This week in North Philly Notes, Ray Didinger, author of One Last Read and The New Eagles Encyclopedia, recounts bringing his play Tommy and Me, based on his life, to life on stage.
I didn’t know it was possible to have an experience that is both exhilarating and painful. But that’s what I was feeling Sunday night as Tommy and Me, my first—and probably last—stage play had its final performance at the Fringe Arts theatre.
It was exhilarating because the sellout crowd sent the play off with a standing ovation and afterwards people stayed around to say how much they enjoyed it. The story flashes back to the 1950s and ’60s and the career of Eagles great Tommy McDonald and dozens of people came up to me to relate their own memories of Franklin Field. Some still carried the ticket stubs in their wallets. Three bucks for a seat in the end zone. Yes, it was a long time ago.
The painful part was walking back into the empty theatre and seeing the crew dismantle the set. During the two-week run from August 3 through 14, I virtually lived in that theatre. It became my world and each night when the lights went down and the actors took the stage, I was transported back to my boyhood when I was the freckle-faced fan who wanted nothing more than to carry Tommy McDonald’s helmet as he walked to the practice field. It brought a lump to my throat every night. But on Sunday, seeing it stripped down and silent, reminded me it was, indeed, over.
I knew this night was coming. I knew there would be that moment when I had to let go and Tommy and Me would become a memory, but it did not lessen the sense of loss. We sat at the bar for a long time—the cast, the crew, the whole Theatre Exile team—and talked about the play and how it grew into something larger than we first imagined. All 12 performances were sell outs and each show ended with a standing ovation that seemed to grow louder each night. Tom Teti, the veteran actor who played Tommy McDonald, said, “This was a rare one.” The others at the bar nodded in agreement.
Once we left the theatre that night we would be going in different directions. Joe Canuso, the director, is going back to work on Rizzo, the play he successful staged last year and is reviving at the Suzanne Roberts Theatre in September. Matt Pfeiffer, the actor who played me as an adult, is headed to Naples, Florida, to direct a play. Ned Pryce, the actor who played the young Tommy McDonald, is already in rehearsal for a role with the Iron Age Theatre. Tom Teti is rejoining the team at People’s Light and Theatre in Malvern. Simon Kiley, who played the 10-year-old me, is getting ready to start sixth grade at Girard Academic Music Program. I would return to talking about the Eagles on WIP Sports Radio and Comcast Sports Net.
But for a little while longer, we were sharing the bond that was Tommy and Me, the play I wrote about my boyhood hero and our unlikely 40-year journey to the Pro Football Hall of Fame. I had never written a play before and when I started I wasn’t at all sure it would ever be produced. But thanks to Joe Canuso, who believed in the project, and Bruce Graham, the superb Philadelphia playwright who helped in its development, we were able to bring Tommy and Me to life. To sit in the theatre each evening and hear the audience laugh, sometimes cry, boo any reference to the Dallas Cowboys and ultimately applaud at the final curtain was a thrill unlike anything I had experienced before. I know I’ll never forget it.
Each night ended with the cast returning to the stage to answer questions from the audience. The very first night, a woman stood up and said: “I’m not an Eagles fan. I don’t even like sports…” I thought, “Where is this going?” Then she said, “But this story really touched me.” Several theatre critics [reviews below] made the same point: it isn’t a football story. It is a story about a boy, his hero and dreams coming true. It is a story I always wanted to tell and that’s why on Sunday night it was hard to let go.
Read the DC Metro‘s review.
Read the Broad Street Review‘s review
Read Philly.com‘s review
Read NewsWork‘s review
Read Philadelphia Magazine‘s review
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