Observations on the anniversary of the Partition of India

This week in North Philly Notes, Kavita Daiya, author of the forthcoming Graphic Migrationswrites about global media representations of migration on the 73rd anniversary of the Partition of India.

What do the Google commercial “Reunion,” the Bollywood film Raazi (Agree), Shauna Singh Baldwin’s award-winning novel What The Body Remembers  and the oral history project 1947 Partition Archive all have in common? They all do transnational memory work and remember the mass migrations of the 1947 Partition of India.

This past weekend marked the 73rd anniversary of the decolonization and division of India, and the end of British colonialism. It also marked the creation of two independent nations: Pakistan came into being on August 14, 1947, and India became a new secular democratic nation on August 15, 1947. The partitioning of India in 1947 generated the world’s largest mass migration in under nine months: between 12 and 16 million people migrated across the newly etched borders.

Graphic MigrationsIn my forthcoming book Graphic Migrations, I describe the legacies of this pivotal moment in British and South Asian history, with a focus on migrant and refugee experiences. As such, this book uncovers the effects of this Partition on both India and the South Asian diaspora in North America. I am especially interested in how different media represent the precarity of migrants’ and refugees’ lives, as well as their descendants. I map how this precarity is memorialized across media, in ways that create empathy and solidarity for the shared humanity of migrants and citizens.

For example, I analyze South Asian American fiction by writers including Shauna Singh Baldwin and Bapsi Sidhwa as well as Hindi art films like Shyam Benegal’s Mammo; Bollywood cinema, as well as the new genre I call “border-crossing” advertising. In addition, I discuss graphic narratives from Vishwajyoti Ghosh’s This Side, That Side: Restorying Partition, the Digital Humanities oral history project 1947 Partition Archive as well as photography by Margaret Bourke-White and Annu Palakunnathu Matthew. This book’s archive is thus eclectic and cross-media, capturing how the Partition migrations are inscribed or erased in public culture in India and its diaspora.

Graphic Migrations is poised at the intersection of Asian American Studies and Postcolonial Studies. It draws upon and extends new directions in Asian American Studies, especially Critical Refugee Studies.  These new directions take a transnational lens to understand how twentieth century conflicts and displacement in Asia have shaped Asian American history. My book’s feminist orientation means that gender is a central part of the story I tell. Talal Asad’s influential theory of the secular in Formations of the Secular is also central here, given that the Partition focalized religious difference. Central to this book’s story is the inspiration of the noted political philosopher Hannah Arendt’s brilliant analysis of statelessness, which, as she argued in The Origins of Totalitarianism, was the defining feature and product of the twentieth century.

My book considers several issues that emerge out of the 1947 Partition and its transnational impact. It explores the complexities of statelessness in India as well as South Asia, and asks: Why has this momentous displacement not been widely memorialized, until recently? How did refugees’ stories, labor, and losses shape ideas about religion, secularism, and belonging in public culture? How were female refugees’ experiences different, and with what consequences? What alternative modes of imagining community and planetary cohabitation, including ‘the secular,’ do stories about statelessness offer us today?

Graphic Migrations is timely and relevant now. More people than even before are migrating or displaced because of war, conflict, poverty, environmental devastation, and other reasons. By one estimate, there are 10 million stateless people, and there are 272 million migrants in the world today. This raises urgent issues about human rights and social justice for nations around the world, who must work together to end statelessness.

My book is a profound reminder of the contemporary stakes of studying the experiences and impact of decolonization and nation-formation in 1947 South Asia, in a transnational feminist mode.

Celebrating Earth Day

This week in North Philly Notes, we celebrate Earth Day with a handful of recent Temple University Press titles about nature and the environment.

2470_reg.gifIn Defense of Public Lands: The Case against Privatization and Transfer, by Steven Davis
Debates continue to rage over the merits or flaws of public land and whether or not it should be privatized—or at least radically reconfigured in some way. In Defense of Public Lands offers a comprehensive refutation of the market-oriented arguments. Steven Davis passionately advocates that public land ought to remain firmly in the public’s hands. He briefly lays out the history and characteristics of public lands at the local, state, and federal levels while examining the numerous policy prescriptions for their privatization or, in the case of federal lands, transfer. He considers the dimensions of environmental health; markets and valuation of public land, the tensions between collective values and individual preferences, the nature and performance of bureaucratic management, and the legitimacy of interest groups and community decision-making. Offering a fair, good faith overview of the privatizers’ best arguments before refuting them, this timely book contemplates both the immediate and long-term future of our public lands.

2474_reg.gifSinking Chicago: Climate Change and the Remaking of a Flood-Prone Environment, by Harold L. Platt
In Sinking Chicago, Harold Platt shows how people responded to climate change in one American city over a hundred-and-fifty-year period. During a long dry spell before 1945, city residents lost sight of the connections between land use, flood control, and water quality. Then, a combination of suburban sprawl and a wet period of extreme weather events created damaging runoff surges that sank Chicago and contaminated drinking supplies with raw sewage. Chicagoans had to learn how to remake a city built on a prairie wetland. They organized a grassroots movement to protect the six river watersheds in the semi-sacred forest preserves from being turned into open sewers, like the Chicago River. The politics of outdoor recreation clashed with the politics of water management. Platt charts a growing constituency of citizens who fought a corrupt political machine to reclaim the region’s waterways and Lake Michigan as a single eco-system. Environmentalists contested policymakers’ heroic, big-technology approaches with small-scale solutions for a flood-prone environment. Sinking Chicago lays out a roadmap to future planning outcomes.

Gone_Goose_SM.jpgGone Goose: The Remaking of an American Town in the Age of Climate Change, by Braden T. Leap

Sumner, MO, pop. 102, near the Swan Lake National Wildlife Refuge, proclaims itself “The Wild Goose Capital of the World.” It even displays Maxie, the World’s largest goose: a 40-foot tall fiberglass statue with a wingspan stretching more than 60 feet. But while the 200,000 Canada geese that spent their falls and winters at Swan Lake helped generate millions of dollars for the local economy—with hunting and the annual Goose Festival—climate change, as well as environmental and land use issues, have caused the birds to disappear. The economic loss of the geese and the activities they inspired served as key building blocks in the rural identities residents had developed and treasured. In his timely and topical book, Gone Goose, Braden Leap observes how members of this rural town adapted, reorganized, and reinvented themselves in the wake of climate change—and how they continued to cultivate respect and belonging in their community. Leap conducted interviews with residents and participated in various community events to explore how they reimagine their relationships with each other as well as their community’s relationship with the environment, even as they wish the geese would return.

Ecohumanism_and_the_Ecological_Culture_SM.jpgEcohumanism and the Ecological Culture: The Educational Legacy of Lewis Mumford and Ian McHarg, by William J. Cohen

Lewis Mumford, one of the most respected public intellectuals of the twentieth century, speaking at a conference on the future environments of North America, said, “In order to secure human survival we must transition from a technological culture to an ecological culture.” In Ecohumanism and the Ecological Culture, William Cohen shows how Mumford’s conception of an educational philosophy was enacted by Mumford’s mentee, Ian McHarg, the renowned landscape architect and regional planner at the University of Pennsylvania. McHarg advanced a new way to achieve an ecological culture―through an educational curriculum based on fusing ecohumanism to the planning and design disciplines. Cohen explores Mumford’s important vision of ecohumanism—a synthesis of natural systems ecology with the myriad dimensions of human systems, or human ecology―and how McHarg actually formulated and made that vision happen. He considers the emergence of alternative energy systems and new approaches to planning and community development to achieve these goals.

Latinx_Environmentalisms_sm.jpgLatinx Environmentalisms: Place, Justice, and the Decolonial, Edited by Sarah D. Wald, David J. Vázquez, Priscilla Solis Ybarra, and Sarah Jaquette Ray.
The whiteness of mainstream environmentalism often fails to account for the richness and variety of Latinx environmental thought. Building on insights of environmental justice scholarship as well as critical race and ethnic studies, the editors and contributors to Latinx Environmentalisms map the ways Latinx cultural texts integrate environmental concerns with questions of social and political justice. Original interviews with creative writers, including Cherríe Moraga, Helena María Viramontes, and Héctor Tobar, as well as new essays by noted scholars of Latinx literature and culture, show how Latinx authors and cultural producers express environmental concerns in their work. These chapters, which focus on film, visual art, and literature—and engage in fields such as disability studies, animal studies, and queer studies—emphasize the role of racial capitalism in shaping human relationships to the more-than-human world and reveal a vibrant tradition of Latinx decolonial environmentalism. Latinx Environmentalisms accounts for the ways Latinx cultures are environmental, but often do not assume the mantle of “environmentalism.”

Untitled-1.jpgThe Winterthur Garden Guide: Color for Every Seasonby Linda Eirhart
Intended as a guide for the everyday gardener, The Winterthur Garden Guide offers practical advice—season by season—for achieving the succession of bloom developed by Henry Francis du Pont in his garden. This handy book highlights the design principles that guided du Pont and introduces practical flowers, shrubs, and trees that have stood the test of time—native and non-native, common as well as unusual. Lavishly illustrated, with new color photography, this handbook features close-ups of individual plants as well as sweeping vistas throughout. Whether addressing the early color combinations of the March Bank, the splendor of Azalea Woods, or the more intimate confines of the Quarry Garden, The Winterthur Garden Guide presents the essential elements of each plant, including common and botanical names; family origins and associations; size, soil, and light needs; bloom times; and zone preferences—everything the gardener needs to know for planning and replicating the “Winterthur look” on any scale.

What the Temple University Press staff are reading while sheltering at home

This week in North Philly Notes, we ask the staff what they are reading while self-quarantined.

Shaun Vigil, Acquisitions Editor

While acclimating myself to the Press’s frontlist, it was a special pleasure to discover Kimberly Kattari’s Psychobilly, due for publication this spring. As a longtime fan of the genre — as well as a voracious reader of books on musical subcultures — nothing could have better signaled that my arrival at Temple. This book is truly a perfect match. Kattari’s in-depth accounts have not only helped to launch me into a world outside of my apartment during quarantine, but have also inspired me to pick up my Gretsch guitar and start brushing up on my picking!”

Kate Nichols, Art Manager

I just finished the design/layout of the first pass pages for Amy Finstein’s Modern Mobility Aloft: Elevated Highways, Architecture, and Urban Change in Pre-Interstate America, forthcoming in October. The book focuses on New York, Chicago and Boston and includes 103 halftones and 12 maps. I read a bit as I work, but I primarily focused on the images. Having spent a lot of time living in both New York and Boston, I was very interested in the historic photographs. Once published, I will give this book to my brother who is an architect in Boston.

As for a non-Temple book, I just began reading The Overstory by Richard Powers.

Ann-Marie Anderson, Marketing Director

I didn’t bring any recent TUP books home. It was too short notice, so along with new book projects, I’m reading and relaxing with James McBride’s Deacon King Kong. Luckily, I bought it before the pandemic hit and since the book is new, there are loads of reviews of it online. Being a former Brooklynite I’m enjoying an escape into a hilarious sixties Brooklyn neighborhood, told in McBride’s usually captivating way.

Aaron Javsicas, Editor-in-Chief

I’m reading Nick Hornby’s High Fidelity, which is just the right kind of escapism for me right now — a voice from another world, in which records and relationships somehow managed to command center stage. Wouldn’t it be nice to go back?

Mary Rose Muccie, Director

I just finished The Clockmaker’s Daughter, by Kate Morton. I’m a big fan of how she interweaves the past and present around a transformative event, usually a death.  I’ve started an older book of hers, The Secret Keeper. 

Gary Kramer, Publicity Manager

Before our offices closed, I grabbed a copy of our recently published book, Action = Vie, by Christophe Broqua about the history and accomplishments of Act Up-Paris. It is an interesting title to read during the pandemic. I had read (and seen) and been inspired by David France’s How to Survive a Plague, so I am seeking similar inspiration from Broqua’s Action = Vie.

 

Here’s how the gender gap in presidential politics breaks down by issue

This week in North Philly Notes, a recent commentary by Mary-Kate Lizotte, author of  Gender Differences in Public Opinion from MarketWatch about what women want presidential candidates.

Gender_Differences_in_Public_OpinionMuch has been written about the gender gap in American electoral politics. In this year marking the 100th anniversary of women’s suffrage, a Democrat cannot win in November without women voters and without minority voters, particularly African Americans and Latinx. And what the majority of women want, according to my research as a political scientist, is for a candidate who promotes social equality and policies that provide for the well-being of all.

Democratic primary candidates and President Donald Trump should take note of these influences when strategizing how to promote women’s turnout and garner women’s vote in November.

Data on the presidential vote choice of men and women by demographic subgroup from 1980 through 2016 reveals that women are more likely than men in the same demographic subgroup to vote for the Democratic presidential candidate.

The overall gender gap between men and women who voted in the presidential race that election year during that period is only 6 percentage points. But within subgroups, the gap varies in size from 2 percentage points among African Americans and to 8 percentage points among those born prior to the boomer generation. These gaps are statistically significant.

What is most striking, though, are the differences between subgroups. The biggest difference is the race gap: 99% of black women voted for the Democratic presidential candidate in those years compared to only 38% of white women.

MW-IB466_lizott_20200304153901_NS

It is still true that women, across the different subgroups, are more likely than men to vote for the Democratic presidential candidate. Why? Political science research, including my own, provides insight into what issues and other characteristics explain this phenomenon. Attracting the majority of women voters, especially white women, college-educated women, and black women, requires presidential candidates to highlight a vision of a more equal society and a government that protects the well-being of its citizens through a strong social safety net, a commitment to anti-discrimination policies and a green environmental policy agenda.

Statistical mediational analysis allows one to determine to what extent different factors explain the gender gap in presidential vote choice. Each of the factors discussed below were analyzed separately, and thus, the percentages do not add up to 100%.

• Egalitarianism, or a preference for an equal society, is a political value on which there is a gender difference. Egalitarianism explains 34.56% of the gender gap in presidential vote choice.

• Support for a social safety net includes a desire for more government spending on public schools, health care, and childcare; for more government services; and for a reduction in income inequality. Women across demographic subgroups of race, age cohort, income, and education prefer a strong social safety net compared to men of the same subgroup, and this explains an astounding 60.95% of the gender gap in vote choice.

This could prove detrimental for Trump’s 2020 campaign given his administration’s proposed budgetary cuts to such programs. It also may shed light on Sen. Bernie Sander’s popularity given his income equality campaign messaging and Vice President Joe Biden’s popularity because of the legacy of the Affordable Care Act.

• Women also are more likely than men to back anti-discrimination policies and express more progressive attitudes toward women and African Americans. With respect to discrimination, women are more in favor extending rights and legal protections to gay men and lesbians. In addition, women are more in favor of affirmative action compared to men. Attitudes toward gay men and lesbians having the legal right to adopt explains 28.99% of the gender gap and having legal protections against discrimination explain 25.47% of the gender gap in presidential vote choice.

In the past, attitudes toward affirmative action and women’s role in society has not been a factor in presidential vote choice. Of course that could change given the salience of #BlackLivesMatter and #MeToo.

• Racial resentment, a measure of negative attitudes toward African Americans, explains 18.21% of the gender gap in vote choice and a strong predictor of presidential vote among white and Black voters.

• Environmental policy preferences also divide men and women. In comparison to white men and college educated men, white women and college educated women want more government spending and regulations to protect the environment. Among Black Americans, both men and women report high levels of support for environmental protection policies, including government spending and greater regulations. Attitudes toward government spending and regulations to protect the environment explain 14.81% and 20.93% of the gender gap in presidential vote choice.

Simply put, women are more likely to want a candidate who advocates for policies that promote equality and provide a social safety net. To motivate turnout among and procure votes from women, candidates for the Democratic presidential nomination should stress such a vision and emphasize how they differ from President Trump on these issues, on equality, and on compassion more generally.

Mary-Kate Lizotte is an associate professor of political science in the department of social sciences at Augusta University in Augusta, Ga., and the author of Gender Differences in Public Opinion.

Color for Every Season

This week in North Philly Notes, we feature a post by Linda Eirhart, author of The Winterthur Garden Guideabout the March Bank, which flowers in the winter. 

The calendar just now says March, but the March Bank at Winterthur Museum, Garden & Library near Wilmington, Delaware, has had flowers in bloom since January. Henry Francis du Pont began planting bulbs in the woodland to the north of the family home in 1902. The area is called the March Bank due to its historic flowering time in March.  The display features the minor bulbs, snowdrops, winter aconites, snowflakes, squills and glory-of-the-snow.

March_Bank_by_Lois_Mauro resizeDu Pont planted thousands of these bulbs in large drifts in the style of the “wild garden.” The planting style was promoted by nineteenth-century British gardener and writer William Robinson.  In his words, the term “is applied essentially to the placing of perfectly hardy exotic plants in places and under conditions where they will become established and take care of themselves.”  With a little care over the past hundred years, the bulbs at Winterthur have multiplied to create a spectacular display.

March_Bank_3_by_Lois_Mauro resizeOn the March Bank, giant snowdrop, Galanthus elwesii, is the first to flower, with its lovely white petals with green markings. A close look at this simple flower reveals a variety of thin, wide, long, puckered or possibly even doubled petals. The common snowdrop, Galanthus nivalis, begins to flower slightly later and extends the white display. It also deserves a closer look for the detailed differences in the flower forms.  The different species and cultivars can provide color from fall through March.WS02 Calanthus nivalis

Color, to du Pont, was a “vast field in itself” and, in the garden, “the thing that really counts more than any other.” By 1962 du Pont had been gardening for sixty years, and the Garden Club of America had recently named him “perhaps the best gardener this country has ever produced.” At Winterthur, he created a garden of surpassing beauty that in its complexity and coherence is a marvel of ingenuity. Plants bloom almost continuously throughout the year, with outstanding areas of color coming into focus in a well-planned sequence. In turn, each area melds seamlessly with its neighbors to form a unified whole. Such sequencing and continuity did not come about without a great deal of work and planning.

WS06The spring snowdrop display is brightened with the yellow of Amur Adonis, Adonis amurensis, and winter aconite, Eranthis hyemalis, both with round, multi-petal flowers that resemble large buttercups.  Adonis will spread slowly in the garden, but winter aconites are vigorous growers that readily self-sow once established. Avoid planting them by smaller more delicate spring plants that they might smother.

To heighten and extend the yellow display, du Pont chose Japanese cornel dogwood, Cornus officinalis, an understory tree whose yellow flowers begin to shine while the giant snowdrops and winter aconites are still flowering.  As the snowdrops and aconites fade, this dogwood’s flowers will continue to bloom while the March Bank transitions to a brilliant carpet of blue.

Chionodoxa forbesii

Chionodoxa forbesii

Primarily responsible for the blue phase is the glory-of-the-snow, Chionodoxa forbesii, which covers acres on the March Bank and throughout the garden. This small bulb grows well in both the woodlands and in the lawn.  In some areas, Siberian squills, Scilla siberica are planted with it and overlap somewhat in flowering time. Early daffodils, Narcissus, add a soft yellow sprinkling among the waves of blue.

Winterthur GardenAs spring progress, Virginia bluebells, poeticus daffodils, ostrich ferns and hosta will cover the dying foliage of these early bulbs and create wonderful displays for late spring and summer. Though these displays cover acres at Winterthur, you can apply the concepts of the “wild garden,” successional bloom and layering plants to gardens of all sizes. Consider a small drift of snowdrops to brighten the winter entrance to your home or planting glory-of-the-snow in your lawn to create a sea of blue.

Du Pont experimented in the Winterthur garden for more than sixty years. The Winterthur Garden Guide shares the plant combinations and design principles that have stood the test of time.

 

 

Temple University Press’s Annual Holiday Give and Get

This week in North Philly Notes, the staff at Temple University Press suggest the Temple University Press books they would give along with some non-Temple University Press titles they hope to read and receive this holiday season. 

Mary Rose Muccie, Director

Give: My family is full of Philadelphia sports fans, so there are two recent Press titles that make perfect gifts for them. Stan Hochman Unfiltered, edited by Gloria Hochman, contains almost 100 Philadelphia Daily News columns by the late sportswriter.  Columns by another late Daily News sportswriter, Phil Jasner, are collected by his son Andy in Phil Jasner “On the Case”Jasner covered the 76ers for almost 30 years, while Hochman’s columns cover all sports. Both collections are great reads and capture Philly sports hits and misses, many of which fans will never forget.

Get: I already gifted myself and have recommended to numerous friends Ronan Farrow’s Catch and Kill. In it, Farrow details his investigation into Harvey Weinstein and the lengths powerful men went to to cover it up, as well as the intimidation tactics used against him as he dug for the truth.  It’s a riveting account of the ways money and power were used to protect predators and silence women, and the strength and courage of those women as they stood against it.

Karen Baker, Associate Director, Financial Manager
Give: I would like to give Contested Image by Laura Holzman because my family is from Philadelphia and was always very interested in art and the local museums.

Get: I would like to receive I’m a Good Dog: Pit Bulls, America’s Most Beautiful (and Misunderstood) Pet, because I have a pit bull, and while I know how great they are, I would like to read the stories of others and all of their inspirational stories.

Ashley Petrucci, Rights and Contracts Coordinator and Editorial Assistant

Give: Invisible People: Stories of Lives at the Margins by Alex Tizon and edited by Sam Howe Verhovek: Like many others, I saw “My Family’s Slave” from The Atlantic shared on Reddit back in 2017 and found Lola’s tale so compelling that I made sure to pass the article along to several friends.  Working on this book a little over a year later was such a pleasant surprise, and I’m excited to have a whole book of Alex’s work to share with the same friends that I sent the story to back in 2017.

Get: None!  I have two tall bookcases full of books, so I don’t think I can fit anymore!  As a matter of fact, I should probably begin “the purge” (only to then replace them with more books, I’m sure…)

Aaron Javsicas, Editor-in-Chief

Give: Monument Lab: Creative Speculations for Philadelphia. This is a catalog of the temporary monuments installed throughout the city in Fall 2017 in answer to the question, “What is an appropriate monument for the current city of Philadelphia?” It’s the latest book to emerge from our long collaboration with Mural Arts Philadelphia, and it’s in some ways the boiled-down essence of what Temple University Press publishing is all about. It’s daring, it’s urban, and it’s about Philly, and it makes an important contribution to scholarship with writing that’s approachable for any reader. It’s also beautifully designed and illustrated. Very, very giftable. Gift it.

Get: What I’d really like to get is that one manuscript I’ve been waiting on. Meanwhile, I hope someone gives me Eric Loomis’s A History of America in Ten Strikes. The labor movement in this country has endured body blow after body blow, and a book rounding up the moments in our history when labor action caused fundamental change seems like a smart way to frame how it’s been definitionally important and could be again.

Ryan Mulligan, Editor,

Give: Stan Hochman Unfiltered, Sports columnists today tend to be either passionate avatars of their cities, channeling the frustrated voice of the people into provocative takes, or erudite scribes digging into the human interest stories of the people behind the uniforms. Stan Hochman brought the best both in his columns and he started doing it before most any other writer was doing either. His writing was acerbic, cathartic, funny, and revealing.

Get: The Nickel Boys. Colson Whitehead’s The Underground Railroad was one of my favorite books of the past decade so sign me up for his next effort.

Sarah Munroe, Editor

Give: Set in Kamchatka, Julia Phillips’s Disappearing Earth is billed as a mystery because two young girls disappear in the very beginning. But the way the story unfolds is so much more. Each chapter is told from a different person’s perspective and the characters overlap in each others’ stories in big and small ways throughout. Underneath runs the current of the girls’ disappearance and we see the ripples throughout other lives. Phillips swiftly and deftly brings the reader into each new life in such a compelling way that I wanted to read a whole book about each of the protagonists. Disclaimer: I could be biased because there’s a scene in which a couple encounters a bear while camping, which happened to my husband and I this summer because of our overly zealous small dog.  

Get:  A two-fer: Lawn People: How Grasses Weeds and Chemicals Make Us Who We Are by Paul Robbins and Inconspicuous Consumption: The Environmental Impact You Don’t Know You Have by Tatiana Schlossberg. I’ll soon be moving to a house with an actual yard that’s mine to care for the first time in my adult life, and I frequently worry about climate change, famine, and water scarcity. What I do when I worry is read about my worry. Both of these books think about individual choices as part of local and global ecologies.

Ann-Marie Anderson, Marketing Director

Give: I want Monument Lab as the book to give to my artist friends who grapple with questions of public art.

Get: I want to get On Earth We’re Briefly Gorgeous, a novel about a Vietnamese American family, to read during my lengthy, leisurely holiday break.

Irene Imperio, Promotions Manager

Give: Gifting for my young readers: Art Museum Opposites by Katy Friedland is a book of opposites for young readers, based on the Philadelphia Museum of Art’s collections.

Get: Hoping to get: Life Is Magic: My Inspiring Journey from Tragedy to Self-Discovery, the new memoir from former Philadelphia Eagles long snapper Jon Dorenbos.

Gary Kramer, Publicity Manager

Give: I would give my cinephile friends a copy of Greg Burris’ The Palestinian Idea, as it contains an analysis of films by Annemarie Jacir and Hany Abu-Assad, two of my favorite filmmakers. Burris examines radical perspectives on Palestinian media and popular culture, making it a provocative book that should generate considerable thought and discussion.

Get: What I would like to get is John Waters’s Mr. Know-It-All, which I’ve been meaning to buy and read since it was published. If I get a copy, that will prompt me to finally read it!

Kate Nichols, Art Manager

Give and GetI am both giving family members, and myself Alex Tizon’s Invisible People.

Joan Vidal, Senior Production Editor 

Give: I plan to give Alex Tizon’s Invisible People: Stories of Lives at the Marginsa collection of the award-winning journalist’s masterful stories of those who are commonly dismissed and disregarded.

Get: I’d like to receive None of the Above, by Michael Cocchiarale, a novel about the childhood and young adulthood of Midwesterner Increase “Ink” Alt and the trials and tribulations that put his maturity to the test when he returns to his hometown in his thirties.

Dave Wilson, Senior Production Editor

Give: Stan Hochman Unfiltered because his unique take on the Philadelphia sports scene.

Get: Me: Elton John, the official autobiography of this music icon that has spanned generations.

 

 

Writing Latinx Environmentalisms

This week in North Philly Notes, Sarah D. Wald, David Vázquez, Priscilla Solis Ybarra, and Sarah Jaquette Ray, co-editors of Latinx Environmentalisms, tell “A Story of Inspiration and Acompañamiento.”

Latinx Environmentalisms is a collection of original essays and original interviews that explores the challenges and possibilities of bringing the environmental humanities and Latinx* studies together. The collection seeks to account for the variety of ways in which Latinx cultures are often (although certainly not always) environmental, but hardly ever identify as environmentalist. In this book, we argue that Latinx art, literature, film, and other forms of creative productions redefine and broaden what counts as environmentalism, even as they sometimes reject the term entirely. Part of how Latinx artists redefine these terms is by pointing out the racism inherent in some of the assumptions of environmentalism. We argue that Latinx art, literature, film, and other creative works hold the potential to make visible key aspects of the exploitation of the Earth, and in particular the ways in which colonization and capitalism exacerbate it. Latinx creative works often offer deep and significant insights about environmental issues, environmental ethics, and the intertwining of environmental ills with the social ills of racism, capitalism, and colonialism.

Latinx Environmentalisms_smAlthough the book seeks to build new bridges in environmental humanities and Latinx studies scholarship, it is just as much a story of building collegial and friendship bridges between the editors and contributors. In this post,we share how the book is also a story of collaboration, of how academic life looks and feels behind the pages of our scholarly products. We might even say that we offer this collection as a product of “acompañamiento.” Anthropologist Mariela Nuñez-Janes describes the concept as a process of creating networks of support and solidarity in a way that extends notions of kinship.

The story of this collaboration begins at a couple of different conferences in 2013: both the First Biennial Latina/o Literary Theory and Criticism conference at John Jay College of Criminal Justice in New York City and the Association for the Study of Literature and the Environment (ASLE) held at the University of Kansas. The four of us had known and admired each other for some time. We met to discuss the idea of producing an edited volume together. Although each of us knew about pockets of environmental humanities work that considered Latinx literature and culture, and a very tiny group of Latinx studies scholars who thought about the environment, we kept talking about how much there was to say about literary authors such as Helena Maria Viramontes, Ana Castillo, Cherrie Moraga, and Gloria Anzaldua, visual artists such as Ester Hernandez, and filmmakers such as Alex Rivera. Our initial conversations got us to realize that there was a huge and largely untapped archive of material that had unique things to say about the environment.

We also realized that there was a growing body of scholarship in Latinx studies that was already doing some of this work. Scholars such as Kamala Platt and María Herrera-Sobek had pioneered thinking about environmental themes in Chicana/o/x literature. Social scientists Laura Pulido and Devon Peña were also early leaders in thinking about Chicana/o/x environmentalisms, as was Robert Melchior Figueroa in the discipline of philosophy. We looked to some of our contributors, such as Randy Ontiveros, Gabriela Nuñez, and Jennifer García Peacock who identified their work as environmental, and others such as Paula Moya and Richard T. Rodríguez, who didn’t identify as doing environmental work, but who were clearly engaging with important ecocritical concepts.

Our question then became: how do we put these people into conversation with one another in order to highlight the innovative environmental thinking they identified in their works? 

Our collaboration was aided by some key developments in our individual scholarship. Priscilla wrapped up her book project, Writing the Goodlife (Arizona UP, 2016), which made an important intervention in how Chicanx/Mexican American cultural production is treated in the environmental field. Rather than focusing on texts where mainstream environmental ideas appear in Mexican American writing, Writing the Goodlife asks us to redefine “environmental” to see long-standing traditions, identities, cultural sensibilities, and forms of resistance as environmental, and to interrogate the exclusion of these expressions in the mainstream environmental canon.

Sarah D. Wald’s book, The Nature of California (Washington, 2016), was also just coming out. In it, she examined the ways writings of Japanese American, Filipino, and Mexican American farmers and farmworkers contested their exclusion from national identity through depictions of nature and land. Like Priscilla, she was redefining where and how we look for environmental ideas and what environmentalism may entail.

David, too, was realizing that much of his interest in urban literary expression and Latinx identity had environmental resonance, but only if we redefined what that meant– not only “wilderness” but also a sense of space, negotiations of ecological costs and benefits, etc.. David became particularly interested in how some communities bring a keen sense of “environment” to how they inhabit places, particularly in laying claim to cultural ownership over urban neighborhoods like New York’s Spanish Harlem.

And Sarah Jaquette Ray’s research in The Ecological Other (Arizona UP, 2013) on how environmental discourse can define immigrants as threats to American national security vis-a-vis its borderland ecosystems also situated her work as pushing this intersection.

All told, the four of us found each other through this research on Latinx environmentalisms, which kept landing us in the same places, such as the John Jay Latinx Literary Theory and Criticism Conference, the Association for the Study of Literature and Environment Executive Council meetings (on which Priscilla and Sarah W. both served as Diversity Officers, Sarah R. served as Vice President, and Sarah R. and Priscilla as executive council members), the American Studies Association conferences, the Latino Studies Association conferences, and David and Sarah W’s home institution, the University of Oregon, having conversations about where the field might go, and laying the groundwork for working together.

We are so grateful to these conferences and professional organizations for providing the infrastructure for us to have these early exploratory conversations.

In other settings– especially in our classrooms, communities, and committees– we sensed a great interest in this intersection of Latinx and environmental concerns, but knew there was a dearth of scholarship on it. We were particularly struck by the enthusiasm our students shared with us. For example, in David’s courses on Latinx Sci-Fi and Environmental Thinking and Sarah W’s Environmental Humanities 203 courses at the University of Oregon, students were wildly enthusiastic about analyzing canonical authors like Leopold and Thoreau through lenses of race and ethnicity, as well as reading authors that had not been in the environmental canon through environmental lenses, such as Viramontes and Castillo. Both of the Sarahs and Priscilla led a 2015 ASLE workshop on Latinx Environmental Pedagogies, which reinforced our sense that students were pushing these boundaries.

We landed on the notion of “recovery” as a correction to the “diversity” approach of second-wave environmental literary criticism–which just adds more seats to the environmental table without challenging the very structure of the table –and had lots of ideas about how our project might take up these questions. Early in the process we recognized that some of the most sophisticated analysis of Latinx environmentalisms occurred within the fiction, non-fiction, and poetry of Latinx writers, especially among those writers who identified as Chicana feminists. This led us to talk directly to many of the Latinx authors whose work was foundational to our own inspiration.  Even more gratifying was the reception we got from scholars whose work was already pushing these fields in exciting directions. Quite simply they started to come out of the woodwork as we were beginning these conversations. That’s how the project started. Many of the insights in our Introduction to the book came from the various conversations that we had at conferences in our field and on panels with our contributors.

What is not obvious is how a project like this builds over time–in our case, five years of working together– and the details of collaboration. We learned how to step up and step back based on our strengths and weaknesses, and filled in for each other when our personal lives became distracting; we learned how scholarship never happens without tragedy, celebration, frustration, generosity, heartbreak, and mundane intrusions (like sick pets and home maintenance issues) on the intellectual process.

We met several times as a group to just sit in silence and write together. We became more acquainted with Google Docs and Dropbox than we ever thought possible. We spent what amounts to about 50 hours together on four-way Skype conference calls, watching each other’s lives carry on in the background– children growing up, family members moving in and out, seasons and health issues coming and going, the material realities of life moving through different places and stages.

The boundaries between our academic, friendship, and personal lives became increasingly blurred, and each editor would probably say that the book is a reflection of both collegial synergy and personal friendship. The work of pulling something like this together is both dramatic and unglamorous, intellectual and material, urgent and slow. To us, the process has been as illuminating as the product.

It is a true honor to share this book with audiences that are interested in not only these topics, but also the story of what academic life is about, what it means to produce scholarship in collaboration with others, and the thrills and concerns of pushing the boundaries of our disciplines.

Less than mapping these intersections, our hope is that the book opens a door for more thinking and more imagining of what could be. We want to lift voices, but also to scrutinize the liberating, and also oppressive, cultural work of environmental discourse. We continue to think about these issues, but also want to push it further to ask, for example, what implications do these conversations have for the other work we do at our institutions, such as our work with students and our efforts to create structures of inclusion and equity? 

We hope that others will not only carry this project in ever more diverse directions, but also be moved to embark on a similar kind of collaboration, where intellectual and personal worlds merge, and both are profoundly changed in the process.


*A note on terminology: We define Latinx studies as the comparative study of race, identity, and culture in U.S. communities with roots in Latin America (for example, Puerto Rican, Mexican American, or Central American communities). We use the term Latinx as a gender-neutral alternative to Latina or Latino in solidarity with LGBTQ+ communities. We also use the “x” to mark the indigenous peoples and knowledges that we will never know due to the conquest of the Americas. We also note that in using the term Latinx, we are deliberately operating from a comparative, interethnic perspective. What this means is that the essays and interviews we include focus on multiple Latin American-origin communities in the U.S. (Mexican American and Dominican American, for example), and that we compare and contrast the environmental ideas that emerge from these disparate communities. 

 

Sequestrada: A New Film by a Temple University Press author Sabrina McCormick

This week in North Philly Notes, Sabrina McCormick, author of Mobilizing Science, promotes the Sequestrada, the film she co-wrote and co-directed with Soopum Sohn, about the devastation of the Brazilian Amazon. Based in part on her research about the anti-dam movement in Brazil—the subject of Mobilizing ScienceSequestrada stars Tim Blake Nelson and Gretchen Mol. The film opens November 15 at the Village East Cinema in New York, followed by a VOD Release on Tuesday, December 17.

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Synopsis:

Sequestrada follows Kamodjara and her father, Cristiano, members of the Arara, an Amazonian indigenous tribe. When they leave their reservation to protest a dam that will displace their people, Kamodjara is separated from her family and kidnapped by traffickers.

Roberto, an indigenous agency bureaucrat overseeing a report that could change everything, is under pressure to support the dam’s construction. Thomas, an American investor in the dam, makes his way to Brazil to sway Roberto’s opinion. The film tells the story of how these three lives intertwine against a backdrop of geopolitics and environmental disaster.

Sequestrada was shot on location in Brazil and is based on the real-life event of the construction of the Belo Monte Dam, which is displacing the Arara—who have lived along the Amazon River for countless generations. The film, which had its world premiere at the Beijing Film Festival last April, deftly incorporates the experiences of local non-professional actors to tell a gripping local story of global consequences.

Artist’s Statement:

Sabrina had been doing research in Brazil for fifteen years and had made her first documentary about people displaced by large dams. She had received funding to go to the Amazon where the world’s third largest dam was being built and contested by indigenous groups who were illegally affected. We mapped out a plot. Sabrina had worked with organizations contesting dams for a long time and we planned to meet with a few of them based near Belo Monte to find out more of what the past thirty years had been like, beginning with Sting protesting the dam and a Kayapo woman slashing a government official in 1984.

Then we left for Altamira, ourselves. The last plane to the Amazon was full of men. Sabrina and a flight attendant were the only women. The men were all workers going to the Belo Monte Dam. When it landed in Altamira and the doors opened, we felt the sauna of the Amazon.

Altamira is a small town where indigenous tribes visit to buy flip flops, t-shirts, and supermarket junk food. We approached a group that we learned were Arara. We spent about three days to see if they wanted to be on camera. Then the whole Arara tribe disappeared. They re-appeared with a huge bag of live turtles. They invited Sabrina to sit in the local indigenous housing and eat a turtle they had just cooked. Then they started to open up. We learned they have a system where a chief (cacique) decides everything, so we mainly tried to speak to him. He was a quiet, young man. Later, we found he had only been cacique for one year. There was another man with thick glasses, who had been watching us. We talked to him. It turned out that he had been the chief for many years before this young man.

When he decided we were not dangerous, he stopped being a quiet man. We created a character for him so he could speak about the Arara tribe and the Belo Monte dam. The last day of the shoot, he asked Soopum if he could try his hat. He wore Soopum’s hat and was silent for long time, smiling. He seemed proud and happy. But it was Soopum’s only hat and the Equator sun made Soopum’s black hair so hot, that he really needed the hat. Sabrina didn’t want to give up her hat, either. Soopum politely asked for the hat back. He and tribe members thanked us making this film. We hugged the Arara and parted ways.

Sabrina guided the storyline exploring how government corruption undergirded the illegal construction of massive infrastructure, damaging lives and releasing methane from the degradation of flora and fauna. Soopum added fictional plot lines with traditional film language under given location and situations. Together, they captured true moments with the actors when they were living normally. We wrote together based on footage and the tribe members writing with us such that each character’s life and the fictional plot became interwoven. We constructed scenes with them, explaining where we thought the storyline was going and recording their reactions, modifying the plot with their perspectives and lines from their personal experiences.

With that approach, we fused real and imagined worlds in multiple layers, the real effects the dam has on climate change and the lives of indigenous people who live nearby, along with a narrative of imagined characters who reflect the stories of how Belo Monte came to be what it is today.

About Sabrina McCormick’s book, Mobilizing Science

Moblizing Science sm compMobilizing Science theoretically and empirically explores the rise of a new kind of social movement—one that attempts to empower citizens through the use of expert scientific research. Sabrina McCormick advances theories of social movements, development, and science and technology studies by examining how these fields intersect in cases around the globe.

McCormick grounds her argument in two very different case studies: the anti-dam movement in Brazil and the environmental breast cancer prevention movement in the U.S. These, and many other cases, show that the scientization of society, where expert knowledge is inculcated in multiple institutions and lay people are marginalized, give rise to these new types of movements. While activists who consequently engage in science often instigate new methods that result in new findings and scientific tools, these movements still often fail due to superficial participatory institutions and tightly knit corporate/government relationships.

University Press Week Blog Tour: How to build community

It’s University Press Week and the Blog Tour is back! This year’s theme is Read. Think. Act. Today’s theme is: How to build community

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Paul Farber and Ken Lum, co-editors of our new book Monument Lab penned this entry on community building.

From coeditor Paul Farber:

Monument Lab_CMYK_090319_smWhen we started Monument Lab, it was not a fully-realized curatorial project or interventionit was a classroom experiment. Ken and I were teaching in Fine Arts and Urban Studies, respectively, and were galvanized by our conversations with our students about representation, equity, and memory. We each spent time with scholarly texts and we also moved outside of our classes into public spaces as their own primary sources. We met one another, and connected with a circle of collaborators after that expanded what we could have ever dreamed of on our own. We iterated and took our questions outside to the courtyard of City Hall in 2015 for our first discovery phase exhibition. We eventually that moved to public squares and parks around the city for the citywide project with Mural Arts Philadelphia documented in the book, and now work in other cities with similar goals of critically engaging monuments we have inherited and unearthing the next generation of monuments.

We have been fortunate to work with a range of artists, writers, and organizers*. Some have artworks and essays represented in this book. Others put fingerprints and directed their own forms of expertise to the project to make this possible. We hope people will read the essays, but we hope people also tend to the captions, credits, and thank you’s, as they give insights into how monuments could be and are made, critiqued, and re-imagined. This was a profoundly collaborative effort and that is the point.

There is no single fix to our monumental landscape. There are ways of engaging the moment worth nodding to by many people representing previously exisiting and ongoing approaches. This includes antiracist, decolonial, feminist, queer, ecological, and other systems of social justice perspectives that take long first steps toward redress. These practitioners understand we live at once in the deep seated past, changing present, and unknowable future. The book and the work of Monument Lab is meant to document collective aspirations for art and justice and serve an active, living approach to history.

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Enter Karyn Olivier, The Battle is Joined, Monument Lab 2017 (Steve Weinik/Mural Arts Philadelphia)

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Sharon Hayes, If They Should Ask, Monument Lab 2017 (Steve Weinik/Mural Arts Philadelphia)

From editor Ken Lum

I just received Deborah Thomas’ book Political Life in the Wake of the Plantation: Sovereignty, WitnessingRepair. She is an esteemed colleague at Penn and we both co-taught a course in Kingston, Jamaica that looks at a major violent incursion that took place in the impoverished neighborhood of Tivoli Gardens in 2010. From this moment of eruption, there followed an uneven and halting pattern of attempts at recognition, redress and reconciliation for the many human lives affected, and continues to affect, by the incursion. Although a different context, as I started reading this book, it made me think about Monument Lab: Creative Speculations for Philadelphia, the new book from Temple University Press that Paul Farber and I edited. 

There are many sites all over the world, even sites within sites, such as neighborhoods within neighborhoods or streets within streets, whereby were they truly examined in a holistically democratic and critical sense, would reveal many of the same flailing patterns that stymies institutional and official initiatives that attempt to confront issues of human trauma and under-recognition. I started thinking about how Monument Lab: Creative Speculations for Philadelphia is not just a book but also a method of thinking about matters of address and redress that offers no presaged prescription or anticipated conclusion. What Monument Lab offers is a way of thinking about the world in as open a manner as possible. Monument Lab is a project of inclusion including the real inclusion of Philadelphia’s many unheard voices. Monument Lab recognizes the untapped wisdom of the unacknowledged peoples and the truths that they offer. Monument Lab is a means rather than an end, but one that produces hope in the coming together of voices. 

Monument Lab draws on visual art, oral histories, scholarship and subjugated knowledges—there is no one knowledge that takes precedence over another. It is this openness in both thinking and method that accounts for whatever success Monument Labhas been able to achieve.


*Contributors: Alexander Alberro, Alliyah Allen, Laurie Allen, Andrew Friedman, Justin Geller, Kristen Giannantonio, Jane Golden, Aviva Kapust, Fariah Khan, Homay King, Stephanie Mach, Trapeta B. Mayson, Nathaniel Popkin, Ursula Rucker, Jodi Throckmorton, Salamishah Tillet, Jennifer Harford Vargas, Naomi Waltham-Smith, Bethany Wiggin, Mariam I. Williams, Leslie Willis-Lowry, and the editors 

Artists: Tania Bruguera, Mel Chin, Kara Crombie, Tyree Guyton, Hans Haacke, David Hartt, Sharon Hayes, King Britt and Joshua Mays, Klip Collective, Duane Linklater, Emeka Ogboh, Karyn Olivier, Michelle Angela Ortiz, Kaitlin Pomerantz, RAIR, Alexander Rosenberg, Jamel Shabazz, Hank Willis Thomas, Shira Walinsky and Southeast by Southeast, and Marisa Williamson

University Press Week Blog Tour: How to be an environmental steward

It’s University Press Week and the Blog Tour is back! This year’s theme is Read. Think. Act. Today’s theme is: How to be an environmental steward.

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University of Pittsburgh Press @UPittPress

Patricia Demarco, author of Pathways to Our Sustainable Future, will write about global and local sustainability.

Duke University Press @DukePress

A roundtable of authors and editors answering the question, “What is one thing that more people need to understand about the current global climate crisis?”

Columbia University Press @Columbia.edu

Guest post from the author of Live Sustainably Now, about tips to decreasing your carbon footprint.

University of California Press  @ucpress

An excerpt from Humboldt State University Assoc. Professor of Environmental Studies Sarah Jaquette Ray’s A Field Guide to Climate Anxiety: How to Keep Your Cool on a Warming Planet, coming April 2020.

Yale University Press @yalepress

A post from authors connected with A Better Planet with actionable steps on helping the environment.

University of South Carolina Press @uscpress

A post including photos from authors of Carolina Bays about preservation of these unique ecological systems.

Bucknell University Press @BucknellUPress

Guest post by Tim Wenzell, editor of Woven Shades of Green: An Anthology of Irish Nature Writing on why ecocriticism makes us better stewards of nature.

Oregon State University Press 

Guest blogger Marcy Cottrell Houle on the genesis of her new book, A Generous Nature: Lives Transformed by Oregon, about 20 conservationists and activists who have been instrumental in preserving Oregon’s natural treasures for future generations.

University Press of Mississippi  @upmiss

Jessica H. Schexnayder, author of Fragile Grounds: Louisiana’s Endangered Cemeteries, on documenting the dying histories of coastal communities.

Harvard University Press @harvard_Press

 

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