Examining institutional responses to campus sexual violence

This week in North Philly Notes, the co-editors of Addressing Violence Against Women on College Campuses address the state of rape accusations on college campuses under the current administration, and why we need to redouble our efforts to eliminate sexual violence.

As the editors of Addressing Violence Against Women on College Campuses, we thought we were prepared for what a new White House and Federal administration would mean for institutional responses to sexual violence against college students. The progress over the last several years has been palpable, especially given the confluence of student and survivor activism, policy enactments, expanding assessment and etiology research, as well as institutions of higher education’s significant efforts to improve their responses to victims and innovative prevention efforts. Given indicators that the new administration would not maintain the course of the previous one, in the months after the election we discussed with each other what the possible impact could be. Perhaps reduced funding for the Department of Education, a contraction of the number of investigations by the Office for Civil Rights, and/or a redefinition of the current interpretation of Title IX. All of these situations would remove the burden and promise of institutional Title IX responses to campus violence. These concerns led us to wonder in the Preface of our book, that if Title IX was redefined via a new “Dear Colleague” letter, what could be the future of the Violence Against Women Act (VAWA), the Clery Act, and the Campus SaVE Act—repeal, strip funding, or fail to enforce? If any of these changes occurred, we posited, the corresponding effects on institutions of higher education, and more importantly their students, would be substantial.

Addressing Violence on College Campuses_smWe are now on the brink of the changes we feared, when the progress anti-violence scholars, activists and legislators have made might begin to crumble under the weight of the new, shifting narrative created by the Department of Education. As the stage is set for sweeping policy dismantling, there emerges a narrative of women as falsely accusing men, rape as “drunken sex,” and the reporting of sexual violence as women changing their minds about “our last sleeping together was not quite right.” This rhetoric, along with the narrative that presumes that only women are raped, is disheartening as it negates all of the work survivors, activists, and academics have done to address violence against all genders. We are dismayed—nay, angered—that those responsible for enforcing regulations on violence on college campuses, such as Candice Jackson, the acting assistant secretary for civil rights at the Department of Education, would assert, publicly, a victim-blaming discourse. She not only discounts victims’ voices but also endorses an understanding of offenders as victims too, making survivors and the schools that try to hold the offenders accountable the “real” perpetrators. Bringing “claims” of rape or adjudicating such claims is to discriminate, the logic goes.

This shift in defining who our government must protect in cases of sexual assault is possible because rape itself—at least according to Ms. Jackson—is no longer the rape that activists defined and legislators later codified in sexual assault legislation, but rather the mere imaginings of a college woman recovering from drunken sex. Though Ms. Jackson later apologized for what she termed a “flippant” remark, the problem is that this remark reifies the victim-blaming culture within which survivors already must try to seek justice. Now, though, they must do so under official federal endorsement of a narrative in which women have regrettable sex and then men are falsely accused. The data, as presented in Addressing Violence Against Women on College Campuses, does not support this narrative. But of course there has long been rape deniers and widespread endorsement of rape myths (including the oft-repeated belief that rape victims lie) in our society. We did not imagine, however, that our government officials appointed to address sexual violence would publicly endorse such beliefs in this day and age.

We therefore join the call of the 50 organizations who recently demanded that Ms. Jackson reject her own comments publicly and consistently, as Fernanda Zamudio-Suaréz wrote about in The Chronicle of Higher Education, on July 20, 2017. And, in the face of Ms. Jackson’s comments, we need college administrators to continue to push their campuses to “do the right thing.” They must do everything that have been striving to do to prevent, respond to, and adjudicate violence, which may involve rejecting a call from the administration for reduced enforcement in the future. We also call upon college students to accelerate their incredible efforts to change the social climate on college campuses and directly confront and reject victim-blaming narratives.

Our concern for what will happen under this current administration—as researchers and women—is growing.  But we also believe in the power of many to eliminate violence against women. Historically, legislation about violence against women has followed from the tireless efforts of activists. We encourage students, faculty, and officials of institutions of higher education to be those activists that refuse to see harm done to college students on college campuses.

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Somalis in the Twin Cites and Columbus in the Twin Cities

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From left to right, Jaylani Hussein, Ahmed Ismail Yusuf, Stefanie Chambers, R. T. Rybak. Photo by Jennifer Simonson.

Rain Taxi presented a discussion featuring authors Stefanie Chambers (Somalis in the Twin Cities and Columbus, Temple University Press) and Ahmed Ismail Yusuf (Somalis in Minnesota, Minnesota Historical Society Press), and moderated by Jaylani Hussein, Executive Director of CAIR-Minnesota. The event was introduced by former mayor of Minneapolis R. T. Rybak, author of Pothole Confidential (University of Minnesota Press). The event was co-presented with Trinity College and Minneapolis Foundation.

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From left to right, Jaylani Hussein, Ahmed Ismail Yusuf, and Stefanie Chambers. Photo by Jennifer Simonson

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Stefanie Chambers and Ahmed Ismail Yusuf sign books.. Photo by Jennifer Simonson.

The Twin Cities are home to the largest Somali American population in the United States, and this community has made important contributions to the political, economic, and social fabric of the region. Given the current uncertainty about immigrant and refugee policy, combined with the challenges the Muslim community faces under the current administration, Rain Taxi hosted this important event at Open Book in Minneapolis. Book sales were handled by Milkweed Books.

Meet Davarian Baldwin, co-editor of the Press’s Urban Life, Landscape, and Policy series

This week, in North Philly Notes, a Q&A with Davarian Baldwin, the new editor for Temple University Press’ Urban Life, Landscape, and Policy series.

You have written about migration and Black Urban Life. What drew you to that field of study within American studies?
I am the child of the Great Migration. I am the first generation in my family to be born in the north during the Second Great Migration. While many of my family stopped and settled in other cities like Chicago, my segment of the family kept moving on to a smaller town called Beloit, Wisconsin because I think, even though full of factories it, in some ways, reminded them more of their Mississippi home.

10-041 - Trinity - Davarian - Web Feature

10-041 – Trinity – Davarian – Web Feature

Can you talk about the kinds of books you are looking to acquire for the Urban Life, Landscape, and Policy series?
I would love to acquire books that make bold arguments while, if historical, work closely with less examined archives. I would love to see books that are both global and local in scope…books that feature the city as a crossroads for different people, ideas, and aspirations all deeply grounded within the details of their urban spaces. I want to see books that don’t look at the city as just the repository for social and historical experience, but understand the built environment as equally influential, as a central actor in the storyline…books that balance their attention on the structure of cities and the agency of human lives. For me, recent books that have some or all of these qualities include Beryl Satter’s Family Properties, Nathan D.B. Connolly’s A World More Concrete, and Andrew Needham’s Power Lines.

What book (or books) made you fall in love with reading and the power of words?
While I write and edit non-fiction academic work, I must be honest and say that fiction has always been my first love. In fact I make sure to read interesting and provocative fiction when I am writing more scholarly work. As a child the books were Beverly Cleary and alternative Star Wars fiction. As a teenager The Autobiography of Malcolm X, Alice Walker’s The Temple of My Familiar, and Toni Morrison’s Song of Solomon changed my life. The book that has stayed with me and challenged me with its combination of searing social commentary and elegant and witty prose remains Ellison’s Invisible Man. I have built an entire course around this book and I find something new in that novel every time I teach the course. To be sure, Zadie Smith’s White Teeth was the next generation version of that book but added a decidedly more urban flavor to Ellison’s racial satire. I think in the more academic realm, W.E.B. Du Bois’ The Souls of Black Folk and C.L. R. James Beyond a Boundary have done the same thing for me.

What was the last great book you read?
I am a big fan of science fiction and mystery/police procedurals, especially when the genres are both in the same book…so that makes Paolo Bacigalupi’s The Water Knife definitely the last great book I read. For me it sort of offers the prose response to one of my favorite non-fiction urban studies; Mike Davis’ City of Quartz.

What one book would you recommend everyone read?
Again mystery books/procedurals are fabulous because the great ones have amazing social commentary about gender, race, social position, inequality and so many feature the city as a central character in the story. I would recommend everyone read Paco Ignacio Taibo’s Some Clouds.

What book did you find overrated or just disappointing?
Certainly not disappointing, but as a scholar of the Great Migration, I didn’t find anything new or exciting in The Warmth of Other Suns. Yet I certainly appreciated how its prose style made decades of scholarship more accessible to a much wider audience. On the fiction side, I found Jonathan Franzen’s The Corrections a bit overrated. 

What book do you wish more people knew about?
Salvador Plascencia’s The People of Paper, is an unheralded master work, not just because of its inventive prose but because the ideas in the book are expressed in the paper quality, the typeset, and materials used in the making of the very book itself. I wish the publishing market would allow more books to reflect their ideas and themes in the construction of the actual book

What author(s), living or dead, would you be most interested in having over for dinner? WOW, I hate that I don’t cook! Not just because we share the same surname but certainly James Baldwin because of his courageousness, force of nature, ethical posture, faithfulness to everyday people, impatience with pettiness, and all qualities held with flare and wit. I think I would also want to hang out with Steig Larsson…what would it be like to push out a trilogy of prose in the face of your impending death? The courage that must take as a writer when one could easily curl up in a ball

possessive_investment_rev_ed_smWhat Temple University Press title could you not put down and why?
George Lipsitz’s Possessive Investments in Whiteness was certainly from a different time, a time when the mainstream took more seriously the idea that racial identity can in fact shape life chances and access to important resources etc. But while in the 1990’s a whole shelf of books came out in the form of memoirs or celebrations of whiteness, Lipsitz’s was a thoughtful essay so rich in archival depth demonstrating clearly how state power and private wealth have been so closely tethered to white racial identity. Here the idea that race is a social construction did not justify a dismissal of the concept but called for a more rigorous understanding of its social and hence lived power.

Meet Temple University Press’ new acquisitions editor, Ryan Mulligan

This week, in North Philly Notes, a Q&A with our new acquisitions editor, Ryan Mulligan.

You are acquiring books in sociology, criminology, and sports as well as regional titles. What is your affinity for these discipline?
I worked on sociology books in my previous position and found the discipline to be so vibrant and necessary. Sociology places the human faces we see into the contexts that shape them and make them the way they are. Conversely, it also puts real, complex, human faces on the contexts we make assumptions about. So much of academia is rightly concerned with showing the ways the real world resists our assumptions and heuristics, but sociology is extra important because assumptions and heuristics about people can be so dangerous.

This is a great moment to be getting into criminology, as there is so much skepticism and room for questions and answers in law and order today. Criminology has a close relationship with sociology. It has been mostly published by larger publishers and I’m excited about the opportunity to take a more targeted topical approach to specific subfields that merit a tighter focus but have broad implications.

Everyone who knows me knows I love sports and Philadelphia sports in particular. Everyone describes Philadelphia fans as passionate but we are also demanding and informed, which makes us a voracious readers and consumers of perspectives and information. In other words, it’s a great environment in which to be publishing sports books. Beyond my own fandom I’m also excited about the sports list as a publishing opportunity. So much of sports publishing has traditionally been nostalgic and I think there’s a real opportunity, especially for a university press, to publish books that are curious, socially engaged, forward looking, and concerned about how sports arrived at where they are and where they are going. I see so many outlets online serving a broadly interested and educated sports fan and think that shows a readership underserved by many of the sports books on the bookstore shelf.

I’ll especially look to continue Temple University Press’s strengths in urban sociology, criminology, labor studies, social movements, social stratification, and sexuality and gender studies.

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What book (or books) made you fall in love with reading and the power of words?
I’m going to go to my childhood with E.B. White’s Charlotte’s Web, Stuart Little, and The Trumpet of the Swan. It was interesting, later on, to read White’s indispensable writing guide, The Elements of Style (with William Strunk, Jr.) and see him explicitly outline what had enlivened his writing for me as a child: a charming honesty and understated directness. Ray Bradbury deserves a shout-out, too.

What was the last great book you read? (Can be academic or not)
Just before starting work here on the sports list, I read The Only Rule Is It Has to Work, published last May, a book by two analytics-oriented baseball writers who had the opportunity to take over baseball operations for an independent league baseball team. They describe the victories, defeats, and culture clashes resulting from their attempt to put the strategic consensus of the SABR community in to the game plans of the all-too-real coaches and players that inhabit their would-be sandbox. It underscores how hard it still is to get everyone, whatever their view of baseball, to come to grips with their uncertainty, more than a decade after Moneyball.

What one book would you recommend everyone read?
As long as I’m talking about uncertainty and data, everyone should read Nate Silver’s The Signal and the Noise. The fun of it is reading well-told stories from several fieldsweather, politics, economics, sports, earthquakeson how the best prognosticators make the best predictions. Everyone can learn something about how the best in a field you don’t know find sense within the mountain of information available to them. But the message that I think should resonate for scholars and civilians like myself alike is how the most knowledgeable people are honest with themselves about what they don’t know

What book or author do you wish more people knew about?
Ghettoside: A True Story of Murder in America by Jill Leovy. This is an intervention in one of those debates where there are two cogent sides but neither approaches the crux of the problem: Leovy shows that whether we institute more policing or less policing, we would benefit from better policing.

What titles might we be surprised to discover on your bookshelf?
Learn to Surf, by James Maclaren. Not really the vibe I give off – maybe because I haven’t been very successful at it.

What author(s), living or dead, would you be most interested in meeting, or having over for dinner?
Shakespeare. There’s a Titus Andronicus joke to be made here, but I can’t quite work my way around to it.

595_regWhat Temple University Press title could you not put down?
If declaring a favorite child is an unwise parenting strategy, choosing a favorite child among the many you just inherited seems doubly fraught, so I’m going to venture outside my own lists here at Temple and choose a great book on Temple’s backlist that I read as an undergrad philosophy student: The Philosophy of Alain Locke, edited by Leonard Harris. Locke’s philosophy provides background and context for the Harlem Renaissance and for so many pride movements to follow.

 

 

Temple University Press adds two new editors to the Asian American History and Culture series

This week in North Philly Notes, we announce the two new editors joining our Asian American History and Culture series.

Temple University Press is pleased to announce the addition of Rick Bonus, Associate Professor of American Ethnic Studies at the University of Washington, and Shelley Sang-Hee Lee, Associate Professor of History and Comparative American Studies at Oberlin College, to the Asian American History and Culture series editorial team. They will be replacing editors Linda Trinh Võ and K. Scott Wong, who will be transitioning into editors emeriti roles.

Both Bonus and Lee have published books in the series with Temple University Press. Rick Bonus published Locating Filipino Americans: Ethnicity and the Cultural Politics of Space in 2000, and co-edited Contemporary Asian American Communities: Intersections and Divergences with outgoing AAHC editor, Võ. Shelley Sang-Hee Lee published Claiming the Oriental Gateway: Prewar Seattle and Japanese America with Temple in 2012. They join current series editor Cathy Schlund-Vials.

Schlund-Vials is enthusiastic about the new team. She observed, “Rick Bonus and Shelley Lee’s work has proved aspirational for me and the field. Both Bonus and Lee bring established reputations to the series. They are keen interlocutors, leading scholars, and dedicated practitioners. It is truly an honor to have them on board, and I am humbled to be in their midst.”

Shelley Lee says she is “looking forward to helping shape the series with my co-editors.” Her work will focus on “honoring the AAHC’s distinguished legacy and building on its strengths, while also searching out titles that represent exciting and important directions in Asian American history.”

Bonus is also excited to be part of the editorial team. He acknowledged, “Temple has been a pioneering intellectual force in Asian American Studies and continues to make possible new and emerging directions in the scholarship on Asian American Studies.”

He continued, “My vision for the press includes the perpetuation of the amazing work all my predecessors have accomplished. I hope to assist the press in treading new and emerging directions in Asian American Studies by strategically pursuing works that are directly or intersectionally conversant with fields like transnationalism, science and technology studies, cross-regional and cross-disciplinary studies, queer studies, and education and social work studies. All of these, I hope, will enable transformative insights into Asian American Studies and move forward Temple’s record in enhancing the field’s depth and breadth.”

Schlund-Vials reflected about the outgoing series editors, Linda Trinh Võ and K. Scott Wong as the torch was being passed. She said, “During their illustrious time as series editors, Võ and Wong consistently ushered projects that reflected the ever-growing, ever-expansive contours of Asian American Studies as provocative interdiscipline. Under their guidance, the series expanded its sights and sites to encompass the complexities of diaspora and dynamics of transnationalism. They were, quite frankly, ideal mentors for me as a new series editor: I benefitted greatly from their extensive knowledge of the field, their commitment to scholarly mentorship, and their willingness to see multiple possibilities. Their mark on the series is unquestionable, and they deserve much of the credit for the very high reputation Temple University Press has within Asian American Studies. I am certainly not alone in this assessment, as evidenced by the many awards given to books they shepherded throughout their tenure.”

About the Series

Temple University Press published the first two titles in the Asian American History and Culture series — Entry Denied, by series founder Sucheng Chan and Cane Fires, by Gary Okihiro — in the spring of 1991. There are now more than 70 titles in the series, which is edited by Sara Cohen.

Founded by Sucheng Chan in 1991, the Asian American History and Culture series has sponsored innovative scholarship that has redefined, expanded, and advanced the field of Asian American studies while strengthening its links to related areas of scholarly inquiry and engaged critique. Like the field from which it emerged, the series remains rooted in the social sciences and humanities, encompassing multiple regions, formations, communities, and identities. Extending the vision of founding editor Sucheng Chan and editors emeriti Michael Omi and David Palumbo-Liu, series editors Cathy Schlund-Vials, Rick Bonus and Shelley Sang-Hee Lee continue to develop a foundational collection that embodies a range of theoretical and methodological approaches to Asian American studies.

Temple University Press is having a Back-to-School SALE!

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Ray Didinger on “Tommy and Me”

This week in North Philly Notes,  Ray Didinger, author of One Last Read and The New Eagles Encyclopedia, recounts bringing his play Tommy and Mebased on his life, to life on stage.

I didn’t know it was possible to have an experience that is both exhilarating and painful. But that’s what I was feeling Sunday night as Tommy and Me, my first—and probably last—stage play had its final performance at the Fringe Arts theatre.

It was exhilarating because the sellout crowd sent the play off with a standing ovation and afterwards people stayed around to say how much they enjoyed it. The story flashes back to the 1950s and ’60s and the career of Eagles great Tommy McDonald and dozens of people came up to me to relate their own memories of Franklin Field. Some still carried the ticket stubs in their wallets. Three bucks for a seat in the end zone. Yes, it was a long time ago.

TommyandMe SetThe painful part was walking back into the empty theatre and seeing the crew dismantle the set. During the two-week run from August 3 through 14, I virtually lived in that theatre. It became my world and each night when the lights went down and the actors took the stage, I was transported back to my boyhood when I was the freckle-faced fan who wanted nothing more than to carry Tommy McDonald’s helmet as he walked to the practice field. It brought a lump to my throat every night. But on Sunday, seeing it stripped down and silent, reminded me it was, indeed, over.

I knew this night was coming. I knew there would be that moment when I had to let go and Tommy and Me would become a memory, but it did not lessen the sense of loss. We sat at the bar for a long time—the cast, the crew, the whole Theatre Exile team—and talked about the play and how it grew into something larger than we first imagined. All 12 performances were sell outs and each show ended with a standing ovation that seemed to grow louder each night. Tom Teti, the veteran actor who played Tommy McDonald, said, “This was a rare one.” The others at the bar nodded in agreement.

Picture_r688x459Once we left the theatre that night we would be going in different directions. Joe Canuso, the director, is going back to work on Rizzo, the play he successful staged last year and is reviving at the Suzanne Roberts Theatre in September. Matt Pfeiffer, the actor who played me as an adult, is headed to Naples, Florida, to direct a play. Ned Pryce, the actor who played the young Tommy McDonald, is already in rehearsal for a role with the Iron Age Theatre. Tom Teti is rejoining the team at People’s Light and Theatre in Malvern. Simon Kiley, who played the 10-year-old me, is getting ready to start sixth grade at Girard Academic Music Program. I would return to talking about the Eagles on WIP Sports Radio and Comcast Sports Net.

The New Eagles Encyclopedia_smBut for a little while longer, we were sharing the bond that was Tommy and Me, the play I wrote about my boyhood hero and our unlikely 40-year journey to the Pro Football Hall of Fame. I had never written a play before and when I started I wasn’t at all sure it would ever be produced. But thanks to Joe Canuso, who believed in the project, and Bruce Graham, the superb Philadelphia playwright who helped in its development, we were able to bring Tommy and Me to life. To sit in the theatre each evening and hear the audience laugh, sometimes cry, boo any reference to the Dallas Cowboys and ultimately applaud at the final curtain was a thrill unlike anything I had experienced before. I know I’ll never forget it.

Each night ended with the cast returning to the stage to answer questions from the audience. The very first night, a woman stood up and said: “I’m not an Eagles fan. I don’t even like sports…” I thought, “Where is this going?” Then she said, “But this story really touched me.” Several theatre critics [reviews below] made the same point: it isn’t a football story. It is a story about a boy, his hero and dreams coming true. It is a story I always wanted to tell and that’s why on Sunday night it was hard to let go.

Read the DC Metro‘s review. 

Read the Broad Street Review‘s review

Read Philly.com‘s review

Read NewsWork‘s review

Read Philadelphia Magazine‘s review 

 

 

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