students, our authors, and Temple University Press.


A view of Public History in the light of recent events in Charlottesville

This week in North Philly Notes, in response to the Charlottesville Syllabus, which details books and articles about confederate statues and other related issues, we showcase our public history title, Presenting the Past.

In recent years, history has been increasingly popularized through television docudramas, history museums, paperback historical novels, grassroots community history projects, and other public representations of historical knowledge. This collection of lively and accessible essays is the first examination of the rapidly growing field called “public history.” Based in part on articles written for the Radical History Review, these eighteen original essays take a sometimes irreverent look at how history is presented to the public in such diverse settings as children’s books, Colonial Williamsburg, and the Statue of Liberty.

presenting the pastPresenting the Past is organized into three areas which consider the role of mass media (“Packaging the Past”), the affects of applied history (“Professionalizing the Past”) and the importance of grassroots efforts to shape historical consciousness (“Politicizing the Past”). The first section examines the large-scale production and dissemination of popular history by mass culture. The contributors criticize many of these Hollywood and Madison Avenue productions that promote historical amnesia or affirm dominant values and institutions.

In “Professionalizing the Past,” the authors show how non-university based professional historians have also affected popular historical consciousness through their work in museums, historic preservation, corporations, and government agencies. Finally, the book considers what has been labeled “people’s history”—oral history projects, slide shows, films, and local exhibits—and assesses its attempts to reach such diverse constituents as workers, ethnic groups, women, and gays.

Of essential interest to students of history, Presenting the Past also explains to the general reader how Americans have come to view themselves, their ancestors, and their heritage through the influence of mass media, popular culture, and “public history.”

Temple University Press’ Fall 2017 Catalog

This week in North Philly Notes, we showcase the books from Temple University Press’s Fall 2017 Catalog.

“A Road to Peace and Freedom”

“A Road to Peace and Freedom”
The International Workers Order and the Struggle for Economic Justice and Civil Rights, 1930–1954

Zecker, Robert M.

The history of the International Workers Order’s struggle to enact a social-democratic, racially egalitarian vision for America

430 pp • 6×9 • Fall 2017
paper 978-1-4399-1516-5
cloth 978-1-4399-1515-8

Against Capital in the Twenty-First Century

Against Capital in the Twenty-First Century
A Reader of Radical Undercurrents
Edited by Asimakopoulos, John and Richard Gilman-Opalsky

A broad, nonsectarian collection of anti-capitalist thinking, featuring landmark contributions both classic and contemporary

390 pp • 6×9 • Fall 2017
paper 978-1-4399-1358-1
cloth 978-1-4399-1357-4

Against the Deportation Terror

Against the Deportation Terror
Organizing for Immigrant Rights in the Twentieth Century

Buff, Rachel Ida

Reveals the formerly little-known history of multiracial immigrant rights organizing in the United States

382 pp • 6×9 • Fall 2017
paper 978-1-4399-1534-9
cloth 978-1-4399-1533-2

Believing in Cleveland

Believing in Cleveland
Managing Decline in “The Best Location in the Nation”

Souther, J. Mark

Do reforms that decentralize the state actually empower women?

210 pp • 6×9 • Fall 2017
paper 978-1-4399-1397-0
cloth 978-1-4399-1396-3

Biz Mackey, a Giant behind the Plate

Biz Mackey, a Giant behind the Plate
The Story of the Negro League Star and Hall of Fame Catcher
Westcott, Rich
Forewords by Monte Irvin and Ray Mackey III

The first biography of arguably the greatest catcher in the Negro Leagues

160 pp • 5.375×8.5 • Fall 2017
cloth 978-1-4399-1551-6

Communities and Crime

Communities and Crime
An Enduring American Challenge

Wilcox, Pamela, Francis T. Cullen, and Ben Feldmey

A systematic exploration of how criminology has accounted for the role of community over the past century

282 pp • 6×9 • Fall 2017
paper 978-1-59213-974-3
cloth 978-1-59213-973-6

The Cost of Being a Girl

The Cost of Being a Girl
Working Teens and the Origins of the Gender Wage Gap

Besen-Cassino, Yasemin

Traces the origins of the gender wage gap to part-time teenage work, which sets up a dynamic that persists into adulthood

238 pp • 6×9 • Fall 2017
paper 978-1-4399-1349-9
cloth 978-1-4399-1348-2

Exploiting the Wilderness

Exploiting the Wilderness
An Analysis of Wildlife Crime

Warchol, Greg L.

A contemporary criminological analysis of the African and Asian illegal trade in wildlife

208 pp • 6×9 • Fall 2017
paper 978-1-4399-1367-3
cloth 978-1-4399-1366-6

From Slave Ship to Supermax

From Slave Ship to Supermax
Mass Incarceration, Prisoner Abuse, and the New Neo-Slave Novel

Alexander, Patrick Elliot

The first interdisciplinary study of mass incarceration to intersect the fields of literary studies, critical prison studies, and human rights

266 pp • 6×9 • Fall 2017
paper 978-1-4399-1415-1
cloth 978-1-4399-1414-4

Latino Mayors

Latino Mayors
Political Change in the Postindustrial City
Edited by Orr, Marion and Domingo Morel
With a Foreword by Luis Ricardo Fraga

The first book to examine the rise of Latino mayors in the United States

312 pp • 6×9 • Fall 2017
paper paper 978-1-4399-1543-1
cloth 978-1-4399-1542-4


A Philadelphia Affair

Kephart, Beth

From the best-selling author of Flow comes a love letter to the Philadelphia region, its places, and its people

New in Paperback!
176 pp • 5.5×8.5 • Fall 2017
paper 978-1-4399-1316-1
cloth 978-1-4399-1315-4

On the Stump

On the Stump
Campaign Oratory and Democracy in the United States, Britain, and Australia Scalmer, Sean

The story of how the “stump speech” was created, diffused, and helped to shape the modern democracies of the Anglo-American world

236 pp • 6×9 • Fall 2017
paper 978-1-4399-1504-2
cloth 978-1-4399-1503-5

Phil Jasner

Phil Jasner “On the Case”
His Best Writing on the Sixers, the Dream Team, and Beyond

Edited by Jasner, Andy

Three decades of reporting by famed Philadelphia Hall of Fame sportswriter Phil Jasner

264 pp • 6×9 • Fall 2017
cloth 978-1-4399-1494-6


Finding the Hidden City
Elliott, Joseph E. B., Nathaniel Popkin, and Peter Woodall

Revealing the physical and cultural intricacies of Philadelphia, from the intimate to the monumental

200 pp • 7.875×10.5 • Fall 2017
cloth 978-1-4399-1300-0

Rulers and Capital in Historical Perspective

Rulers and Capital in Historical Perspective
State Formation and Financial Development in India and the United States

Chatterjee, Abhishek

Explains the concomitant and interconnected emergence of “public” finance and “private” banking systems in the context of state formation in the eighteenth and nineteenth centuries

188 pp • 5.5×8.25 • Fall 2017
cloth 978-1-4399-1500-4

Selling Transracial Adoption

Selling Transracial Adoption
Families, Markets, and the Color Line

Raleigh, Elizabeth

Examines cross-race adoptions from the perspectives of adoption providers, showing how racial hierarchies and the supply and demand for children shape the process

274 pp • 6×9 • Fall 2017
paper 978-1-4399-1478-6
cloth 978-1-4399-1477-9

Suffering and Sunset

Suffering and Sunset
World War I in the Art and Life of Horace Pippin

Bernier, Celeste-Marie

A majestic biography of the pioneering African American artist

New in Paperback!
552 pp • 6.125×9.25 • Fall 2017
paper 978-1-4399-1274-4
cloth 978-1-4399-1273-7

Tasting Freedom

Tasting Freedom
Octavius Catto and the Battle for Equality in Civil War America

Biddle, Daniel R. and Murray Dubin

Celebrating the life and times of the extraordinary Octavius Catto, and the first civil rights movement in America

New in Paperback!
632 pp • 6×9 • Fall 2017
paper 978-1-59213-466-3
cloth 978-1-59213-465-6

Toward a Pragmatist Sociology

Toward a Pragmatist Sociology
John Dewey and the Legacy of C. Wright Mills

Dunn, Robert G.

An original study that mines the work of John Dewey and C. Wright Mills to animate a more relevant and critical sociology

198 pp • 5.5×8.25 • Fall 2017
cloth 978-1-4399-1459-5

We Decide!

We Decide!
Theories and Cases in Participatory Democracy

Menser, Michael

Argues that democratic theory and practice needs to shift its focus from elections and representation to sharing power and property in government and the economy

360 pp • 6×9 • Fall 2017
paper 978-1-4399-1418-2
cloth 978-1-4399-1417-5

Why Veterans Run

Why Veterans Run
Military Service in American Presidential Elections, 1789–2016

Teigen, Jeremy M.

Why more than half of American presidential candidates have been military veterans—and why it matters

320 pp • 6×9 • Fall 2017
paper 978-1-4399-1436-6
cloth 978-1-4399-1435-9

Click here to download the catalog (pdf).

Meet Davarian Baldwin, co-editor of the Press’s Urban Life, Landscape, and Policy series

This week, in North Philly Notes, a Q&A with Davarian Baldwin, the new editor for Temple University Press’ Urban Life, Landscape, and Policy series.

You have written about migration and Black Urban Life. What drew you to that field of study within American studies?
I am the child of the Great Migration. I am the first generation in my family to be born in the north during the Second Great Migration. While many of my family stopped and settled in other cities like Chicago, my segment of the family kept moving on to a smaller town called Beloit, Wisconsin because I think, even though full of factories it, in some ways, reminded them more of their Mississippi home.

10-041 - Trinity - Davarian - Web Feature

10-041 – Trinity – Davarian – Web Feature

Can you talk about the kinds of books you are looking to acquire for the Urban Life, Landscape, and Policy series?
I would love to acquire books that make bold arguments while, if historical, work closely with less examined archives. I would love to see books that are both global and local in scope…books that feature the city as a crossroads for different people, ideas, and aspirations all deeply grounded within the details of their urban spaces. I want to see books that don’t look at the city as just the repository for social and historical experience, but understand the built environment as equally influential, as a central actor in the storyline…books that balance their attention on the structure of cities and the agency of human lives. For me, recent books that have some or all of these qualities include Beryl Satter’s Family Properties, Nathan D.B. Connolly’s A World More Concrete, and Andrew Needham’s Power Lines.

What book (or books) made you fall in love with reading and the power of words?
While I write and edit non-fiction academic work, I must be honest and say that fiction has always been my first love. In fact I make sure to read interesting and provocative fiction when I am writing more scholarly work. As a child the books were Beverly Cleary and alternative Star Wars fiction. As a teenager The Autobiography of Malcolm X, Alice Walker’s The Temple of My Familiar, and Toni Morrison’s Song of Solomon changed my life. The book that has stayed with me and challenged me with its combination of searing social commentary and elegant and witty prose remains Ellison’s Invisible Man. I have built an entire course around this book and I find something new in that novel every time I teach the course. To be sure, Zadie Smith’s White Teeth was the next generation version of that book but added a decidedly more urban flavor to Ellison’s racial satire. I think in the more academic realm, W.E.B. Du Bois’ The Souls of Black Folk and C.L. R. James Beyond a Boundary have done the same thing for me.

What was the last great book you read?
I am a big fan of science fiction and mystery/police procedurals, especially when the genres are both in the same book…so that makes Paolo Bacigalupi’s The Water Knife definitely the last great book I read. For me it sort of offers the prose response to one of my favorite non-fiction urban studies; Mike Davis’ City of Quartz.

What one book would you recommend everyone read?
Again mystery books/procedurals are fabulous because the great ones have amazing social commentary about gender, race, social position, inequality and so many feature the city as a central character in the story. I would recommend everyone read Paco Ignacio Taibo’s Some Clouds.

What book did you find overrated or just disappointing?
Certainly not disappointing, but as a scholar of the Great Migration, I didn’t find anything new or exciting in The Warmth of Other Suns. Yet I certainly appreciated how its prose style made decades of scholarship more accessible to a much wider audience. On the fiction side, I found Jonathan Franzen’s The Corrections a bit overrated. 

What book do you wish more people knew about?
Salvador Plascencia’s The People of Paper, is an unheralded master work, not just because of its inventive prose but because the ideas in the book are expressed in the paper quality, the typeset, and materials used in the making of the very book itself. I wish the publishing market would allow more books to reflect their ideas and themes in the construction of the actual book

What author(s), living or dead, would you be most interested in having over for dinner? WOW, I hate that I don’t cook! Not just because we share the same surname but certainly James Baldwin because of his courageousness, force of nature, ethical posture, faithfulness to everyday people, impatience with pettiness, and all qualities held with flare and wit. I think I would also want to hang out with Steig Larsson…what would it be like to push out a trilogy of prose in the face of your impending death? The courage that must take as a writer when one could easily curl up in a ball

possessive_investment_rev_ed_smWhat Temple University Press title could you not put down and why?
George Lipsitz’s Possessive Investments in Whiteness was certainly from a different time, a time when the mainstream took more seriously the idea that racial identity can in fact shape life chances and access to important resources etc. But while in the 1990’s a whole shelf of books came out in the form of memoirs or celebrations of whiteness, Lipsitz’s was a thoughtful essay so rich in archival depth demonstrating clearly how state power and private wealth have been so closely tethered to white racial identity. Here the idea that race is a social construction did not justify a dismissal of the concept but called for a more rigorous understanding of its social and hence lived power.

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