Meet Temple University Press’ new acquisitions editor, Ryan Mulligan

This week, in North Philly Notes, a Q&A with our new acquisitions editor, Ryan Mulligan.

You are acquiring books in sociology, criminology, and sports as well as regional titles. What is your affinity for these discipline?
I worked on sociology books in my previous position and found the discipline to be so vibrant and necessary. Sociology places the human faces we see into the contexts that shape them and make them the way they are. Conversely, it also puts real, complex, human faces on the contexts we make assumptions about. So much of academia is rightly concerned with showing the ways the real world resists our assumptions and heuristics, but sociology is extra important because assumptions and heuristics about people can be so dangerous.

This is a great moment to be getting into criminology, as there is so much skepticism and room for questions and answers in law and order today. Criminology has a close relationship with sociology. It has been mostly published by larger publishers and I’m excited about the opportunity to take a more targeted topical approach to specific subfields that merit a tighter focus but have broad implications.

Everyone who knows me knows I love sports and Philadelphia sports in particular. Everyone describes Philadelphia fans as passionate but we are also demanding and informed, which makes us a voracious readers and consumers of perspectives and information. In other words, it’s a great environment in which to be publishing sports books. Beyond my own fandom I’m also excited about the sports list as a publishing opportunity. So much of sports publishing has traditionally been nostalgic and I think there’s a real opportunity, especially for a university press, to publish books that are curious, socially engaged, forward looking, and concerned about how sports arrived at where they are and where they are going. I see so many outlets online serving a broadly interested and educated sports fan and think that shows a readership underserved by many of the sports books on the bookstore shelf.

I’ll especially look to continue Temple University Press’s strengths in urban sociology, criminology, labor studies, social movements, social stratification, and sexuality and gender studies.

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What book (or books) made you fall in love with reading and the power of words?
I’m going to go to my childhood with E.B. White’s Charlotte’s Web, Stuart Little, and The Trumpet of the Swan. It was interesting, later on, to read White’s indispensable writing guide, The Elements of Style (with William Strunk, Jr.) and see him explicitly outline what had enlivened his writing for me as a child: a charming honesty and understated directness. Ray Bradbury deserves a shout-out, too.

What was the last great book you read? (Can be academic or not)
Just before starting work here on the sports list, I read The Only Rule Is It Has to Work, published last May, a book by two analytics-oriented baseball writers who had the opportunity to take over baseball operations for an independent league baseball team. They describe the victories, defeats, and culture clashes resulting from their attempt to put the strategic consensus of the SABR community in to the game plans of the all-too-real coaches and players that inhabit their would-be sandbox. It underscores how hard it still is to get everyone, whatever their view of baseball, to come to grips with their uncertainty, more than a decade after Moneyball.

What one book would you recommend everyone read?
As long as I’m talking about uncertainty and data, everyone should read Nate Silver’s The Signal and the Noise. The fun of it is reading well-told stories from several fieldsweather, politics, economics, sports, earthquakeson how the best prognosticators make the best predictions. Everyone can learn something about how the best in a field you don’t know find sense within the mountain of information available to them. But the message that I think should resonate for scholars and civilians like myself alike is how the most knowledgeable people are honest with themselves about what they don’t know

What book or author do you wish more people knew about?
Ghettoside: A True Story of Murder in America by Jill Leovy. This is an intervention in one of those debates where there are two cogent sides but neither approaches the crux of the problem: Leovy shows that whether we institute more policing or less policing, we would benefit from better policing.

What titles might we be surprised to discover on your bookshelf?
Learn to Surf, by James Maclaren. Not really the vibe I give off – maybe because I haven’t been very successful at it.

What author(s), living or dead, would you be most interested in meeting, or having over for dinner?
Shakespeare. There’s a Titus Andronicus joke to be made here, but I can’t quite work my way around to it.

595_regWhat Temple University Press title could you not put down?
If declaring a favorite child is an unwise parenting strategy, choosing a favorite child among the many you just inherited seems doubly fraught, so I’m going to venture outside my own lists here at Temple and choose a great book on Temple’s backlist that I read as an undergrad philosophy student: The Philosophy of Alain Locke, edited by Leonard Harris. Locke’s philosophy provides background and context for the Harlem Renaissance and for so many pride movements to follow.

 

 

Temple University Press adds two new editors to the Asian American History and Culture series

This week in North Philly Notes, we announce the two new editors joining our Asian American History and Culture series.

Temple University Press is pleased to announce the addition of Rick Bonus, Associate Professor of American Ethnic Studies at the University of Washington, and Shelley Sang-Hee Lee, Associate Professor of History and Comparative American Studies at Oberlin College, to the Asian American History and Culture series editorial team. They will be replacing editors Linda Trinh Võ and K. Scott Wong, who will be transitioning into editors emeriti roles.

Both Bonus and Lee have published books in the series with Temple University Press. Rick Bonus published Locating Filipino Americans: Ethnicity and the Cultural Politics of Space in 2000, and co-edited Contemporary Asian American Communities: Intersections and Divergences with outgoing AAHC editor, Võ. Shelley Sang-Hee Lee published Claiming the Oriental Gateway: Prewar Seattle and Japanese America with Temple in 2012. They join current series editor Cathy Schlund-Vials.

Schlund-Vials is enthusiastic about the new team. She observed, “Rick Bonus and Shelley Lee’s work has proved aspirational for me and the field. Both Bonus and Lee bring established reputations to the series. They are keen interlocutors, leading scholars, and dedicated practitioners. It is truly an honor to have them on board, and I am humbled to be in their midst.”

Shelley Lee says she is “looking forward to helping shape the series with my co-editors.” Her work will focus on “honoring the AAHC’s distinguished legacy and building on its strengths, while also searching out titles that represent exciting and important directions in Asian American history.”

Bonus is also excited to be part of the editorial team. He acknowledged, “Temple has been a pioneering intellectual force in Asian American Studies and continues to make possible new and emerging directions in the scholarship on Asian American Studies.”

He continued, “My vision for the press includes the perpetuation of the amazing work all my predecessors have accomplished. I hope to assist the press in treading new and emerging directions in Asian American Studies by strategically pursuing works that are directly or intersectionally conversant with fields like transnationalism, science and technology studies, cross-regional and cross-disciplinary studies, queer studies, and education and social work studies. All of these, I hope, will enable transformative insights into Asian American Studies and move forward Temple’s record in enhancing the field’s depth and breadth.”

Schlund-Vials reflected about the outgoing series editors, Linda Trinh Võ and K. Scott Wong as the torch was being passed. She said, “During their illustrious time as series editors, Võ and Wong consistently ushered projects that reflected the ever-growing, ever-expansive contours of Asian American Studies as provocative interdiscipline. Under their guidance, the series expanded its sights and sites to encompass the complexities of diaspora and dynamics of transnationalism. They were, quite frankly, ideal mentors for me as a new series editor: I benefitted greatly from their extensive knowledge of the field, their commitment to scholarly mentorship, and their willingness to see multiple possibilities. Their mark on the series is unquestionable, and they deserve much of the credit for the very high reputation Temple University Press has within Asian American Studies. I am certainly not alone in this assessment, as evidenced by the many awards given to books they shepherded throughout their tenure.”

About the Series

Temple University Press published the first two titles in the Asian American History and Culture series — Entry Denied, by series founder Sucheng Chan and Cane Fires, by Gary Okihiro — in the spring of 1991. There are now more than 70 titles in the series, which is edited by Sara Cohen.

Founded by Sucheng Chan in 1991, the Asian American History and Culture series has sponsored innovative scholarship that has redefined, expanded, and advanced the field of Asian American studies while strengthening its links to related areas of scholarly inquiry and engaged critique. Like the field from which it emerged, the series remains rooted in the social sciences and humanities, encompassing multiple regions, formations, communities, and identities. Extending the vision of founding editor Sucheng Chan and editors emeriti Michael Omi and David Palumbo-Liu, series editors Cathy Schlund-Vials, Rick Bonus and Shelley Sang-Hee Lee continue to develop a foundational collection that embodies a range of theoretical and methodological approaches to Asian American studies.

Temple University Press is having a Back-to-School SALE!

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Public Security: The Most Important Theme in Rio de Janeiro

In his second Olympic-themed blog entry, Philip Evanson, co-author of Living in the Crossfire, addresses the theme of public security in Rio during the Games.

Two term Rio de Janeiro Mayor Eduardo Paes, who has easily been the most interviewed and quoted public authority for the Rio Olympic games, has said more than once that public security is the most important theme in Rio de Janeiro. For Olympics organizers, a main question always has been will public security forces be able to control Rio de Janeiro’s rising street crime and newly emboldened gangs. A much less publicized question—How can anti-Olympics protesters be repressed without violating their human rights?—has already been answered: It can’t be done. The protesters demonstrate against what they view as public money misused on the Olympics because it is needed much more for health, education and various social programs. There are also protesters—some doubtlessly the same individuals—fighting against the impeachment of President Dilma Rousseff. They see impeachment now entering its final phase as a coup d’etat by her political party opponents against Brazilian social democracy. Not discussed at all in politically charged Brazil is the fear of sabotage by opponents of the Olympics or the government—such as setting fires in Olympic installations. All of the above are the various public security fears that must haunt an authority such as Minister of Justice Alexander de Moraes. Focused on Brazilian behavior which is what he knows best, Moraes has played down the possibility of foreign ISIL inspired terrorist attacks.

In the lead up to the Olympic games, public security preparations were usually discussed as numbers of police and of funding them. Taking the lead in providing security is the state of Rio with more than 30,000 police available for Olympic duties. However, for most of 2016, the state of Rio has been broke. On June 17, 81 year old vice-governor and economist Francisco Dornelles—acting in the place of Governor Luis Fernando Pezão then undergoing treatment for lymphoma—rattled Olympic organizers when he declared that Rio de Janeiro was in a “state of public calamity.” It was the first time in Brazilian history this designation had been used to describe anything other than a natural disaster. An immediate effect was the return of 50,000 Olympic event tickets. Dornelles also took experts in public administration by surprise. They questioned whether a “state of public calamity” could be applied to a fiscal collapse. But the wily acting governor, a veteran of 30 years of political combat in Rio de Janeiro, got what he wanted. He activated an immediate transfer of 2.9 billion reais, about 900 million dollars at the current exchange rate, from the federal government to Rio de Janeiro. The money was to help strengthen public security at a time when state police forces more and more appeared not up to the job protecting the people of Rio, the athletes, and the half million tourists expected for the Olympics. The transfer meant police and other public service professionals including teachers and health workers could expect to receive their salaries. One or more local gangs took notice and responded by hijacking a truck transporting containers just arrived from Europe. The containers carried the equipment of two German TV networks for transmitting the Olympic games. The truck was later abandoned. The containers had not been opened, and the valuable equipment was untouched and safe. But the gangsters served notice that they had interests of their own. Following this show of strength, some arrangement might be expected whereby organized crime groups will play a part in keeping Rio de Janeiro safe during the Olympics. Retail and wholesale drug trafficking no doubt continues with little interference. Brazil ranks second on the list of countries in consumption of cocaine, and Rio de Janeiro is a major port for the export of cocaine to Africa and Europe.

The police began to receive back salaries dating to May. Still, on July 4, the civil police staged an event at Rio’s international airport when they received passengers with  “Welcome to Hell” English language banners, and with stuffed figures of dead, bloodied police spread on a terminal floor. The message: Police would not die for Rio if they were not being paid. An exasperated Eduardo Paes viewed the spectacle as yet one more public relations disaster. He went on CNN and in an English-language interview pronounced Rio’s public security “Horrible.” He blamed the police, and the Rio state government. He insisted the city government of Rio had nothing to do with public security which is a state responsibility. But he also knew help was on the way. The next day Mayor Paes welcomed the arrival of federal armed forces, federal police, and soldiers of the National Security Force. Together with state police, they are now conspicuously present in order to discourage crime, and reassure visitors that Rio de Janeiro is a safe haven. Accordingly, 51,000 members of security forces have been deployed in metropolitan Rio. 22,000 members of the armed forces and federal police are assigned to protect the Olympic installations, the routes and public transportation taking people to and from the games, and the Tom Jobim international airport. With security apparently well in hand, a much subdued Paes declared on July 5th that the Olympics would surely be a tremendous success and leave a positive legacy for the city of Rio.

Layout 1This optimism lasted a little over two weeks. The evening of July 21 brought news that police were arresting 13 homegrown ISIS inspired would-be terrorists. All were self-indoctrinated converts to Islam. They communicated with each other via social media. Calling themselves “Defenders of Sharia,” they pledged allegiance to ISIS as virtual acts on the internet. One suspect was said to have tried to buy weapons in Paraguay.   Minister of Justice Moraes said the individuals were clearly amateurs, and in the early stage of planning something.

The arrests and revelations clearly added to public uneasiness in Rio de Janeiro, and mobilized authorities. Would Brazilian security forces be up to the job of thwarting one or more terrorist attacks? There was skepticism as can well be imagined. But people soon learned that the project of thwarting had become internationalized. Other countries, including the United States, France, Israel and Russia with their more experienced intelligence services were present for the Olympics and working with Brazilians which brought reassurance. Intelligence and other security agents—no doubt feeling their backs to the wall after all the recent terrorist attacks in different countries—seem absolutely determined to stop terrorists at the Olympics, be they a Brazilian home grown variety, or foreigners infiltrated into Olympic crowds and groups of tourists. It’s them against us. In this spirit of providing safety, wherever crowds of people gather in Rio, there are substantial numbers of well-armed police or other security forces reinforced by plainclothes agents.

Many people in Brazil and elsewhere no doubt believe that terrorist acts cannot be stopped entirely. The Rio Olympics offer a chance to show otherwise at least for a moment when several billion people around the world are watching the games on TV.  Minister of Justice Moraes has lately declared “minimal” and “approaching zero” the probability of a terrorist attack.

Benny Golson returns to Philadelphia

This week in North Philly Notes, we celebrate Benny Golson in images and interviews. Golson visited his hometown of Philadelphia last week to promote his autobiography, Whisper Notco-authored with Jim Merod.

Benny Golson started his day at 91-FM, WHYY’s Radio Times, where he chatted with host Marty Moss-Coane.
There’s no stoppinGolson RTg BENNY GOLSON. The internationally famous jazz composer, arranger, and saxophonist has recorded over 30 albums, and has composed and arranged music for John Coltrane, Miles Davies, Ella Fitzgerald, Quincy Jones and many others. This year, at the age of 87, he released a new album called “Horizon Ahead.” Golson was born in Philadelphia in 1929 and has played in the bands of Benny Goodman, Dizzy Gillespie and Art Blakey. He has composed not only jazz standards, including “Killer Joe” and “Along Came Betty,” but his songs have also appeared in tv shows and films including M*A*S*H and Mission Impossible. Marty talks with Golson about his life, his new autobiography Whisper Not, and what it’s like to be considered an “elder statesman of jazz.”

Benny was also interviewed with Brian Lockman, host of Pennsylvania Cable Network’s PA Books program. The show will air at a future date and be available as a free podcast on iTunes. Benny PCN

During a stop at Temple University’s radio station, WRTI, Benny paused to pose with Art Kane’s 1958 photo, “A Great Day in Harlem.” Golson is one of the last two surviving members of the famous photograph.

Golson Great Day

Golson capped off the day with an appearance at the Free Library of Philadelphia, where he was interviewed by WRTI‘s Jeff Duperon. This video records their conversation.

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Saxophonist and composer Benny Golson learned his instrument and the vocabulary of jazz while still in high school in Philadelphia. Over the course of an illustrious 60-year career, he has recorded more than 30 albums, written well over 300 compositions, and given hundreds of performances around the globe alongside dozens of jazz greats, including Benny Goodman, Dizzy Gillespie, Lionel Hampton, Earl Bostic, and Art Blakey. “A composer with an unusually brilliant melodic sense” (New York Times), his major contributions to the world of jazz include the standards Killer Joe, Along Came Betty, Whisper Not, and Five Spot After Dark. His new book, Whisper Not, is a collection of anecdotes and photographs that recount the high and low notes of a life dedicated to jazz.

As the night ended, Golson posed with and signed books and records(!) for his adoring fans. 

Why Another Book about Muhammad Ali?

This week, in North Philly Notes,  Michael Ezra, author of  Muhammad Ali: The Making of an Iconwrites:

Many people sent me their condolences about the passing of Muhammad Ali, but I told them all that they should be happy for him. For the past thirty years, almost every act Ali has done has been with getting into heaven in mind. Nobody I’ve ever known was more prepared for death than he was; I honestly believe he was looking forward to it. He suffers no longer, and his legacy will live on for many years. The introduction to my book Muhammad Ali: The Making of an Icon explains what the book is about and why I wrote it.

For almost thirty years, Muhammad Ali has held the Guinness World Record as the most written-about person in history. Although John Lennon once claimed that the Beatles had become bigger than Jesus, Ali is the one who really deserves such distinction, at least in a literary sense. Why, then, would anybody have the temerity to think that he could add something to this already overflowing mix? What makes this book worth reading? Though library shelves may buckle under the weight of the Muhammad Ali literature, there is surprisingly little written about key aspects of his life, such as his pre-championship boxing matches, the management of his career, and his current legacy. I concentrate on these three important themes.

Understanding Ali’s transformation from a controversial to a revered figure takes knowledge of his entire life in the public spotlight. To comprehend this phenomenon, one must look at Ali’s career holistically, from his appearance as an Olympic champion in 1960 to his present incarnation as an iconic international hero. The problem for readers is that so much is already written about Ali, and so much information is at hand, that one must wade through everything to find events and trends that have enough representative clout to get at key meanings without drowning in detail. Although this book spans nearly fifty years, from 1960 to the present, it is hardly a comprehensive account of Ali’s life. Instead, Muhammad Ali: The Making of an Icon is a distillation of crucial paradigm shifts in how Ali has been perceived by various segments of the public.

EzraAt the heart of this book is a study of the relationships between Muhammad Ali’s cultural image and its commercial manifestations. The central concept that I use to get at these meanings is what I call moral authority, a term I use throughout this book. My thesis has two parts. First, the most significant way people have made meaning of Muhammad Ali over the years has been through their understanding of him as a moral force, both positive and negative. Second, the crucial way many Americans have arrived at their moral understanding of Ali—his cultural image—has come from their perception of who is making money by associating with him—the commercial manifestations. This book traces the relationships between public perceptions of Ali, the economic entanglements  surrounding his career, and the cultural meanings that have emerged from such connections.

The idea that Ali’s moral authority is intimately bound to the economic consequences of his public life and career is a new one. The dominant interpretations of Ali usually tie his moral authority to his political or racial symbolism. The generic Ali Story explains his transformation from an oppositional to a mainstream figure as a product, among other things, of his stand against the Vietnam War or his being a member of the Nation of Islam. As these versions go, Ali’s moral authority and cultural image crumbled as he took an unpopular political stand in challenging the Vietnam War and turned toward black nationalism by joining the racially separatist Nation of Islam. But over time, the public began to reject the war, Ali renounced the Nation’s core tenets, and he became a morally authoritative cultural hero. There is much more to the process, however; namely, the economic aspects of these seemingly racial, political, and moral changes. My argument is that Ali’s relationships to the Vietnam War and the Nation of Islam, as barometers of his public moral authority, were important not primarily because of their political and racial content, but because they represented who had economic ownership of him. What brought Ali infamy during the 1960s was not necessarily that he was a politically oppositional force, but that he threatened to generate wealth for the wrong people. The public’s sense of Ali’s moral authority has always been a function of its perception of who has economic ownership of him.

I have divided this book into three parts, each of them a response to the ever-evolving question “Who owns Cassius Clay/Muhammad Ali?” Part I, “Louisville Sponsoring Group,” details Clay’s rise as pugilism’s biggest box-office draw under the management of the millionaire boys’ club known as the Louisville Sponsoring Group. Part II, “Nation of Islam,” explores the difficulties he encountered as his cultural image and commercial viability plummeted when the black nationalist religious sect took control of his career. Part III, “Good People,” is a study of the fighter’s rebirth as an admired cultural icon representing corporate interests.

Before I begin the narrative, I want to make four points that will help readers understand my perspective and goals. First, you may have noticed that I treat the words Ali Story as a proper noun. The reason for the capitalization is that I consider history to be primarily art rather than science. The Ali Story, although certainly based upon fact, is a construct: part fact, part myth, part interpretation. Like all history, my version of the Ali Story leaves out far more than it includes. This book is neither definitive nor comprehensive. Instead, Muhammad Ali: The Making of an Icon is a plausible interpretation of how people have made meaning of Muhammad Ali’s life and times. The book is truthful but is not the truth. Second, this study bucks the trend of most Ali literature that insists upon making moral judgments about him. I view Ali as neither great nor wicked, but rather a person with both strengths and weaknesses. This book is neither a sentimental celebration of Ali nor an iconoclastic attempt to knock him off his pedestal. What I have tried to do instead is explain how people have come to invest or divest moral authority in the rich and multifaceted cultural symbol known as Muhammad Ali. I will leave the fool’s errand of identifying his true and essential nature to others. Third, my protagonist changed his name from Cassius Clay to Muhammad Ali shortly after winning the championship from Sonny Liston in February 1964. When I discuss the pre-championship man I refer to him as Cassius Clay. When I discuss the post-championship man I call him Muhammad Ali. Fourth, this book explores the economics behind the boxing matches of Cassius Clay/Muhammad Ali. It is often difficult to figure out exactly how much money had been made and by whom. I relied on newspaper reports for the most part to do this work, but such reports are often conflicting and inconsistent. Whenever faced with contradictory information, I have done my best to honestly and accurately follow the money.

Ferguson, Freddie Gray, and the Limits of Urban Tourism Development

This week in North Philly Notes, Aaron Cowan, author of A Nice Place to Visitpremieres his new promotional video for the book and explains the shortcomings of the urban tourism strategy in the wake of police violence.

Nice Place to Visit

In A Nice Place to Visit, I examine the attempts of four cities – Baltimore, Pittsburgh, Cincinnati, and St. Louis – to remake themselves into tourist destinations in the second half of the twentieth century. Though each location had its own unique characteristics and variety, these cities – and many others like them – followed a similar pattern of substantial public investment in an “infrastructure” of tourism: massive downtown convention centers, fancy new chain hotels with impressive atriums, and recreational facilities like sports stadiums and festival marketplaces. These were accompanied by aggressive marketing campaigns from professional convention and tourist bureaus, often supported by tax dollars.

All of this public subsidy was justified, said political leaders and business executives who supported them, because tourism provided the best route out of the “urban crisis” of the postwar period, and would bring prosperity by generating new tax revenue, and especially new jobs for urban residents hard-hit by the loss of manufacturing in the 1960s, 70s and 80s. In the early 1970s, as the city of St. Louis debated a bond issue to finance a new $25-million convention center for the city, promoters promised the new convention business drawn by the structure would bring “a resurgence of the city’s heritage, a return to the halcyon era of easy-going good living, good dining and good entertainment.”

The transformation from gritty industrial city to sparkling tourist destination was not an easy one, however, and in nearly every case tourist development failed to provide the panacea it seemed to promise. Service jobs in new hotels or restaurants could not offer the wages or benefits that union-backed industrial labor had provided. Furthermore, the substantial public debt incurred by cities to build tourist facilities meant diverting scarce funds from core functions like education, infrastructure maintenance, and emergency services. Finally, while new convention centers and entertainment districts drew visitors to downtowns, they did little to stem the exodus of middle-class (mostly white) residents out of cities and into suburbs.

The shortcomings of the urban tourism strategy have been thrown into sharp relief in recent years by the widely-publicized protests over police violence. In the late summer of 2014, in Ferguson, Missouri an unarmed 18-year-old African-American Michael Brown was shot and killed by a white police officer. The death of Brown catalyzed a protest movement demanding an end to racially-biased policing practices. Protestors and heavily-militarized police clashed throughout the fall of 2014 along the town’s main thoroughfare of West Florissant Avenue, a short 15-minute drive from the St. Louis convention center, now dubbed the “America’s Center Convention Complex.”  The following April, Baltimore erupted in a series of protests after the death of Freddie Gray, an African-American man, due to injuries sustained at the hands of police. While most protests were nonviolent, a small group of rioters destroyed police cruisers and storefronts.  Maryland National Guard troops occupied the central city,  standing guard over the city’s Inner Harbor, the central location of its tourist facilities including the city’s convention center, hotels, National Aquarium, and Harborplace waterfront marketplace.  Cincinnati and Pittsburgh have faced similar challenges in achieving racial justice and overcoming the economic and social legacies of postwar urban segregation.

The historical narratives of these cities should, then, give us pause regarding the role of tourism in contemporary cities.  Just as past urban leaders pursued downtown hotels and convention centers, today casinos increasingly flourish in the Rustbelt urban landscape, and cities are grappling with the challenges of tourist-oriented “sharing economy” businesses like Airbnb and Uber, which threaten to diminish hospitality tax revenues or disrupt established parts of the economic sector. While tourism is indisputably an important element of urban economies, A Nice Place to Visit suggests that cities would do well to temper the belief that tourism-driven economic development is a cure-all, and, furthermore, to remember that the benefits of such development are rarely equitably distributed. Truly successful cities are those that are not only “nice places to visit” but also communities that provide economic opportunity and social justice that make them good places to live.

Follow Aaron Cowan on twitter @aaronbcowan.

 

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