Why I revisited painful memories to write A Refugee’s American Dream

This week in North Philly Notes, Leth Oun, author of A Refugee’s American Dream, explains the reasons for penning his memoir about surviving the Cambodian Killing Fields to realize his dream of becoming an American citizen working for the U.S. Secret Service.

When I first met my coauthor, Joe Samuel “Sam” Starnes, almost a dozen years ago, I told him I hoped to write a book about my life. I said during my interview with him for Widener University’s alumni magazine that I wanted to do it while I was still young enough to remember the details of what I survived in the Killing Fields. I was forty-five at the time. Although it took me, with Sam’s help, more than eleven years to take the book from a dream to a reality, I am thrilled that my story is finally on the page for others to read.

Writing my book involved returning again and again to many painful memories I had kept inside. It is filled with details of incidents and images I had not talked about and tried not to think about for years as I was striving to build a career in America. Why would I want to go back and relive that pain? There are, I believe, three good reasons.

Education. I hope to educate others about what happened in Cambodia under Pol Pot in the late 1970s. I survived a holocaust. Approximately two million people, about a quarter of Cambodia’s population at the time, were killed or died of starvation and disease under the Khmer Rouge’s reign. My father, a lieutenant in the Cambodian army, was executed. Even though it is one of the world’s worst genocides, many in America and around the world do not know the story of what happened in Cambodia less than 50 years ago. It is important we don’t forget our history. It is important to remember and understand and do all we can to prevent something like this from happening again. And I want to make sure that my father and all of the two million people who did not survive are remembered.

Inspiration: I hope I can inspire others who are facing hardships. After being starved, tortured, and almost worked to death, I recovered and made a life for myself in America that makes those miserable years seem like they were thousands of years ago, almost like they never happened. Despite all the success and happiness I have found here in America, I will never forget that suffering, but I also know that if I can survive that period, I can survive anything. If I can live through the Killing Fields of Cambodia to become a protector of the president of the United States, nothing in this world is impossible. I hope that others going through hardships can read my story and be motivated to overcome their challenges as well.

Relief Efforts. For a number of years now I have sent money to help Cambodians who don’t have enough food to eat or fresh water to drink. Whatever money my coauthor and I earn from this book, we have pledged to support projects to make life better for Cambodians living in poverty. I also want to support schools in my native country. My goal is to return the many favors and generosity that I have received by paying it forward to help those who are very poor. I would not be where I am without the support that helped me when I needed it. I hope that some of the children we help can go on to live their own dreams as I have been able to do.

Considering these three goals, I am happy I took the time to go back into my painful history to tell my story of survival and finding success. Writing my book has been a hard journey, but it is well worth it.

Reforming Philadelphia

This week in North Philly Notes, Richardson Dilworth, author of Reforming Philadelphia, 1682-2022, writes about what the history of reform might tell us about contemporary city elections.

On May 16 of 2023, Philadelphians will vote for mayor in the Democratic and Republican primaries, and the general assumption in this overwhelmingly Democratic city is that whoever wins the Democratic primary will also be elected mayor in the general election on November 7. The nine declared Democratic candidates represent a relatively broad ideological mix, from the relatively conservative candidacies of Rebecca Rhynhart and Allan Domb, to the more liberal candidacy of Helen Gym. But given that the current mayor Jim Kenney has reached his two-term limit, we are guaranteed to have a new mayor who will most likely set a distinct policy direction for our city government.

In my book, Reforming Philadelphia, 1682-2022, I wanted to provide a short but comprehensive and deep context for understanding political events such as the 2023 mayoral election, by placing it in the long history of what I call “reform cycles.” “Reform” is a broad mantel that has been claimed by innumerable politicians for a variety of reasons. Among historians it is most typically associated with the Progressive Era at the turn of the 20th Century. For my purposes, I took the historian’s definition of reform but generalized it into criteria that might be found in any historical period. My criteria were that a reform cycle is defined by:

  • A new idea regarding the city and its purpose in the world.
  • Actors who attempt to take control of city government and reform it in the image of this new idea.
  • Actors conceived of as thwarting reform – sometimes known as “the machine.”
  • Elections in which reformers gain some control over city government.
  • The implementation of ideas that transform the city to some degree.
  • Public recognition, typically provided through the press, that reform occurred.

Using these criteria, I identified the following five reform cycles:

  • The 1840s to the city-county consolidation of 1854
  • The 1870s to the adoption of a new city charter in 1887
  • Mayor John Weaver’s revolt against the machine in 1905, to the adoption of a new charter in 1919
  • The Democratic sweep of elected offices in 1951, to the mayoralty of James Tate in 1962
  • The mayoralty of Ed Rendell, from 1992 to 2000.

My definition of reform cycles raises at least two important questions. First, it appears that race is a notably muted feature in my reform cycles. And second, what about the contemporary period? What can all of this tell us about the 2023 mayoral election?

With respect to race, I argue that the emergence of a substantial Black political class  — a product of the dramatic change in the city’s racial composition after World War II – fell largely into existing machine-reform categories, which was itself a result of the fact that the reform-oriented White political establishment moved relatively quickly to incorporate Black politicians, certainly to a greater extent than in many other cities (such as Chicago for instance). Thus, race-based political organizations such as the Black Political Forum or the Northwest Alliance functioned largely as earlier white reform organizations. And Wilson Goode was arguably a reformer when he was elected as the city’s first Black mayor in 1983. Yet crucially, Goode’s election fails my criteria for defining a reform cycle because it was not recognized as such, for at least two reasons: (1) Goode’s mayoralty was more often defined in the media in terms of race rather than reform, and (2) Goode’s reform status was often overshadowed by larger policy blunders, such as the MOVE bombing and the city’s near-bankruptcy.

With respect to what my conception of reform cycles can tell us about the 2023 election, this is the subject of the third and final chapter of my book, in which I argue that there are currently two overlapping reform cycles, not unlike the reform cycle of the 1870s and 1880s, which was quickly followed by the reform cycle of the 1900s and 1910s. In the 21st Century, we can identify a reform cycle that was driven by the economic resurgence in and around Center City, resulting in the election of Michael Nutter in 2007 and extending at least to the surprise election of Rhynhart as controller in 2017. The issues that defined this reform cycle were campaign finance reform, increased government responsiveness and accountability, planning reform, and environmental sustainability. The second reform cycle is defined in policy terms by social and racial equity and justice and was most visible politically in the elections of Larry Krasner as district attorney in 2017, and of Helen Gym and Kendra Brooks to at-large council seats, in 2015 and 2019, respectively.

Thus, the 2023 mayoral campaigns will fall along a policy and political continuum defined by these two overlapping reform cycles – what journalist Larry Platt has also called a battle between “progressives vs. reformers.” The actual election dynamics will be shaped by at least two long-term trends that have fundamentally altered the city’s electoral politics: Declining voter turnout, which provides greater leverage to smaller groups; and a diminished local media, which makes it harder for campaigns to communicate to a mass audience. The sad result is that our local political universe is more fragmented than in the past. And with so many candidates running in the Democratic primary – so many of which are of high quality – whoever the winner is will undoubtedly be the choice of a minority of voters, making it more difficult for the new mayor to claim a mandate and set an aggressive policy agenda.

Temple University Press’s annual Holiday Book Sale

This week in North Philly Notes, we showcase our annual Holiday Book Sale, being held through December 1 from 11:00 am – 2:00 pm at the Event Space in Charles Library, 1900 N. 13th Street in Philadelphia, PA.

Meet Ray Didinger, author of Finished Business and The Eagles Encyclopedia: Champions Edition December 1 from 11:00 am – 12:00 pm.


Gift Books and Philadelphia Interest Titles

Salut!: France Meets Philadelphia, by Lynn Miller and Therese Dolan

Salut! provides a magnifique history of Philadelphia seen through a particular cultural lens.

Monument Lab: Creative Speculations for Philadelphia, edited by Paul M. Farber and Ken Lum

Monument Lab energizes a civic dialogue about public art and history around what it means to be a Philadelphian.

Beethoven in Beijing: Stories from the Philadelphia Orchestra’s Historic Journey to China, by Jennifer Lin, with a foreword by Philadelphia Orchestra Music Director Yannick Nézet-Séguin

A fabulous photo-rich oral history of a boundary-breaking series of concerts the orchestra performed under famed conductor Eugene Ormandy in China 50 years ago.

The Italian Legacy in Philadelphia: History, Culture, People, and Ideas, edited by Andrea Canepari and Judith Goode

Celebrates the history, impact, and legacy of this vibrant community, tracing four periods of key transformation in the city’s political, economic, and social structures.

BLAM! Black Lives Always Mattered!: Hidden African American Philadelphia of the Twentieth Century, by the Charles L. Blockson Afro-American Collection, Foreword by Lonnie G. Bunch III

The inspiring stories of 14 important Black Philadelphians in graphic novel form!

Real Philly History, Real Fast: Fascinating Facts and Interesting Oddities about the City’s Heroes and Historic Sites, by Jim Murphy

Philly history in bites that are as digestible as a soft pretzel with mustard!

Exploring Philly Nature: A Guide for All Four Seasons, by Bernard S. Brown, Illustrations by Samantha Wittchen

A handy guide to experiencing the flora and fauna in Philly, this compact illustrated volume contains 52 activities for discovering, observing, and learning more about the concrete jungle that is Philadelphia all year long!

Artists of Wyeth Country: Howard Pyle, N. C. Wyeth, and Andrew Wyeth, by W. Barksdale Maynard

An unauthorized and unbiased biographical portrait of Andrew Wyeth that includes six in-depth walking and driving tours that allow readers to visit the places the Wyeths and Pyle painted in Chadds Ford, PA.

The Mouse Who Played Football, by Brian Westbrook Sr, and Lesley Van Arsdall, with illustrations by Mr. Tom.

An inspiring story, based on Westbrook’s own experiences, that encourages young readers to believe in themselves and make their unique differences their strengths.

Do Right By Me: Learning to Raise Black Children in White Spaces, by Valerie I. Harrison and Kathryn Peach D’Angelo

Through lively and intimate back-and-forth exchanges, the authors share information, research, and resources that orient parents and other community members to the ways race and racism will affect a black child’s life—and despite that, how to raise and nurture healthy and happy children. 

The Magic of Children’s Gardens: Inspiring Through Creative Design, by Lolly Tai, with a Foreword by Jane L. Taylor

Landscape architect Lolly Tai provides the primary goals, concepts, and key considerations for designing outdoor spaces that are attractive and suitable for children, especially in urban environments.

The Real Philadelphia Book, Second Edition, by Jazz Bridge

A collection of more than 200 original jazz and blues compositions, arranged alphabetically by song title, showcasing work by generations of Philadelphia musicians.

Celebrating the Italian Legacy in Philadelphia

This week in North Philly Notes, we showcase our recent program celebrating the publication of The Italian Legacy in Philadelphia, edited by Andrea Canepari and Judith Goode.

Cover for The Italian Legacy in Philadelphia

Temple University Libraries and Temple University Press recently participated in an event at Charles Library celebrating the publication of The Italian Legacy in Philadelphia: History, Culture, People, and Ideas, edited by Andrea Canepari, the former Consul General of Italy in Philadelphia, and Judith Goode, Professor Emerita of Anthropology and Urban Studies at Temple University.

Chancellor Englert introducing the panel

The program, which was simulcast with Temple Rome, opened with remarks from Temple University Chancellor Richard Englert, and a welcome from Cristiana Mele, the current Consul General of Italy in Philadelphia.

Panelists (left to right) William Valerio, Domenic Vitiello, Andrew Canepari,
Judith Goode, Chancellor Englert, Inga Saffron

The book was showcased in a panel featuring the coeditors as well as two of the book’s contributors, Philadelphia Inquirer architecture critic Inga Saffron and William Valerio, director of the Woodmere Art Museum.

Canepari spoke about the many rich contributions Italian Americans made to Philadelphia, from art and architecture to food and even Rocky. He also highlighted the “Ciao Philadelphia” celebration of Italian arts, culture, and community.

Andrea Canepari presenting

Goode described the contents of the book, focusing on the approach the contributors took when recounting the history of Italian immigrants and the development of Italian culture in the city. Saffron next presented images of the many Italian influences on Philadelphia architecture, while Valerio discussed various Italian artists whose work is housed in and around the Woodmere Art Museum.

William Valerio presenting

Wrapping up the event were remarks by University of Pennsylvania Professor of Urban Studies Domenic Vitiello, who effused about the book and how its broad treatment of history and urban studies provides something of interest for everyone.

Coeditors Judith Goode and Andrea Canepari signing and posing

Canepari and Goode as well as the other presenters then attended a reception on Charles Library’s 4th floor and terrace, where they signed copies of their book.

Andrea Canepari at the reception; Inga Saffron at the reception; William Valerio at the reception

Why Richard III?

This week in North Philly Notes, Jeffrey Wilson, author of Richard III’s Bodies from Medieval England to Modernity, writes about why the historical figure seems to be everywhere these days.

“Now is the winter of our discontent made glorious summer,” Richard III beams at the start of Shakespeare’s play.

Summer 2022 really was Richard III’s “glorious summer,” with four major productions appearing all at once: Arthur Hughes for the Royal Shakespeare Company in Stratford-Upon-Avon; Danai Gurira in the role at the Public Theater in New York; Colm Feore at the Stratford Festival in Ontario, Canada; and The Lost King, a feature film starring Sally Hawkins.

Each production brought something new. Hughes was the first disabled actor to play Shakespeare’s most famous disabled character for the Royal Shakespeare Company, creating conversations about the relationships between disabled actors’ and disabled characters’ bodies. Gurira was the first Black woman to play Richard III on a major stage, sparking discussions about disability and intersectionality. Feore opened the Stratford Festival’s new Tom Patterson Theatre, harkening back to the festival’s first ever play—Richard III in 1953. And The Lost King commemorated the tenth anniversary of the discovery of Richard III’s skeleton on August 24, 2012, stirring controversy about the representation of academic work in mainstream media.

But why Richard III? Why is he always everywhere?

While mired in details of medieval English history, Shakespeare’s Richard III and its configuration of disability, villainy, and tragedy still speak to us in the twenty-first century with a surprising urgency. “Foremost among the standard-bearers of Disability Studies is Shakespeare’s Richard III,” noted leading disability scholar Tobin Siebers just before his death in 2015. Richard’s body was international front-page news when his skeleton was discovered. He’s in that echelon of Shakespearean characters—Shylock, Falstaff, Hamlet, Othello, Caliban—who have entire books written about them, like mine: Richard III’s Bodies from Medieval England to Modernity: Shakespeare and Disability History.

Richard III was Shakespeare’s second-most popular play in print during his lifetime and the most performed history play in both the eighteenth and twenty-first centuries. The four greatest Shakespearean actors of the past four centuries—Richard Burbage, David Garrick, Edmund Kean, Laurence Olivier—all played Richard before Hamlet.

The first Shakespeare play professionally staged in America? Richard III, in 1749. The first play performed by an African American acting company? Richard III, in 1821. Documentaries are made about the challenge and importance of Richard III, such as Looking for Richard (1996) and NOW: In the Wings on a World Stage (2014). The play inspired the recent Netflix hit House of Cards and drew comparisons to the rise of Donald Trump in the New York Times.

James Siemon, a recent editor of Shakespeare’s play, says that Richard III is Janus-faced, pointing from the early-modern age back to its medieval past but also forward to a modern future, “socially topical both to Shakespeare’s London, and, paradoxically, to subsequent social formations even today.” Disability historian Katherine Schaap Williams similarly notes, “Richard’s double-facing presence in the narrative of disability theory,” the character cited as evidence both for and against the presence of the modern understanding of “disability” in the early-modern age.

There’s always a multi-temporality with Richard. How is Richard III always so historical and so current? Why are issues related to medieval disability so relevant to modern life? Why is Shakespeare’s play so persistent? Why do we care so much about Richard III? What is the significance of his body—not only its meaning in Shakespeare’s text (what it signifies) but also its importance as a cultural touchstone in England and beyond (why it is significant)?

The question about cultural importance is connected to the one about textual meaning. Shakespeare wrote three plays about Richard. In the first, Richard’s enemies say his disability signifies his villainy, calling him a “heap of wrath, foul indigested lump, / As crooked in thy manners as thy shape.” In the second, Richard says his body is not the sign but the cause of his behavior: “Love forswore me in my mother’s womb.” In the third, Richard becomes what Sigmund Freud later called an “exception,” someone who has been slighted by nature, has suffered an unfair disadvantage, something he does not deserve and uses to excuse himself from the ethics that govern civil society. “I am determined to prove a villain,” he says with a giddy smile, but should we hear the “determined” in that line as I have been destined for villainy or as I have resolved myself to villainy?

A certain ambiguity in Shakespeare’s representation of Richard’s disability—which destabilized meaning by dramatizing different meanings being made, deferring meaning to different audiences interpreting disability from different perspectives—has created a flexible conceptual space with a huge gravitational pull: some of our most consequential theories of modern aesthetics, theology, philosophy, ethics, psychology, sociology, historiography, science, medicine, and politics have been brought into attempts to understand Richard’s body.

In a quintessentially Shakespearean exchange, the playwright’s dramatic mode, both tragic and ironic, calls upon some of life’s biggest questions (because it is tragic) but defers answers to the audience (because it is ironic), leaving Richard’s body open to interpretation in different ages embracing different attitudes toward stigma. The changing meaning of disability repeatedly recontextualized through shifting perspectives and circumstances in Shakespeare’s history plays has thus prompted and sustained more than four hundred years of changing interpretations of Richard, his body, his behavior, and his status as either the villain or the victim of Tudor history. The meaning of Richard’s disability changes with time, not only in the course of Shakespeare’s plays but also in the broader cultural history surrounding them.

An interpretation of Richard’s body is never just an interpretation of Richard’s body. When we interpret Richard’s disability, it interprets us in return. It brings us to declare our motives and commitments in our attempts to unfold, explain, condemn, justify, defend, and so forth. It catches something in our core and brings it to the surface through its configuration of abstract questions about reality and issues specific to our bodies. It brings us to consider how we would and should respond when, like Richard, we are born into a world that is totally confusing, deeply unsatisfying, or both.

Fussin’, Cussin’, and Discussin’ among South Los Angeles Juvenile Gangs

This week in North Philly Notes, John C. Quicker and Akil S. Batani-Khalfani, coauthors of Before Crips, provide a historical analysis of South Los Angeles juvenile gang life as revealed by those who were there.

Before Crips is the first book on juvenile street gangs with co-authorship by a Black and a White author. One of us never left the streets, the other never let the streets leave him, and we both found refuge in professional careers and academia where we met. Over the almost forty years we have known each other we have developed profound respect and trust, forming a bond that permitted us to go places and do things that neither could have done alone. We have fussed, cussed, and discussed with one another during this time over more issues than we can recall, deepening our understanding, strengthening our analysis, and clarifying our resolve of doing what needed to be done to fill a vast hole in the academic literature on street gangs.

We recognized that unless we knew where we’d been, we were limited in knowing where we are. By using broad-based first-person interviews with key street figures, we gave voice to the unheard and space for their extensive narratives. We spoke to them in their neighborhoods, where they were comfortable, encouraging them to expound on what they knew. We augmented our written imagery with unique period photos of pre-Crip and Blood street group members and an artfully constructed map of 1950s South Los Angeles.

A major critique of gang research has been the spin put on the analysis by the use of data, which when infused with accepted or unrecognized political ideologies can result in the creation of “facts” when, in the wisdom of Otto Lindenmeyer, actual history has been “lost, stolen, or strayed.” Say it often enough and loud enough, leave it unchallenged, and myths become transmogrified into facts.

This is what happened with Crip and Blood gangs: they appeared to drop from the sky into the “hellhole” identified as South-Central Los Angeles, then spread like a virus to other “innocent” cities around the planet. Their formation was often simplistically associated with the Black Power movements of the 1960s. Ignored by these analyses was the powerful role played by racism, social class, power imbalances, and the differences between adult and juvenile gangs. Crip and Blood became symbolic with danger, giving any group that adopted these names their 20 minutes of fame – immediately. All communities, we hypothesize, with so-named juvenile gangs in most cases adopted the name.

Since 1946, Carey McWilliams noted, the population of Los Angeles has contained “important elements of every racial strain that has gone into the making of the American people.” Its wide-open spaces permitted various groups to remain invisible when their numbers were small. This was especially the case for Black people, whose presence was unproblematic until the demographic landscape was reconfigured by World War II. Hangout street groups of Black juveniles soon became targets for official opprobrium, following most notably in the path established by Mexican street groups, whose recognition preceded them. Similar to the Mexican groups, they were transformed into gangs. Gangs became an acronym for Grab Another Non-White Group.

By describing the street groups existent before the infamous Crips and Bloods, we show that they, while no angels, were also not the devils justice agencies and the media wanted voters to believe they were. Male juveniles fought, primarily with their fists, over jealousy and honor because of a comin’-from-the-shoulders ethic that eschewed the use of guns. Female juveniles hung-out with them and were involved in their escapades, but female behavior was more mediated by traditional values. Limited resources and legitimate opportunities contributed to theft among both genders, while Illegal drugs, which were available in limited quantities, but were of weak pecuniary value, were used and sold infrequently.

We concur with Hugh Davis Graham and Ted Robert Gurr, who write, “Americans have always been given to a kind of historical amnesia that masks much of their turbulent path.” This amnesia has also characterized our understanding of juvenile groups, and allowed us to perceive them as a foreign other, permitting the imposition of an unwarranted contempt. We note that the clichéd question, often raised by juvenile justice proponents, of why would juveniles join gangs is more answerable when turned around: why wouldn’t they?

Juveniles have been involved in same-sexed peer groups—with names—since before the dawn of capitalism. It is only over the past hundred or so years that these groups have become termed gangs. In Los Angeles pre-Crip and Blood street groups were not the essence of evil as is so often depicted, and imposed on us from an alien world—they were made in America. If they have gotten worse, it is because our society has gotten worse.

Images from the recent American Political Science Association meeting

This week in North Philly Notes we showcase the authors who stopped by the Temple University Booth at the recent American Political Science Association meeting to pose with their books.

Temple University Press’s booth

Sara Rinfret, editor of Who Really Makes Environmental Policy?: Creating and Implementing Environmental Rules and Regulations. This book provides a clear understanding of regulatory policy and rulemaking processes, and their centrality in U.S. environmental policymaking.

Shamira Gelbman, author of The Civil Rights Lobby: The Leadership Conference on Civil Rights and the Second Reconstruction. This book investigates how minority group, labor, religious, and other organizations worked together to lobby for civil rights reform during the 1950s and ’60s.

Luis Felipe Mantilla, author of How Political Parties Mobilize Religion: Lessons from Mexico and Turkey, which analyzes the evolution of Catholic and Sunni Muslim parties to study religious political mobilization in comparative perspective.

Rachel Bernhard (left) and Mirya Holman (right), coeditors of Good Reasons to Run: Women and Political Candidacy, which examines how and why women run for office.

Paul Djupe, coeditor of The Evangelical Crackup?: The Future of the Evangelical-Republican Coalition, which explains evangelicalism’s relationship to the party system.

Djupe is also the editor of the Press’ Religious Engagement in Democratic Politics series.

Amanda Friesen and Paul Djupe, are coeditors of the forthcoming An Epidemic among My People: Religion, Politics, and COVID-19 in the United States, which asks, Did religion make the pandemic worse or help keep it contained?

Richardson Dilworth, author of the forthcoming Reforming Philadelphia, 1682-2022, a short but comprehensive political history of the city, from its founding in 1682 to the present day. Dilworth is also the editor of the Press’ Political Lessons from American Cities series.

Announcing Kalfou: A Journal of Comparative and Relational Ethnic Studies, Volume 9, Issue 1, Spring 2022

This week in North Philly Notes, we present the new issue of our journal, Kalfou.

Special Issue: “In These Uncertain Times, Pittsburgh”

Guest Editors: Leon Ford and Deanna Fracul

FEATURE ARTICLES

Introduction: In These Uncertain Times, Pittsburgh • Deanna Fracul and Leon Ford

Uncertainty, Discourse, and Democracy in John Edgar Wideman’s Writing, 1980s to Today • Leila Kamali

Call-and-Response in the City: Embodied Mercy in August Wilson’s Joe Turner’s Come and GoneKathy Glass

Resisting Arrest: Race and Pittsburghers’ Struggles against Police Power from the 1840s through the 1950s • Elaine Frantz

Tomorrow Never Came • Jamaal Scott

Working Together for Health Equity: How a Multidisciplinary, Community-Engaged Partnership Reframed Our Understandings of Pittsburgh’s Maternal-Child Health Crisis • Cathleen J. Appelt, Andrew T. Simpson, Jessica A. Devido, Sarah Greenwald, and Brittany Urban

Pittsburgh, the Realest City: Shit Talk’n’, Storytell’n’, Social Livin’ • Jacqueline Roebuck Sakho

IDEAS, ART, AND ACTIVISM

TALKATIVE ANCESTORS

Derrick Bell on Living in Relation to Others

KEYWORDS

Frankstown Was the World with a Big W: Pittsburgh and Beyond, an Interview with John Edgar Wideman • Leila Kamali

LA MESA POPULAR

Black Lives and the Tree of Life • Emmai Alaquiva and Lauren Apter Bairnsfather

ART AND SOCIAL ACTION

East Pittsburgh: White Supremacy, Radical Relationships, and Chosen Family • Norman Conti

MOBILIZED 4 MOVEMENT

Where Have All the Black Revolutionaries Gone in Steel City? An Interview with Sala Udin • Tony Gaskew

TEACHING AND TRUTH

Redreaming Boundaries and Community Engagement: John Edgar Wideman and the Homewood Reading Series • Esohe Osai and Dan Kubis

Khalifa • Richard Khalifa Diggs, with postscript by Norman Conti

IN MEMORIAM

Memorial Quilt: Patchworked Remembrances of Those Stolen from Us • Mian Laubscher, Lauren Apter Bairnsfather, and Keith David Miles

REVIEW

A City Divided: Race, Fear, and the Law in Police Confrontations, by David A. Harris • Jesse S. G. Wozniak

————————

MOBILIZED 4 MOVEMENT

Scholar Collectives Advocating for Social Justice in Education • Lois A. Yamauchi, Joni B. Acuff, Ruchi Agarwal-Rangnath, Bill Ayers, Margarita Berta-Ávila, Kari Kokka, Kevin Kumashiro, Therese Quinn, Colleen Rost-Banik, and Katherine Schultz

IN MEMORIAM

The People’s Artist: In Loving Memory of Eugene Eda Wade, 1939–2021 • Hannah Jeffery

REVIEW

Prison Theatre and the Global Crisis of Incarceration, by Ashley E. Lucas • Chinua Thelwell

Making a case for the “power” of theory

This week in North Philly Notes, Grant Farred, editor of Africana Studies: Theoretical Futures, writes about the precarity of Black life.

The precarity of Black life. In the U.S. we are reminded of this every day. At least that is how it seems. Police shootings are the worst of it, but not the whole truth of it by any means. In the Black diaspora at large, a similar situation obtains. Unseaworthy vessels sink and African migrants drown as they go in search of a better life in Europe. If they survive, new modes of hostility await them. The stranger is not welcome.

To think a theoretical future for Africana Studies under these conditions seems, if not pyrrhic, then Wordsworthian in tenor. It would be dissembling to suggest that Africana Studies: Theoretical Futures was not conceived against precisely this backdrop, one which recalls the Romantic poet’s lament. Wordsworth writes:

The world is too much with us; late and soon

Getting and spending, we lay waste our powers

Against just such a world, where everything mitigates against Black life, Africana Studies: Theoretical Futures makes a case for the “power” of theory. That is because in this collection, theory is not understood as an abstraction or as a rarefied mode of thought. Instead, theory is mobilized in this collection as the work of imagining—of thinking for—a future for Global Black life where precarity is not the order of the day. Africana theory is providing, if not a blueprint, then a first sounding board for how combat the violence that so threatens Black life; a platform for not only resisting the onslaught against Black life, but for ensuring a future that can sustain and nurture Black life. Where Black life might even thrive.

The work of theory is thus to harness the “power” of Black thought in all its manifestations. This collection includes poetic reflection, philosophical contemplation, geo-political analysis and quasi-memoiristic recollection. The work that this collection assigns itself is to think for the futures of Black life. Futures rather than the singular future. That is, in order to create the conditions under which Black life might be sustainably lived there can be no one, single future that will speak to and address all Black needs. It is therefore necessary to think for the plurality of futures. To propose the logic of plurality rather than singularity is, a priori, to anticipate a series of new challenges in those futures. That is, the work of making a future(s) in which Black life can be sustained is, by its very nature, an incomplete project. Every new imagining of Black life, to say nothing of every new making of that life, will generate its own set of possibilities and difficulties.

It will thus always be necessary to develop new theoretical tools, to hone new philosophical skills, to produce new poetic insights, to imagine new geo-political formations and configurations, in order to sustain Black life. In this way Africana Studies: Theoretical Futures recognizes its historical location. It speaks out of, and for, a particular historical conjuncture. It understands its speaking as emerging out of the institutional facticity that is the 50th anniversary of Africana Studies in the American academy.

Rather than being declarative, then, the book offers itself as an invitation. The invitation to think for new theoretical futures, to produce new modes for Black being, to create new poetic articulations. The future of Africana Studies as a discipline is charged with always addressing the challenges that confront Black life, which history has shown to always be a condition overwritten by precarity—a way of being in the world that has always been “too much with us.”

Because Black life in the present is lived as an existential threat, the effect of such precarity is to lend urgency to thinking for theoretical futures. If nothing else, however, Africana Studies: Theoretical Futures reveals the many modes, the multiple registers, the variegated disciplines, in which this thinking might take place. And in this multiplicity, this collection makes evident, there is the imaginings of how Black lives might be lived.


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