Meet Temple University Press’s new acquiring editor, Sarah Munroe!

This week in North Philly Notes, a Q&A with our new acquiring editor, Sarah Munroe. 

Sarah Munroe joined Temple University Press’s editorial team this week. She will be acquiring titles in Asian American studies, gender and sexuality studies, disability studies, literary studies, as well as regional interest. She comes to the Press after experience at West Virginia University Press and the Pew Charitable Trusts. She has an MFA in creative writing with a focus in poetry.

SarahMunroe

We asked her about her book and reading habits to get to know her better.

What book(s) are you currently reading?
Friday Black by Nana Kwame Adjei-Brenyah (short stories)
The Water Cure by Sophie Mackintosh (novel)
Indecency by Justin Phillip Reed (poetry)

What’s the last great book you read?
Toddler-Hunting and Other Stories by Taeko Kono – It’s such a deliciously sinister title! The stories were written in the 1960s and set in mid-twentieth century Japan. The restraint and orderliness of the language, setting, and scenarios contrasts surprisingly with the proclivities and obsessions of the characters, yet I found I wanted to recommend each story to a different friend as being somehow meaningful to their own current life situations.

Also, Milkman by Anna Burns—the way its structured is masterful. She tells you up front where it’s going to go, but the back and forth in time and the swelling of nearly overwhelming mundane detail somehow sustains tension and creates suspense leading up to the ending. The images and emotional landscape really stuck with me.

What book made the greatest impression on you?
A Wrinkle in Time by Madeleine L’Engle
Country Music: Selected Early Poems by Charles Wright

Which writers do you love (or hate) the most?
Love: Maggie Nelson, Anne Carson, Elizabeth Bishop, Robert Hass, and every now and then I need to read some Margaret Atwood to feel grounded again.

When and how do you read?
I read on the subway to and from work, usually the New Yorker. During my lunch I like to take a walk to clear my mind for half the time and then read a book while I eat (apologies to my new coworkers if I appear antisocial, it’s my introvert). I read before bed every night, usually a novel. I’ll read in the evenings while my husband plays video games, and in a coffee shop on the weekends while he draws, or in bed on the weekends if I wake up before he does. I wake up early one morning a week to go to my favorite coffee shop and read poetry and some kind of writing book—that keeps me sane.

What book might people be surprised to find on your shelves?
Ha, I have eclectic interests and buy retired books from the library for a quarter with the intention to read and then donate to Free Little Library, so I have amassed an odd assortment. But Mind Hunter by John Douglas has been sitting by my bed for a long time, and I probably won’t donate it when I’m done. I started reading true crime as “research” for a PhD I thought I might try to get, but now I just need to fess up to the fact that I am among the stereotype who consume it.

Who is your favorite fictional hero or heroine?
Does Anne of Green Gables count? She was so plucky. Or Indiana Jones—the scholar adventurist.

What Temple University Press book has particular meaning to you?
2502_regWho Will Speak for America?edited by Stephanie Feldman and Nathaniel Popkin. I attended a Writers Resist event in Philadelphia in January 2017 that was part of the inspiration for this collection. At the time, I was in my last semester in grad school for an MFA in creative writing in poetry at West Virginia University. The MFA program itself was great, fully funded, and it gave me the opportunity to work at WVU Press for two years, which is how I’m now at TUP, so I’m incredibly grateful. However, the pursuit of poetry sometimes made me want to put my head on a desk for a long time. The Writers Resist event though—local writers reading their works and works of others—and the writing and art that came out in response to it, is a testament to the power of writing and creative expression in how it brings people together and offers a communal and individual forum for mourning, for rage, and for hope.

2453_regWhat Temple University Press book would you recommended to someone?
The Man-Not, by Tommy J. Curry. Actually, I have yet to read it—it’s next on my list—so if you read it, we can discuss it!

What book will you read next?
The Rise and Fall of the Dinosaurs: A New History of a Lost World. I got it for Christmas, and it’s since been sitting on the dinosaur bookshelf, time to dust it off.

What three writers would you invite to a dinner party?
I couldn’t. I would be too nervous to meet them and stressed about cooking and what to say and if they like each other and if they mind that one of my dogs just piddled with excitement. I would garden with Louise Glück and possibly discuss murder mysteries, take a walk with Rebecca Solnit, and have whiskey with Margaret Atwood.

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Considering gay economies of desire, intraracial romance, and sexual intimacy

This week in North Philly Notes, Cynthia Wu, author of Sticky Rice, writes about issues of race and sexuality, the subjects of her new book, a critical literary study.

Last month, Sinakhone Keodara, a Lao American actor, screenwriter, and entertainment executive, made headlines when he announced on Twitter his plans to file a class-action lawsuit against Grindr, a popular geosocial networking app for men interested in dating other men. The problem? The commonplace declarations that announce “no Asians,” which are allowed by moderators to remain on user profiles. Those who broadcast this restriction are mostly, but not exclusively, white.  Their ubiquity creates a hostile climate for Asian American men.

In a separate statement, Keodara clarified that white men should not “flatter [themselves]” to imagine that Asian American men need to convince them of their appeal. Rather, these outward expressions of racial loathing tap into a larger historical fetch of inequities leveled against people of Asian descent—from the Chinese Exclusion Act of 1882, the World War II Japanese American internment, and the Department of Homeland Security’s present-day profiling of Arab and South Asian Americans.

Keodara’s refusal to uphold white men’s primacy in the gay economy of desire resonates with the premises of Sticky Rice: A Politics of Intraracial Desire.  “Sticky rice” is a term coined by gay Asian American men to denote those amongst them who prefer intraracial romantic and sexual intimacies. As the logic goes, Asian American men who stick to themselves—like the types of rice grains favored by many Asian cuisines—disrupt presumptions about their aspirations to both whiteness and heteronormativity.

Sticky Rice_smMy book is not an ethnography of these men, however. It is a literary critical study that borrows from their language of intraracial bonding to revisit some of the most widely read selections in the canon of Asian American literature. In so doing, it revises an origin narrative about this body of work that has taken the heterosexuality of its seminal texts for granted.

John Okada’s 1957 novel, No-No Boy, presents a key example of how returning to old texts with new lenses produces a more nuanced story about the rise of an Asian American arts and culture movement. The novel, ignored upon its publication, was later championed by an all-male vanguard of separatist cultural producers in the early 1970s. These novelists, poets, and playwrights were known for their public condemnation of femininity and queerness. Okada’s work, they asserted, portrayed a shining model of politicized Asian American manhood in line with their stringent ideals.

No-No Boy, set in the period right after World War II, tells the story of an unlikely friendship between two Japanese American men, a disabled veteran and a nondisabled draft resister. The former holds the approval of the United States for his patriotic sacrifice to the nation, while the latter is condemned for his refusal to join the Army from within the confines of an internment camp.

The novel is often read as a treatise on the impossibility of choosing between a violent and—ultimately—fatal assimilation and a resistance that could not be realized in the midst of the Cold War. What has been overlooked in the literary criticism on No-No Boy is the erotic and sexual attraction between the main characters. I argue that the bond between the two men dissipates the either-or dichotomy that divided Japanese Americans during and after the war. Moreover, it calls into question the favorability of proximity to whiteness and heterosexuality alike.

That men of color could afford or would want to turn away from these trappings of legitimacy is often unthinkable. The lawsuit Keodara is threatening against Grindr, after all, is a reaction to the social acceptability of rejecting Asian American men on racially discriminatory grounds. We all know that a common response to rejection is more impassioned efforts at inclusion.

However, rather than compensatorily clinging to mainstream standards, the male characters in Asian American literature’s seminal texts show that we need a wholesale rethinking of love, intimacy, justice, and community. Their bonds with one another and their relentless intent to stick together become the basis on which we can imagine a different order of values.

Honoring Mexico on Cinco de Mayo

This week in North Philly Notes, we showcase books about Mexico in honor of Cinco de Mayo.

urban leviathanUrban Leviathan: Mexica City in the Twentieth Century by Diane E. Davis

Why, Diane Davis asks, has Mexico City, once known as the city of palaces, turned into a sea of people, poverty, and pollution? Through historical analysis of Mexico City, Davis identifies political actors responsible for the uncontrolled industrialization of Mexico’s economic and social center, its capital city. This narrative biography takes a perspective rarely found in studies of third-world urban development: Davis demonstrates how and why local politics can run counter to rational politics, yet become enmeshed, spawning ineffective policies that are detrimental to the city and the nation.

effects of the nationThe Effects of the Nation: Mexican Art in an Age of Globalization edited by Carl Good and John V. Waldron

What is the effect of a “nation”? In this age of globalization, is it dead, dying, only dormant? The essays in this groundbreaking volume use the arts in Mexico to move beyond the national and the global to look at the activity of a community continually re-creating itself within and beyond its own borders.

Mexico is a particularly apt focus, partly because of the vitality of its culture, partly because of its changing political identity, and partly because of the impact of borders and borderlessness on its national character. The ten essays collected here look at a wide range of aesthetic productions—especially literature and the visual arts—that give context to how art and society interact.

Ethical Borders sm compEthical Borders: NAFTA, Globalization, and Mexican Migration by Bill Ong Hing

In his topical new book, Ethical Borders, Bill Ong Hing asks, why do undocumented immigrants from Mexico continue to enter the United States and what would discourage this surreptitious traffic? An expert on immigration law and policy, Hing examines the relationship between NAFTA, globalization, and undocumented migration, and he considers the policy options for controlling immigration. He develops an ethical rationale for opening up the U.S./Mexican border, as well as improving conditions in Mexico so that its citizens would have little incentive to migrate.

Sounds Modern Nation smallSounds of the Modern Nation: Music, Culture, and Ideas in Post-Revolutionary Mexico by Alejandro L. Madrid

Sounds of the Modern Nation explores the development of modernist and avant-garde art music styles and aesthetics in Mexico in relation to the social and cultural changes that affected the country after the 1910-1920 revolution. Alejandro Madrid argues that these modernist works provide insight into the construction of individual and collective identities based on new ideas about modernity and nationality. Instead of depicting a dichotomy between modernity and nationalism, Madrid reflects on the multiple intersections between these two ideas and the dialogic ways through which these notions acquired meaning.

MinichCompFinal.inddAccessing Citizenship: Disability, Nation, and Cultural Politics of Greater Mexico  by Julie Avril Minich

Accessible Citizenships examines Chicana/o cultural representations that conceptualize political community through images of disability. Working against the assumption that disability is a metaphor for social decay or political crisis, Julie Avril Minich analyzes literature, film, and visual art post-1980 in which representations of nonnormative bodies work to expand our understanding of what it means to belong to a political community. Minich shows how queer writers like Arturo Islas and Cherríe Moraga have reconceptualized Chicano nationalism through disability images. She further addresses how the U.S.-Mexico border and disabled bodies restrict freedom and movement. Finally, she confronts the changing role of the nation-state in the face of neoliberalism as depicted in novels by Ana Castillo and Cecile Pineda.

Mexican Voices Border Region compMexican Voices of the Borders Region by Laura Velasco Ortiz and Oscar F. Contreras

Mexican Voices of the Border Region examines the flow of people, commercial traffic, and the development of relationships across this border. Through first-person narratives, Laura Velasco Ortiz and Oscar F. Contreras show that since NAFTA, Tijuana has become a dynamic and significant place for both nations in terms of jobs and residents. The authors emphasize that the border itself has different meanings whether one crosses it frequently or not at all. The interviews probe into matters of race, class, gender, ethnicity, place, violence, and political economy as well as the individual’s sense of agency.

Mexican American Women Activists: Identity and Resistance in Two Los Angeles Communities by Mary Pardo

mexican american women activistsMexican American Women Activists tells the stories of Mexican American women from two Los Angeles neighborhoods and how they transformed the everyday problems they confronted into political concerns. By placing these women’s experiences at the center of her discussion of grassroots political activism, Mary Pardo illuminates the gender, race, and class character of community networking. She shows how citizens help to shape their local environment by creating resources for churches, schools, and community services and generates new questions and answers about collective action and the transformation of social networks into political networks.

nothing nobodyNothing, Nobody: The Voices of the Mexico City Earthquake by Elena Poniatowska

September 19, 1985: A powerful earthquake hits Mexico City in the early morning hours. As the city collapses, the government fails to respond. Long a voice of social conscience, prominent Mexican journalist Elena Poniatowska chronicles the disintegration of the city’s physical and social structure, the widespread grassroots organizing against government corruption and incompetence, and the reliency of the human spirit. As a transformative moment in the life of mexican society, the earthquake is as much a component of the country’s current crisis as the 1982 debt crisis, the problematic economic of the last ten years, and the recent elections.

Musica Nortena sm compMúsica Norteña: Mexican Migrants Creating Community Between Nations by Cathy Ragland

Música norteña, a musical genre with its roots in the folk ballad traditions of northern Mexico and the Texas-Mexican border region, has become a hugely popular musical style in the U.S., particularly among Mexican immigrants. Featuring evocative songs about undocumented border-crossers, drug traffickers, and the plight of immigrant workers, música norteña has become the music of a “nation between nations.” Música Norteña is the first definitive history of this transnational music that has found enormous commercial success in norteamérica. Cathy Ragland, an ethnomusicologist and former music critic, serves up the fascinating fifty-year story of música norteña, enlivened by interviews with important musicians and her own first-hand observations of live musical performances.

New ImageSurviving Mexico’s Dirty War: A Political Prisoner’ s Memoir by Alberto Ulloa Bornemann

This is the first major, book-length memoir of a political prisoner from Mexico’s “dirty war” of the 1970s. Written with the urgency of a first-person narrative, it is a unique work, providing an inside story of guerrilla activities and a gripping tale of imprisonment and torture at the hands of the Mexican government.

Alberto Ulloa Bornemann was a young idealist when he dedicated himself to clandestine resistance and to assisting Lucio Cabañas, the guerrilla leader of the “Party of the Poor.” Here the author exposes readers to the day-to-day activities of revolutionary activists seeking to avoid discovery by government forces. After his capture, Ulloa Bornemann endured disappearance into a secret military jail and later abusive conditions in three civilian prisons.

Celebrating National Poetry Month with Temple University Press books

This week in North Philly Notes, we highlight our books featuring and analyzing poetry in honor of National Poetry Month

1215_reg.gifMayan Drifter: Chicano Poet in the Lowlands of America, by Juan Felipe Herrera, Poet Laureate

In Mayan Drifter, Juan Felipe Herrera journeys to the Maya Lowlands of Chiapas on a quest for his Indio heritage and a vision of the multicultured identity emerging in America. He attempts to shed the trappings and privileges of his life in California in order to reduce his distance from the dispersed and shrinking Mayan population. In Mexico, Herrera seeks a deeper understanding of his homeland’s history, its exploitation, and looks to realize his own place in relation to the struggle of his people.

Like the Mayan drifter, the text crosses and extends boundaries. In a variety of narrative voices, poems, and a play, across time, Herrera recounts how the Maya have been invaded by the Spanish, the government, the multinational corporations of the petrochemical industry, and anthropologists. The Maya survive and resist as their numbers dwindle and the forces that mount against them become more powerful.

Inspired by the Maya’s resilience, Herrera envisions the disappearance of borders and evokes a fluid American self that needs no fixed identity or location.

Forthcoming in July from Temple University Press…

Who Will Speak for America? edited by Stephanie Feldman and Nathaniel Popkin

The editors and contributors to Who Will Speak for America? are passionate and justifiably angry voices providing a literary response to today’s political crisis. Inspired by and drawing from the work of writers who participated in nationwide Writers Resist events in January 2017, this volume provides a collection of poems, stories, essays, and cartoons that wrestle with the meaning of America and American identity.

THEFT 2502_reg.gif

Fran Wilde

–For Mia

That morning the officials
stole all the words

We bit into apples sliced thin
and drank coffee, not noticing
that the table had disappeared,
the window
even as we talked and chewed and laughed.

Friends wrote columns of blank space
demanding a return
of sense and empathy

and the officials heard the
and saw the

Then they returned our words
in sacks. Gave them back
to us upside down.

So we sit at the thin
and sip at a table

And we bite into windows
The brittle glass stinging our tongues
and we refuse to stop chewing

Also of interest….

On Becoming Filipino: Selected Writings of Carlos Bulosan by Carlos Bulosan, edited by E. San Juan, Jr.

A companion volume to The Cry and the Dedication, this is the first extensive collection of Carlos Bulosan’s short stories, essays, poetry, and correspondence. Bulosan’s writings expoun1184_reg.gifd his mission to redefine the Filipino American experience and mark his growth as a writer. The pieces included here reveal how his sensibility, largely shaped by the political circumstances of the 1930s up to the 1950s, articulates the struggles and hopes for equality and justice for Filipinos. He projects a “new world order” liberated from materialist greed, bigoted nativism, racist oppression, and capitalist exploitation. As E. San Juan explains in his Introduction, Bulosan’s writings “help us to understand the powerlessness and invisibility of being labeled a Filipino in post Cold War America.”

Yo’ Mama!: New Raps, Toasts, Dozens, Jokes and Children’s Rhymes from Urban Black America edited by Onwuchekwa Jemie

Collected primarily in metropolitan New York and Philadelphia during the classic era of black “street poetry” (i.e., during the late 1960s and early 1970s) these raps, signifyings, toasts, boasts, jokes and children’s rhymes will delight general readers as well as scholars. Ranging from the simple rhymes that accompany children’s games to verbally inventive insults and the epic exploits of traditional characters like Shine and Stagger Lee, these texts sound the deep rivers of culture, echoing two continents. Onwuchekwa Jemie’s introductory essay situates them in a globally pan-African context and relates them to more recent forms of oral culture such as rap and spoken word. 1453_reg.gif

I HATE BOSCO

I hate Bosco
It’s no good for me
My mother poured some in my milk
To try and poison me
But I fooled my mother
I poured some in her tea
Now I don’t have no mother
To try and poison me

Flow: The Life and Times of Philadelphia’s Schuylkill River by Beth Kephart

The Schuylkill River — the name in Dutch means “hidden creek” — courses many miles, turning through Philadelphia before it yields to the Delaware. “I am this wide. I am this deep. A tad voluptuous, but only in places,” writes Beth Kephart, capturing the voice of this natural resource in Flow.

An award-winning author, 1909_reg.gifKephart’s elegant, impressionistic story of the Schuylkill navigates the beating heart of this magnificent water source. Readers are invited to flow through time-from the colonial era and Ben Franklin’s death through episodes of Yellow Fever and the Winter of 1872, when the river froze over-to the present day. Readers will feel the silt of the Schuylkill’s banks, swim with its perch and catfish, and cruise-or scull-downstream, from Reading to Valley Forge to the Water Works outside center city.

Flow‘s lush narrative is peppered with lovely, black and white photographs and illustrations depicting the river’s history, its people, and its gorgeous vistas. Written with wisdom and with awe for one of the oldest friends of all Philadelphians, Flow is a perfect book for reading while the ice melts, and for slipping in your bag for your own visit to the Schuylkill.

Yellow Fever
It was a low-flying sheen that I could hardly see through.
It was a murderously persistent whine.
The eggs were slime.
I was too shallow.
Forgive me.

Celebrating Black History Month with our African American Literature titles

This week in North Philly Notes, we focus on our African American books about books in honor of Black History Month

From Slave Ship to Supermax: Mass Incarceration, Prisoner Abuse, and the New Neo-Slave Novel by Patrick Elliot Alexander

In his cogent and groundbreaking book, From Slave Ship to Supermax, Patrick Elliot Alexander argues that the disciplinary logic and violence of slavery haunt depictions of the contemporary U.S. prison in late twentieth-century Black fiction. Alexander links representations of 2426_reg.gifprison life in James Baldwin’s novel If Beale Street Could Talk to his engagements with imprisoned intellectuals like George Jackson, who exposed historical continuities between slavery and mass incarceration. Likewise, Alexander reveals how Toni Morrison’s Beloved was informed by Angela Y. Davis’s jail writings on slavery-reminiscent practices in contemporary women’s facilities. Alexander also examines recurring associations between slave ships and prisons in Charles Johnson’s Middle Passage, and connects slavery’s logic of racialized premature death to scenes of death row imprisonment in Ernest Gaines’ A Lesson Before Dying.

Alexander ultimately makes the case that contemporary Black novelists depict racial terror as a centuries-spanning social control practice that structured carceral life on slave ships and slave plantations-and that mass-produces prisoners and prisoner abuse in post-Civil Rights America. These authors expand free society’s view of torment confronted and combated in the prison industrial complex, where discriminatory laws and the institutionalization of secrecy have reinstated slavery’s system of dehumanization.

Black Regions of the Imagination: African American Writers between the Nation and the World, by Eve Dunbar, a title in the American Literatures Initiative

Zora Neale Hurston, Richard Wright, James Baldwin, and Chester Himes were all pressured by critics and publishers to enlighten mainstream (white) audiences about race and African American culture. Focusing on fiction and non-fiction they produced between the Harlem Renaissance and the Black Arts Movement, Eve Dunbar’s important book, Bla2239_reg.gifck Regions of the Imagination, examines how these African American writers—who lived and traveled outside the United States—both document and re-imagine their “homegrown” racial experiences within a worldly framework.

From Hurston’s participant-observational accounts and Wright’s travel writing to Baldwin’s Another Country and Himes’ detective fiction, these writers helped develop the concept of a “region” of blackness that resists boundaries of genre and geography. Each writer represents—and signifies—blackness in new ways and within the larger context of the world. As they negotiated issues of “belonging,” these writers were more critical of social segregation in America as well as increasingly resistant to their expected roles as cultural “translators.”

Pimping Fictions: African American Crime Literature and the Untold Story of Black Pulp Publishing, by Justin Gifford, a title in the American Literatures Initiative

“Lush sex and stark violence colored Black and served up raw by a great Negro writer,” promised the cover of Run Man Run, Chester Himes’ pioneering novel in the black crime fiction tradition. In Pimping Fictions, Justin Gifford provides a hard-boiled investigation of hundreds of pulpy paperbacks written by Himes, Donald Goines, and Iceberg Slim (a.k.a. Robert Beck), among many others.

Gifford draws from an im2186_reg.gifpressive array of archival materials to provide a first-of-its-kind literary and cultural history of this distinctive genre. He evaluates the artistic and symbolic representations of pimps, sex-workers, drug dealers, and political revolutionaries in African American crime literature—characters looking to escape the racial containment of prisons and the ghetto.

Gifford also explores the struggles of these black writers in the literary marketplace, from the era of white-owned publishing houses like Holloway House—that fed books and magazines like Players to eager black readers—to the contemporary crop of African American women writers reclaiming the genre as their own.

Black Theatre: Ritual Performance in the African Diaspora, edited by Paul Carter Harrison, Victor Leo Walker II, and Gus Edwards 

Generating a new understanding of the past—as well as a vision for the future—this path-breaking volume contains essays written by playwrights, scholars, and critics that analyze African Americ1429_reg.gifan theatre as it is practiced today.

Even as they acknowledge that Black experience is not monolithic, these contributors argue provocatively and persuasively for a Black consciousness that creates a culturally specific theatre. This theatre, rooted in an African mythos, offers ritual rather than realism; it transcends the specifics of social relations, reaching toward revelation. The ritual performance that is intrinsic to Black theatre renews the community; in Paul Carter Harrison’s words, it “reveals the Form of Things Unknown” in a way that “binds, cleanses, and heals.”

Savoring the Salt: The Legacy of Toni Cade Bambara, edited by Linda Janet Holmes and Cheryl A. Wall

The extraordinary spirit of Toni Cade Bambara lives on in Savoring the Salt, a vibrant and appreciati1900_reg.gifve recollection of the work and legacy of the multi-talented, African American writer, teacher, filmmaker, and activist. Among the contributors who remember Bambara, reflect on her work, and examine its meaning today are Toni Morrison, Amiri Baraka, Pearl Cleage, Ruby Dee, Beverly Guy-Sheftall, Nikki Giovanni, Avery Gordon Audre Lorde, and Sonia Sanchez.

Admiring readers have kept Bambara’s fiction in print since her first collection of stories, Gorilla, My Love, was published in 1972. She continued to write-and her audience and reputation continued to grow-until her untimely death in 1995. Savoring the Salt includes excerpts from her published and unpublished writings, along with interviews and photos of Bambara. The mix of poets and scholars, novelists and critics, political activists, and filmmakers represented here testifies to the ongoing importance and enduring appeal of her work.

Yo’ Mama! New Raps, Toasts, Dozens, Jokes and Children’s Rhymes from Urban Black America, edited by Onwuchekwa Jemie 

Collected primarily in metropolitan New York and Philadelphia during the classic era of black “street poetry” (i.e., during the late 1960s and early 1970s) these raps, signifyings, toasts, boasts, jokes and children’s rhymes will delight general readers as 1453_reg.gifwell as scholars. Ranging from the simple rhymes that accompany children’s games to verbally inventive insults and the epic exploits of traditional characters like Shine and Stagger Lee, these texts sound the deep rivers of culture, echoing two continents. Onwuchekwa Jemie’s introductory essay situates them in a globally pan-African context and relates them to more recent forms of oral culture such as rap and spoken word.

Unbought and Unbossed: Transgressive Black Women, Sexuality, and Representation, by Trimiko Melancon, a title in the American Literatures Initiative

Unbought and Unbossed examines black women’s literary and cultural production of the 1970s and early 1980s. Considering texts in the socio-cultural and historical moments of their production, Trimiko Melancon analyzes representations of black women that not

2325_reg.gif

only transgress racial, gender, and sexual boundaries, but also diverge from both discourses of “whiteness” and constructions of female identity imposed by black nationalism.

Drawing from black feminist and critical race theories, discourses on gender and sexuality, and literary criticism, Melancon illuminates the complexity of black female identity, desire, and intimacy. She sheds light on a more complex black identity, one ungoverned by rigid politics over-determined by race, gender and sexuality, while also enabling us to better understand the black sexual revolution, contemporary cultural moments, and representations in the age of Michelle Obama.

Re-Viewing James Baldwin: Things Not Seen, edited by D. Quentin Miller, foreword by David Adams Leeming

This new collection of essays presents a critical reappraisal of James Baldwin’s work, looking beyond the commercial and critical success of some of Baldwin’s early writings such as Go Tell it on the 1463_reg.gifMountain and Notes of a Native Son. Focusing on Baldwin’s critically undervalued early works and the virtually neglected later ones, the contributors illuminate little-known aspects of this daring author’s work and highlight his accomplishments as an experimental writer. Attentive to his innovations in style and form, Things Not Seen reveals an author who continually challenged cultural norms and tackled matters of social justice, sexuality, and racial identity. As volume editor D. Quentin Miller notes, “What has been lost is a complete portrait of [Baldwin’s] tremendously rich intellectual journey that illustrates the direction of African-American thought and culture in the late twentieth century.”

African American Writing: A Literary Approach, by Werner Sollors

Werner Sollors’ African American Writing takes a fresh look at what used to be called “Negro literature.” The essays collected here, ranging in topic from Gustavus Vassa/Olaudah Equiano to LeRoi Jones/Amiri Baraka, and in time from the Enlightenment to the Obama presidency, take a literary approach to black writing and present writers as readers and as intellectuals who were or are open to the world.
From W.E.B. Du Bois com2396_reg.gifmenting on Richard Wagner and Elvis Presley, to Zora Neale Hurston attacking Brown v. Board of Ed. in a segregationist newspaper, to Charles Chesnutt’s effigy darkened for the black heritage postage stamp, Sollors alternates between close readings and broader cultural contextualizations to delineate the various aesthetic modes and intellectual exchanges that shaped a series of striking literary works.
Readers will make often-surprising discoveries in the authors’ writing and in their encounters and dialogues with others. The essays, accompanied by Winold Reiss’s pastels, Carl Van Vechten’s photographs, and other portraits, attempt to honor this important literature’s achievement, heterogeneity, and creativity.

Temple University Press’ Fall 2017 Catalog

This week in North Philly Notes, we showcase the books from Temple University Press’s Fall 2017 Catalog.

“A Road to Peace and Freedom”

“A Road to Peace and Freedom”
The International Workers Order and the Struggle for Economic Justice and Civil Rights, 1930–1954

Zecker, Robert M.

The history of the International Workers Order’s struggle to enact a social-democratic, racially egalitarian vision for America

430 pp • 6×9 • Fall 2017
paper 978-1-4399-1516-5
cloth 978-1-4399-1515-8

Against Capital in the Twenty-First Century

Against Capital in the Twenty-First Century
A Reader of Radical Undercurrents
Edited by Asimakopoulos, John and Richard Gilman-Opalsky

A broad, nonsectarian collection of anti-capitalist thinking, featuring landmark contributions both classic and contemporary

390 pp • 6×9 • Fall 2017
paper 978-1-4399-1358-1
cloth 978-1-4399-1357-4

Against the Deportation Terror

Against the Deportation Terror
Organizing for Immigrant Rights in the Twentieth Century

Buff, Rachel Ida

Reveals the formerly little-known history of multiracial immigrant rights organizing in the United States

382 pp • 6×9 • Fall 2017
paper 978-1-4399-1534-9
cloth 978-1-4399-1533-2

Believing in Cleveland

Believing in Cleveland
Managing Decline in “The Best Location in the Nation”

Souther, J. Mark

Do reforms that decentralize the state actually empower women?

210 pp • 6×9 • Fall 2017
paper 978-1-4399-1397-0
cloth 978-1-4399-1396-3

Biz Mackey, a Giant behind the Plate

Biz Mackey, a Giant behind the Plate
The Story of the Negro League Star and Hall of Fame Catcher
Westcott, Rich
Forewords by Monte Irvin and Ray Mackey III

The first biography of arguably the greatest catcher in the Negro Leagues

160 pp • 5.375×8.5 • Fall 2017
cloth 978-1-4399-1551-6

Communities and Crime

Communities and Crime
An Enduring American Challenge

Wilcox, Pamela, Francis T. Cullen, and Ben Feldmey

A systematic exploration of how criminology has accounted for the role of community over the past century

282 pp • 6×9 • Fall 2017
paper 978-1-59213-974-3
cloth 978-1-59213-973-6

The Cost of Being a Girl

The Cost of Being a Girl
Working Teens and the Origins of the Gender Wage Gap

Besen-Cassino, Yasemin

Traces the origins of the gender wage gap to part-time teenage work, which sets up a dynamic that persists into adulthood

238 pp • 6×9 • Fall 2017
paper 978-1-4399-1349-9
cloth 978-1-4399-1348-2

Exploiting the Wilderness

Exploiting the Wilderness
An Analysis of Wildlife Crime

Warchol, Greg L.

A contemporary criminological analysis of the African and Asian illegal trade in wildlife


208 pp • 6×9 • Fall 2017
paper 978-1-4399-1367-3
cloth 978-1-4399-1366-6

From Slave Ship to Supermax

From Slave Ship to Supermax
Mass Incarceration, Prisoner Abuse, and the New Neo-Slave Novel

Alexander, Patrick Elliot

The first interdisciplinary study of mass incarceration to intersect the fields of literary studies, critical prison studies, and human rights

266 pp • 6×9 • Fall 2017
paper 978-1-4399-1415-1
cloth 978-1-4399-1414-4

Latino Mayors

Latino Mayors
Political Change in the Postindustrial City
Edited by Orr, Marion and Domingo Morel
With a Foreword by Luis Ricardo Fraga

The first book to examine the rise of Latino mayors in the United States

312 pp • 6×9 • Fall 2017
paper paper 978-1-4399-1543-1
cloth 978-1-4399-1542-4

Love

Love
A Philadelphia Affair

Kephart, Beth

From the best-selling author of Flow comes a love letter to the Philadelphia region, its places, and its people

New in Paperback!
176 pp • 5.5×8.5 • Fall 2017
paper 978-1-4399-1316-1
cloth 978-1-4399-1315-4

On the Stump

On the Stump
Campaign Oratory and Democracy in the United States, Britain, and Australia Scalmer, Sean

The story of how the “stump speech” was created, diffused, and helped to shape the modern democracies of the Anglo-American world

236 pp • 6×9 • Fall 2017
paper 978-1-4399-1504-2
cloth 978-1-4399-1503-5

Phil Jasner

Phil Jasner “On the Case”
His Best Writing on the Sixers, the Dream Team, and Beyond

Edited by Jasner, Andy

Three decades of reporting by famed Philadelphia Hall of Fame sportswriter Phil Jasner

264 pp • 6×9 • Fall 2017
cloth 978-1-4399-1494-6

Philadelphia

Philadelphia
Finding the Hidden City
Elliott, Joseph E. B., Nathaniel Popkin, and Peter Woodall

Revealing the physical and cultural intricacies of Philadelphia, from the intimate to the monumental

200 pp • 7.875×10.5 • Fall 2017
cloth 978-1-4399-1300-0

Rulers and Capital in Historical Perspective

Rulers and Capital in Historical Perspective
State Formation and Financial Development in India and the United States

Chatterjee, Abhishek

Explains the concomitant and interconnected emergence of “public” finance and “private” banking systems in the context of state formation in the eighteenth and nineteenth centuries

188 pp • 5.5×8.25 • Fall 2017
cloth 978-1-4399-1500-4

Selling Transracial Adoption

Selling Transracial Adoption
Families, Markets, and the Color Line

Raleigh, Elizabeth

Examines cross-race adoptions from the perspectives of adoption providers, showing how racial hierarchies and the supply and demand for children shape the process

274 pp • 6×9 • Fall 2017
paper 978-1-4399-1478-6
cloth 978-1-4399-1477-9

Suffering and Sunset

Suffering and Sunset
World War I in the Art and Life of Horace Pippin

Bernier, Celeste-Marie

A majestic biography of the pioneering African American artist

New in Paperback!
552 pp • 6.125×9.25 • Fall 2017
paper 978-1-4399-1274-4
cloth 978-1-4399-1273-7

Tasting Freedom

Tasting Freedom
Octavius Catto and the Battle for Equality in Civil War America

Biddle, Daniel R. and Murray Dubin

Celebrating the life and times of the extraordinary Octavius Catto, and the first civil rights movement in America

New in Paperback!
632 pp • 6×9 • Fall 2017
paper 978-1-59213-466-3
cloth 978-1-59213-465-6

Toward a Pragmatist Sociology

Toward a Pragmatist Sociology
John Dewey and the Legacy of C. Wright Mills

Dunn, Robert G.

An original study that mines the work of John Dewey and C. Wright Mills to animate a more relevant and critical sociology

198 pp • 5.5×8.25 • Fall 2017
cloth 978-1-4399-1459-5

We Decide!

We Decide!
Theories and Cases in Participatory Democracy

Menser, Michael

Argues that democratic theory and practice needs to shift its focus from elections and representation to sharing power and property in government and the economy

360 pp • 6×9 • Fall 2017
paper 978-1-4399-1418-2
cloth 978-1-4399-1417-5

Why Veterans Run

Why Veterans Run
Military Service in American Presidential Elections, 1789–2016

Teigen, Jeremy M.

Why more than half of American presidential candidates have been military veterans—and why it matters

320 pp • 6×9 • Fall 2017
paper 978-1-4399-1436-6
cloth 978-1-4399-1435-9

Click here to download the catalog (pdf).

Philadelphia Writers Resist

This week in North Philly Notes, we highlight the contributions Temple University Press authors made to the recent Writers Resist event held in Philadelphia.

writers-resist

Photo by Lena Popkin

Nathaniel Popkin, co-organizer of the program, and forthcoming Temple University Press author, said this about the event:

We had dual goals for Philadelphia Writers Resist—the first is the need to stand up to protect First Amendment rights. Writers in every society have particular responsibility, and historically are the observers, documenters, dreamers…But there is a second reason for writers to stand up today: we are being directly threatened by the President-elect. (You can read some of these ideas in the op-ed we wrote for the Inquirer). The second reason for doing the event was to unite the various cells of the Philly literary community with a common purpose. My sense of Philly is that we have an incredibly rich literary community but it doesn’t really cohere. With this event, I felt that we joined voices around texts—we inhabited words together.

The event exactly hit my expectations: tone, tenor, energy, goodwill, and the words and voices that brought them to life seemed to carry extra poignance, extra meaning, when arranged next to each other. My sense in reading comments on Facebook and from what people told me after: people were struck by the humility and humanity of writers reading other people’s work. They were both inspired and frustrated that we’ve fighting these fights as long as we have, and they were reminded, with the extraordinary beauty and grace of the texts, that writers matter, that writing matters, that it gives shape to our greatest hopes as human beings.


One of the poems read at the event was “Learning to love America” by Shirley Geok-lim Lin, co-editor of Reading the Literatures of Asian America and Transnational Asian American Literature


Beth Kephart, author of Flowand Loveread the lyrics from Bruce Springsteen’s song, “Further On (Up the Road),” from his album, The Rising. She said she chose this song because, “it was a simple text, an invitation, a sliver of hope, a reminder, a refrain that we are not stuck in present time, not contained by present conditions, not condemned to paralysis. We are on a journey, and at this moment it is dark and miles are marked in blood and gold, but: there is a further on up the road, there is a path, a brighter path, to be forged.”


Daniel Biddle, co-author of Tasting Freedomread the Address of the Colored State Convention to the People of Pennsylvania, 10 February 1865. Octavius V. Catto et al.

biddlepodiumThey were barbers, teachers, carpenters, soldiers. Octavius Catto and 80 other Pennsylvanians of color braved a blizzard to get to Harrisburg in February 1865.  There they met for three days and nights in a church, and emerged with a message to the white world.

Black soldiers’ service and sacrifice were helping the Union win the war, Catto and his allies wrote. Let there be no further debate or delay in granting “our political enfranchisement, now and forever.”

The petition was a good fit for Writers Resist. Its authors, like their heirs in the modern Civil Rights Movement, challenged the racist order with a mix of courage and calculation; and they wrote well. Their final sentence made the same argument sculptor Branly Cadet has depicted in his statue of Catto, soon to be erected by City Hall: that the people’s power, wielded at the ballot box, can make injustice “disappear as the dews of morning melt before the morning sun.”

Tasting Freedom comp

“….We have never yet been secure in our persons, houses, papers and possessions, from unreasonable searches and seizures, as warranted to all persons under the State Constitution. When tried by accusation before our State Courts, it has been almost impossible to secure an impartial jury…and in no case can it be claimed that we are tried, and judgment rendered by our peers. All these disadvantages have contributed to rivet the shackles of prejudice and political slavery upon us, and throw us upon the mercy of those who know no mercy even up to this very hour of national calamity and moral revolution…

Slavery is now dead…  dead throughout the land — black men declared to be citizens of the United States, and marching by tens of thousands on field and flood against this monstrous rebellion… fighting, bleeding, dying in defense of our Constitution and the maintenance of our law.

Can it be possible that Pennsylvania will still suffer herself to be dishonored by refusing to acknowledge or to guarantee citizenship to those who have suffered so much, and still been foremost among her own sons in defending their country… against treason and rebellion?

Is it not our duty to ask
In the name of justice,
In the name of humanity,  

In the name of those whose bones whiten the battlefields of the South, that every bar to our political enfranchisement be now and forever removed?

Do this, and all other evils and outrages will disappear as the dews of morning melt before the morning sun.

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