“I’ll take film for $1000, Alex”

We’ve taken control of North Philly Notes to celebrate its illustrious creator and owner.

His twitter handle is “I’m a twin and a film critic who always has a book in his hand. I also have an opinion, and I’m not afraid to share it.“ That pretty much sums up Temple University Press’s publicity manager Gary Kramer. Gary has worked at the Press for almost 20 years and before that he had a brief stint at Princeton U. Press. At Temple, he’s responsible for the preparation of copy for book jackets, catalogs, and press releases as well as securing advance promotional statements from various academics. He plans and coordinates publicity activities for all Press books and participates in the development of marketing strategies. He compiles and produces a weekly update e-mail titled “News of the Week,” which informs our mailing list subscribers of the authors in the news, appearances, reviews published that week, and any new blog entries on our North Philly Notes blog site. He’s incredibly hard-working, smart, and engaging with amazing skills and abilities. He is also witty and imaginative. He responds to emails with lightning speed, and maintains such good relations with authors that oftentimes authors write him before they even approach their acquisitions editor.

GarywithBookBut Gary has much more going on beyond his work at the Press. He’s the author of Independent Queer Cinema: Reviews and Interviews and co-author of Directory of World Cinema: Argentina. He’s also a film critic whose blurbs often adorn movie ads in the pages of the New York Times. Ask him any question about a film and he knows the answer; if you don’t know the name of the film just give him one actor’s name and a one sentence description of the film and he’ll name the film.

Gary exemplifies everything we love about university press publishing.  He gives his all to the Press and our authors, he’s a published author, and his film reviews are read by moviegoers worldwide.

Jeopardy anyone?

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Celebrating Temple University Press Books at the Association for Asian American Studies conference

This week in North Philly Notes, we spotlight our new Asian American titles, which will be on display at the Association for Asian American Studies conference, April 25-27 in Madison, Wisconsin. Several Temple University Press titles will be celebrated at a reception for new books on Thursday, April 25, at 6:00 pm in the Madison Concourse Hotel.

But wait, there’s more!…

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Temple University Press is hosting a reception at 2:00 pm on Friday, April 26 to celebrate 50 years of publishing. Our Asian American History and Culture series editors are expected to attend.

 

Temple University Press titles in Asian American Studies for 2018-2019

From Confinement to Containment: Japanese/American Arts during the Early Cold Warby Edward Tang, examines the work of four Japanese and Japanese/American artists and writers during this period: the novelist Hanama Tasaki, the actor Yamaguchi Yoshiko, the painter Henry Sugimoto, and the children’s author Yoshiko Uchida. Tang shows how the film, art, and literature made by these artists revealed to the American public the linked processes of U.S. actions at home and abroad. Their work played into—but also challenged—the postwar rehabilitated images of Japan and Japanese Americans as it focused on the history of transpacific relations such as Japanese immigration to the United States, the Asia-Pacific War, U.S. and Japanese imperialism, and the wartime confinement of Japanese Americans.

Anna May Wong: Performing the Modernby Shirley Jennifer Lim, re-evaluates the pioneering Chinese American actress Anna May Wong who made more than sixty films, headlined theater and vaudeville productions, and even starred in her own television show. Her work helped shape racial modernity as she embodied the dominant image of Chinese and, more generally, “Oriental” women between 1925 and 1940. Lim scrutinizes Wong’s cultural production and self-fashioning to provide a new understanding of the actress’s career as an ingenious creative artist.

America’s Vietnam: The Longue Durée of U.S. Literature and Empireby Marguerite Nguyen, challenges the prevailing genealogy of Vietnam’s emergence in the American imagination—one that presupposes the Vietnam War as the starting point of meaningful Vietnamese-U.S. political and cultural involvements. Examining literature from as early as the 1820s, Marguerite Nguyen takes a comparative, long historical approach to interpreting constructions of Vietnam in American literature. She analyzes works in various genres published in English and Vietnamese by Monique Truong and Michael Herr as well as lesser-known writers such as John White, Harry Hervey, and Võ Phiến. America’s Vietnam recounts a mostly unexamined story of Southeast Asia’s lasting and varied influence on U.S. aesthetic and political concerns.

Where I Have Never Been: Migration, Melancholia, and Memory in Asian American Narratives of Return, by Patricia P. Chu. In researching accounts of diasporic Chinese offspring who returned to their parents’ ancestral country, author Patricia Chu learned that she was not alone in the experience of growing up in America with an abstract affinity to an ancestral homeland and community. The bittersweet emotions she had are shared in Asian American literature that depicts migration-related melancholia, contests official histories, and portrays Asian American families as flexible and transpacific. Where I Have Never Been explores the tropes of return, tracing both literal return visits by Asian emigrants and symbolic “returns”: first visits by diasporic offspring. Chu argues that these Asian American narratives seek to remedy widely held anxieties about cultural loss and the erasure of personal and family histories from public memory.

Sticky Rice: A Politics of Intraracial Desire, by Cynthia Wu, examines representations of same-sex desires and intraracial intimacies in some of the most widely read pieces of Asian American literature. Analyzing canonical works such as John Okada’s No-No Boy, Monique Truong’s The Book of Salt, H. T. Tsiang’s And China Has Hands, and Lois-Ann Yamanaka’s Blu’s Hanging, as well as Philip Kan Gotanda’s play, Yankee Dawg You Die, Wu considers how male relationships in these texts blur the boundaries among the homosocial, the homoerotic, and the homosexual in ways that lie beyond our concepts of modern gay identity. Wu lays bare the trope of male same-sex desires that grapple with how Asian America’s internal divides can be resolved in order to resist assimilation.

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